The house in which Seth Richmond of
Winesburg lived with his mother had been at one time
the show place of the town, but when young Seth lived
there its glory had become somewhat dimmed. The
huge brick house which Banker White had built on Buckeye
Street had overshadowed it. The Richmond place
was in a little valley far out at the end of Main
Street. Farmers coming into town by a dusty road
from the south passed by a grove of walnut trees,
skirted the Fair Ground with its high board fence
covered with advertisements, and trotted their horses
down through the valley past the Richmond place into
town. As much of the country north and south
of Winesburg was devoted to fruit and berry raising,
Seth saw wagon-loads of berry pickers—boys,
girls, and women—going to the fields in
the morning and returning covered with dust in the
evening. The chattering crowd, with their rude
jokes cried out from wagon to wagon, sometimes irritated
him sharply. He regretted that he also could
not laugh boisterously, shout meaningless jokes and
make of himself a figure in the endless stream of
moving, giggling activity that went up and down the
road.
The Richmond house was built of limestone,
and, although it was said in the village to have become
run down, had in reality grown more beautiful with
every passing year. Already time had begun a
little to color the stone, lending a golden richness
to its surface and in the evening or on dark days
touching the shaded places beneath the eaves with
wavering patches of browns and blacks.
The house had been built by Seth’s
grandfather, a stone quarryman, and it, together with
the stone quarries on Lake Erie eighteen miles to
the north, had been left to his son, Clarence Richmond,
Seth’s father. Clarence Richmond, a quiet
passionate man extraordinarily admired by his neighbors,
had been killed in a street fight with the editor
of a newspaper in Toledo, Ohio. The fight concerned
the publication of Clarence Richmond’s name
coupled with that of a woman school teacher, and as
the dead man had begun the row by firing upon the
editor, the effort to punish the slayer was unsuccessful.
After the quarryman’s death it was found that
much of the money left to him had been squandered
in speculation and in insecure investments made through
the influence of friends.
Left with but a small income, Virginia
Richmond had settled down to a retired life in the
village and to the raising of her son. Although
she had been deeply moved by the death of the husband
and father, she did not at all believe the stories
concerning him that ran about after his death.
To her mind, the sensitive, boyish man whom all had
instinctively loved, was but an unfortunate, a being
too fine for everyday life. “You’ll
be hearing all sorts of stories, but you are not to
believe what you hear,” she said to her son.
“He was a good man, full of tenderness for everyone,
and should not have tried to be a man of affairs.
No matter how much I were to plan and dream of your
future, I could not imagine anything better for you
than that you turn out as good a man as your father.”
Several years after the death of her
husband, Virginia Richmond had become alarmed at the
growing demands upon her income and had set herself
to the task of increasing it. She had learned
stenography and through the influence of her husband’s
friends got the position of court stenographer at
the county seat. There she went by train each
morning during the sessions of the court, and when
no court sat, spent her days working among the rosebushes
in her garden. She was a tall, straight figure
of a woman with a plain face and a great mass of brown
hair.
In the relationship between Seth Richmond
and his mother, there was a quality that even at eighteen
had begun to color all of his traffic with men.
An almost unhealthy respect for the youth kept the
mother for the most part silent in his presence.
When she did speak sharply to him he had only to look
steadily into her eyes to see dawning there the puzzled
look he had already noticed in the eyes of others
when he looked at them.
The truth was that the son thought
with remarkable clearness and the mother did not.
She expected from all people certain conventional
reactions to life. A boy was your son, you scolded
him and he trembled and looked at the floor.
When you had scolded enough he wept and all was forgiven.
After the weeping and when he had gone to bed, you
crept into his room and kissed him.
Virginia Richmond could not understand
why her son did not do these things. After the
severest reprimand, he did not tremble and look at
the floor but instead looked steadily at her, causing
uneasy doubts to invade her mind. As for creeping
into his room—after Seth had passed his
fifteenth year, she would have been half afraid to
do anything of the kind.
Once when he was a boy of sixteen,
Seth in company with two other boys ran away from
home. The three boys climbed into the open door
of an empty freight car and rode some forty miles
to a town where a fair was being held. One of
the boys had a bottle filled with a combination of
whiskey and blackberry wine, and the three sat with
legs dangling out of the car door drinking from the
bottle. Seth’s two companions sang and
waved their hands to idlers about the stations of
the towns through which the train passed. They
planned raids upon the baskets of farmers who had
come with their families to the fair. “We
will five like kings and won’t have to spend
a penny to see the fair and horse races,” they
declared boastfully.
After the disappearance of Seth, Virginia
Richmond walked up and down the floor of her home
filled with vague alarms. Although on the next
day she discovered, through an inquiry made by the
town marshal, on what adventure the boys had gone,
she could not quiet herself. All through the
night she lay awake hearing the clock tick and telling
herself that Seth, like his father, would come to
a sudden and violent end. So determined was she
that the boy should this time feel the weight of her
wrath that, although she would not allow the marshal
to interfere with his adventure, she got out a pencil
and paper and wrote down a series of sharp, stinging
reproofs she intended to pour out upon him. The
reproofs she committed to memory, going about the
garden and saying them aloud like an actor memorizing
his part.
And when, at the end of the week,
Seth returned, a little weary and with coal soot in
his ears and about his eyes, she again found herself
unable to reprove him. Walking into the house
he hung his cap on a nail by the kitchen door and
stood looking steadily at her. “I wanted
to turn back within an hour after we had started,”
he explained. “I didn’t know what
to do. I knew you would be bothered, but I knew
also that if I didn’t go on I would be ashamed
of myself. I went through with the thing for
my own good. It was uncomfortable, sleeping on
wet straw, and two drunken Negroes came and slept
with us. When I stole a lunch basket out of a
farmer’s wagon I couldn’t help thinking
of his children going all day without food. I
was sick of the whole affair, but I was determined
to stick it out until the other boys were ready to
come back.”
“I’m glad you did stick
it out,” replied the mother, half resentfully,
and kissing him upon the forehead pretended to busy
herself with the work about the house.
On a summer evening Seth Richmond
went to the New Willard House to visit his friend,
George Willard. It had rained during the afternoon,
but as he walked through Main Street, the sky had
partially cleared and a golden glow lit up the west.
Going around a corner, he turned in at the door of
the hotel and began to climb the stairway leading
up to his friend’s room. In the hotel office
the proprietor and two traveling men were engaged
in a discussion of politics.
On the stairway Seth stopped and listened
to the voices of the men below. They were excited
and talked rapidly. Tom Willard was berating
the traveling men. “I am a Democrat but
your talk makes me sick,” he said. “You
don’t understand McKinley. McKinley and
Mark Hanna are friends. It is impossible perhaps
for your mind to grasp that. If anyone tells
you that a friendship can be deeper and bigger and
more worth while than dollars and cents, or even more
worth while than state politics, you snicker and laugh.”
The landlord was interrupted by one
of the guests, a tall, grey-mustached man who worked
for a wholesale grocery house. “Do you
think that I’ve lived in Cleveland all these
years without knowing Mark Hanna?” he demanded.
“Your talk is piffle. Hanna is after money
and nothing else. This McKinley is his tool.
He has McKinley bluffed and don’t you forget
it.”
The young man on the stairs did not
linger to hear the rest of the discussion, but went
on up the stairway and into the little dark hall.
Something in the voices of the men talking in the
hotel office started a chain of thoughts in his mind.
He was lonely and had begun to think that loneliness
was a part of his character, something that would
always stay with him. Stepping into a side hall
he stood by a window that looked into an alleyway.
At the back of his shop stood Abner Groff, the town
baker. His tiny bloodshot eyes looked up and
down the alleyway. In his shop someone called
the baker, who pretended not to hear. The baker
had an empty milk bottle in his hand and an angry
sullen look in his eyes.
In Winesburg, Seth Richmond was called
the “deep one.” “He’s
like his father,” men said as he went through
the streets. “He’ll break out some
of these days. You wait and see.”
The talk of the town and the respect
with which men and boys instinctively greeted him,
as all men greet silent people, had affected Seth
Richmond’s outlook on life and on himself.
He, like most boys, was deeper than boys are given
credit for being, but he was not what the men of the
town, and even his mother, thought him to be.
No great underlying purpose lay back of his habitual
silence, and he had no definite plan for his life.
When the boys with whom he associated were noisy and
quarrelsome, he stood quietly at one side. With
calm eyes he watched the gesticulating lively figures
of his companions. He wasn’t particularly
interested in what was going on, and sometimes wondered
if he would ever be particularly interested in anything.
Now, as he stood in the half-darkness by the window
watching the baker, he wished that he himself might
become thoroughly stirred by something, even by the
fits of sullen anger for which Baker Groff was noted.
“It would be better for me if I could become
excited and wrangle about politics like windy old
Tom Willard,” he thought, as he left the window
and went again along the hallway to the room occupied
by his friend, George Willard.
George Willard was older than Seth
Richmond, but in the rather odd friendship between
the two, it was he who was forever courting and the
younger boy who was being courted. The paper
on which George worked had one policy. It strove
to mention by name in each issue, as many as possible
of the inhabitants of the village. Like an excited
dog, George Willard ran here and there, noting on
his pad of paper who had gone on business to the county
seat or had returned from a visit to a neighboring
village. All day he wrote little facts upon the
pad. “A. P. Wringlet had received a
shipment of straw hats. Ed Byerbaum and Tom Marshall
were in Cleveland Friday. Uncle Tom Sinnings
is building a new barn on his place on the Valley
Road.”
The idea that George Willard would
some day become a writer had given him a place of
distinction in Winesburg, and to Seth Richmond he
talked continually of the matter, “It’s
the easiest of all lives to live,” he declared,
becoming excited and boastful. “Here and
there you go and there is no one to boss you.
Though you are in India or in the South Seas in a
boat, you have but to write and there you are.
Wait till I get my name up and then see what fun I
shall have.”
In George Willard’s room, which
had a window looking down into an alleyway and one
that looked across railroad tracks to Biff Carter’s
Lunch Room facing the railroad station, Seth Richmond
sat in a chair and looked at the floor. George
Willard, who had been sitting for an hour idly playing
with a lead pencil, greeted him effusively. “I’ve
been trying to write a love story,” he explained,
laughing nervously. Lighting a pipe he began
walking up and down the room. “I know what
I’m going to do. I’m going to fall
in love. I’ve been sitting here and thinking
it over and I’m going to do it.”
As though embarrassed by his declaration,
George went to a window and turning his back to his
friend leaned out. “I know who I’m
going to fall in love with,” he said sharply.
“It’s Helen White. She is the only
girl in town with any ‘get-up’ to her.”
Struck with a new idea, young Willard
turned and walked toward his visitor. “Look
here,” he said. “You know Helen White
better than I do. I want you to tell her what
I said. You just get to talking to her and say
that I’m in love with her. See what she
says to that. See how she takes it, and then
you come and tell me.”
Seth Richmond arose and went toward
the door. The words of his comrade irritated
him unbearably. “Well, good-bye,”
he said briefly.
George was amazed. Running forward
he stood in the darkness trying to look into Seth’s
face. “What’s the matter? What
are you going to do? You stay here and let’s
talk,” he urged.
A wave of resentment directed against
his friend, the men of the town who were, he thought,
perpetually talking of nothing, and most of all, against
his own habit of silence, made Seth half desperate.
“Aw, speak to her yourself,” he burst
forth and then, going quickly through the door, slammed
it sharply in his friend’s face. “I’m
going to find Helen White and talk to her, but not
about him,” he muttered.
Seth went down the stairway and out
at the front door of the hotel muttering with wrath.
Crossing a little dusty street and climbing a low
iron railing, he went to sit upon the grass in the
station yard. George Willard he thought a profound
fool, and he wished that he had said so more vigorously.
Although his acquaintanceship with Helen White, the
banker’s daughter, was outwardly but casual,
she was often the subject of his thoughts and he felt
that she was something private and personal to himself.
“The busy fool with his love stories,”
he muttered, staring back over his shoulder at George
Willard’s room, “why does he never tire
of his eternal talking.”
It was berry harvest time in Winesburg
and upon the station platform men and boys loaded
the boxes of red, fragrant berries into two express
cars that stood upon the siding. A June moon
was in the sky, although in the west a storm threatened,
and no street lamps were lighted. In the dim
light the figures of the men standing upon the express
truck and pitching the boxes in at the doors of the
cars were but dimly discernible. Upon the iron
railing that protected the station lawn sat other
men. Pipes were lighted. Village jokes went
back and forth. Away in the distance a train whistled
and the men loading the boxes into the cars worked
with renewed activity.
Seth arose from his place on the grass
and went silently past the men perched upon the railing
and into Main Street. He had come to a resolution.
“I’ll get out of here,” he told
himself. “What good am I here? I’m
going to some city and go to work. I’ll
tell mother about it tomorrow.”
Seth Richmond went slowly along Main
Street, past Wacker’s Cigar Store and the Town
Hall, and into Buckeye Street. He was depressed
by the thought that he was not a part of the life
in his own town, but the depression did not cut deeply
as he did not think of himself as at fault. In
the heavy shadows of a big tree before Doctor Welling’s
house, he stopped and stood watching half-witted Turk
Smollet, who was pushing a wheelbarrow in the road.
The old man with his absurdly boyish mind had a dozen
long boards on the wheelbarrow, and, as he hurried
along the road, balanced the load with extreme nicety.
“Easy there, Turk! Steady now, old boy!”
the old man shouted to himself, and laughed so that
the load of boards rocked dangerously.
Seth knew Turk Smollet, the half dangerous
old wood chopper whose peculiarities added so much
of color to the life of the village. He knew
that when Turk got into Main Street he would become
the center of a whirlwind of cries and comments, that
in truth the old man was going far out of his way
in order to pass through Main Street and exhibit his
skill in wheeling the boards. “If George
Willard were here, he’d have something to say,”
thought Seth. “George belongs to this town.
He’d shout at Turk and Turk would shout at him.
They’d both be secretly pleased by what they
had said. It’s different with me.
I don’t belong. I’ll not make a fuss
about it, but I’m going to get out of here.”
Seth stumbled forward through the
half-darkness, feeling himself an outcast in his own
town. He began to pity himself, but a sense of
the absurdity of his thoughts made him smile.
In the end he decided that he was simply old beyond
his years and not at all a subject for self-pity.
“I’m made to go to work. I may be
able to make a place for myself by steady working,
and I might as well be at it,” he decided.
Seth went to the house of Banker White
and stood in the darkness by the front door.
On the door hung a heavy brass knocker, an innovation
introduced into the village by Helen White’s
mother, who had also organized a women’s club
for the study of poetry. Seth raised the knocker
and let it fall. Its heavy clatter sounded like
a report from distant guns. “How awkward
and foolish I am,” he thought. “If
Mrs. White comes to the door, I won’t know what
to say.”
It was Helen White who came to the
door and found Seth standing at the edge of the porch.
Blushing with pleasure, she stepped forward, closing
the door softly. “I’m going to get
out of town. I don’t know what I’ll
do, but I’m going to get out of here and go to
work. I think I’ll go to Columbus,”
he said. “Perhaps I’ll get into the
State University down there. Anyway, I’m
going. I’ll tell mother tonight.”
He hesitated and looked doubtfully about. “Perhaps
you wouldn’t mind coming to walk with me?”
Seth and Helen walked through the
streets beneath the trees. Heavy clouds had drifted
across the face of the moon, and before them in the
deep twilight went a man with a short ladder upon
his shoulder. Hurrying forward, the man stopped
at the street crossing and, putting the ladder against
the wooden lamp-post, lighted the village lights so
that their way was half lighted, half darkened, by
the lamps and by the deepening shadows cast by the
low-branched trees. In the tops of the trees
the wind began to play, disturbing the sleeping birds
so that they flew about calling plaintively.
In the lighted space before one of the lamps, two
bats wheeled and circled, pursuing the gathering swarm
of night flies.
Since Seth had been a boy in knee
trousers there had been a half expressed intimacy
between him and the maiden who now for the first time
walked beside him. For a time she had been beset
with a madness for writing notes which she addressed
to Seth. He had found them concealed in his books
at school and one had been given him by a child met
in the street, while several had been delivered through
the village post office.
The notes had been written in a round,
boyish hand and had reflected a mind inflamed by novel
reading. Seth had not answered them, although
he had been moved and flattered by some of the sentences
scrawled in pencil upon the stationery of the banker’s
wife. Putting them into the pocket of his coat,
he went through the street or stood by the fence in
the school yard with something burning at his side.
He thought it fine that he should be thus selected
as the favorite of the richest and most attractive
girl in town.
Helen and Seth stopped by a fence
near where a low dark building faced the street.
The building had once been a factory for the making
of barrel staves but was now vacant. Across the
street upon the porch of a house a man and woman talked
of their childhood, their voices coming dearly across
to the half-embarrassed youth and maiden. There
was the sound of scraping chairs and the man and woman
came down the gravel path to a wooden gate. Standing
outside the gate, the man leaned over and kissed the
woman. “For old times’ sake,”
he said and, turning, walked rapidly away along the
sidewalk.
“That’s Belle Turner,”
whispered Helen, and put her hand boldly into Seth’s
hand. “I didn’t know she had a fellow.
I thought she was too old for that.” Seth
laughed uneasily. The hand of the girl was warm
and a strange, dizzy feeling crept over him.
Into his mind came a desire to tell her something
he had been determined not to tell. “George
Willard’s in love with you,” he said,
and in spite of his agitation his voice was low and
quiet. “He’s writing a story, and
he wants to be in love. He wants to know how
it feels. He wanted me to tell you and see what
you said.”
Again Helen and Seth walked in silence.
They came to the garden surrounding the old Richmond
place and going through a gap in the hedge sat on
a wooden bench beneath a bush.
On the street as he walked beside
the girl new and daring thoughts had come into Seth
Richmond’s mind. He began to regret his
decision to get out of town. “It would
be something new and altogether delightful to remain
and walk often through the streets with Helen White,”
he thought. In imagination he saw himself putting
his arm about her waist and feeling her arms clasped
tightly about his neck. One of those odd combinations
of events and places made him connect the idea of
love-making with this girl and a spot he had visited
some days before. He had gone on an errand to
the house of a farmer who lived on a hillside beyond
the Fair Ground and had returned by a path through
a field. At the foot of the hill below the farmer’s
house Seth had stopped beneath a sycamore tree and
looked about him. A soft humming noise had greeted
his ears. For a moment he had thought the tree
must be the home of a swarm of bees.
And then, looking down, Seth had seen
the bees everywhere all about him in the long grass.
He stood in a mass of weeds that grew waist-high in
the field that ran away from the hillside. The
weeds were abloom with tiny purple blossoms and gave
forth an overpowering fragrance. Upon the weeds
the bees were gathered in armies, singing as they
worked.
Seth imagined himself lying on a summer
evening, buried deep among the weeds beneath the tree.
Beside him, in the scene built in his fancy, lay Helen
White, her hand lying in his hand. A peculiar
reluctance kept him from kissing her lips, but he
felt he might have done that if he wished. Instead,
he lay perfectly still, looking at her and listening
to the army of bees that sang the sustained masterful
song of labor above his head.
On the bench in the garden Seth stirred
uneasily. Releasing the hand of the girl, he
thrust his hands into his trouser pockets. A
desire to impress the mind of his companion with the
importance of the resolution he had made came over
him and he nodded his head toward the house.
“Mother’ll make a fuss, I suppose,”
he whispered. “She hasn’t thought
at all about what I’m going to do in life.
She thinks I’m going to stay on here forever
just being a boy.”
Seth’s voice became charged
with boyish earnestness. “You see, I’ve
got to strike out. I’ve got to get to work.
It’s what I’m good for.”
Helen White was impressed. She
nodded her head and a feeling of admiration swept
over her. “This is as it should be,”
she thought. “This boy is not a boy at all,
but a strong, purposeful man.” Certain vague
desires that had been invading her body were swept
away and she sat up very straight on the bench.
The thunder continued to rumble and flashes of heat
lightning lit up the eastern sky. The garden
that had been so mysterious and vast, a place that
with Seth beside her might have become the background
for strange and wonderful adventures, now seemed no
more than an ordinary Winesburg back yard, quite definite
and limited in its outlines.
“What will you do up there?” she whispered.
Seth turned half around on the bench,
striving to see her face in the darkness. He
thought her infinitely more sensible and straightforward
than George Willard, and was glad he had come away
from his friend. A feeling of impatience with
the town that had been in his mind returned, and he
tried to tell her of it. “Everyone talks
and talks,” he began. “I’m sick
of it. I’ll do something, get into some
kind of work where talk don’t count. Maybe
I’ll just be a mechanic in a shop. I don’t
know. I guess I don’t care much. I
just want to work and keep quiet. That’s
all I’ve got in my mind.”
Seth arose from the bench and put
out his hand. He did not want to bring the meeting
to an end but could not think of anything more to
say. “It’s the last time we’ll
see each other,” he whispered.
A wave of sentiment swept over Helen.
Putting her hand upon Seth’s shoulder, she started
to draw his face down toward her own upturned face.
The act was one of pure affection and cutting regret
that some vague adventure that had been present in
the spirit of the night would now never be realized.
“I think I’d better be going along,”
she said, letting her hand fall heavily to her side.
A thought came to her. “Don’t you
go with me; I want to be alone,” she said.
“You go and talk with your mother. You’d
better do that now.”
Seth hesitated and, as he stood waiting,
the girl turned and ran away through the hedge.
A desire to run after her came to him, but he only
stood staring, perplexed and puzzled by her action
as he had been perplexed and puzzled by all of the
life of the town out of which she had come. Walking
slowly toward the house, he stopped in the shadow
of a large tree and looked at his mother sitting by
a lighted window busily sewing. The feeling of
loneliness that had visited him earlier in the evening
returned and colored his thoughts of the adventure
through which he had just passed. “Huh!”
he exclaimed, turning and staring in the direction
taken by Helen White. “That’s how
things’ll turn out. She’ll be like
the rest. I suppose she’ll begin now to
look at me in a funny way.” He looked at
the ground and pondered this thought. “She’ll
be embarrassed and feel strange when I’m around,”
he whispered to himself. “That’s
how it’ll be. That’s how everything’ll
turn out. When it comes to loving someone, it
won’t never be me. It’ll be someone
else—some fool—someone who talks
a lot—someone like that George Willard.”