THE BOOK OF
THE GROTESQUE
The writer, an old man with a white
mustache, had some difficulty in getting into bed.
The windows of the house in which he lived were high
and he wanted to look at the trees when he awoke in
the morning. A carpenter came to fix the bed
so that it would be on a level with the window.
Quite a fuss was made about the matter.
The carpenter, who had been a soldier in the Civil
War, came into the writer’s room and sat down
to talk of building a platform for the purpose of
raising the bed. The writer had cigars lying
about and the carpenter smoked.
For a time the two men talked of the
raising of the bed and then they talked of other things.
The soldier got on the subject of the war. The
writer, in fact, led him to that subject. The
carpenter had once been a prisoner in Andersonville
prison and had lost a brother. The brother had
died of starvation, and whenever the carpenter got
upon that subject he cried. He, like the old
writer, had a white mustache, and when he cried he
puckered up his lips and the mustache bobbed up and
down. The weeping old man with the cigar in his
mouth was ludicrous. The plan the writer had
for the raising of his bed was forgotten and later
the carpenter did it in his own way and the writer,
who was past sixty, had to help himself with a chair
when he went to bed at night.
In his bed the writer rolled over
on his side and lay quite still. For years he
had been beset with notions concerning his heart.
He was a hard smoker and his heart fluttered.
The idea had got into his mind that he would some
time die unexpectedly and always when he got into
bed he thought of that. It did not alarm him.
The effect in fact was quite a special thing and not
easily explained. It made him more alive, there
in bed, than at any other time. Perfectly still
he lay and his body was old and not of much use any
more, but something inside him was altogether young.
He was like a pregnant woman, only that the thing
inside him was not a baby but a youth. No, it
wasn’t a youth, it was a woman, young, and wearing
a coat of mail like a knight. It is absurd, you
see, to try to tell what was inside the old writer
as he lay on his high bed and listened to the fluttering
of his heart. The thing to get at is what the
writer, or the young thing within the writer, was
thinking about.
The old writer, like all of the people
in the world, had got, during his long life, a great
many notions in his head. He had once been quite
handsome and a number of women had been in love with
him. And then, of course, he had known people,
many people, known them in a peculiarly intimate way
that was different from the way in which you and I
know people. At least that is what the writer
thought and the thought pleased him. Why quarrel
with an old man concerning his thoughts?
In the bed the writer had a dream
that was not a dream. As he grew somewhat sleepy
but was still conscious, figures began to appear before
his eyes. He imagined the young indescribable
thing within himself was driving a long procession
of figures before his eyes.
You see the interest in all this lies
in the figures that went before the eyes of the writer.
They were all grotesques. All of the men and
women the writer had ever known had become grotesques.
The grotesques were not all horrible.
Some were amusing, some almost beautiful, and one,
a woman all drawn out of shape, hurt the old man by
her grotesqueness. When she passed he made a
noise like a small dog whimpering. Had you come
into the room you might have supposed the old man
had unpleasant dreams or perhaps indigestion.
For an hour the procession of grotesques
passed before the eyes of the old man, and then, although
it was a painful thing to do, he crept out of bed
and began to write. Some one of the grotesques
had made a deep impression on his mind and he wanted
to describe it.
At his desk the writer worked for
an hour. In the end he wrote a book which he
called “The Book of the Grotesque.”
It was never published, but I saw it once and it made
an indelible impression on my mind. The book
had one central thought that is very strange and has
always remained with me. By remembering it I have
been able to understand many people and things that
I was never able to understand before. The thought
was involved but a simple statement of it would be
something like this:
That in the beginning when the world
was young there were a great many thoughts but no
such thing as a truth. Man made the truths himself
and each truth was a composite of a great many vague
thoughts. All about in the world were the truths
and they were all beautiful.
The old man had listed hundreds of
the truths in his book. I will not try to tell
you of all of them. There was the truth of virginity
and the truth of passion, the truth of wealth and
of poverty, of thrift and of profligacy, of carelessness
and abandon. Hundreds and hundreds were the truths
and they were all beautiful.
And then the people came along.
Each as he appeared snatched up one of the truths
and some who were quite strong snatched up a dozen
of them.
It was the truths that made the people
grotesques. The old man had quite an elaborate
theory concerning the matter. It was his notion
that the moment one of the people took one of the
truths to himself, called it his truth, and tried
to live his life by it, he became a grotesque and
the truth he embraced became a falsehood.
You can see for yourself how the old
man, who had spent all of his life writing and was
filled with words, would write hundreds of pages concerning
this matter. The subject would become so big
in his mind that he himself would be in danger of
becoming a grotesque. He didn’t, I suppose,
for the same reason that he never published the book.
It was the young thing inside him that saved the old
man.
Concerning the old carpenter who fixed
the bed for the writer, I only mentioned him because
he, like many of what are called very common people,
became the nearest thing to what is understandable
and lovable of all the grotesques in the writer’s
book.