INSIDE the tunnel.
And, indeed, if brain-waves had been
in question at all, they ought, without a doubt, to
have informed Guy Waring that at the very moment when
he was going out to send off his telegram, his brother
Cyril was sitting disconsolate, with dark blue lips
and swollen eyelids, on the footboard of the railway
carriage in the Lavington tunnel. Cyril was worn
out with digging by this time, for he had done his
best once more to clear away the sand towards the
front of the train in the vague hope that he might
succeed in letting in a little more air to their narrow
prison through the chinks and interstices of the fallen
sandstone. Besides, a man in an emergency must
do something, if only to justify his claim to manliness—especially
when a lady is looking on at his efforts.
So Cyril Waring had toiled and moiled
in that deadly atmosphere for some hours in vain,
and now sat, wearied out and faint from foul vapours,
by Elma’s side on the damp, cold footboard.
By this time the air had almost failed them.
They gasped for breath, their heads swam vaguely.
A terrible weight seemed to oppress their bosoms.
Even the lamps in the carriages flickered low and burned
blue. The atmosphere of the tunnel, loaded from
the very beginning with sulphurous smoke, was now
all but exhausted. Death stared them in the
face without hope of respite—a ghastly,
slow death by gradual stifling.
“You must take a little
water,” Elma murmured, pouring out the last
few drops for him into the tin cup—for Cyril
had brought a small bottleful that morning for his
painting, as well as a packet of sandwiches for lunch.
“You’re dreadfully tired. I can see
your lips are parched and dry with digging.”
She was deathly pale herself, and
her own eyes were livid, for by this time she had
fairly given up all hope of rescue; and, besides,
the air in the tunnel was so foul and stupefying, she
could hardly speak; indeed, her tongue clung to her
palate. But she poured out the last few drops
into the cup for Cyril and held them up imploringly,
with a gesture of supplication. These two were
no strangers to one another now. They had begun
to know each other well in those twelve long hours
of deadly peril shared in common.
Cyril waved the cup aside with a firm air of dissent.
“No, no,” he said, faintly,
“you must drink it yourself. Your need
is greater far than mine.”
Elma tried to put it away in turn,
but Cyril would not allow her. So she moistened
her mouth with those scanty last drops, and turned
towards him gratefully.
“There’s no hope left
now,” she said, in a very resigned voice.
“We must make up our minds to die where we stand.
But I thank you, oh, I thank you so much, so earnestly.”
Cyril, for his part, could hardly find breath to speak.
“Thank you,” he gasped
out, in one last despairing effort. “Things
look very black; but while there’s life there’s
hope. They may even still, perhaps, come up with
us.”
As he spoke, a sound broke unexpectedly
on the silence of their prison. A dull thud seemed
to make itself faintly heard from beyond the thick
wall of sand that cut them off from the daylight.
Cyril stared with surprise. It was a noise like
a pick-axe. Stooping hastily down, he laid his
ear against the rail beside the shattered carriage.
“They’re digging!”
he cried earnestly, finding words in his joy.
“They’re digging to reach us! I can
hear them! I can hear them!”
Elma glanced up at him with a certain
tinge of half-incredulous surprise.
“Yes, they’re digging,
of course,” she said quickly. “I
knew they’d dig for us, naturally, as soon as
they missed us. But how far off are they yet?
That’s the real question. Will they reach
us in time? Are they near or distant?”
Cyril knelt down on the ground as
before, in an agony of suspense, and struck the rail
three times distinctly with his walking-stick.
Then he put his ear to it and listened, and waited.
In less than half a minute three answering knocks
rang, dim but unmistakable, along the buried rail.
He could even feel the vibration on the iron with
his face.
“They hear us! They hear
us!” he cried once more, in a tremor of excitement.
“I don’t think they’re far off.
They’re coming rapidly towards us.”
At the words Elma rose from her seat,
still paler than ever, but strangely resolute, and
took the stick from his hand with a gesture of despair.
She was almost stifled. But. she raised it with
method. Knocking the rail twice, she bent down
her head and listened in turn. Once more two
answering knocks rang sharp along the connecting line
of metal. Elma shook her head ominously.
“No, no, they’re a very
long way off still,” she murmured, in a faltering
tone. “I can hear it quite well. They
can never reach us!”
She seated herself on a fragment of
the broken carriage, and buried her face in her hands
once more in silence. Her heart was full.
Her head was very heavy. She gasped and struggled.
Then a sudden intuition seized her, after her kind.
If the rail could carry the sound of a tap, surely
it might carry the human voice as well. Inspired
with the idea, she rose again and leant forward.
A second time she knocked two quick
little taps, ringing sharp on the rail, as if to bespeak
attention; then, putting her mouth close to the metals,
she shouted aloud along them with all the voice that
was left her—
“Hallo, there, do you hear?
Come soon, come fast. We’re alive, but
choking!”
Quick as lightning an answer rang
back as if by magic, along the conducting line of
the rail—a strange unexpected answer.
“Break the pipe of the wires,”
it said, and then subsided instantly.
Cyril, who was leaning down at her
side at the moment with his ear to the rail, couldn’t
make out one word of it. But Elma’s sharp
senses, now quickened by the crisis, were acute as
an Oriental’s and keen as a beagle’s.
“Break the pipe of the wires,”
they say, she exclaimed, starting back and pondering.
“What on earth can they mean by that? What
on earth can they be driving at? ‘Break
the pipe of the wires.’ I don’t understand
them.”
Hardly had she spoken, when another
sharp tap resounded still more clearly along the rail
at her feet. She bent down her head once more,
and laid her eager ear beside it in terrible suspense.
A rough man’s voice—a navvy’s,
no doubt, or a fireman’s—came speeding
along the metal; and it said in thick accents—
“Do you hear what I say?
If you want to breathe freer, break the pipe of the
wires, and you’ll get fresh air from outside
right through it.”
Cyril this time had caught the words,
and jumped up with a sudden air of profound conviction.
It was very dark, and the lamps were going out, but
he took his fusee-box from his pocket and struck a
light hastily. Sure enough, on the left-hand
side of the tunnel, half buried in rubbish, an earthenware
pipe ran along by the edge near the wall of the archway.
Cyril raised his foot and brought his heel down upon
it sharply with all the strength and force he had
still left in him. The pipe broke short, and
Cyril saw within it a number of telegraph wires for
the railway service. The tube communicated directly
with the air outside. They were saved! They
were saved! Air would come through the pipe!
He saw it all now! He dimly understood it!
At the self-same moment, another sound
of breaking was heard more distinctly at the opposite
end, some thirty or forty feet off through the tunnel.
Then a voice rang far clearer, as if issuing from the
tube, in short, sharp sentences—
“We’ll pump you in air.
How many of you are there? Are you all alive?
Is any one injured?”
Cyril leant down and shouted back in reply—
“We’re two. Both
alive. Not hurt. But sick and half dead with
stifling. Send us air as soon as ever you can.
And if possible pass us a bottle of water.”
Some minutes elapsed—three
long, slow minutes of it—intense anxiety.
Elma, now broken down with terror and want of oxygen,
fell half fainting forward towards the shattered tube.
Cyril held her up in his supporting arms, and watched
the pipe eagerly. It seemed an age; but, after
a time, he became conscious of a gust of air blowing
cold on his face. The keen freshness revived him.
He looked about him and drew a deep
breath. Cool air was streaming in through the
broken place. Quick as thought, he laid Elma’s
mouth as close as he could lay it to the reviving
current. Her eyes were closed. After a painful
interval, she opened them languidly. Cyril chafed
her hands with his, but his chafing seemed to produce
very little effect. She lay motionless now with
her eyelids half shut, and the whites of her eyes
alone showing through them. The close, foul air
of that damp and confined spot had worked its worst,
and had almost asphyxiated her. Cyril began to
fear the slight relief had arrived five minutes too
late. And it must still in all probability be
some hours at least before they could be actually
disentombed from that living vault or restored to the
open air of heaven.
As he bent over her and held his breath
in speechless suspense, the voice called out again
more loudly than ever—
“Look out for the ball in the
tube. We’re sending you water!”
Cyril watched the pipe closely and
struck another light. In a minute, a big glass
marble came rattling through, with a string attached
to it.
“Pull the string!” the
voice cried; and Cyril pulled with a will. Now
and again, the object attached to it struck against
some projecting ledge or angle where the pipes overlapped.
But at last, with a little humouring, it came through
in safety. At the end was a large india-rubber
bottle, full of fresh water, and a flask of brandy.
The young man seized them both with delight and avidity,
and bathed Elma’s temples over and over again
with the refreshing spirit. Then he poured a
little into the cup, and filling it up with water,
held it to her lips with all a woman’s tenderness.
Elma gulped the draught down unconsciously, and opened
her eyes at once. For a moment she stared about
her with a wild stare of surprise.
Then, of a sudden, she recollected
where she was, and why, and seizing Cyril’s
hand, pressed it long and eagerly.
“If only we can hold out for
three hours more,” she cried, with fresh hope
returning, “I’m sure they’ll reach
us; I’m sure they’ll reach us!”