There came a time when I realised
that Bladesover House was not all it seemed, but when
I was a little boy I took the place with the entirest
faith as a complete authentic microcosm. I believed
that the Bladesover system was a little working-model—and
not so very little either—of the whole world.
Let me try and give you the effect of it.
Bladesover lies up on the Kentish
Downs, eight miles perhaps from Ashborough; and its
old pavilion, a little wooden parody of the temple
of Vesta at Tibur, upon the hill crest behind the house,
commands in theory at least a view of either sea, of
the Channel southward and the Thames to the northeast.
The park is the second largest in Kent, finely wooded
with well-placed beeches, many elms and some sweet
chestnuts, abounding in little valleys and hollows
of bracken, with springs and a stream and three fine
ponds and multitudes of fallow deer. The house
was built in the eighteenth century, it is of pale
red brick in the style of a French chateau, and save
for one pass among the crests which opens to blue
distances, to minute, remote, oast-set farm-houses
and copses and wheat fields and the occasional gleam
of water, its hundred and seventeen windows look on
nothing but its own wide and handsome territories.
A semi-circular screen of great beeches masks the
church and village, which cluster picturesquely about
the high road along the skirts of the great park.
Northward, at the remotest corner of that enclosure,
is a second dependent village, Ropedean, less fortunate
in its greater distance and also on account of a rector.
This divine was indeed rich, but he was vindictively
economical because of some shrinkage of his tithes;
and by reason of his use of the word Eucharist for
the Lord’s Supper he had become altogether estranged
from the great ladies of Bladesover. So that
Ropedean was in the shadows through all that youthful
time.
Now the unavoidable suggestion of
that wide park and that fair large house, dominating
church, village and the country side, was that they
represented the thing that mattered supremely in the
world, and that all other things had significance only
in relation to them. They represented the Gentry,
the Quality, by and through and for whom the rest
of the world, the farming folk and the labouring folk,
the trades-people of Ashborough, and the upper servants
and the lower servants and the servants of the estate,
breathed and lived and were permitted. And the
Quality did it so quietly and thoroughly, the great
house mingled so solidly and effectually earth and
sky, the contrast of its spacious hall and saloon
and galleries, its airy housekeeper’s room and
warren of offices with the meagre dignities of the
vicar, and the pinched and stuffy rooms of even the
post-office people and the grocer, so enforced these
suggestions, that it was only when I was a boy of
thirteen or fourteen and some queer inherited strain
of scepticism had set me doubting whether Mr. Bartlett,
the vicar, did really know with certainty all about
God, that as a further and deeper step in doubting
I began to question the final rightness of the gentlefolks,
their primary necessity in the scheme of things.
But once that scepticism had awakened it took me
fast and far. By fourteen I had achieved terrible
blasphemies and sacrilege; I had resolved to marry
a viscount’s daughter, and I had blacked the
left eye—I think it was the left—of
her half-brother, in open and declared rebellion.
But of that in its place.
The great house, the church, the village,
and the labourers and the servants in their stations
and degrees, seemed to me, I say, to be a closed and
complete social system. About us were other
villages and great estates, and from house to house,
interlacing, correlated, the Gentry, the fine Olympians,
came and went. The country towns seemed mere
collections of ships, marketing places for the tenantry,
centres for such education as they needed, as entirely
dependent on the gentry as the village and scarcely
less directly so. I thought this was the order
of the whole world. I thought London was only
a greater country town where the gentle-folk kept
town-houses and did their greater shopping under the
magnificent shadow of the greatest of all fine gentlewomen,
the Queen. It seemed to be in the divine order.
That all this fine appearance was already sapped,
that there were forces at work that might presently
carry all this elaborate social system in which my
mother instructed me so carefully that I might understand
my “place,” to Limbo, had scarcely dawned
upon me even by the time that Tono-Bungay was fairly
launched upon the world.
There are many people in England to-day
upon whom it has not yet dawned. There are times
when I doubt whether any but a very inconsiderable
minority of English people realise how extensively
this ostensible order has even now passed away.
The great houses stand in the parks still, the cottages
cluster respectfully on their borders, touching their
eaves with their creepers, the English countryside—you
can range through Kent from Bladesover northward and
see persists obstinately in looking what it was.
It is like an early day in a fine October.
The hand of change rests on it all, unfelt, unseen;
resting for awhile, as it were half reluctantly, before
it grips and ends the thing for ever. One frost
and the whole face of things will be bare, links snap,
patience end, our fine foliage of pretences lie glowing
in the mire.
For that we have still to wait a little
while. The new order may have gone far towards
shaping itself, but just as in that sort of lantern
show that used to be known in the village as the “Dissolving
Views,” the scene that is going remains upon
the mind, traceable and evident, and the newer picture
is yet enigmatical long after the lines that are to
replace those former ones have grown bright and strong,
so that the new England of our children’s children
is still a riddle to me. The ideas of democracy,
of equality, and above all of promiscuous fraternity
have certainly never really entered into the English
mind. But what is coming into it?
All this book, I hope, will bear a little on that.
Our people never formulates; it keeps words for jests
and ironies. In the meanwhile the old shapes,
the old attitudes remain, subtly changed and changing
still, sheltering strange tenants. Bladesover
House is now let furnished to Sir Reuben Lichtenstein,
and has been since old Lady Drew died; it was my odd
experience to visit there, in the house of which my
mother had been housekeeper, when my uncle was at the
climax of Tono-Bungay. It was curious to notice
then the little differences that had come to things
with this substitution. To borrow an image from
my mineralogical days, these Jews were not so much
a new British gentry as “pseudomorphous”
after the gentry. They are a very clever people,
the Jews, but not clever enough to suppress their
cleverness. I wished I could have gone downstairs
to savour the tone of the pantry. It would have
been very different I know. Hawksnest, over
beyond, I noted, had its pseudomorph too; a newspaper
proprietor of the type that hustles along with stolen
ideas from one loud sink-or-swim enterprise to another,
had bought the place outright; Redgrave was in the
hands of brewers.
But the people in the villages, so
far as I could detect, saw no difference in their
world. Two little girls bobbed and an old labourer
touched his hat convulsively as I walked through the
village. He still thought he knew his place—and
mine. I did not know him, but I would have liked
dearly to have asked him if he remembered my mother,
if either my uncle or old Lichtenstein had been man
enough to stand being given away like that.
In that English countryside of my
boyhood every human being had a “place.”
It belonged to you from your birth like the colour
of your eyes, it was inextricably your destiny.
Above you were your betters, below you were your
inferiors, and there were even an unstable questionable
few, cases so disputable that you might for the rough
purposes of every day at least, regard them as your
equals. Head and centre of our system was Lady
Drew, her “leddyship,” shrivelled, garrulous,
with a wonderful memory for genealogies and very,
very old, and beside her and nearly as old, Miss Somerville,
her cousin and companion. These two old souls
lived like dried-up kernels in the great shell of Bladesover
House, the shell that had once been gaily full of fops,
of fine ladies in powder and patches and courtly gentlemen
with swords; and when there was no company they spent
whole days in the corner parlour just over the housekeeper’s
room, between reading and slumber and caressing their
two pet dogs. When I was a boy I used always
to think of these two poor old creatures as superior
beings living, like God, somewhere through the ceiling.
Occasionally they bumped about a bit and one even
heard them overhead, which gave them a greater effect
of reality without mitigating their vertical predominance.
Sometimes too I saw them. Of course if I came
upon them in the park or in the shrubbery (where I
was a trespasser) I hid or fled in pious horror, but
I was upon due occasion taken into the Presence by
request. I remember her “leddyship”
then as a thing of black silks and a golden chain,
a quavering injunction to me to be a good boy, a very
shrunken loose-skinned face and neck, and a ropy hand
that trembled a halfcrown into mine. Miss Somerville
hovered behind, a paler thing of broken lavender and
white and black, with screwed up, sandy-lashed eyes.
Her hair was yellow and her colour bright, and when
we sat in the housekeeper’s room of a winter’s
night warming our toes and sipping elder wine, her
maid would tell us the simple secrets of that belated
flush…. After my fight with young Garvell I
was of course banished, and I never saw those poor
old painted goddesses again.
Then there came and went on these
floors over our respectful heads, the Company; people
I rarely saw, but whose tricks and manners were imitated
and discussed by their maids and valets in the housekeeper’s
room and the steward’s room—so that
I had them through a medium at second hand.
I gathered that none of the company were really Lady
Drew’s equals, they were greater and lesser
after the manner of all things in our world.
Once I remember there was a Prince, with a real live
gentleman in attendance, and that was a little above
our customary levels and excited us all, and perhaps
raised our expectations unduly. Afterwards, Rabbits,
the butler, came into my mother’s room downstairs,
red with indignation and with tears in his eyes.
“Look at that!” gasped Rabbits.
My mother was speechless with horror. That
was a sovereign, a mere sovereign, such as you might
get from any commoner!
After Company, I remember, came anxious
days, for the poor old women upstairs were left tired
and cross and vindictive, and in a state of physical
and emotional indigestion after their social efforts….
On the lowest fringe of these real
Olympians hung the vicarage people, and next to them
came those ambiguous beings who are neither quality
nor subjects. The vicarage people certainly hold
a place by themselves in the typical English scheme;
nothing is more remarkable than the progress the Church
has made—socially—in the last
two hundred years. In the early eighteenth century
the vicar was rather under than over the house-steward,
and was deemed a fitting match for the housekeeper
or any not too morally discredited discard. The
eighteenth century literature is full of his complaints
that he might not remain at table to share the pie.
He rose above these indignities because of the abundance
of younger sons. When I meet the large assumptions
of the contemporary cleric, I am apt to think of these
things. It is curious to note that to-day that
down-trodden, organ-playing creature, the Church of
England village Schoolmaster, holds much the same
position as the seventeenth century parson.
The doctor in Bladesover ranked below the vicar but
above the “vet,” artists and summer visitors
squeezed in above or below this point according to
their appearance and expenditure, and then in a carefully
arranged scale came the tenantry, the butler and housekeeper,
the village shopkeeper, the head keeper, the cook,
the publican, the second keeper, the blacksmith (whose
status was complicated by his daughter keeping the
post-office—and a fine hash she used to
make of telegrams too!) the village shopkeeper’s
eldest son, the first footman, younger sons of the
village shopkeeper, his first assistant, and so forth.
All these conceptions and applications
of a universal precedence and much else I drank in
at Bladesover, as I listened to the talk of valets,
ladies’-maids, Rabbits the butler and my mother
in the much-cupboarded, white-painted, chintz-brightened
housekeeper’s room where the upper servants
assembled, or of footmen and Rabbits and estate men
of all sorts among the green baize and Windsor chairs
of the pantry—where Rabbits, being above
the law, sold beer without a license or any compunction—or
of housemaids and still-room maids in the bleak, matting-carpeted
still-room or of the cook and her kitchen maids and
casual friends among the bright copper and hot glow
of the kitchens.
Of course their own ranks and places
came by implication to these people, and it was with
the ranks and places of the Olympians that the talk
mainly concerned itself. There was an old peerage
and a Crockford together with the books of recipes,
the Whitaker’s Almanack, the Old Moore’s
Almanack, and the eighteenth century dictionary, on
the little dresser that broke the cupboards on one
side of my mother’s room; there was another
peerage, with the covers off, in the pantry; there
was a new peerage in the billiard-room, and I seem
to remember another in the anomalous apartment that
held the upper servants’ bagatelle board and
in which, after the Hall dinner, they partook of the
luxury of sweets. And if you had asked any of
those upper servants how such and such a Prince of
Battenberg was related to, let us say, Mr. Cunninghame
Graham or the Duke of Argyle, you would have been
told upon the nail. As a boy, I heard a great
deal of that sort of thing, and if to this day I am
still a little vague about courtesy titles and the
exact application of honorifics, it is, I can assure
you, because I hardened my heart, and not from any
lack of adequate opportunity of mastering these succulent
particulars.
Dominating all these memories is the
figure of my mother—my mother who did not
love me because I grew liker my father every day—and
who knew with inflexible decision her place and the
place of every one in the world—except the
place that concealed my father—and in some
details mine. Subtle points were put to her.
I can see and hear her saying now, “No, Miss
Fison, peers of England go in before peers of the
United Kingdom, and he is merely a peer of the United
Kingdom.” She had much exercise in placing
people’s servants about her tea-table, where
the etiquette was very strict. I wonder sometimes
if the etiquette of housekeepers’ rooms is
as strict to-day, and what my mother would have made
of a chauffeur….
On the whole I am glad that I saw
so much as I did of Bladesover—if for no
other reason than because seeing it when I did, quite
naively, believing in it thoroughly, and then coming
to analyse it, has enabled me to understand much that
would be absolutely incomprehensible in the structure
of English society. Bladesover is, I am convinced,
the clue to almost all that is distinctively British
and perplexing to the foreign inquirer in England
and the English-speaking peoples. Grasp firmly
that England was all Bladesover two hundred years
ago; that it has had Reform Acts indeed, and such—like
changes of formula, but no essential revolution since
then; that all that is modern and different has come
in as a thing intruded or as a gloss upon this predominant
formula, either impertinently or apologetically; and
you will perceive at once the reasonableness, the necessity,
of that snobbishness which is the distinctive quality
of English thought. Everybody who is not actually
in the shadow of a Bladesover is as it were perpetually
seeking after lost orientations. We have never
broken with our tradition, never even symbolically
hewed it to pieces, as the French did in quivering
fact in the Terror. But all the organizing ideas
have slackened, the old habitual bonds have relaxed
or altogether come undone. And America too,
is, as it were, a detached, outlying part of that
estate which has expanded in queer ways. George
Washington, Esquire, was of the gentlefolk, and he
came near being a King. It was Plutarch, you
know, and nothing intrinsically American that prevented
George Washington being a King….