Most people in this world seem to
live “in character”; they have a beginning,
a middle and an end, and the three are congruous one
with another and true to the rules of their type.
You can speak of them as being of this sort of people
or that. They are, as theatrical people say,
no more (and no less) than “character actors.”
They have a class, they have a place, they know what
is becoming in them and what is due to them, and their
proper size of tombstone tells at last how properly
they have played the part. But there is also
another kind of life that is not so much living as
a miscellaneous tasting of life. One gets hit
by some unusual transverse force, one is jerked out
of one’s stratum and lives crosswise for the
rest of the time, and, as it were, in a succession
of samples. That has been my lot, and that is
what has set me at last writing something in the nature
of a novel. I have got an unusual series of
impressions that I want very urgently to tell.
I have seen life at very different levels, and at
all these levels I have seen it with a sort of intimacy
and in good faith. I have been a native in many
social countries. I have been the unwelcome
guest of a working baker, my cousin, who has since
died in the Chatham infirmary; I have eaten illegal
snacks—the unjustifiable gifts of footmen—in
pantries, and been despised for my want of style (and
subsequently married and divorced) by the daughter
of a gasworks clerk; and—to go to my other
extreme—I was once—oh, glittering
days!—an item in the house-party of a countess.
She was, I admit, a countess with a financial aspect,
but still, you know, a countess. I’ve seen
these people at various angles. At the dinner-table
I’ve met not simply the titled but the great.
On one occasion—it is my brightest memory—I
upset my champagne over the trousers of the greatest
statesman in the empire—Heaven forbid I
should be so invidious as to name him!—in
the warmth of our mutual admiration.
And once (though it is the most incidental
thing in my life) I murdered a man….
Yes, I’ve seen a curious variety
of people and ways of living altogether. Odd
people they all are great and small, very much alike
at bottom and curiously different on their surfaces.
I wish I had ranged just a little further both up
and down, seeing I have ranged so far. Royalty
must be worth knowing and very great fun. But
my contacts with princes have been limited to quite
public occasions, nor at the other end of the scale
have I had what I should call an inside acquaintance
with that dusty but attractive class of people who
go about on the high-roads drunk but enfamille (so
redeeming the minor lapse), in the summertime, with
a perambulator, lavender to sell, sun-brown children,
a smell, and ambiguous bundles that fire the imagination.
Navvies, farm-labourers, sailormen and stokers, all
such as sit in 1834 beer-houses, are beyond me also,
and I suppose must remain so now for ever. My
intercourse with the ducal rank too has been negligible;
I once went shooting with a duke, and in an outburst
of what was no doubt snobbishness, did my best to get
him in the legs. But that failed.
I’m sorry I haven’t done the whole lot
though….
You will ask by what merit I achieved
this remarkable social range, this extensive cross-section
of the British social organism. It was the Accident
of Birth. It always is in England.
Indeed, if I may make the remark so
cosmic, everything is. But that is by the way.
I was my uncle’s nephew, and my uncle was no
less a person than Edward Ponderevo, whose comet-like
transit of the financial heavens happened—it
is now ten years ago! Do you remember the days
of Ponderevo, the great days, I mean, of Ponderevo?
Perhaps you had a trifle in some world-shaking enterprise!
Then you know him only too well. Astraddle on
Tono-Bungay, he flashed athwart the empty heavens—like
a comet—rather, like a stupendous rocket!—and
overawed investors spoke of his star. At his
zenith he burst into a cloud of the most magnificent
promotions. What a time that was! The Napoleon
of domestic conveniences!
I was his nephew, his peculiar and
intimate nephew. I was hanging on to his coat-tails
all the way through. I made pills with him in
the chemist’s shop at Wimblehurst before he
began. I was, you might say, the stick of his
rocket; and after our tremendous soar, after he had
played with millions, a golden rain in the sky, after
my bird’s-eye view of the modern world, I fell
again, a little scarred and blistered perhaps, two
and twenty years older, with my youth gone, my manhood
eaten in upon, but greatly edified, into this Thames-side
yard, into these white heats and hammerings, amidst
the fine realites of steel—to think it all
over in my leisure and jot down the notes and inconsecutive
observations that make this book. It was more,
you know, than a figurative soar. The zenith
of that career was surely our flight across the channel
in the Lord Roberts B….
I warn you this book is going to be
something of an agglomeration. I want to trace
my social trajectory (and my uncle’s) as the
main line of my story, but as this is my first novel
and almost certainly my last, I want to get in, too,
all sorts of things that struck me, things that amused
me and impressions I got—even although
they don’t minister directly to my narrative
at all. I want to set out my own queer love
experiences too, such as they are, for they troubled
and distressed and swayed me hugely, and they still
seem to me to contain all sorts of irrational and
debatable elements that I shall be the clearer-headed
for getting on paper. And possibly I may even
flow into descriptions of people who are really no
more than people seen in transit, just because it
amuses me to recall what they said and did to us,
and more particularly how they behaved in the brief
but splendid glare of Tono-Bungay and its still more
glaring offspring. It lit some of them up, I
can assure you! Indeed, I want to get in all
sorts of things. My ideas of a novel all through
are comprehensive rather than austere….
Tono-Bungay still figures on the hoardings,
it stands in rows in every chemist’s storeroom,
it still assuages the coughs of age and brightens
the elderly eye and loosens the elderly tongue; but
its social glory, its financial illumination, have
faded from the world for ever. And I, sole scorched
survivor from the blaze, sit writing of it here in
an air that is never still for the clang and thunder
of machines, on a table littered with working drawings,
and amid fragments of models and notes about velocities
and air and water pressures and trajectories—of
an altogether different sort from that of Tono-Bungay.