“Well, is she working, Tom?”
asked our hero’s chum, a little later, when
they had set the camera up on a box in the garden.
It pointed toward the main shop door, and from the
machine came a clicking sound. The electric light
was glowing.
“Yes, it’s all ready,”
replied Tom. “Now just act as if it wasn’t
there. You walk toward the shop. Do anything
you please. Pretend you are coming in to see
me on business. Act as if it was daytime.
I’ll stand here and receive you. Later,
I’ll get dad out here, Koku and Eradicate.
I wish Mr. Period was here to see the test, but perhaps
it’s just as well for me to make sure it works
before be sees it.”
“All right, Tom, here I come.”
Ned advanced toward the shop.
He tried to act as though the camera was not taking
pictures of him, at the rate of several a second,
but he forgot himself, and turned to look at the staring
lens. Then Tom, with a laugh, advanced to meet
him, shaking hands with him. Then the lads indulged
in a little skylarking. They threw snowballs
at each other, taking care, however to keep within
range of the lens. Of course when Tom worked the
camera himself, he could point it wherever he wanted
to, but it was now automatic.
Then the lads went to the shop, and
came out again. They did several other things.
Later Koku, and Eradicate did some “stunts,”
as Tom called them. Mr. Swift, too, was snapped,
but Mrs. Baggert refused to come out.
“Well, I guess that will do
for now,” said Tom, as he stopped the mechanism.
“I’ve just thought of something,”
he added. “If I leave the light burning,
it will scare away, before they got in front of the
lens, any one who might come along. I’ll
have to change that part of it.”
“How can you fix it?” asked Ned.
“Easily. I’ll rig
up some flash lights, just ordinary photographing
flashlights, you know. I’ll time them to
go off one after the other, and connect them with
an electric wire to the door of my shop.”
“Then your idea is—” began
Ned.
“That some rascals may try to
enter my shop at night. Not this particular night,
but any night. If they come to-night we’ll
be ready for them.”
“An’ can’t yo’-all
take a picture ob de chicken coop?” asked Eradicate.
“Dat feller may come back t’ rob mah hens.”
“With the lens pointing toward
the shop,” spoke Tom, “it will also take
snap shots of any one who tries to enter the coop.
So, if the chicken thief does come, Rad, we’ll
have a picture of him.”
Tom and Ned soon had the flashlights
in place, and then they went to bed, listening, at
times, for the puff that would indicate that the camera
was working. But the night passed without incident,
rather to Tom’s disappointment. However,
in the morning, he developed the film of the first
pictures taken in the evening. Soon they were
dry enough to be used in the moving picture machine,
which Tom had bought, and set up in a dark room.
“There we are!” he cried,
as the first images were thrown on the white screen.
“As natural as life, Ned! My camera works
all right!”
“That’s so. Look!
There’s where I hit you with a snowball!”
cried his chum, as the skylarking scene was reached.
“Mah goodness!” cried
Eradicate, when he saw himself walking about on the
screen, as large as life. “Dat shorely am
wonderful.”
“It is spirits!” cried
Koku, as he saw himself depicted.
“I wish we had some of the other
pictures to show,” spoke Tom. “I
mean some unexpected midnight visitors.”
For several nights in succession the
camera was set to “snap” any one who might
try to enter the shop. The flashlights were also
in place. Tom and Ned, the latter staying at his
chum’s house that week, were beginning to think
they would have their trouble for their pains.
But one night something happened.
It was very dark, but the snow on
the ground made a sort of glow that relieved the blackness.
The camera had been set as usual, and Tom and Ned
went to bed.
It must have been about midnight when
they were both awakened by hearing the burglar alarm
go off. At the same time there were several flashes
of fire from the garden.
“There she goes!” cried Ned.
“Yes, they’re trying to
get into the shed,” added Tom, as a glance at
the burglar-alarm indicator on the wall of the room,
showed that the shop door was being tried. “Come
on!”
“I’m with you!” yelled Ned.
They lost little time getting into
their clothes, for they had laid them out in readiness
for putting on quickly. Down the stairs they
raced, but ere they reached the garden they heard
footsteps running along the wall toward the road.
“Who’s there?” cried Tom, but there
was no answer.
“Koku! Eradicate!” yelled Ned.
“Yais, sah, I’se comm’!”
answered the colored man, and the voice of the giant
was also heard. The flashlights had ceased popping
before this, and when the two lads and their helpers
had reached the shop, there was no one in sight.
“The camera’s there all
right!” cried Tom in relief as he picked it
up from the box. “Now to see what it caught.
Did you see anything of the fellows, Koku, or Eradicate?”
Both said they had not, but Eradicate, after examining
the chicken house door by the aid of a lighted match,
cried out:
“Somebody’s been tryin’
t’ git in heah, Massa Tom. I kin see where
de do’s been scratched.”
“Well, maybe we’ll have
the picture for you to look at in the morning,”
said Tom.
The films were developed in the usual
way in the morning, but the pictures were so small
that Tom could not make out the features or forms
of the men. And it was plain that at least three
men had been around the coop and shop.
By the use of alcohol and an electric
fan Tom soon had the films dry enough to use.
Then the moving picture machine was set up in a dark
room, and all gathered to see what would be thrown
on the screen, greatly enlarged.
First came several brilliant flashes
of light, and then, as the entrance to the shop loomed
into view, a dark figure seemed to walk across the
canvas. But it did not stop at the shop door.
Instead it went to the chicken coop, and, as the man
reached that door, he began working to get it open.
Of course it had all taken place in a few seconds,
for, as soon as the flashlights went off, the intruders
had run away. But they had been there long enough
to have their pictures taken.
The man at the chicken coop turned
around as the lights flashed, and he was looking squarely
at the camera. Of course this made his face very
plain to the audience, as Tom turned the crank of
the reproducing machine.
“Why, it’s a colored man!” cried
Ned in surprise.
“Yes, I guess it’s only
an ordinary chicken thief, after all,” remarked
Tom.
There was a gasp from Eradicate.
“Fo’ de land sakes!”
he cried. “De raskil! Ef dat ain’t
mah own second cousin, what libs down by de ribber!
An’ to t’ink dat Samuel ’Rastus
Washington Jackson Johnson, mah own second cousin,
should try t’ rob mah chicken coop! Oh,
won’t I gib it t’ him!”
“Are you sure, Rad?” asked Tom.
“Suah? Sartin I’se
suah, Massa Tom,” was the answer as the startled
colored man on the screen stared at the small audience.
“I’d know. dat face ob his’n anywhere.”
“Well, I guess he’s the
only one we caught last night,” said Tom, as
the disappointed chicken thief ran away, and so out
of focus But the next instant there came another series
of flashlight explosions on the screen, and there,
almost as plainly as if our friends were looking at
them, they saw two men stealthily approaching the
shop. They, too, as the chicken thief had done,
tried the door, and then, they also, startled by the
flashes, turned around.
“Look!” cried Ned.
“Great Scott !” exclaimed
Tom. “Those are the two rivals of Mr. Period!
They are Mr. Turbot and Mr. Eckert!”
“Same men I pushed out!” cried Koku, much
excited.
There was no doubt of it, and, as
the images faded from the screen, caused by the men
running away, Tom and Ned realized that their rivals
had tried to put their threat into execution—the
threat of making Tom wish he had taken their offer.
“I guess they came to take my
camera,—but, instead the camera took them,”
said the young inventor grimly.