(1) VERSES (’Morning Post’, February 5,
1814).
Suggested by reading some lines of
Lord Byron’s at the end of his newly published
work, entitled “The Corsair” which
begin:
“Weep, Daughter of a Royal Line.”
“’Far better be the thing
that crawls, [1]
Disgustful on a dungeon’s walls;
Far better be the worm that creeps,
In icy rings o’er him who sleeps;’”
“Far better be the reptile scorn’d,
Unseen, unheeded, unadorn’d,
Than him, to whom indulgent heav’n,
Has talents and has genius giv’n;
If stung by envy, warp’d by pride,
Such gifts, alas! are misapplied;
Not all by nature’s bounty blest
In beauty’s dazzling hues are drest;
But who shall play the critic’s part,
If for the form atones the heart?
But if the gloomiest thoughts prevail,
And Atheist doctrines stain the tale;
If calumny to pow’r addrest,
Attempts to wound its Sovereign’s breast;
If impious it shall try to part,
The Father from the Daughter’s heart;
If it shall aim to wield a brand,
To fire our fair and native land;
If hatred for the world and men,
Shall dip in gall the ready pen:
“’Oh then far better ’tis
to crawl,
Harmless upon a dungeon’s wall;
And better far the worm that creeps,
In icy rings o’er him who sleeps.’”
[Footnote 1: ‘Vide’ Lord Byron’s
works.]
* * * *
(2) To LORD BYRON (’Morning Post’, February
7, 1814).
“Bard of ungentle wayward mood!
’Tis said of thee, when
in the lap,
Thy nurse to tempt thee to thy food,
Would squeeze a lemon
in thy pap.
“At vinegar how danc’d
thine eyes,
Before thy tongue a want could
utter,
And oft the dame to stop thy cries,
Strew’d wormwood
on thy bread and butter.
“And when in childhood’s frolic
hour,
Thou’dst plait a garland
for thy hair;
The nettle bloom’d a chosen
flow’r,
And native thistles flourish’d
there.
“For sugar-plum thou ne’er
did’st pine,
Thy teeth no sweet-meat
ever hurt—
The sloe’s juice was thy
favourite wine,
And bitter almonds
thy desert.
“Mustard, how strong so e’er
the sort is,
Can draw no moisture from
thine eye;
Not vinegar nor aqua-fortis
Could ever set thy face awry.
“Thus train’d a Satirist—thy
mind
Soon caught the bitter, sharp,
and sour,
And all their various pow’rs combin’d,
Produc’d ‘Childe
Harold’, and the ’Giaour’.”
* * *
(3) LORD BYRON (’Morning Post’, February
8, 1814).
We are very much surprized, and we
are not the only persons who feel disgust as well
as astonishment, at the uncalled for avowal Lord Byron
has made of being the Author of some insolent lines,
by inserting them at the end of his new Poem, entitled
“The Corsair.” The lines we
allude to begin “Weep, Daughter of a Royal
Line.” Nothing can be more repugnant
to every good heart, as well as to the moral and religious
feelings of a country, which we are proud to say still
cherishes every right sentiment, than an attempt to
lower a father in the eyes of his child. Lord
Byron is a young man, and from the tenor of his writings,
has, we fear, adopted principles very contrary to those
of Christianity. But as a man of honour and of
feeling, which latter character he affects
outrageously, he ought never to have been guilty
of so unamiable and so unprovoked an attack.
Should so gross an insult to her Royal Father ever
meet the eyes of the illustrious young Lady, for whose
perusal it was intended, we trust her own good sense
and good heart will teach her to consider it with
the contempt and abhorrence it so well merits.
Will she weep for the disgrace of a Father who
has saved Europe from bondage, and has accumulated,
in the short space of two years, more glory than can
be found in any other period of British history?
Will she “weep for a realm’s decay,”
when that realm is hourly emerging under the Government
of her father, from the complicated embarrassments
in which he found it involved? But all this is
too evident to need being particularised. What
seems most surprising is, that Lord Byron should chuse
to avow Irish trash at a moment when every thing conspires
to give it the lie. It is for the organ of
the Party alone, or a few insane admirers of Bonaparte
and defamers of their own country and its rulers,
to applaud him. We know it is now the fashion
for our young Gentlemen to become Poets, and a very
innocent amusement it is, while they confine themselves
to putting their travels into verse, like Childe
Harolde, and Lord Nugent’s Portugal.
Nor is there any harm in Turkish tales, nor wonderful
ditties, of ghosts and hobgoblins. We cannot
say so much for all Mr. Moore’s productions,
admired as he is by Lord Byron. In short, the
whole galaxy of minor poets, Lords Nugent and Byron,
with Messrs. Rogers, Lewis, and Moore, would do well
to keep to rhyme, and not presume to meddle with politics,
for which they seem mighty little qualified. We
must repeat, that it is innocent to write tales and
travels in verse, but calumny can never be so, whether
written by poets in St. James’s-street, Albany,
or Grub-street.
* * *
*
(4) LINES (’Morning Post’, February 8,
1814).