(I believe or rather am in doubt,
which is the ne plus ultra of mortal faith.)
I have missed a day; and, as the Irishman
said, or Joe Miller says for him, “have gained
a loss,” or by the loss. Every thing
is settled for Holland, and nothing but a cough, or
a caprice of my fellow-traveller’s, can stop
us. Carriage ordered, funds prepared, and, probably,
a gale of wind into the bargain. N’importe—I
believe, with Clym o’ the Clow, or Robin Hood,
“By our Mary, (dear name!) thou art both Mother
and May, I think it never was a man’s lot to
die before his day.” [1]
Heigh for Helvoetsluys, and so forth!
To-night I went with young Henry Fox
to see Nourjahad, a drama, which the Morning
Post hath laid to my charge, but of which I cannot
even guess the author. I wonder what they will
next inflict upon me. They cannot well sink below
a melodrama; but that is better than a satire, (at
least, a personal one,) with which I stand truly arraigned,
and in atonement of which I am resolved to bear silently
all criticisms, abuses, and even praises, for bad
pantomimes never composed by me, without even a contradictory
aspect. I suppose the root of this report is
my loan to the manager of my Turkish drawings for his
dresses, to which he was more welcome than to my name.
I suppose the real author will soon own it, as it
has succeeded; if not, Job be my model, and Lethe
my beverage!
——has received the
portrait safe; and, in answer, the only remark she
makes upon it is, “indeed it is like”—and
again, “indeed it is like.” With
her the likeness “covered a multitude of sins;”
for I happen to know that this portrait was not a
flatterer, but dark and stern,—even black
as the mood in which my mind was scorching last July,
when I sat for it. All the others of me, like
most portraits whatsoever, are, of course, more agreeable
than nature.
Redde the ‘Edinburgh Review’
of Rogers. He is ranked highly; but where he
should be. There is a summary view of us all—Moore
and me among the rest; [2] and both (the first
justly) praised—though, by implication
(justly again) placed beneath our memorable friend.
Mackintosh is the writer, and also of the critique
on the Stael. [3]
His grand essay on Burke, I hear,
is for the next number. But I know nothing of
the ‘Edinburgh’, or of any other Review,
but from rumour; and I have long ceased; indeed, I
could not, in justice, complain of any, even though
I were to rate poetry, in general, and my rhymes in
particular, more highly than I really do. To withdraw
myself from myself (oh that cursed selfishness!)
has ever been my sole, my entire, my sincere motive
in scribbling at all; and publishing is also the continuance
of the same object, by the action it affords to the
mind, which else recoils upon itself. If I valued
fame, I should flatter received opinions, which have
gathered strength by time, and will yet wear longer
than any living works to the contrary. But, for
the soul of me, I cannot and will not give the lie
to my own thoughts and doubts, come what may.
If I am a fool, it is, at least, a doubting one; and
I envy no one the certainty of his self-approved wisdom.
All are inclined to believe what they
covet, from a lottery-ticket up to a passport to Paradise,—in
which, from the description, I see nothing very tempting.
My restlessness tells me I have something “within
that passeth show.” [4]
It is for Him, who made it, to prolong
that spark of celestial fire which illuminates, yet
burns, this frail tenement; but I see no such horror
in a “dreamless sleep,” and I have no conception
of any existence which duration would not render tiresome.
How else “fell the angels,” even according
to your creed? They were immortal, heavenly, and
happy, as their apostate Abdiel [5] is now
by his treachery. Time must decide; and eternity
won’t be the less agreeable or more horrible
because one did not expect it. In the mean time,
I am grateful for some good, and tolerably patient
under certain evils—grace à Dieu et mon
bon tempérament.
[Footnote 1:
“Ah, deere ladye, said Robin Hood,
thou
That art both Mother and May,
I think it was never man’s destinye
To die before his day.”
‘Ballad of Robin Hood’
[Footnote 2: The following is
the passage to which Byron alludes:
“Greece, the mother of freedom and
of poetry in the West, which had long employed only
the antiquary, the artist, and the philologist, was
at length destined, after an interval of many silent
and inglorious ages, to awaken the genius of a poet.
Full of enthusiasm for those perfect forms of heroism
and liberty which his imagination had placed in
the recesses of antiquity, he gave vent to his impatience
of the imperfections of living men and real institutions,
in an original strain of sublime satire, which clothes
moral anger in imagery of an almost horrible grandeur;
and which, though it cannot coincide with the estimate
of reason, yet could only flow from that worship of
perfection which is the soul of all true poetry.”
’Edin. Rev’., vol. xxii. p. 37.]
[Footnote 3:
“In the last ‘Edinburgh Review’
you will find two articles of mine, one on Rogers,
and the other on Madame de Staël: they are both,
especially the first, thought too panegyrical.
I like the praises which I have bestowed on Lord
Byron and Thomas Moore. I am convinced of the
justness of the praises given to Madame de Staël.”
‘Mackintosh’s Life’, vol. ii. p.
271.]
[Footnote 4:
“I have that within which passeth
show.”
‘Hamlet’, act i. sc. 2.]
[Footnote 5:
“... the seraph Abdiel, faithful
found
Among the faithless.”
Milton, ‘Paradise Lost’, v. 896.]
* * * *
Tuesday, 30th.
Two days missed in my log-book;—hiatus
haud deflendus. They were as little worth
recollection as the rest; and, luckily, laziness or
society prevented me from notching them.
Sunday, I dined with the Lord Holland
in St. James’s Square. Large party—among
them Sir S. Romilly [1] and Lady R’y.—General
Sir Somebody Bentham, [2] a man of science and talent,
I am told—Horner [3]—the
Horner, an Edinburgh Reviewer, an excellent speaker
in the “Honourable House,” very pleasing,
too, and gentlemanly in company, as far as I have
seen—Sharpe—Philips of Lancashire
John Russell, and others, “good
men and true.” Holland’s society is
very good; you always see some one or other in it
worth knowing. Stuffed myself with sturgeon, and
exceeded in champagne and wine in general, but not
to confusion of head. When I do dine,
I gorge like an Arab or a Boa snake, on fish and vegetables,
but no meat. I am always better, however, on my
tea and biscuit than any other regimen, and even that
sparingly.
Why does Lady H. always have that
damned screen between the whole room and the fire?
I, who bear cold no better than an antelope, and never
yet found a sun quite done to my taste, was
absolutely petrified, and could not even shiver.
All the rest, too, looked as if they were just unpacked,
like salmon from an ice-basket, and set down to table
for that day only. When she retired, I watched
their looks as I dismissed the screen, and every cheek
thawed, and every nose reddened with the anticipated
glow.
Saturday, I went with Harry Fox to
Nourjahad; and, I believe, convinced him, by
incessant yawning, that it was not mine. I wish
the precious author would own it, and release me from
his fame. The dresses are pretty, but not in
costume;—Mrs. Horn’s, all but the
turban, and the want of a small dagger (if she is
a sultana), perfect. I never saw a Turkish
woman with a turban in my life—nor did any
one else. The sultanas have a small poniard at
the waist. The dialogue is drowsy—the
action heavy—the scenery fine—the
actors tolerable. I can’t say much for
their seraglio—Teresa, Phannio, or——,
were worth them all.
Sunday, a very handsome note from
Mackintosh, who is a rare instance of the union of
very transcendent talent and great good nature.
To-day (Tuesday) a very pretty billet from M. la Baronne
de Stael Holstein. [5] She is pleased to be much pleased
with my mention of her and her last work in my notes.
I spoke as I thought. Her works are my delight,
and so is she herself, for—half an hour.
I don’t like her politics—at least,
her having changed them; had she been qualis
ab incepto, it were nothing. But she is a
woman by herself, and has done more than all the rest
of them together, intellectually;—she ought
to have been a man. She flatters me very
prettily in her note;—but I know
it. The reason that adulation is not displeasing
is, that, though untrue, it shows one to be of consequence
enough, in one way or other, to induce people to lie,
to make us their friend:—that is their concern.
——is, I hear, thriving
on the repute of a pun which was mine
(at Mackintosh’s dinner some time back), on
Ward, who was asking, “how much it would take
to re-whig him?” I answered that, probably,
“he must first, before he was re-whigged,
be re-warded.” [6] This foolish quibble,
before the Stael and Mackintosh, and a number of conversationers,
has been mouthed about, and at last settled on the
head of——, where long may it remain!
George [7] is returned from afloat
to get a new ship. He looks thin, but better
than I expected. I like George much more than
most people like their heirs. He is a fine fellow,
and every inch a sailor. I would do any thing,
but apostatise, to get him on in his profession.
Lewis called. It is a good and
good-humoured man, but pestilently prolix and paradoxical
and personal [8]. If he would but talk
half, and reduce his visits to an hour, he would add
to his popularity. As an author he is very good,
and his vanity is ouverte, like Erskine’s,
and yet not offending.
Yesterday, a very pretty letter from
Annabella [9], which I answered. What an odd
situation and friendship is ours!—without
one spark of love on either side, and produced by
circumstances which in general lead to coldness on
one side, and aversion on the other. She is a
very superior woman, and very little spoiled, which
is strange in an heiress—a girl of twenty—a
peeress that is to be, in her own right—an
only child, and a savante, who has always had
her own way. She is a poetess—a mathematician—a
metaphysician, and yet, withal, very kind, generous,
and gentle, with very little pretension. Any other
head would be turned with half her acquisitions, and
a tenth of her advantages.
[Footnote 1: Sir Samuel Romilly
(1757-1818), Solicitor-General (1806-7), distinguished
himself in Parliament by his consistent advocacy of
Catholic Emancipation, the abolition of the slave-trade,
Parliamentary reform, and the mitigation of the harshness
of the criminal law. Writing of Romilly’s
‘Observations on the Criminal Law of England’
(1810), Sir James Mackintosh says,
“It does the very highest honour
to his moral character, which, I think, stands higher
than that of any other conspicuous Englishman now
alive. Probity, independence, humanity, and
liberality breathe through every word; considered
merely as a composition, accuracy, perspicuity, discretion,
and good taste are its chief merits; great originality
and comprehension of thought, or remarkable vigour
of expression, it does not possess.”
The death of his wife, October 29,
1818, so affected Romilly’s mind that he committed
suicide four days later.
“Romilly,” said Lord Lansdowne
to Moore (’Memoirs, etc’., vol. ii. p.
211), “was a stern, reserved sort of man, and
she was the only person in the world to whom he
wholly unbent and unbosomed himself; when he lost
her, therefore, the very vent of his heart was stopped
up.”]
[Footnote 2: Sir Samuel Bentham
(1757-1831), naval architect and engineer, like his
brother Jeremy, was a strong reformer. He was
a Knight of the Russian Order of St. George, and,
like Sir Samuel Egerton Brydges, who was a Knight
of the Swedish Order of St. Joachim before he was
created a baronet (1814), assumed the title in England.]
[Footnote 3: Francis Horner (1778-1817),
called to the Scottish Bar in 1800, and to the English
Bar in 1807, was one of the founders of the ‘Edinburgh
Review’, and acted as second to Jeffrey in his
duel with Moore. In the House of Commons (M.P.
for St. Ives, 1806-7; Wendover, 1807-12; St. Mawes,
1812-17) he was one of the most impressive speakers
of the day, especially on financial questions.
When Lord Morpeth moved (March 3, 1817) for a new
writ for the borough of St. Mawes, striking tributes
were paid to his character from both sides of the House
(’Memoirs and Correspondence of Francis Horner’,
vol. ii. pp. 416-426), and further proof was given
of public esteem by the statue erected to his memory
in Westminster Abbey. The speeches delivered in
the Lower House on March 3, 1817, were translated
by Ugo Foscolo, and published with a dedication ’al
nobile giovinetto, Enrico Fox, figlio di Lord Holland’.]
[Footnote 4: George Philips,
only son of Thomas Philips of Sedgley, Lancashire
(born March 24, 1766), was created a baronet in February,
1828. He sat for South Warwickshire in the first
reformed House of Commons.]
[Footnote 5: In a note to ‘The
Bride of Abydos’ (Canto I. st. vi.), Byron had
written,
“For an eloquent passage in the
latest work of the first female writer of this,
perhaps of any, age, on the analogy (and the immediate
comparison excited by that analogy) between ‘painting
and music,’ see vol. iii. cap. 10, ’De
l’Allemagne’.”
The passage is as follows (Part III. chap, x.):
“Sans cesse nous comparons la peinture
à la musique, et la musique à la peinture, parceque
les émotions que nous eprouvons nous révèlent
des analogies où l’observation froide ne verroit
que des différences,” etc., etc.
The following is Madame de Staël’s “very
pretty billet:”
“Argyll St., No. 31.
“Je ne saurais vous exprímer, my
lord, à quel point je me trouve honorée d’être
dans une note de votre poëme, et de quel poëme! il
me semble que pour la première fois je me crois
certaine d’un nom d’avenir et que
vous avez disposé pour moi de cet empire de reputation
qui vous sera tous les jours plus soumis. Je
voudrais vous parler de ce poëme que tout le
monde admire, mais j’avouerai que je suis
trop suspecte en le louant, et je ne cache pas qu’
une louage de vous m’a fait épreuver un sentiment
de fierté et de réconaissance qui me rendrait incapable
de vous juger; mais heureusement vous êtes au dessus
du jugement.
“Donnez moi quelquefois le plaisir
de vous voir; il-y-a un proverbe
français qui dit qu’un bonheur ne
va jamais sans d’autre.
“DE STAËL.”]
[Footnote 6:
“Byron,” writes Sir Walter
Scott, in a hitherto unpublished note, “occasionally
said what are called good things, but never studied
for them. They came naturally and easily, and
mixed with the comic or serious, as it happened.
A professed wit is of all earthly companions the
most intolerable. He is like a schoolboy with
his pockets stuffed with crackers.
“No first-rate author was ever what
is understood by a ’great conversational wit’.
Swift’s wit in common society was either the
strong sense of a wonderful man unconsciously exerting
his powers, or that of the same being wilfully unbending,
wilfully, in fact, degrading himself. Who ever
heard of any fame for conversational wit lingering
over the memory of a Shakespeare, a Milton, even of
a Dryden or a Pope?
“Johnson is, perhaps, a solitary
exception. More shame to him. He was
the most indolent great man that ever
lived, and threw away in his
talk more than he ever took pains to embalm
in his writings.
“It is true that Boswell has in
great measure counteracted all this. But here
is no defence. Few great men can expect to have
a Boswell, and none ‘ought’ to wish
to have one, far less to trust to having one.
A man should not keep fine clothes locked up in his
chest only that his valet may occasionally show
off in them; no, nor yet strut about in them in
his chamber, only that his valet may puff him and his
finery abroad.
“What might not he have done, who
wrote ‘Rasselas’ in the evenings of eight
days to get money enough for his mother’s funeral
expenses? As it is, what has Johnson done?
Is it nothing to be the first intellect of ‘an
age’? and who seriously talks even of Burke as
having been more than a clever boy in the presence
of old Samuel?”]
[Footnote 7: George Anson Byron,
R. N., afterwards Lord Byron.]
[Footnote 8: Scott has this additional note on
Lewis:
“Nothing was more tiresome than
Lewis when he began to harp upon any extravagant
proposition. He would tinker at it for hours without
mercy, and repeat the same thing in four hundred
different ways. If you assented in despair,
he resumed his reasoning in triumph, and you had
only for your pains the disgrace of giving in.
If you disputed, daylight and candle-light could
not bring the discussion to an end, and Mat’s
arguments were always ’ditto repeated’.”]
[Footnote 9: Miss Milbanke, afterwards Lady Byron.]
* * *
Wednesday, December 1, 1813.
To-day responded to La Baronne de
Stael Holstein, and sent to Leigh Hunt (an acquisition
to my acquaintance—through Moore—of
last summer) a copy of the two Turkish tales.
Hunt is an extraordinary character, and not exactly
of the present age. He reminds me more of the
Pym and Hampden times—much talent, great
independence of spirit, and an austere, yet not repulsive,
aspect. If he goes on qualis ab incepto,
I know few men who will deserve more praise or obtain
it. I must go and see him again;—the
rapid succession of adventure, since last summer,
added to some serious uneasiness and business, have
interrupted our acquaintance; but he is a man worth
knowing; and though, for his own sake, I wish him
out of prison, I like to study character in such situations.
He has been unshaken, and will continue so. I
don’t think him deeply versed in life;—he
is the bigot of virtue (not religion), and enamoured
of the beauty of that “empty name,” as
the last breath of Brutus pronounced [1], and every
day proves it. He is, perhaps, a little opinionated,
as all men who are the centre of circles,
wide or narrow—the Sir Oracles, in whose
name two or three are gathered together—must
be, and as even Johnson was; but, withal, a valuable
man, and less vain than success and even the consciousness
of preferring “the right to the expedient”
might excuse.
To-morrow there is a party of purple
at the “blue” Miss Berry’s.
Shall I go? um!—I don’t much affect
your blue-bottles;—but one ought to be
civil. There will be, “I guess now”
(as the Americans say), the Staels and Mackintoshes—good—the——s
and——s—not so good—the——s,
etc., etc.—good for nothing.
Perhaps that blue-winged Kashmirian butterfly of book-learning
Lady Charlemont, will be there. I hope so;
it is a pleasure to look upon that most beautiful of
faces.
Wrote to H.:--he has been telling that I------[3] I am sure, at least,
<i>I</i> did not mention it, and I wish he had not.  He is a good fellow, and
I obliged myself ten times more by being of use than I did him,—­and
there’s an end on’t.
Baldwin [4] is boring me to present
their King’s Bench petition. I presented
Cartwright’s last year; and Stanhope and I stood
against the whole House, and mouthed it valiantly—and
had some fun and a little abuse for our opposition.
But “I am not i’ th’ vein”
[5] for this business. Now, had——been
here, she would have made me do it. There
is a woman, who, amid all her fascination, always urged
a man to usefulness or glory. Had she remained,
she had been my tutelar genius.
Baldwin is very importunate—but,
poor fellow, “I can’t get out, I can’t
get out—said the starling.” [6] Ah,
I am as bad as that dog Sterne, who preferred whining
over “a dead ass to relieving a living mother”
but I am no better. Here I cannot stimulate
myself to a speech for the sake of these unfortunates,
and three words and half a smile of——had
she been here to urge it (and urge it she infallibly
would—at least she always pressed me on
senatorial duties, and particularly in the cause of
weakness) would have made me an advocate, if not an
orator. Curse on Rochefoucault for being always
right! In him a lie were virtue,—or,
at least, a comfort to his readers.
George Byron has not called to-day;
I hope he will be an admiral, and, perhaps, Lord Byron
into the bargain. If he would but marry, I would
engage never to marry myself, or cut him out of the
heirship. He would be happier, and I should like
nephews better than sons.
I shall soon be six-and-twenty (January
22d., 1814). Is there any thing in the future
that can possibly console us for not being always
twenty-five?
“Oh
Gioventu!
Oh Primavera! gioventu dell’ anno.
Oh Gioventu! primavera della vita.”
[Footnote 1:
“‘Strato’.
For Brutus only overcame himself,
And no man else hath honour by his death.
* * *
‘Octavius’.
According to his virtue let us use him,
With all respect and rites of burial.”
‘Julius Cæsar’, act v. sc. 5.]
[Footnote 2: In ‘The Giaour’
(lines 388-392) occurs the following passage:
“As rising on its purple wing
The insect-queen of Eastern spring
O’er emerald meadows of Kashmeer
Invites the young pursuer near,”
etc.
To line 389 is appended this note:
“The blue-winged butterfly of Kashmeer,
the most rare and beautiful of
the species.”]
[Footnote 3: See letter [Letter
365] to Francis Hodgson, p. 294.]
[Footnote 4: The letters which
W.J. Baldwin, a debtor in the King’s Bench
prison, wrote to Byron are preserved. Byron seems
to have refused to present the petition from diffidence,
but he interested himself in the subject, and probably
induced Lord Holland to take up the question.
(See p. 318, ‘note’ 2 [Footnote 6 of the
initial journal entry which forms the beginning of
Chapter VIII.]) In the list of abuses enumerated by
Baldwin is mentioned a “strong room,”
in which prisoners were confined, without fires or
glass to the windows, in the depth of winter.]
[Footnote 5: ’Richard III’., act
iv, sc. 2.]
[Footnote 6: ‘Sentimental
Journey’ (ed. 1819), vol. ii. p. 379.]
[Footnote 7: ‘Ibid.’, vol. ii. p.
337.]
* * *
Sunday, December 5.
Dallas’s nephew (son to the
American Attorney-general) is arrived in this country,
and tells Dallas that my rhymes are very popular in
the United States. These are the first tidings
that have ever sounded like Fame to my ears—to
be redde on the banks of the Ohio! The greatest
pleasure I ever derived, of this kind was from an extract,
in Cooke the actor’s life, from his journal
stating that in the reading-room at Albany, near
Washington, he perused English Bards, and Scotch
Reviewers. To be popular in a rising and far
country has a kind of posthumous feel, very
different from the ephemeral éclat and fête-ing,
buzzing and party-ing compliments of the well-dressed
multitude. I can safely say that, during my reign
in the spring of 1812, I regretted nothing but its
duration of six weeks instead of a fortnight, and
was heartily glad to resign.
Last night I supped with Lewis; and,
as usual, though I neither exceeded in solids nor
fluids, have been half dead ever since. My stomach
is entirely destroyed by long abstinence, and the
rest will probably follow. Let it—I
only wish the pain over. The “leap
in the dark” is the least to be dreaded.
The Duke of——called.
I have told them forty times that, except to half-a-dozen
old and specified acquaintances, I am invisible.
His Grace is a good, noble, ducal person; but I am
content to think so at a distance, and so—I
was not at home.
Galt called.—Mem.—to
ask some one to speak to Raymond in favour of his
play. We are old fellow-travellers, and, with
all his eccentricities, he has much strong sense,
experience of the world, and is, as far as I have
seen, a good-natured philosophical fellow. I showed
him Sligo’s letter on the reports of the Turkish
girl’s aventure at Athens soon after it
happened. He and Lord Holland, Lewis, and Moore,
and Rogers, and Lady Melbourne have seen it.
Murray has a copy. I thought it had been unknown,
and wish it were; but Sligo arrived only some days
after, and the rumours are the subject of his
letter. That I shall preserve,—it
is as well. Lewis and Gait were both horrified;
and L. wondered I did not introduce the situation
into The Giaour. He may wonder;—he
might wonder more at that production’s being
written at all. But to describe the feelings
of that situation were impossible—it
is icy even to recollect them.
The Bride of Abydos was published
on Thursday the second of December; but how it is
liked or disliked, I know not. Whether it succeeds
or not is no fault of the public, against whom I can
have no complaint. But I am much more indebted
to the tale than I can ever be to the most partial
reader; as it wrung my thoughts from reality to imagination—from
selfish regrets to vivid recollections—and
recalled me to a country replete with the brightest
and darkest, but always most lively
colours of my memory. Sharpe called, but was not
let in, which I regret.
Saw [Rogers] yesterday. I have
not kept my appointment at Middleton, which has not
pleased him, perhaps; and my projected voyage with
[Ward] will, perhaps, please him less. But I
wish to keep well with both. They are instruments
that don’t do in concert; but, surely, their
separate tones are very musical, and I won’t
give up either.
It is well if I don’t jar between
these great discords. At present I stand tolerably
well with all, but I cannot adopt their dislikes;—so
many sets. Holland’s is the first;—every
thing distingué is welcome there, and certainly
the ton of his society is the best. Then
there is Madame de Stael’s—there
I never go, though I might, had I courted it.
It is composed of the——s and the——family,
with a strange sprinkling,—orators, dandies,
and all kinds of Blue, from the regular Grub
Street uniform, down to the azure jacket of the Littérateur
To see——and——sitting
together, at dinner, always reminds me of the grave,
where all distinctions of friend and foe are levelled;
and they—the Reviewer and the Reviewée—the
Rhinoceros and Elephant—the Mammoth and
Megalonyx—all will lie quietly together.
They now sit together, as silent, but not so
quiet, as if they were already immured.
I did not go to the Berrys’
the other night. The elder is a woman of much
talent, and both are handsome, and must have been beautiful.
To-night asked to Lord H.’s—shall
I go? um!—perhaps.
Morning, two o’clock.
Went to Lord H.’s—party
numerous—milady in perfect good humour,
and consequently perfect. No one more
agreeable, or perhaps so much so, when she will.
Asked for Wednesday to dine and meet the Stael—asked
particularly, I believe, out of mischief to see the
first interview after the note, with which
Corinne professes herself to be so much taken.
I don’t much like it; she always talks of myself
or herself, and I am not (except in soliloquy,
as now,) much enamoured of either subject—especially
one’s works. What the devil shall I say
about De l’Allemagne? I like it
prodigiously; but unless I can twist my admiration
into some fantastical expression, she won’t believe
me; and I know, by experience, I shall be overwhelmed
with fine things about rhyme, etc., etc.
The lover, Mr.——[Rocca], was there
to-night, and C——said “it
was the only proof he had seen of her good taste.”
Monsieur L’Amant is remarkably handsome; but
I don’t think more so than her book.
C——[Campbell] looks
well,—seems pleased, and dressed to sprucery.
A blue coat becomes him,—so does his new
wig. He really looked as if Apollo had sent him
a birthday suit, or a wedding-garment, and was witty
and lively. He abused Corinne’s book, which
I regret; because, firstly, he understands German,
and is consequently a fair judge; and, secondly, he
is first-rate, and, consequently, the best of
judges. I reverence and admire him; but I won’t
give up my opinion—why should I? I
read her again and again, and there can be
no affectation in this. I cannot be mistaken
(except in taste) in a book I read and lay down, and
take up again; and no book can be totally bad which
finds one, even one reader, who can
say as much sincerely.
Campbell talks of lecturing next spring;
his last lectures were eminently successful.
Moore thought of it, but gave it up,—I don’t
know why.——had been prating dignity
to him, and such stuff; as if a man disgraced himself
by instructing and pleasing at the same time.
Introduced to Marquis Buckingham—saw
Lord Gower [3]—he is going to Holland;
Sir J. and Lady Mackintosh and Horner, G. Lamb [4],
with I know not how many (Richard Wellesley, one—a
clever man), grouped about the room. Little Henry
Fox, a very fine boy, and very promising in mind and
manner,—he went away to bed, before I had
time to talk to him. I am sure I had rather hear
him than all the savans.
[Footnote 1: In Dunlap’s
‘Memoirs of George Frederick Cooke’ (vol.
ii. p. 313), the following passage is quoted from
the actor’s journal:
“Read ‘English Bards, and
Scotch Reviewers’, by Lord Byron. It is
well
written. His Lordship is rather severe,
perhaps justly so, on Walter
Scott, and most assuredly justly severe
upon Monk Lewis.”]
[Footnote 2: In Byron’s
‘Detached Thoughts’ (1821) occurs this
passage:
“In general I do not draw well with
literary men. Not that I dislike them, but
I never know what to say to them after I have praised
their last publication. There are several exceptions,
to be sure; but then they have always been men of
the world, such as Scott and Moore, etc., or
visionaries out of it, such as Shelley, etc.
But your literary every-day man and I never went
well in company, especially your foreigner, whom
I never could abide,—except Giordani, and—and—and
(I really can’t name any other); I do not remember
a man amongst them whom I ever wished to see twice,
except, perhaps, Mezzophanti, who is a Monster of
Languages, the Briareus of parts of speech, a walking
Polyglott, and more—who ought to have
existed at the time of the Tower of Babel as universal
Interpreter. He is, indeed, a Marvel, —unassuming
also. I tried him in all the tongues of which
I have a single oath (or adjuration to the Gods
against Postboys, Savages, Tartars, boatmen, sailors,
pilots, Gondoliers, Muleteers, Cameldrivers, Vetturini,
Postmasters, post-horses, post-houses, post-everything)
and Egad! he astounded me even to my English.”
On this passage Sir Walter Scott makes
the following note:
“I suspect Lord Byron of some self-deceit
as to this matter. It appears that he liked
extremely the only ‘first-rate’ men of
letters into whose society he happened to be thrown
in England. They happened to be men of the
world, it is true; but how few men of very great eminence
in literature, how few intellectually Lord B.’s
peers, have ‘not’ been men of the world?
Does any one doubt that the topics he had most pleasure
in discussing with Scott or Moore were literary ones,
or had at least some relation to literature?
“As for the foreign ‘literati’,
pray what ‘literati’ anything like his
own rank did he encounter abroad? I have no
doubt he would have been as much at home with an
Alfieri, a Schiller, or a Goethe, or a Voltaire,
as he was with Scott or Moore, and yet two of these
were very little of men of the world in the sense
in which he uses that phrase.
“As to ‘every-day men of letters,’
pray who does like their company? Would a clever
man like a prosing ’captain, or colonel, or
knight-in-arms’ the ‘better’ for
happening to be himself the Duke of Wellington?”]
[Footnote 3: George Granville
Leveson Gower (1786-1861) succeeded his father in
1833 as second Duke of Sutherland.]
[Footnote 4: George Lamb (1784-1834),
the fourth son of the first Lord Melbourne, married,
in 1809, Caroline Rosalie St. Jules. As one of
the early contributors to the ‘Edinburgh Review’,
he was attacked by Byron in ‘English Bards,
and Scotch Reviewers’, lines 57 and 516 (see
‘Poems’, ed. 1898, vol. i. p. 301, ‘note’
I). A clever amateur actor, his comic opera ‘Whistle
for It’ was produced at Covent Garden, April
10, 1807, and he was afterwards on the Drury Lane
Committee of Management. His translation of the
‘Poems of Catullus’ was published in 1821.
In 1819, as the representative of the official Whigs,
he was elected for Westminster against Hobhouse; but
was defeated at the next election (1820).]
* * *
Monday, Dec. 6.
Murray tells me that Croker asked
him why the thing was called the Bride of Abydos?
It is a cursed awkward question, being unanswerable.
She is not a bride, only about to be
one; but for, etc., etc., etc.
I don’t wonder at his finding
out the Bull; but the detection——is
too late to do any good. I was a great fool to
make it, and am ashamed of not being an Irishman.
Campbell last night seemed a little
nettled at something or other—I know not
what. We were standing in the ante-saloon, when
Lord H. brought out of the other room a vessel of
some composition similar to that which is used in
Catholic churches, and, seeing us, he exclaimed, “Here
is some incense for you.” Campbell
answered—“Carry it to Lord Byron,
he is used to it.”
Now, this comes of “bearing
no brother near the throne.” [1]
I, who have no throne, nor wish to
have one now, whatever I may have done, am
at perfect peace with all the poetical fraternity;
or, at least, if I dislike any, it is not poetically,
but personally. Surely the field of thought
is infinite; what does it signify who is before or
behind in a race where there is no goal?
The temple of fame is like that of the Persians, the
universe; our altar, the tops of mountains. I
should be equally content with Mount Caucasus, or Mount
Anything; and those who like it, may have Mount Blanc
or Chimborazo, without my envy of their elevation.
I think I may now speak thus;
for I have just published a poem, and am quite ignorant
whether it is likely to be liked or not.
I have hitherto heard little in its commendation,
and no one can downright abuse it to one’s
face, except in print. It can’t be good,
or I should not have stumbled over the threshold,
and blundered in my very title. But I began it
with my heart full of——, and my head
of oriental_ities_ (I can’t call them isms),
and wrote on rapidly.
This journal is a relief. When
I am tired—as I generally am—out
comes this, and down goes every thing. But I
can’t read it over; and God knows what contradictions
it may contain. If I am sincere with myself (but
I fear one lies more to one’s self than to any
one else), every page should confute, refute, and
utterly abjure its predecessor.
Another scribble from Martin Baldwin
the petitioner; I have neither head nor nerves to
present it. That confounded supper at Lewis’s
has spoiled my digestion and my philanthropy.
I have no more charity than a cruet of vinegar.
Would I were an ostrich, and dieted on fire-irons,—or
any thing that my gizzard could get the better of.
To-day saw Ward. His uncle [2]
is dying, and W. don’t much affect our Dutch
determinations. I dine with him on Thursday, provided
l’oncle is not dined upon, or peremptorily
bespoke by the posthumous epicures before that day.
I wish he may recover—not for our
dinner’s sake, but to disappoint the undertaker,
and the rascally reptiles that may well wait, since
they will dine at last.
Gell called—he of Troy—after
I was out. Mem.—to return his visit.
But my Mems. are the very landmarks of forgetfulness;—something
like a light-house, with a ship wrecked under the
nose of its lantern. I never look at a Mem. without
seeing that I have remembered to forget. Mem.—I
have forgotten to pay Pitt’s taxes, and suppose
I shall be surcharged. “An I do not turn
rebel when thou art king “—oons!
I believe my very biscuit is leavened with that impostor’s
imposts.
Lady Melbourne returns from Jersey’s
to-morrow;—I must call. A Mr. Thomson
has sent a song, which I must applaud. I hate
annoying them with censure or silence;—and
yet I hate lettering.
Saw Lord Glenbervie [3] and this Prospectus,
at Murray’s, of a new Treatise on Timber.
Now here is a man more useful than all the historians
and rhymers ever planted. For, by preserving our
woods and forests, he furnishes materials for all
the history of Britain worth reading, and all the
odes worth nothing.
Redde a good deal, but desultorily.
My head is crammed with the most useless lumber.
It is odd that when I do read, I can only bear the
chicken broth of—any thing but Novels.
It is many a year since I looked into one, (though
they are sometimes ordered, by way of experiment,
but never taken,) till I looked yesterday at the worst
parts of the Monk. These descriptions
ought to have been written by Tiberius at Caprea—they
are forced—the philtered ideas of
a jaded voluptuary. It is to me inconceivable
how they could have been composed by a man of only
twenty—his age when he wrote them.
They have no nature—all the sour cream
of cantharides. I should have suspected Buffon
of writing them on the death-bed of his detestable
dotage. I had never redde this edition, and merely
looked at them from curiosity and recollection of
the noise they made, and the name they had left to
Lewis. But they could do no harm, except——.
Called this evening on my agent—my
business as usual. Our strange adventures are
the only inheritances of our family that have not
diminished.
I shall now smoke two cigars, and
get me to bed. The cigars don’t keep well
here. They get as old as a donna di quaranti
anni in the sun of Africa. The Havannah are
the best;—but neither are so pleasant as
a hooka or chiboque. The Turkish tobacco is mild,
and their horses entire—two things as they
should be. I am so far obliged to this Journal,
that it preserves me from verse,—at least
from keeping it. I have just thrown a poem into
the fire (which it has relighted to my great comfort),
and have smoked out of my head the plan of another.
I wish I could as easily get rid of thinking, or,
at least, the confusion of thought.
[Footnote 1: Pope’s ‘Epistle
to Dr. Arbuthnot’, line 197.]
[Footnote 2: William Bosville
(1745-1813), called colonel, but really only lieutenant
in the Coldstream Guards, was a noted ‘bon vivant’,
whose maxim for life was “Better never than late.”
He was famous for his hospitality in Welbeck Street.
A friend of Horne Tooke, he dined with him at Wimbledon
every Sunday in the spring and autumn. See ’Diversions
of Purley’, ed. 1805, ii. 490:
“Your friend Bosville and I have
entered into a strict engagement to belong for ever
to the established government, to the Established
Church, and to the established language of our country,
because they are established.”]
[Footnote 3: Sylvester Douglas
(1743-1823), created in 1800 Baron Glenbervie, married,
in September, 1789, Catherine, eldest daughter of
Lord North, afterwards Earl of Guildford. He was
educated at Leyden for the medical profession, a circumstance
to which Sheridan alludes in the lines:
“Glenbervie, Glenbervie,
What’s good for the scurvy?
For ne’er be your old trade forgot.”
Gibbon writes of him, October 4, 1788
(’Letters’, vol. ii. p. 180),
“He has been curious, attentive,
agreeable; and in every place where
he has resided some days, he has left
acquaintance who esteem and
regret him; I never knew so clear and
general an impression.”
Glenbervie was Surveyor-General of
Woods and Forests, 1803-1806, and again from 1807
to 1810. In that year he became First Commissioner
of Land Revenue and Woods and Forests, and held the
appointment till August, 1814.]
* * *
Tuesday, December 7.
Went to bed, and slept dreamlessly,
but not refreshingly. Awoke, and up an hour before
being called; but dawdled three hours in dressing.
When one subtracts from life infancy (which is vegetation),—sleep,
eating, and swilling—buttoning and unbuttoning—how
much remains of downright existence? The summer
of a dormouse.
Redde the papers and tea-ed
and soda-watered, and found out that the fire was
badly lighted. Lord Glenbervie wants me to go
to Brighton—um!
This morning, a very pretty billet
from the Stael about meeting her at Ld. H.’s
to-morrow. She has written, I dare say, twenty
such this morning to different people, all equally
flattering to each. So much the better for her
and those who believe all she wishes them, or they
wish to believe. She has been pleased to be pleased
with my slight eulogy in the note annexed to The
Bride. This is to be accounted for in several
ways,—firstly, all women like all, or any,
praise; secondly, this was unexpected, because I have
never courted her; and, thirdly, as Scrub [1] says,
those who have been all their lives regularly praised,
by regular critics, like a little variety, and are
glad when any one goes out of his way to say a civil
thing; and, fourthly, she is a very good-natured creature,
which is the best reason, after all, and, perhaps,
the only one.
A knock—knocks single and
double. Bland called. He says Dutch society
(he has been in Holland) is second-hand French; but
the women are like women every where else. This
is a bore: I should like to see them a little
unlike; but that can’t be expected.
Went out—came home—this,
that, and the other—and “all is vanity,
saith the preacher,” and so say I, as part of
his congregation. Talking of vanity, whose praise
do I prefer? Why, Mrs. Inchbald’s [2], and
that of the Americans. The first, because her
Simple Story and Nature and Art are,
to me, true to their titles; and, consequently,
her short note to Rogers about The Giaour delighted
me more than any thing, except the Edinburgh Review.
I like the Americans, because I happened to
be in Asia, while the English Bards, and
Scotch Reviewers were redde in America.
If I could have had a speech against the Slave
Trade in Africa, and an epitaph on a dog in Europe
(i.e. in the Morning Post), my vertex sublimis
[3] would certainly have displaced stars enough to
overthrow the Newtonian system.
[Footnote 1: The reference is
only to the form of the sentence. “Scrub,”
in ‘The Beaux’ Stratagem’ (act iv.
se. 2), says,
“First, it must be a plot, because
there’s a woman in’t; secondly, it must
be a plot, because there’s a priest in’t;
thirdly, it must be a plot, because there’s
French gold in’t; and fourthly, it must be a
plot, because I don’t know what to make on’t.”]
[Footnote 2: Elizabeth Simpson
(1753-1821), daughter of a Suffolk farmer, married
(1772) Joseph Inchbald, actor and portrait-painter.
Actress, dramatist, and novelist, she was one of the
most attractive women of the day. Winning in
manner, quick in repartee, an admirable teller of
stories, she always gathered all the men round her
chair.
“It was vain,” said Mrs. Shelley,
“for any other woman to attempt to
gain attention.”
Miss Edgeworth wished to see her first
among living celebrities; her charm fascinated Sheridan,
and overcame the prejudice of Lamb; even Peter Pindar
wrote verse in her praise. From the age of eighteen
she was wooed on and off the stage, where her slight
stammer hindered her complete success; but no breath
of scandal tarnished her name. Had John Kemble,
the hero of ‘A Simple Story’, proposed
to her, she probably would have married him.
Mrs. Butler records that her uncle John once asked
the actress, when matrimony was the subject of green-room
conversation, “Well, Mrs. Inchbald, would you
have had me?” “Dear heart,” said
the stammering beauty, turning her sunny face up at
him,” I’d have j-j-j-jumped at you.”
Mrs. Inchbald’s ‘Simple Story’ (1791)
wears a more modern air than any previously written
novel. Her dramatic experience stood her in good
stead. “Dorriforth,” the priest, educated,
like Kemble, at Douay, impressed himself upon Macaulay’s
mind as the true type of the Roman Catholic peer.
‘Nature and Art’ (1796) was written when
Mrs. Inchbald was most under the influence of the French
Revolution. Of two boys who come to London to
seek their fortunes, Nature makes one a musician,
and Art raises the other into a dean. The trial
and condemnation of “Agnes” perhaps suggested
to Lytton the scene in ‘Paul Clifford’,
where “Brandon” condemns his own son.]
[Footnote 3: Horace, ‘Odes’, I. i.
36.]
* * *
Friday, December 10, 1813.
I am ennuyé beyond my usual
tense of that yawning verb, which I am always conjugating;
and I don’t find that society much mends the
matter. I am too lazy to shoot myself—and
it would annoy Augusta, and perhaps ——;
but it would be a good thing for George, on the other
side, and no bad one for me; but I won’t be
tempted.
I have had the kindest letter from
Moore. I do think that man is the best-hearted,
the only hearted being I ever encountered; and,
then, his talents are equal to his feelings.
Dined on Wednesday at Lord H.’s—the
Staffords, Staels, Cowpers, Ossulstones, Melbournes,
Mackintoshes, etc., etc.—and was
introduced to the Marquis and Marchioness of Stafford
unexpected event. My quarrel
with Lord Carlisle (their or his brother-in-law) having
rendered it improper, I suppose, brought it about.
But, if it was to happen at all, I wonder it did not
occur before. She is handsome, and must have
been beautiful—and her manners are princessly.
The Stael was at the other end of
the table, and less loquacious than heretofore.
We are now very good friends; though she asked Lady
Melbourne whether I had really any bonhommie.
She might as well have asked that question before
she told C. L. “c’est un demon.”
True enough, but rather premature, for she
could not have found it out, and so—she
wants me to dine there next Sunday.
Murray prospers, as far as circulation.
For my part, I adhere (in liking) to my Fragment.
It is no wonder that I wrote one—my mind
is a fragment.
Saw Lord Gower, Tierney [2], etc.,
in the square. Took leave of Lord Gower, who
is going to Holland and Germany. He tells me that
he carries with him a parcel of Harolds and
Giaours, etc., for the readers of Berlin,
who, it seems, read English, and have taken a caprice
for mine. Um!—have I been German
all this time, when I thought myself Oriental?
Lent Tierney my box for to-morrow;
and received a new comedy sent by Lady C. A.—but
not hers. I must read it, and endeavour
not to displease the author. I hate annoying
them with cavil; but a comedy I take to be the most
difficult of compositions, more so than tragedy.
Galt says there is a coincidence between
the first part of The Bride and some story
of his—whether published or not, I know
not, never having seen it. He is almost the last
person on whom any one would commit literary larceny,
and I am not conscious of any witting thefts
on any of the genus. As to originality, all pretensions
are ludicrous,—“there is nothing
new under the sun.” [3]
Went last night to the play.
Invited out to a party, but did not go;—right.
Refused to go to Lady——’s on
Monday;—right again. If I must fritter
away my life, I would rather do it alone. I was
much tempted;—C——looked
so Turkish with her red turban, and her regular, dark,
and clear features. Not that she and I
ever were, or could be, any thing; but I love any
aspect that reminds me of the “children of the
sun.”
To dine to-day with Rogers and Sharpe,
for which I have some appetite, not having tasted
food for the preceding forty-eight hours. I wish
I could leave off eating altogether.
[Footnote 1: George Granville
Leveson Gower (1758-1833) succeeded his father, in
1803, as second Marquis of Stafford. He married,
in 1785, Elizabeth, Countess of Sutherland, and was
created, in 1833, first Duke of Sutherland. Lord
Carlisle had married, in 1770 Margaret Caroline, sister
of the second Marquis of Stafford.]
[Footnote 2: George Tierney (1761-1830)
entered Parliament as Member for Colchester in 1789.
In 1796 he was returned for Southwark. A useful
speaker and political writer, he was Treasurer of the
Navy in the Addington administration, and President
of the Board of Control in that of “All the
Talents.” His drafting of the petition of
the “Society of the Friends of the People,”
his duel with Pitt in 1798, and his leadership of
the Opposition after 1817, are almost forgotten; but
he is remembered as the “Friend of Humanity”
in ’The Needy Knife-Grinder’.]
[Footnote 3: ‘Eccles’. i. 9.]
* * *
Saturday, December 11.
* * *
Sunday, December 12.
By Galt’s answer, I find it
is some story in real life, and not any work
with which my late composition coincides. It is
still more singular, for mine is drawn from existence
also.
I have sent an excuse to Madame de
Stael. I do not feel sociable enough for dinner
to-day;—and I will not go to Sheridan’s
on Wednesday. Not that I do not admire and prefer
his unequalled conversation; but—that “but”
must only be intelligible to thoughts I cannot write.
Sheridan was in good talk at Rogers’s the other
night, but I only stayed till nine. All
the world are to be at the Stael’s to-night,
and I am not sorry to escape any part of it.
I only go out to get me a fresh appetite for being
alone. Went out—did not go to the Stael’s
but to Ld. Holland’s. Party numerous—conversation
general. Stayed late—made a blunder—got
over it—came home and went to bed, not having
eaten. Rather empty, but fresco, which
is the great point with me.
* * *
Monday, December 13, 1813.
Called at three places—read,
and got ready to leave town to-morrow. Murray
has had a letter from his brother bibliopole of Edinburgh,
who says, “he is lucky in having such a poet”—something
as if one was a packhorse, or “ass, or any thing
that is his;” or, like Mrs. Packwood, [1] who
replied to some inquiry after the Odes on Razors,—“Laws,
sir, we keeps a poet.” The same illustrious
Edinburgh bookseller once sent an order for books,
poesy, and cookery, with this agreeable postscript—“The
Harold and Cookery [2] are much wanted.”
Such is fame, and, after all, quite as good as any
other “life in others’ breath.”
’Tis much the same to divide purchasers with
Hannah Glasse or Hannah More.
Some editor of some magazine has announced
to Murray his intention of abusing the thing “without
reading it.” So much the better; if
he redde it first, he would abuse it more.
Allen [3] (Lord Holland’s Allen—the
best informed and one of the ablest men I know—a
perfect Magliabecchi [4]—a devourer, a Helluo
of books, and an observer of men,) has lent me a quantity
of Burns’s [5] unpublished and never-to-be-published
Letters. They are full of oaths and obscene songs.
What an antithetical mind!—tenderness,
roughness—delicacy, coarseness—sentiment,
sensuality—soaring and grovelling, dirt
and deity—all mixed up in that one compound
of inspired clay!
It seems strange; a true voluptuary
will never abandon his mind to the grossness of reality.
It is by exalting the earthly, the material, the physique
of our pleasures, by veiling these ideas, by forgetting
them altogether, or, at least, never naming them hardly
to one’s self, that we alone can prevent them
from disgusting.
[Footnote 1: Mrs. Packwood is
the wife of George Packwood, “the celebrated
Razor Strop Maker and Author of ’The Goldfinch’s
Nest’,” whose shop was at 16, Gracechurch
Street. ’Packwood’s Whim; The Goldfinch’s
Nest, or the Way to get Money and be Happy’,
by George Packwood, was published in 1796, and reached
a second edition in 1807. It is a collection
of his advertisements in prose and verse. The
poet, whom Packwood kept, apparently lived in Soho
(p. 21), from his verses which appeared in the ‘True
Briton’ for November 9, 1795:
“If you wish, Sir, to Shave—nay,
pray look not grave,
Since nothing on earth can
be worse,
To P—d repair, you’re
shaved to a hair,
Which I mean to exhibit in
verse.
“When in moving the beard—I
wish to be heard—
The dull razor occasions a
curse,
The strop that I view will its merits
renew;
Behold I record it in verse.
“Some in fashion’s tontine
disperse all their spleen,
And others their destinies
curse;
But P—d’s fine taste,
with his Strops and his Paste,
Which I’ll show you
in Prose and in Verse.
“I have taken this plan to comment
on a man,
Whose merit I’m proud
to rehearse;
For a razor and knife he will sharpen
for life,
And deserves every praise
in my verse.
“Soho, Nov. 6, 1795.”]
[Footnote 2: ‘The Art of
Cookery Made Plain and Easy’, “By a Lady,”
was published anonymously in 1747. The 4th edition
(1751) bears the name of H. Glasse. The book
was at one time supposed to be the work of Dr. John
Hill (1716-1775), and to contain the proverb, “First
catch your hare, then cook it.” But Hill’s
claim is untenable, and the proverb is not in the
book.
Mrs. Rundell’s ‘Domestic
Cookery’ was one of Murray’s most successful
publications. In Byron’s lines, “To
Mr. Murray” (March 25, 1818), occurs the following
passage:
“Along thy sprucest bookshelves
shine
The works thou deemest most divine—
The ‘Art of Cookery,’ and
mine,
My Murray.”]
[Footnote 3: John Allen, M.D.
(1771-1843), accompanied Lord Holland to Spain (1801-5
and 1808-9), and lived with him at Holland House.
His ‘Inquiry into the Rise and Growth of the
Royal Prerogative in England’, his numerous
articles in the ‘Edinburgh Review’, and
his life of Fox in the ‘Encyclopedia Britannica’,
and many other works, justify Byron’s praise.
In the social life of Holland House he was a prominent
figure, and to it, perhaps, he sacrificed his literary
powers and acquirements. He was Warden of Dulwich
College (1811-20), and Master (1820-43). Allen
was the author of the article in the ‘Edinburgh
Review’ on Payne Knight’s ‘Taste’,
in which he severely criticized Pindar’s Greek,
and which Byron, probably trusting to Hodgson (see
‘Letters’, vol. i. p. 196, ‘note’
1), or possibly misled by similarity of sound (H.
Crabb Robinson’s ‘Diary’, vol. i.
p. 277), attributed to “classic Hallam, much
renowned for Greek” (’English Bards, etc.’,
line 513).]
[Footnote 4: Antonio Magliabecchi
(1633-1714) was appointed, in 1673, Librarian to the
Grand-Duke of Tuscany, to whom he bequeathed his immense
collection of 30,000 volumes. In Burton’s
‘Book-hunter’ (p. 229) it is said that
Magliabecchi
“could direct you to any book in
any part of the world, with the precision with which
the metropolitan policeman directs you to St. Paul’s
or Piccadilly. It is of him that the stories are
told of answers to inquiries after books, in these
terms: ’There is but one copy of that
book in the world. It is in the Grand Seignior’s
library at Constantinople, and is the seventh book
in the second shelf on the right hand as you go
in.’”]
[Footnote 5: Byron himself was
“likened to Burns,” and Sir Walter Scott,
commenting on the comparison in a manuscript note,
says,
“Burns, in depth of poetical feeling,
in strong shrewd sense to balance and regulate this,
in the ‘tact’ to make his poetry tell by
connecting it with the stream of public thought and
the sentiment of the age, in ‘commanded’
wildness of fancy and profligacy or recklessness
as to moral and ‘occasionally’ as to religious
matters, was much more like Lord Byron than any
other person to whom Lord B. says he had been compared.
“A gross blunder of the English
public has been talking of Burns as if the character
of his poetry ought to be estimated with an eternal
recollection that he was a ‘peasant’.
It would be just as proper to say that Lord Byron
ought always to be thought of as a ‘Peer’.
Rank in life was nothing to either in his true moments.
Then, they were both great Poets. Some silly
and sickly affectations connected with the accidents
of birth and breeding may be observed in both, when
they are not under the influence of ‘the happier
star.’ Witness Burns’s prate about
independence, when he was an exciseman, and Byron’s
ridiculous pretence of Republicanism, when he never
wrote sincerely about the Multitude without expressing
or insinuating the very soul of scorn.”]
* * *
December 14, 15, 16.
Much done, but nothing to record.
It is quite enough to set down my thoughts,—my
actions will rarely bear retrospection.
* * *
December 17, 18.
Lord Holland told me a curious piece
of sentimentality in Sheridan. The other night
we were all delivering our respective and various opinions
on him and other hommes marquans, and mine was
this:—“Whatever Sheridan has done
or chosen to do has been, par excellence, always
the best of its kind. He has written the
best comedy (School for Scandal), the
best drama (in my mind, far before that St.
Giles’s lampoon, the Beggar’s Opera),
the best farce (the Critic—it is
only too good for a farce), and the best Address (Monologue
on Garrick), and, to crown all, delivered the very
best Oration (the famous Begum Speech) ever conceived
or heard in this country.” Somebody told
S. this the next day, and on hearing it he burst into
tears!
Poor Brinsley! if they were tears
of pleasure, I would rather have said these few, but
most sincere, words than have written the Iliad or
made his own celebrated Philippic. Nay, his own
comedy never gratified me more than to hear that he
had derived a moment’s gratification from any
praise of mine, humble as it must appear to “my
elders and my betters.”
Went to my box at Covent Garden to-night;
and my delicacy felt a little shocked at seeing S——’s
mistress (who, to my certain knowledge, was actually
educated, from her birth, for her profession) sitting
with her mother, “a three-piled b——d,
b——d Major to the army,” in
a private box opposite. I felt rather indignant;
but, casting my eyes round the house, in the next
box to me, and the next, and the next, were the most
distinguished old and young Babylonians of quality;—so
I burst out a laughing. It was really odd; Lady——divorced—Lady——and
her daughter, Lady——, both divorceable—Mrs.——,
in the next the like, and still nearer-—-!
[1] What an assemblage to me, who know all
their histories. It was as if the house had been
divided between your public and your understood
courtesans;—but the intriguantes much outnumbered
the regular mercenaries. On the other side were
only Pauline and her mother, and, next box to
her, three of inferior note. Now, where lay the
difference between her and mamma, and
Lady——and daughter? except that the
two last may enter Carleton and any other house,
and the two first are limited to the opera and b——house.
How I do delight in observing life as it really is!—and
myself, after all, the worst of any. But no matter—I
must avoid egotism, which, just now, would be no vanity.
I have lately written a wild, rambling,
unfinished rhapsody, called “The Devil’s
Drive” the notion of which I took from Person’s
“Devil’s Walk.” [2]
Redde some Italian, and wrote two
Sonnets on——. I never wrote but
one sonnet before, and that was not in earnest, and
many years ago, as an exercise—and I will
never write another. They are the most puling,
petrifying, stupidly platonic compositions. I
detest the Petrarch so much, that I would not be the
man even to have obtained his Laura, which the metaphysical,
whining dotard never could.
[Footnote 1: “These names
are all left blank in the original” (Moore).]
[Footnote 2: Richard Person did
not write ‘The Devil’s Walk’, which
was written by Coleridge and Southey, and published
in the ‘Morning Post’ for September 6,
1799, under the title of ’The Devil’s Thoughts’.]
* * *
January 16, 1814.
To-morrow I leave town for a few days.
I saw Lewis to-day, who is just returned from Oatlands,
where he has been squabbling with Mad. de Stael about
himself, Clarissa Harlowe, Mackintosh, and me.
My homage has never been paid in that quarter, or
we would have agreed still worse. I don’t
talk—I can’t flatter, and won’t
listen, except to a pretty or a foolish woman.
She bored Lewis with praises of himself till he sickened—found
out that Clarissa was perfection, and Mackintosh the
first man in England. There I agree, at least
one of the first—but Lewis did not.
As to Clarissa, I leave to those who can read it to
judge and dispute. I could not do the one, and
am, consequently, not qualified for the other.
She told Lewis wisely, he being my friend, that I was
affected, in the first place; and that, in the next
place, I committed the heinous offence of sitting
at dinner with my eyes shut, or half shut.
I wonder if I really have this trick. I must
cure myself of it, if true. One insensibly acquires
awkward habits, which should be broken in time.
If this is one, I wish I had been told of it before.
It would not so much signify if one was always to
be checkmated by a plain woman, but one may as well
see some of one’s neighbours, as well as the
plate upon the table.
I should like, of all things, to have
heard the Amabæan eclogue between her and Lewis—both
obstinate, clever, odd, garrulous, and shrill.
In fact, one could have heard nothing else. But
they fell out, alas!—and now they will
never quarrel again. Could not one reconcile them
for the “nonce?” Poor Corinne—she
will find that some of her fine sayings won’t
suit our fine ladies and gentlemen.
I am getting rather into admiration
of [Lady C. Annesley] the youngest sister of [Lady
F. Webster]. A wife would be my salvation.
I am sure the wives of my acquaintances have hitherto
done me little good. Catherine is beautiful,
but very young, and, I think, a fool. But I have
not seen enough to judge; besides, I hate an esprit
in petticoats. That she won’t love me is
very probable, nor shall I love her. But, on my
system, and the modern system in general, that don’t
signify. The business (if it came to business)
would probably be arranged between papa and me.
She would have her own way; I am good-humoured to
women, and docile; and, if I did not fall in love
with her, which I should try to prevent, we should
be a very comfortable couple. As to conduct, that
she must look to. But if I love, I shall
be jealous;—and for that reason I will not
be in love. Though, after all, I doubt my temper,
and fear I should not be so patient as becomes the
bienséance of a married man in my station.
Divorce ruins the poor femme, and damages are
a paltry compensation. I do fear my temper would
lead me into some of our oriental tricks of vengeance,
or, at any rate, into a summary appeal to the court
of twelve paces. So “I’ll none on’t,”
but e’en remain single and solitary;—though
I should like to have somebody now and then to yawn
with one.
Ward, and, after him,——,
has stolen one of my buffooneries about Mde. de Stael’s
Metaphysics and the Fog, and passed it, by speech and
letter, as their own. As Gibbet says, “they
are the most of a gentleman of any on the road.”
[1] W. is in sad enmity with the Whigs about this Review
of Fox [2] (if he did review him);—all
the epigrammatists and essayists are at him.
I hate odds, and wish he may beat them.
As for me, by the blessing of indifference, I have
simplified my politics into an utter detestation of
all existing governments; and, as it is the shortest
and most agreeable and summary feeling imaginable,
the first moment of an universal republic would convert
me into an advocate for single and uncontradicted
despotism. The fact is, riches are power, and
poverty is slavery all over the earth, and one sort
of establishment is no better nor worse for a people
than another. I shall adhere to my party, because
it would not be honourable to act otherwise; but, as
to opinions, I don’t think politics worth
an opinion. Conduct is another thing:—if
you begin with a party, go on with them. I have
no consistency, except in politics; and that
probably arises from my indifference on the subject
altogether.
[Footnote 1: The ‘Beaux’
Stratagem’, by George Farquhar (act iv. sc. 3):
“‘Gibbet’.
“And I can assure you, friend, there’s
a great deal of address and
good manners in robbing a lady: I
am most a gentleman that way that
ever travelled the road.”]
[Footnote 2: An article by Ward
on ’The Correspondence of Gilbert Wakefield
with Mr. Fox’, in the ‘Quarterly Review’
for July, 1813.]
* * *
Feb. 18.
Better than a month since I last journalised:—most
of it out of London and at Notts., but a busy one
and a pleasant, at least three weeks of it. On
my return, I find all the newspapers in hysterics,
and town in an uproar, on the avowal and republication
of two stanzas on Princess Charlotte’s weeping
at Regency’s speech to Lauderdale in 1812. [1]
They are daily at it still;—some of the
abuse good, all of it hearty. They talk of a
motion in our House upon it—be it so.
Got up—redde the Morning
Post containing the battle of Buonaparte, [2]
the destruction of the Customhouse, [3] and a paragraph
on me as long as my pedigree, and vituperative, as
usual. [4]
Hobhouse is returned to England.
He is my best friend, the most lively, and a man of
the most sterling talents extant.
‘The Corsair’ has been
conceived, written, published, etc., since I last
took up this journal. They tell me it has great
success;—it was written con amore,
and much from existence. Murray is satisfied
with its progress; and if the public are equally so
with the perusal, there’s an end of the matter.
Nine o’clock.
Been to Hanson’s on business.
Saw Rogers, and had a note from Lady Melbourne, who
says, it is said I am “much out of spirits.”
I wonder if I really am or not? I have certainly
enough of “that perilous stuff which weighs
upon the heart,” [5] and it is better they should
believe it to be the result of these attacks than
of the real cause; but—ay, ay, always but,
to the end of the chapter.
Hobhouse has told me ten thousand
anecdotes of Napoleon, all good and true. My
friend H. is the most entertaining of companions, and
a fine fellow to boot.
Redde a little—wrote notes
and letters, and am alone, which Locke says is bad
company. “Be not solitary, be not idle.”
idleness is troublesome;
but I can’t see so much to regret in the solitude.
The more I see of men, the less I like them.
If I could but say so of women too, all would be well.
Why can’t I? I am now six-and-twenty; my
passions have had enough to cool them; my affections
more than enough to wither them,—and yet—and
yet—always yet and but—“Excellent
well, you are a fishmonger—get thee to
a nunnery.” [7]—“They fool me
to the top of my bent.” [8]
Midnight.
Began a letter, which I threw into
the fire. Redde—but to little purpose.
Did not visit Hobhouse, as I promised and ought.
No matter, the loss is mine. Smoked cigars.
Napoleon!—this week will
decide his fate. All seems against him; but I
believe and hope he will win—at least, beat
back the invaders. What right have we to prescribe
sovereigns to France? Oh for a Republic!
“Brutus, thou sleepest.” [9] Hobhouse abounds
in continental anecdotes of this extraordinary man;
all in favour of his intellect and courage, but against
his bonhommie. No wonder;—how
should he, who knows mankind well, do other than despise
and abhor them?
The greater the equality, the more
impartially evil is distributed, and becomes lighter
by the division among so many—therefore,
a Republic! [10]
More notes from Madame de Stael unanswered—and
so they shall remain. [11] I admire her abilities,
but really her society is overwhelming—an
avalanche that buries one in glittering nonsense—all
snow and sophistry.
Shall I go to Mackintosh’s on
Tuesday? um!—I did not go to Marquis Lansdowne’s
nor to Miss Berry’s, though both are pleasant.
So is Sir James’s,—but I don’t
know—I believe one is not the better for
parties; at least, unless some regnante is
there.
I wonder how the deuce any body could
make such a world; for what purpose dandies, for instance,
were ordained—and kings—and fellows
of colleges—and women of “a certain
age”—and many men of any age—and
myself, most of all!
“Divesne prisco natus ab Inacho
Nil interest, an pauper et infimâ
De gente, sub dio (’sic’)
moreris,
Victima nil miserantis
Orci.
Omnes eodem cogimur,” etc.
Is there any thing beyond?—who
knows? He that can’t tell. Who tells
that there is? He who don’t know.
And when shall he know? perhaps, when he don’t
expect, and generally when he don’t wish it.
In this last respect, however, all are not alike:
it depends a good deal upon education,—something
upon nerves and habits—but most upon digestion.
[Footnote 1: See p. 134, ‘note’
2 [Footnote 3 of Letter 241], and Appendix VII.]
[Footnote 2: The battle of Brienne
was fought February 1, 1814.]
[Footnote 3: By fire, on the 12th of February.]
[Footnote 4:
“We are informed from very good
authority, that as soon as the House of Lords meet
again, a Peer of very independent principles and character
intends to give notice of a motion occasioned by a
late spontaneous avowal of a copy of verses by Lord
Byron, addressed to the Princess Charlotte of Wales,
in which he has taken the most unwarrantable liberties
with her august father’s character and conduct:
this motion being of a personal nature, it will be
necessary to give the noble Satirist some days’
notice, that he may prepare himself for his defence
against a charge of so aggravated a nature,”
etc.
‘Morning Post’, February 18.]
[Footnote 5: ‘Macbeth’, act v. sc.
3.]
[Footnote 6: These words close
the penultimate paragraph of Burton’s ’Anatomy
of Melancholy’.]
[Footnote 7: ‘Hamlet’,
act ii. sc. 2, and act iii. sc. 1.]
[Footnote 8: ’Ibid’., sc. 2.]
[Footnote 9:
“Brutus, thou sleepest, awake.”
‘Julius Cæsar’, act ii. sc. 1.]
[Footnote 10: The following extract
from ‘Detached Thoughts’ (1821) implies
that this expression of opinion was no passing thought
(but see Scott’s note, p. 376 [Footnote 5 of
Journal entry for December 13th, 1813]):
“There is nothing left for Mankind
but a Republic, and I think that
there are hopes of such. The two
Americas (South and North) have it;
Spain and Portugal approach it; all thirst
for it. Oh Washington!”]
[Footnote 11: Here is one of Madame de Staël’s
notes:
“Je renonce à vos visites, pourvu
que vous acceptiez mes diners, car enfin à
quoi servirait il de vivre dans le même tems que
vous, si l’on ne vous voyait pas? Dinez
chez moi dimanche avec vos amis,—je ne
dirai pas vos admirateurs, car je n’ai rencontré
que cela de touts parts.
“A dimanche,
“DE STAËL.
“Mardi.
“Je prends le silence pour oui.”]
[Footnote 12: Horace, ‘Odes’, II.
iii. 21, ‘et seqq.’]
* * *
Saturday, Feb. 19.
Just returned from seeing Kean [1]
in Richard. By Jove, he is a soul! Life—nature—truth
without exaggeration or diminution. Kemble’s
Hamlet is perfect;—but Hamlet is not Nature.
Richard is a man; and Kean is Richard. Now to
my own concerns.
Went to Waite’s. Teeth
are all right and white; but he says that I grind
them in my sleep and chip the edges. That same
sleep is no friend of mine, though I court him sometimes
for half the twenty-four.
[Footnote 1: Edmund Kean (1787-1833),
after acting in provincial theatres, appeared at the
Haymarket in June, 1806, as “Ganem” in
’The Mountaineers’, but again returned
to the country. His performance of “Shylock”
in the ‘Merchant of Venice’, at Drury Lane,
on January 26, 1814, made him famous. He appeared
in “Richard III” on February 12, and still
further increased his reputation.
In the ‘Courier’, February
26, 1814, appears this paragraph:
“Mr. Kean’s attraction is
unprecedented in the annals of theatricals—even
Cooke’s performances are left at an immeasurable
distance; his first three nights of ‘Richard’
produced upwards of £1800, and on repeating that
character on Thursday night for the fourthth (’sic’)
time, the receipts were upwards of £700.”
On March 1 the same paper says,
“Drury Lane Theatre again overflowed
last night, at an early hour.
Such is the continued and increasing attraction
of that truly great
actor Mr. Kean.”
After the retirement of John Kemble
(June 23, 1817), he had no rival on the stage, especially
in such parts as “Othello,” “Lear,”
“Hamlet,” “Sir Giles Overreach,”
and the two already mentioned. His last appearance
on the stage was in “Othello” at Covent
Garden, March 25, 1833.
“To see Kean act,” said Coleridge,
“is like reading Shakespeare by
flashes of lightning.”
“Garrick’s nature,”
writes Leigh Hunt, in the ‘Tatler’, July
25, 1831, “displaced Quin’s formalism;
and in precisely the same way did Kean displace
Kemble. ... Everything with Kemble was literally
a ’personation’—it was a
mask and a sounding-pipe. It was all external
and artificial…. Kean’s face is full
of light and shade, his tones vary, his voice trembles,
his eye glistens, sometimes with a withering scorn,
sometimes with a tear.”
It was the realism and nature of Kean
which so strongly appealed to Byron, and enabled the
actor, to the last, in spite of his drunken habits,
poor figure, and weak voice, to sway his audiences.
The same qualities at first repelled more timid critics,
and perhaps justified Hazlitt’s saying that
Kean was “not much relished in the upper circles.”
Miss Berry, for example, who saw him in all his principal
parts in 1814—in “Richard III,”
“Hamlet,” “Othello,” and “Sir
Giles Overreach”—remained cold.
“His ‘Richard III.’
pleased me, but I was not enthusiastic. His expression
of the passions is natural and strong, but I do not
like his declamation; his voice, naturally not agreeable,
becomes monotonous”
(’Diary’, vol. iii. p. 7). Of his
“Hamlet” she says,
“To my mind he is without grace
and without elevation of mind, because
he never seems to rise with the poet in
those sublime passages which
abound in ‘Hamlet’”
(’ibid.’, p. 9).
Miss Berry’s criticism is supported by good authority.
Lewes (’On Actors and the Art of Acting’,
pp. 6, 11), while calling him “a consummate
master of passionate expression,” denies his
capacity for representing “the intellectual
side of heroism.”
Kean preferred the Coal-Hole Tavern
in the Strand, and the society of the Wolf Club, to
Lord Holland’s dinner-parties. Though he
never fell so low as Cooke, his recklessness, irregularities,
eccentricities, and habits of drinking, in spite of
the large sums of money that passed through his hands,
made his closing days neither prosperous nor reputable.
Such effect had the passionate energy
of Kean’s acting on Byron’s mind, that,
once, in seeing him play “Sir Giles Overreach,”
he was so affected as to be seized with a sort of
convulsive fit. Some years later, in Italy, when
the representation of Alfieri’s tragedy of ‘Mirra’
had agitated him in the same violent manner, he compared
the two instances as the only ones in his life when
“any thing under reality” had been able
to move him so powerfully.
“To such lengths,” says Moore,
“did he, at this time, carry his enthusiasm
for Kean, that when Miss O’Neil appeared, and,
by her matchless representation of feminine tenderness,
attracted all eyes and hearts, he was not only a
little jealous of her reputation, as interfering
with that of his favourite, but, in order to guard
himself against the risk of becoming a convert,
refused to go to see her act. I endeavoured
sometimes to persuade him into witnessing, at least,
one of her performances; but his answer was (punning
upon Shakspeare’s word, ’unanealed’),
’No—I am resolved to continue ‘un-Oneiled’.’
“
In his ‘Detached Thoughts’ (1821) Byron
says,
“Of actors Cooke was the most natural,
Kemble the most supernatural,
Kean the medium between the two.
But Mrs. Siddons was worth them all
put together.”]
* * *
February 20.
Got up and tore out two leaves of
this Journal—I don’t know why.
Hodgson just called and gone. He has much bonhommie
with his other good qualities, and more talent than
he has yet had credit for beyond his circle.
An invitation to dine at Holland House
to meet Kean. He is worth meeting; and I hope,
by getting into good society, he will be prevented
from falling like Cooke. He is greater now on
the stage, and off he should never be less. There
is a stupid and underrating criticism upon him in
one of the newspapers. I thought that, last night,
though great, he rather under-acted more than the
first time. This may be the effect of these cavils;
but I hope he has more sense than to mind them.
He cannot expect to maintain his present eminence,
or to advance still higher, without the envy of his
green-room fellows, and the nibbling of their admirers.
But, if he don’t beat them all, why then—merit
hath no purchase in “these coster-monger days.”
I wish that I had a talent for the
drama; I would write a tragedy now. But
no,—it is gone. Hodgson talks of one,—he
will do it well;—and I think M—–e
[Moore] should try. He has wonderful powers, and
much variety; besides, he has lived and felt.
To write so as to bring home to the heart, the heart
must have been tried,—but, perhaps, ceased
to be so. While you are under the influence of
passions, you only feel, but cannot describe them,—any
more than, when in action, you could turn round and
tell the story to your next neighbour! When all
is over,—all, all, and irrevocable,—trust
to memory—she is then but too faithful.
Went out, and answered some letters,
yawned now and then, and redde the ‘Robbers’.
Fine,—but ‘Fiesco’ is better
and Alfieri, and Monti’s ‘Aristodemo’
[3] best. They are more equal than the
Tedeschi dramatists.
Answered—or rather acknowledged—the
receipt of young Reynolds’s [4] poem, Safie.
The lad is clever, but much of his thoughts are borrowed,—whence,
the Reviewers may find out. I hate discouraging
a young one; and I think,—though wild and
more oriental than he would be, had he seen the scenes
where he has placed his tale,—that he has
much talent, and, certainly fire enough.
Received a very singular epistle;
and the mode of its conveyance, through Lord H.’s
hands, as curious as the letter itself. But it
was gratifying and pretty.
[Footnote 1: ‘Henry IV.’, Part II.
act i. sc. 2.]
[Footnote 2: Schiller’s
‘Robbers’ was first produced at Mannheim,
January 13, 1782; his ‘Fiesco’ was published
in 1783. The ‘Robbers’ is included
in Benjamin Thompson’s ‘German Theatre’
(1801). ‘Fiesco’ was translated by
G. H. Noehden and John Stoddart in 1798.]
[Footnote 3: Monti’s three
tragedies, ‘Caio Gracco’, ‘Aristodemo’,
and ‘Manfredi’, were written in rivalry
of Alfieri’s tragedies between the years 1788
and 1799.]
[Footnote 4: For John Hamilton
Reynolds, see ‘Letters’, vol. iii.
(February 20, 1814, ‘note’ 1).]
* * *
Sunday, February 27.
Here I am, alone, instead of dining
at Lord H.’s, where I was asked,—but
not inclined to go any where. Hobhouse says I
am growing a loup garou,—a solitary
hobgoblin. True;—“I am myself
alone.” [1]
The last week has been passed in reading—seeing
plays—now and then visitors—sometimes
yawning and sometimes sighing, but no writing,—save
of letters. If I could always read, I should never
feel the want of society. Do I regret it?—um!—“Man
delights not me,” [2] and only one woman—at
a time.
There is something to me very softening
in the presence of a woman,—some strange
influence, even if one is not in love with them—which
I cannot at all account for, having no very high opinion
of the sex. But yet,—I always feel
in better humour with myself and every thing else,
if there is a woman within ken. Even Mrs. Mule
my firelighter,—the most ancient and
withered of her kind,—and (except to myself)
not the best-tempered—always makes me laugh,—no
difficult task when I am “i’ the vein.”
Heigho! I would I were in mine
island!—I am not well; and yet I look in
good health. At times, I fear, “I am not
in my perfect mind;” [4]—and yet
my heart and head have stood many a crash, and what
should ail them now? They prey upon themselves,
and I am sick—sick—“Prithee,
undo this button—why should a cat, a rat,
a dog have life—and thou no life at all?”
Six-and-twenty years, as they call
them, why, I might and should have been a Pasha by
this time. “I ’gin to be a-weary of
the sun.” [6]
Buonaparte is not yet beaten; but
has rebutted Blucher, and repiqued Schwartzenburg
This it is to have a head. If he again
wins, Væ victis!
[Footnote 1:
“I am myself alone.”
‘Henry VI.’, Part III. act v. sc. 6.]
[Footnote 2: ‘Hamlet’, act ii. sc.
2.]
[Footnote 3:
“This ancient housemaid, of whose
gaunt and witch-like appearance it would be impossible
to convey any idea but by the pencil, furnished one
among the numerous instances of Lord Byron’s
proneness to attach himself to any thing, however
homely, that had once enlisted his good nature in
its behalf, and become associated with his thoughts.
He first found this old woman at his lodgings in
Bennet Street, where, for a whole season, she was
the perpetual scarecrow of his visitors. When,
next year, he took chambers in Albany, one of the great
advantages which his friends looked to in the change
was, that they should get rid of this phantom.
But, no,—there she was again—he
had actually brought her with him from Bennet Street.
The following year saw him married, and, with a
regular establishment of servants, in Piccadilly;
and here,—as Mrs. Mule had not made her
appearance to any of the visitors,—it
was concluded, rashly, that the witch had vanished.
One of those friends, however, who had most fondly
indulged in this persuasion, happening to call one
day when all the male part of the establishment
were abroad, saw, to his dismay, the door opened by
the same grim personage, improved considerably in point
of babiliments since he last saw her, and keeping
pace with the increased scale of her master’s
household, as a new peruke, and other symptoms of
promotion, testified. When asked ’how he
came to carry this old woman about with him from
place to place,’ Lord Byron’s only answer
was, ‘The poor old devil was so kind to me’”.
(Moore).]
[Footnote 4: ‘King Lear’, act iv.
sc. 7.]
[Footnote 5:
“Why should a dog, a horse, a rat
have life,
And thou no breath at all?”
‘King Lear’, act v. sc. 3.]
[Footnote 6:
“I ’gin to be a-weary of the
sun,
And wish the estate of the world were
now undone.”
‘Macbeth’, act v. sc. 5.]
[Footnote 7: Napoleon fought
the battle of Nangis against Blucher on the 17th of
February, 1814, and that of Montereau against Prince
Schwartzenberg on the following day.]
* * *
Sunday, March 6.
On Tuesday last dined with Rogers,—Madame
de Staël, Mackintosh, Sheridan, Erskine [1], and Payne
Knight, Lady Donegal, and Miss R. there. Sheridan
told a very good story of himself and Madame de Recamier’s
handkerchief; Erskine a few stories of himself only.
She is going to write a big book about England,
she says;—I believe her. Asked by
her how I liked Miss Edgeworth’s thing, called
Patronage [2], and answered (very sincerely)
that I thought it very bad for her, and worse
than any of the others. Afterwards thought it
possible Lady Donegal [3], being Irish, might be a
patroness of Miss Edgeworth, and was rather sorry
for my opinion, as I hate putting people into fusses,
either with themselves or their favourites; it looks
as if one did it on purpose. The party went off
very well, and the fish was very much to my gusto.
But we got up too soon after the women; and Mrs. Corinne
always lingers so long after dinner that we wish her
in—the drawing-room.
To-day Campbell called, and while
sitting here in came Merivale [4]. During our
colloquy, C. (ignorant that Merivale was the writer)
abused the “mawkishness of the Quarterly
Review of Grimm’s Correspondence.”
I (knowing the secret) changed the conversation as
soon as I could; and C. went away, quite convinced
of having made the most favourable impression on his
new acquaintance. Merivale is luckily a very
good-natured fellow, or God he knows what might have
been engendered from such a malaprop. I did not
look at him while this was going on, but I felt like
a coal—for I like Merivale, as well as the
article in question.
Asked to Lady Keith’s [5] to-morrow
evening—I think I will go; but it is the
first party invitation I have accepted this “season,”
as the learned Fletcher called it, when that youngest
brat of Lady——’s cut my eye
and cheek open with a misdirected pebble—“Never
mind, my Lord, the scar will be gone before the season;”
as if one’s eye was of no importance in the
mean time.
Lord Erskine called, and gave me his
famous pamphlet, with a marginal note and corrections
in his handwriting. Sent it to be bound superbly,
and shall treasure it.
Sent my fine print of Napoleon [6]
to be framed. It is framed; and the Emperor
becomes his robes as if he had been hatched in them.
[Footnote 1: Thomas, Lord Erskine
(1750-1823), youngest son of the tenth Earl of Buchan,
a midshipman in the Royal Navy (1764-67), an ensign,
and subsequently a lieutenant in the First Foot (1767-75),
was called to the Bar in 1778, and became Lord Chancellor
in 1806. As an advocate he was unrivalled.
“Even the great luminaries of the
law,” says Wraxall (’Posthumous Memoirs’,
vol. i. p. 86), “when arrayed in their ermine,
bent under his ascendancy, and seemed to be half
subdued by his intelligence, or awed by his vehemence,
pertinacity, and undaunted character.”
With a jury he was particularly successful,
though he lived to write the lines quoted by Lord
Campbell (’Lives of the Chancellors’, ed.
1868, vol. viii. p. 233):
“The monarch’s pale face was
with blushes suffused,
To observe right and wrong by twelve villains
confused,
And, kicking their——s
all round in a fury,
Cried, ‘’Curs’d be the
day I invented a jury!’’”
A Whig in politics, and in sympathy
with the doctrines of the French Revolution, he defended
Paine, Frost, Hardy, and other political offenders,
and did memorable service to the cause of constitutional
liberty. In the House of Commons, which he entered
as M. P. for Portsmouth in 1783, he was a failure;
his maiden speech on Fox’s India Bill fell flat,
and he was crushed by Pitt’s contempt. As
Lord Chancellor (1806-7) he proved a better judge
than was expected. At the time when Byron made
his acquaintance, he had practically retired from
public life, and devoted himself to literature, society,
and farming, writing on the services of rooks, and
attending the Holkham sheep-shearings. Lord Campbell
has collected many of his verses and jokes in vol.
ix. chap. cxc. of his ‘Lives of the Chancellors’.
His famous pamphlet, ‘On the Causes and Consequences
of the War with France’ (1797), was written,
as he told Miss Berry (’Journal of Miss Berry’,
vol. ii. p. 340),
“on slips of paper in the midst
of all the business which I was engaged in at the
time—not at home, but in open court, whilst
the causes were trying. When it was not my
turn to examine a witness, or to speak to the Jury,
I wrote a little bit; and so on by snatches.”
His ‘Armata’ was published
by Murray in 1817. In society Erskine was widely
known for his brilliancy, his puns, and his extraordinary
vanity. His egotism gained him such titles as
Counsellor Ego, Baron Ego of Eye, and supplied Mathias
(’Pursuits of Literature’) with an illustration:
“A vain, pert prater, bred in Erskine’s
school.”]
[Footnote 2: Miss Edgeworth’s
‘Patronage’ was published in 1813-4.
In 1813 she had been in London with her father and
stepmother. The following entries respecting
the family are taken from Byron’s ’Detached
Thoughts’:
“Old Edgeworth, the fourth or fifth
Mrs. Edgeworth, and ‘the’ Miss Edgeworth
were in London, 1813. Miss Edgeworth liked, Mrs.
Edgeworth not disliked, old Edgeworth a bore, the
worst of bores—a boisterous Bore.
I met them in Society—once at a breakfast
of Sir H.D.’s. Old Edgeworth came in
late, boasting that he had given ’Dr. Parr a
dressing the night before’ (no such easy matter
by the way). I thought her pleasant. They
all abused Anna Seward’s memory. When on
the road they heard of her brother’s—and
his son’s—death. What was to
be done? Their ‘London’ apparel
was all ordered and made! so they sunk his death
for the six weeks of their sojourn, and went into mourning
on their way back to Ireland. ‘Fact!’
“While the Colony were in London,
there was a book with a subscription for the ‘recall
of Mrs. Siddons to the Stage’ going about for
signatures. Moore moved for a similar subscription
for the ’recall of ‘Mr. Edgeworth to
Ireland!’’
“Sir Humphry Davy told me that the
scene of the French Valet and Irish postboy in ‘Ennui’
was taken from his verbal description to the Edgeworths
in Edgeworthtown of a similar fact on the road occurring
to himself. So much the better—being
’life’.”]
[Footnote 3: The Marquis of Donegal
married, in 1795, Anna, daughter of Sir Edward May,
Bart.]
[Footnote 4: For J. H. Merivale,
see ‘Letters’, vol. iii. (January, 1814.
‘note’ 1).]
[Footnote 5: Hester Maria, eldest
daughter and co-heir of Henry Thrale, of Streatham,
the friend of Dr. Johnson, married, in 1808, Viscount
Keith.]
[Footnote 6: Byron’s “Portrait
of Bonaparte, engraved by Morghen, very fine impression,
in a gilt frame,” was sold at his sale, April
5, 1816.]
* * *
March 7.
Rose at seven—ready by
half-past eight—went to Mr. Hanson’s,
Bloomsbury Square—went to church with his
eldest daughter, Mary Anne (a good girl), and gave
her away to the Earl of Portsmouth. [1] Saw her fairly
a countess—congratulated the family and
groom (bride)—drank a bumper of wine (wholesome
sherris) to their felicity, and all that—and
came home. Asked to stay to dinner, but could
not. At three sat to Phillips for faces.
Called on Lady M. [Melbourne]—I like her
so well, that I always stay too long. (Mem. to mend
of that.)
Passed the evening with Hobhouse,
who has begun a poem, which promises highly;—wish
he would go on with it. Heard some curious extracts
from a life of Morosini, [2] the blundering Venetian,
who blew up the Acropolis at Athens with a bomb, and
be damned to him! Waxed sleepy—just
come home—must go to bed, and am engaged
to meet Sheridan to-morrow at Rogers’s.
Queer ceremony that same of marriage—saw
many abroad, Greek and Catholic—one, at
home, many years ago. There be some strange
phrases in the prologue (the exhortation), which made
me turn away, not to laugh in the face of the surpliceman.
Made one blunder, when I joined the hands of the happy—rammed
their left hands, by mistake, into one another.
Corrected it—bustled back to the altar-rail,
and said “Amen.” Portsmouth responded
as if he had got the whole by heart; and, if any thing,
was rather before the priest. It is now midnight
and——.
[Footnote 1: Lord Portsmouth
(see ‘Letters’, vol. i. p. 9, ‘note’
2 [Footnote 3 of Letter 3]), who had long known the
Hansons, from whose house he married his first wife,
married, March 7, 1814, Mary Anne, eldest daughter
of John Hanson. A commission of lunacy was taken
out by the brother and next heir, the Hon. Newton
Fellowes; but Lord Chancellor Eldon decided that Lord
Portsmouth was capable of entering into the marriage
contract and managing his own affairs. The commission
was, however, ultimately granted. Byron swore
an affidavit on the first occasion.
“Denman mentioned Lord Byron’s
affidavit about Lord Portsmouth as a
proof of the influence of Hanson over
him; Lord B. swearing that Lord
P. had ’rather a ‘superior’
mind than otherwise’”
(’Memoirs, etc., of Thomas Moore’,
vol. vi. p. 47).
The following is the note which Byron
sent Hanson to embody in his affidavit:
“I have been acquainted with Mr.
Hanson and his family for many years. He is
my solicitor. About the beginning of March last
he sent to me to ask my opinion on the subject of
Lord Portsmouth, who, as I understood from Mr. H.,
was paying great attention to his eldest daughter.
He stated to me that Mr. Newton Fellowes (with whom
I have no personal acquaintance) was particularly
desirous that Lord Portsmouth should marry some
‘elderly woman’ of his (Mr. Fellowes’s)
selection—that the title and family estates
might thereby devolve on Mr. F. or his children;
but that Lord P. had expressed a dislike to old women,
and a desire to choose for himself. I told
Mr. Hanson that, if Miss Hanson’s affections
were not pre-engaged, and Lord Portsmouth appeared
attached to her, there could be, in my opinion,
no objection to the match. I think, but cannot
be positive, that I saw Lord Portsmouth at Mr. Hanson’s
two or three times previous to the marriage; but I
had no conversation with him upon it.
“The night before the ceremony,
I received an invitation from Mr. Hanson, requesting
me, as a friend of the family, to be present at the
marriage, which was to take place next morning.
I went next morning to Bloomsbury Square, where
I found the parties. Lady Portsmouth, with her
brother and sister and another gentleman, went in the
carriage to St. George’s Church; Lord Portsmouth
and myself walked, as the carriage was full, and
the distance short. On my way Lord Portsmouth
told me that he had been partial to Miss Hanson from
her childhood, and that, since she grew up, and
more particularly subsequent to the decease of the
late Lady P., this partiality had become attachment,
and that he thought her calculated to make him an
excellent wife. I was present at the ceremony
and gave away the bride. Lord Portsmouth’s
behaviour seemed to me perfectly calm and rational
on the occasion. He seemed particularly attentive
to the priest, and gave the responses audibly and
very distinctly. I remarked this because, in ordinary
conversation, his Lordship has a hesitation in his
speech. After the ceremony, we returned to
Mr. Hanson’s, whence, I believe, they went into
the country—where I did not accompany them.
Since their return I have occasionally seen Lord
and Lady Portsmouth in Bloomsbury Square. They
appeared very happy. I have never been very intimate
with his Lordship, and am therefore unqualified
to give a decided opinion of his general conduct.
But had I considered him insane, I should have advised
Mr. Hanson, when he consulted me on the subject, not
to permit the marriage. His preference of a
young woman to an old one, and of his own wishes
to those of a younger brother, seemed to me neither
irrational nor extraordinary.”
There is nothing in the note itself,
or in the draft affidavit, to bear out Moore’s
report of Denman’s statement.
Byron, according to the account given
by Newton Hanson, is wrong in saying that Mrs. Hanson
approved of the marriage. On the contrary, it
was the cause of her death, a fortnight later.
In 1828 the marriage was annulled, a jury having decided
that Lord Portsmouth was ’non compos mentis’
when he contracted it.]
[Footnote 2: Francesco Morosini
(1618-1694) occupied the Morea for Venice (1687),
besieged Athens, and bombarded the Parthenon, which
had been made a powder-magazine. He became Doge
of Venice in 1688.]
* * *
March 10, Thor’s Day.
On Tuesday dined with Rogers,—Mackintosh,
Sheridan, Sharpe,—much talk, and good,—all,
except my own little prattlement. Much of old
times—Horne Tooke—the Trials—evidence
of Sheridan, and anecdotes of those times, when I,
alas! was an infant. If I had been a man, I would
have made an English Lord Edward Fitzgerald.
Set down Sheridan at Brookes’s,—where,
by the by, he could not have well set down himself,
as he and I were the only drinkers. Sherry means
to stand for Westminster, as Cochrane [1] (the stock-jobbing
hoaxer) must vacate. Brougham [2] is a candidate.
I fear for poor dear Sherry. Both have talents
of the highest order, but the youngster has yet
a character. We shall see, if he lives to Sherry’s
age, how he will pass over the redhot plough-shares
of public life. I don’t know why, but I
hate to see the old ones lose; particularly
Sheridan, notwithstanding all his méchanceté.
Received many, and the kindest, thanks
from Lady Portsmouth, père and mère,
for my match-making. I don’t regret it,
as she looks the countess well, and is a very good
girl. It is odd how well she carries her new
honours. She looks a different woman, and high-bred,
too. I had no idea that I could make so good
a peeress.
Went to the play with Hobhouse.
Mrs. Jordan superlative in Hoyden, [3] and Jones well
enough in Foppington. What plays! what wit
Congreve and Vanbrugh are your only comedy. Our
society is too insipid now for the like copy.
Would not go to Lady Keith’s. Hobhouse
thought it odd. I wonder he should like
parties. If one is in love, and wants to break
a commandment and covet any thing that is there, they
do very well. But to go out amongst the mere
herd, without a motive, pleasure, or pursuit—’sdeath!
“I’ll none of it.” He told me
an odd report,—that I am the actual
Conrad, the veritable Corsair, and that part of my
travels are supposed to have passed in privacy.
Um!—people sometimes hit near the truth;
but never the whole truth. H. don’t know
what I was about the year after he left the Levant;
nor does any one—nor— —nor—nor—however,
it is a lie—but, “I doubt the equivocation
of the fiend that lies like truth!” [4]
I shall have letters of importance to-morrow.  Which,——­,——­, or
----? heigho!------is in my heart,----in my head,----in my eye,
and the <i>single</i> one, Heaven knows where.  All write, and will be
answered.  “Since I have crept in favour with myself, I must maintain
it;” [5] but I never “mistook my person,” [6] though I think others
have.
——called to-day
in great despair about his mistress, who has taken
a freak of——. He began a letter
to her, but was obliged to stop short—I
finished it for him, and he copied and sent it.
If he holds out, and keeps to my instructions
of affected indifference, she will lower her colours.
If she don’t, he will, at least, get rid of her,
and she don’t seem much worth keeping.
But the poor lad is in love—if that is
the case, she will win. When they once discover
their power, finita è la musica.
Sleepy, and must go to bed.
[Footnote 1: Thomas, Lord Cochrane
(1775-1860), eldest son of the ninth Earl of Dundonald,
a captain in the Royal Navy, and M. P. for Westminster,
had done brilliant service in his successive commands—the
‘Speedy’, ‘Pallas’, ‘Impérieuse’,
and the flotilla of fire-ships at Basque Roads in
1809. In the House of Commons he had been a strong
opponent of the Government, an advocate of Parliamentary
Reform, and a vigorous critic of naval administration.
In February, 1814, he had been appointed to the ‘Tonnant’
for the American Station, and it was while he was
on a week’s leave of absence in London, before
sailing, that the stock-jobbing hoax occurred.
During the days February 8-26, 1814,
it seemed possible that Napoleon might defeat the
Allied Armies, and the Funds were sensitive to every
rumour. At midnight on Sunday, February 20, a
man calling himself Du Bourg brought news to Admiral
Foley, at Dover, that Napoleon had been killed by
a party of Cossacks. Hurrying towards London,
Du Bourg, whose real name was Berenger, spread the
news as he went. Arrived in London soon after
daybreak, he went to Cochrane’s house, and there
changed his uniform. When the Stock Exchange
opened at ten on February 21, 1814, the Funds rose
rapidly, and among those who sold on the rise was Cochrane.
The next day, when the swindle had been discovered,
the Stocks fell.
A Stock Exchange Committee sat to
investigate the case, and their report (March 7) threw
grave suspicion on Cochrane. He, his uncle, Cochrane
Johnstone, a Mr. Butt, and Berenger, were indicted
for a conspiracy, tried before Lord Ellenborough,
June 8-9, and convicted. Cochrane was sentenced
to a year’s imprisonment and a fine of £1000.
On the back of the note for £1000 (still kept in the
Bank of England) with which he paid his fine on July
3, 1815, he wrote:
“My health having suffered by long
and close confinement, and my oppressors being resolved
to deprive me of property or life, I submit to robbery
to protect myself from murder, in the hope that I shall
live to bring the delinquents to justice.”
Cochrane was also expelled from the
House of Commons and from the Order of the Bath.
There is little doubt that the circumstances were extremely
suspicious. Those who wish to form an opinion
as to Cochrane’s guilt or innocence will find
the subject of the trial exhaustively treated in Mr.
J.B. Atlay’s ‘Lord Cochrane’s
Trial before Lord Ellenborough’ (1897).]
[Footnote 2: Henry, Lord Brougham
(1778-1868) acknowledged that he wrote the famous
article on Byron’s ‘Hours of Idleness’
in the ’Edinburgh Review’ (Sir M.E.
Grant-Duff’s ‘Notes from a Diary’,
vol. ii. p. 189). He lost his seat for Camelford
in September, 1812, and did not re-enter the House
till July, 1815, when he sat for Winchelsea. In
the postscript of a letter written by him to Douglas
Kinnaird, December 9, 1814, he spe