4.4.
The bookseller began by excusing himself
for the liberty he had taken. He explained that
the Signorina Fulvia Vivaldi, in whose behalf he came,
was in urgent need of aid, and had begged him to wait
on the Duke as soon as the court had risen from the
play.
“She is in Pianura, then?” Odo exclaimed.
“Since yesterday, your Highness.
Three days since she was ordered by the police to
leave Milan within twenty-four hours, and she came
at once to Pianura, knowing that my wife and I would
gladly receive her. But today we learned that
the Holy Office was advised of her presence here, and
of the reason of her banishment from Lombardy; and
this fresh danger has forced her to implore your Highness’s
protection.”
Andreoni went on to explain that the
publication of her father’s book was the immediate
cause of Fulvia’s persecution. The Origin
of Civilisation, which had been printed some months
previously in Amsterdam, had stirred Italy more profoundly
than any book since Beccaria’s great work on
Crime and Punishment. The author’s historical
investigations were but a pretext for the development
of his political theories, which were set forth with
singular daring and audacity, and supported by all
the arguments that his long study of the past commanded.
The temperate and judicial tone which he had succeeded
in preserving enhanced the effect of his arraignment
of Church and state, and while his immense erudition
commended his work to the learned, its directness
of style gave it an immediate popularity with the general
reader. It was an age when every book or pamphlet
bearing on the great question of personal liberty
was eagerly devoured by an insatiable public; and
a few weeks after Vivaldi’s volume had been smuggled
into Italy it was the talk of every club and coffee-house
from Calabria to Piedmont. The inevitable result
soon followed. The Holy Office got wind of the
business, and the book was at once put on the Index.
In Naples and Bologna it was publicly burned, and
in Modena a professor of the University who was found
to have a copy in his possession was fined and removed
from his chair.
In Milan, where the strong liberal
faction among the nobility, and the comparative leniency
of the Austrian rule, permitted a more unrestrained
discussion of political questions, the Origin of Civilisation
was received with open enthusiasm, and the story of
the difficulties that Fulvia had encountered in its
publication made her the heroine of the moment.
She had never concealed her devotion to her father’s
doctrines, and in the first glow of filial pride she
may have yielded too openly to the desire to propagate
them. Certain it is that she began to be looked
on as having shared in the writing of the book, or
as being at least an active exponent of its principles.
Even in Lombardy it was not well to be too openly
associated with the authorship of a condemned book;
and Fulvia was suddenly advised by the police that
her presence in Milan was no longer acceptable to
the government.
The news excited great indignation
among her friends, and Count Castiglione and several
other gentlemen of rank hastened to intervene in her
behalf; but the governor declared himself unwilling
to take issue with the Holy Office on a doctrinal
point, and privately added that it would be well for
the Signorina Vivaldi to withdraw from Lombardy before
the clergy brought any direct charge against her.
To ignore this hint would have been to risk not only
her own safety but that of the gentlemen who had befriended
her; and Fulvia at once set out for Pianura, the only
place in Italy where she could count on friendship
and protection.
Andreoni and his wife would gladly
have given her a home; but on learning that the Holy
Office was on her track, she had refused to compromise
them by remaining under their roof, and had insisted
that Andreoni should wait on the Duke and obtain a
safe-conduct for her that very night.
Odo listened to this story with an
agitation compounded of strangely contradictory sensations.
To learn that Fulvia, at the very moment when he had
pictured her as separated from him by the happiness
and security of her life, was in reality a proscribed
wanderer with none but himself to turn to, filled
him with a confused sense of happiness; but the discovery
that, in his own dominions, the political refugee was
not safe from the threats of the Holy Office, excited
a different emotion. All these considerations,
however, were subordinate to the thought that he must
see Fulvia at once. It was impossible to summon
her to the palace at that hour, or even to secure
her safety till morning, without compromising Andreoni
by calling attention to the fact that a suspected
person was under his roof; and for a moment Odo was
at a loss how to detain her in Pianura without seeming
to go counter to her wishes.
Suddenly he remembered that Gamba
was fertile in expedients, and calling in the hunchback,
asked what plan he could devise. Gamba, after
a moment’s reflection, drew a key from his pocket.
“May it please your Highness,”
he said, “this unlocks the door of the hunting-lodge
at Pontesordo. The place has been deserted these
many years, because of its bad name, and I have more
than once found it a convenient shelter when I had
reasons for wishing to be private. At this season
there is no fear of poison from the marshes, and if
your Highness desires I will see that the lady finds
her way there before sunrise.”
The sun had hardly risen the next
morning when the Duke himself set forth. He rode
alone, dressed like one of his own esquires, and gave
the word unremarked to the sleepy sentinel at the
gate. As it closed behind him and he set out
down the long road that led to the chase, it seemed
to him that the morning solitude was thronged with
spectral memories. Melancholy and fanciful they
flitted before him, now in the guise of Cerveno and
Momola, now of Maria Clementina and himself. Every
detail of the scene was interwoven with the fibres
of early association, from the far off years when,
as a lonely child on the farm at Pontesordo, he had
gazed across the marsh at the mysterious woodlands
of the chase, to the later day when, in the deserted
hunting-lodge, the Duchess had flung her whip at the
face in the Venice mirror.
He pressed forward impatiently, and
presently the lodge rose before him in its grassy
solitude. The level sunbeams had not yet penetrated
the surrounding palisade of boughs, and the house
lay in a chill twilight that seemed an emanation from
its mouldering walls. As Odo approached, Gamba
appeared from the shadow and took his horse; and the
next moment he had pushed open the door, and stood
in Fulvia’s presence.
She was seated at the farther end
of the room, and as she rose to meet him it chanced
that her head, enveloped in its black travelling-hood,
was relieved for a moment against the tarnished background
of the broken mirror. The impression struck a
chill to his heart; but it was replaced by a glow
of boyish happiness as their eyes met and he felt her
hands in his.
For a moment all his thoughts were
lost in the mere sense of her nearness. She seemed
simply an enveloping atmosphere in which he drew fresh
breath; but gradually her outline emerged from this
haze of feeling, and he found himself looking at her
with the wondering gaze of a stranger. She had
been a girl of sixteen when they first met. Twelve
years had passed since then, and she was now a woman
of twenty-eight, belonging to a race in which beauty
ripens early and as soon declines. But some happy
property of nature—whether the rare mould
of her features or the gift of the spirit that informed
them—had held her loveliness intact, preserving
the clear lines of youth after its bloom was gone,
and making her seem like a lover’s memory of
herself. So she appeared at first, a bright imponderable
presence gliding toward him out of the past; but as
her hands lay in his the warm current of life was
renewed between them, and the woman dispossessed the
shade.