“THERE WAS SOME ONE CRYING—THERE
WAS!”
The next day the rain poured down
in torrents again, and when Mary looked out of her
window the moor was almost hidden by gray mist and
cloud. There could be no going out to-day.
“What do you do in your cottage
when it rains like this?” she asked Martha.
“Try to keep from under each
other’s feet mostly,” Martha answered.
“Eh! there does seem a lot of us then.
Mother’s a good-tempered woman but she gets
fair moithered. The biggest ones goes out in th’
cow-shed and plays there. Dickon he doesn’t
mind th’ wet. He goes out just th’
same as if th’ sun was shinin’. He
says he sees things on rainy days as doesn’t
show when it’s fair weather. He once found
a little fox cub half drowned in its hole and he brought
it home in th’ bosom of his shirt to keep it
warm. Its mother had been killed nearby an’
th’ hole was swum out an’ th’ rest
o’ th’ litter was dead. He’s
got it at home now. He found a half-drowned young
crow another time an’ he brought it home, too,
an’ tamed it. It’s named Soot because
it’s so black, an’ it hops an’ flies
about with him everywhere.”
The time had come when Mary had forgotten
to resent Martha’s familiar talk. She had
even begun to find it interesting and to be sorry when
she stopped or went away. The stories she had
been told by her Ayah when she lived in India had
been quite unlike those Martha had to tell about the
moorland cottage which held fourteen people who lived
in four little rooms and never had quite enough to
eat. The children seemed to tumble about and
amuse themselves like a litter of rough, good-natured
collie puppies. Mary was most attracted by the
mother and Dickon. When Martha told stories of
what “mother” said or did they always sounded
comfortable.
“If I had a raven or a fox cub
I could play with it,” said Mary. “But
I have nothing.”
Martha looked perplexed.
“Can tha’ knit?” she asked.
“No,” answered Mary.
“Can tha’ sew?”
“No.”
“Can tha’ read?”
“Yes.”
“Then why doesn’t tha’
read somethin’, or learn a bit o’ spellin’?
Tha’st old enough to be learnin’ thy book
a good bit now.”
“I haven’t any books,” said Mary.
“Those I had were left in India.”
“That’s a pity,”
said Martha. “If Mrs. Medlock’d let
thee go into th’ library, there’s thousands
o’ books there.”
Mary did not ask where the library
was, because she was suddenly inspired by a new idea.
She made up her mind to go and find it herself.
She was not troubled about Mrs. Medlock. Mrs.
Medlock seemed always to be in her comfortable housekeeper’s
sitting-room down-stairs. In this queer place
one scarcely ever saw any one at all. In fact,
there was no one to see but the servants, and when
their master was away they lived a luxurious life
below stairs, where there was a huge kitchen hung about
with shining brass and pewter, and a large servants’
hall where there were four or five abundant meals
eaten every day, and where a great deal of lively
romping went on when Mrs. Medlock was out of the way.
Mary’s meals were served regularly,
and Martha waited on her, but no one troubled themselves
about her in the least. Mrs. Medlock came and
looked at her every day or two, but no one inquired
what she did or told her what to do. She supposed
that perhaps this was the English way of treating
children. In India she had always been attended
by her Ayah, who had followed her about and waited
on her, hand and foot. She had often been tired
of her company. Now she was followed by nobody
and was learning to dress herself because Martha looked
as though she thought she was silly and stupid when
she wanted to have things handed to her and put on.
“Hasn’t tha’ got
good sense?” she said once, when Mary had stood
waiting for her to put on her gloves for her.
“Our Susan Ann is twice as sharp as thee an’
she’s only four year’ old. Sometimes
tha’ looks fair soft in th’ head.”
Mary had worn her contrary scowl for
an hour after that, but it made her think several
entirely new things.
She stood at the window for about
ten minutes this morning after Martha had swept up
the hearth for the last time and gone down-stairs.
She was thinking over the new idea which had come
to her when she heard of the library. She did
not care very much about the library itself, because
she had read very few books; but to hear of it brought
back to her mind the hundred rooms with closed doors.
She wondered if they were all really locked and what
she would find if she could get into any of them.
Were there a hundred really? Why shouldn’t
she go and see how many doors she could count?
It would be something to do on this morning when she
could not go out. She had never been taught to
ask permission to do things, and she knew nothing
at all about authority, so she would not have thought
it necessary to ask Mrs. Medlock if she might walk
about the house, even if she had seen her.
She opened the door of the room and
went into the corridor, and then she began her wanderings.
It was a long corridor and it branched into other
corridors and it led her up short flights of steps
which mounted to others again. There were doors
and doors, and there were pictures on the walls.
Sometimes they were pictures of dark, curious landscapes,
but oftenest they were portraits of men and women
in queer, grand costumes made of satin and velvet.
She found herself in one long gallery whose walls
were covered with these portraits. She had never
thought there could be so many in any house.
She walked slowly down this place and stared at the
faces which also seemed to stare at her. She felt
as if they were wondering what a little girl from
India was doing in their house. Some were pictures
of children—little girls in thick satin
frocks which reached to their feet and stood out about
them, and boys with puffed sleeves and lace collars
and long hair, or with big ruffs around their necks.
She always stopped to look at the children, and wonder
what their names were, and where they had gone, and
why they wore such odd clothes. There was a stiff,
plain little girl rather like herself. She wore
a green brocade dress and held a green parrot on her
finger. Her eyes had a sharp, curious look.
“Where do you live now?”
said Mary aloud to her. “I wish you were
here.”
Surely no other little girl ever spent
such a queer morning. It seemed as if there was
no one in all the huge rambling house but her own small
self, wandering about up-stairs and down, through narrow
passages and wide ones, where it seemed to her that
no one but herself had ever walked. Since so
many rooms had been built, people must have lived in
them, but it all seemed so empty that she could not
quite believe it true.
It was not until she climbed to the
second floor that she thought of turning the handle
of a door. All the doors were shut, as Mrs. Medlock
had said they were, but at last she put her hand on
the handle of one of them and turned it. She
was almost frightened for a moment when she felt that
it turned without difficulty and that when she pushed
upon the door itself it slowly and heavily opened.
It was a massive door and opened into a big bedroom.
There were embroidered hangings on the wall, and inlaid
furniture such as she had seen in India stood about
the room. A broad window with leaded panes looked
out upon the moor; and over the mantel was another
portrait of the stiff, plain little girl who seemed
to stare at her more curiously than ever.
“Perhaps she slept here once,”
said Mary. “She stares at me so that she
makes me feel queer.”
After that she opened more doors and
more. She saw so many rooms that she became quite
tired and began to think that there must be a hundred,
though she had not counted them. In all of them
there were old pictures or old tapestries with strange
scenes worked on them. There were curious pieces
of furniture and curious ornaments in nearly all of
them.
In one room, which looked like a lady’s
sitting-room, the hangings were all embroidered velvet,
and in a cabinet were about a hundred little elephants
made of ivory. They were of different sizes, and
some had their mahouts or palanquins on their backs.
Some were much bigger than the others and some were
so tiny that they seemed only babies. Mary had
seen carved ivory in India and she knew all about elephants.
She opened the door of the cabinet and stood on a
footstool and played with these for quite a long time.
When she got tired she set the elephants in order
and shut the door of the cabinet.
In all her wanderings through the
long corridors and the empty rooms, she had seen nothing
alive; but in this room she saw something. Just
after she had closed the cabinet door she heard a tiny
rustling sound. It made her jump and look around
at the sofa by the fireplace, from which it seemed
to come. In the corner of the sofa there was a
cushion, and in the velvet which covered it there
was a hole, and out of the hole peeped a tiny head
with a pair of frightened eyes in it.
Mary crept softly across the room
to look. The bright eyes belonged to a little
gray mouse, and the mouse had eaten a hole into the
cushion and made a comfortable nest there. Six
baby mice were cuddled up asleep near her. If
there was no one else alive in the hundred rooms there
were seven mice who did not look lonely at all.
“If they wouldn’t be so
frightened I would take them back with me,” said
Mary.
She had wandered about long enough
to feel too tired to wander any farther, and she turned
back. Two or three times she lost her way by
turning down the wrong corridor and was obliged to
ramble up and down until she found the right one;
but at last she reached her own floor again, though
she was some distance from her own room and did not
know exactly where she was.
“I believe I have taken a wrong
turning again,” she said, standing still at
what seemed the end of a short passage with tapestry
on the wall. “I don’t know which
way to go. How still everything is!”
It was while she was standing here
and just after she had said this that the stillness
was broken by a sound. It was another cry, but
not quite like the one she had heard last night; it
was only a short one, a fretful, childish whine muffled
by passing through walls.
“It’s nearer than it was,”
said Mary, her heart beating rather faster. “And
it is crying.”
She put her hand accidentally upon
the tapestry near her, and then sprang back, feeling
quite startled. The tapestry was the covering
of a door which fell open and showed her that there
was another part of the corridor behind it, and Mrs.
Medlock was coming up it with her bunch of keys in
her hand and a very cross look on her face.
“What are you doing here?”
she said, and she took Mary by the arm and pulled
her away. “What did I tell you?”
“I turned round the wrong corner,”
explained Mary. “I didn’t know which
way to go and I heard some one crying.”
She quite hated Mrs. Medlock at the
moment, but she hated her more the next.
“You didn’t hear anything
of the sort,” said the housekeeper. “You
come along back to your own nursery or I’ll
box your ears.”
And she took her by the arm and half
pushed, half pulled her up one passage and down another
until she pushed her in at the door of her own room.
“Now,” she said, “you
stay where you’re told to stay or you’ll
find yourself locked up. The master had better
get you a governess, same as he said he would.
You’re one that needs some one to look sharp
after you. I’ve got enough to do.”
She went out of the room and slammed
the door after her, and Mary went and sat on the hearth-rug,
pale with rage. She did not cry, but ground her
teeth.
“There was some one crying—there
was—there was!” she
said to herself.
She had heard it twice now, and sometime
she would find out. She had found out a great
deal this morning. She felt as if she had been
on a long journey, and at any rate she had had something
to amuse her all the time, and she had played with
the ivory elephants and had seen the gray mouse and
its babies in their nest in the velvet cushion.