At the Theatre Francais, the next
afternoon, Darrow yawned and fidgeted in his seat.
The day was warm, the theatre crowded
and airless, and the performance, it seemed to him,
intolerably bad. He stole a glance at his companion,
wondering if she shared his feelings. Her rapt
profile betrayed no unrest, but politeness might have
caused her to feign an interest that she did not feel.
He leaned back impatiently, stifling another yawn,
and trying to fix his attention on the stage.
Great things were going forward there, and he was not
insensible to the stern beauties of the ancient drama.
But the interpretation of the play seemed to him
as airless and lifeless as the atmosphere of the theatre.
The players were the same whom he had often applauded
in those very parts, and perhaps that fact added to
the impression of staleness and conventionality produced
by their performance. Surely it was time to
infuse new blood into the veins of the moribund art.
He had the impression that the ghosts of actors were
giving a spectral performance on the shores of Styx.
Certainly it was not the most profitable
way for a young man with a pretty companion to pass
the golden hours of a spring afternoon. The
freshness of the face at his side, reflecting the
freshness of the season, suggested dapplings of sunlight
through new leaves, the sound of a brook in the grass,
the ripple of tree-shadows over breezy meadows…
When at length the fateful march of
the cothurns was stayed by the single pause in the
play, and Darrow had led Miss Viner out on the balcony
overhanging the square before the theatre, he turned
to see if she shared his feelings. But the rapturous
look she gave him checked the depreciation on his
lips.
“Oh, why did you bring me out
here? One ought to creep away and sit in the
dark till it begins again!”
“Is that the way they made you feel?”
“Didn’t they you?...As
if the gods were there all the while, just behind
them, pulling the strings?” Her hands were pressed
against the railing, her face shining and darkening
under the wing-beats of successive impressions.
Darrow smiled in enjoyment of her
pleasure. After all, he had felt all that, long
ago; perhaps it was his own fault, rather than that
of the actors, that the poetry of the play seemed
to have evaporated…But no, he had been right in
judging the performance to be dull and stale:
it was simply his companion’s inexperience,
her lack of occasions to compare and estimate, that
made her think it brilliant.
“I was afraid you were bored
and wanted to come away.”
“BORED?” She made a little
aggrieved grimace. “You mean you thought
me too ignorant and stupid to appreciate it?”
“No; not that.”
The hand nearest him still lay on the railing of the
balcony, and he covered it for a moment with his.
As he did so he saw the colour rise and tremble in
her cheek.
“Tell me just what you think,”
he said, bending his head a little, and only half-aware
of his words.
She did not turn her face to his,
but began to talk rapidly, trying to convey something
of what she felt. But she was evidently unused
to analyzing her aesthetic emotions, and the tumultuous
rush of the drama seemed to have left her in a state
of panting wonder, as though it had been a storm or
some other natural cataclysm. She had no literary
or historic associations to which to attach her impressions:
her education had evidently not comprised a course
in Greek literature. But she felt what would
probably have been unperceived by many a young lady
who had taken a first in classics: the ineluctable
fatality of the tale, the dread sway in it of the
same mysterious “luck” which pulled the
threads of her own small destiny. It was not
literature to her, it was fact: as actual, as
near by, as what was happening to her at the moment
and what the next hour held in store. Seen in
this light, the play regained for Darrow its supreme
and poignant reality. He pierced to the heart
of its significance through all the artificial accretions
with which his theories of art and the conventions
of the stage had clothed it, and saw it as he had
never seen it: as life.
After this there could be no question
of flight, and he took her back to the theatre, content
to receive his own sensations through the medium of
hers. But with the continuation of the play,
and the oppression of the heavy air, his attention
again began to wander, straying back over the incidents
of the morning.
He had been with Sophy Viner all day,
and he was surprised to find how quickly the time
had gone. She had hardly attempted, as the hours
passed, to conceal her satisfaction on finding that
no telegram came from the Farlows. “They’ll
have written,” she had simply said; and her mind
had at once flown on to the golden prospect of an
afternoon at the theatre. The intervening hours
had been disposed of in a stroll through the lively
streets, and a repast, luxuriously lingered over,
under the chestnut-boughs of a restaurant in the Champs
Elysees. Everything entertained and interested
her, and Darrow remarked, with an amused detachment,
that she was not insensible to the impression her
charms produced. Yet there was no hard edge
of vanity in her sense of her prettiness: she
seemed simply to be aware of it as a note in the general
harmony, and to enjoy sounding the note as a singer
enjoys singing.
After luncheon, as they sat over their
coffee, she had again asked an immense number of questions
and delivered herself of a remarkable variety of opinions.
Her questions testified to a wholesome and comprehensive
human curiosity, and her comments showed, like her
face and her whole attitude, an odd mingling of precocious
wisdom and disarming ignorance. When she talked
to him about “life”—the word
was often on her lips—she seemed to him
like a child playing with a tiger’s cub; and
he said to himself that some day the child would grow
up—and so would the tiger. Meanwhile,
such expertness qualified by such candour made it
impossible to guess the extent of her personal experience,
or to estimate its effect on her character.
She might be any one of a dozen definable types, or
she might—more disconcertingly to her companion
and more perilously to herself—be a shifting
and uncrystallized mixture of them all.
Her talk, as usual, had promptly reverted
to the stage. She was eager to learn about every
form of dramatic expression which the metropolis of
things theatrical had to offer, and her curiosity
ranged from the official temples of the art to its
less hallowed haunts. Her searching enquiries
about a play whose production, on one of the latter
scenes, had provoked a considerable amount of scandal,
led Darrow to throw out laughingly: “To
see that you’ll have to wait till you’re
married!” and his answer had sent her off at
a tangent.
“Oh, I never mean to marry,”
she had rejoined in a tone of youthful finality.
“I seem to have heard that before!”
“Yes; from girls who’ve
only got to choose!” Her eyes had grown suddenly
almost old. “I’d like you to see
the only men who’ve ever wanted to marry me!
One was the doctor on the steamer, when I came abroad
with the Hokes: he’d been cashiered from
the navy for drunkenness. The other was a deaf
widower with three grown-up daughters, who kept a
clock-shop in Bayswater!—Besides,”
she rambled on, “I’m not so sure that
I believe in marriage. You see I’m all
for self-development and the chance to live one’s
life. I’m awfully modern, you know.”
It was just when she proclaimed herself
most awfully modern that she struck him as most helplessly
backward; yet the moment after, without any bravado,
or apparent desire to assume an attitude, she would
propound some social axiom which could have been gathered
only in the bitter soil of experience.
All these things came back to him
as he sat beside her in the theatre and watched her
ingenuous absorption. It was on “the story”
that her mind was fixed, and in life also, he suspected,
it would always be “the story”, rather
than its remoter imaginative issues, that would hold
her. He did not believe there were ever any
echoes in her soul…
There was no question, however, that
what she felt was felt with intensity: to the
actual, the immediate, she spread vibrating strings.
When the play was over, and they came out once more
into the sunlight, Darrow looked down at her with
a smile.
“Well?” he asked.
She made no answer. Her dark
gaze seemed to rest on him without seeing him.
Her cheeks and lips were pale, and the loose hair
under her hat-brim clung to her forehead in damp rings.
She looked like a young priestess still dazed by the
fumes of the cavern.
“You poor child—it’s
been almost too much for you!”
She shook her head with a vague smile.
“Come,” he went on, putting
his hand on her arm, “let’s jump into
a taxi and get some air and sunshine. Look, there
are hours of daylight left; and see what a night it’s
going to be!”
He pointed over their heads, to where
a white moon hung in the misty blue above the roofs
of the rue de Rivoli.
She made no answer, and he signed
to a motor-cab, calling out to the driver: “To
the Bois!”
As the carriage turned toward the
Tuileries she roused herself. “I must
go first to the hotel. There may be a message—at
any rate I must decide on something.”
Darrow saw that the reality of the
situation had suddenly forced itself upon her.
“I must decide on something,” she
repeated.
He would have liked to postpone the
return, to persuade her to drive directly to the Bois
for dinner. It would have been easy enough to
remind her that she could not start for Joigny that
evening, and that therefore it was of no moment whether
she received the Farlows’ answer then or a few
hours later; but for some reason he hesitated to use
this argument, which had come so naturally to him
the day before. After all, he knew she would
find nothing at the hotel—so what did it
matter if they went there?
The porter, interrogated, was not
sure. He himself had received nothing for the
lady, but in his absence his subordinate might have
sent a letter upstairs.
Darrow and Sophy mounted together
in the lift, and the young man, while she went into
her room, unlocked his own door and glanced at the
empty table. For him at least no message had
come; and on her threshold, a moment later, she met
him with the expected: “No—there’s
nothing!”
He feigned an unregretful surprise.
“So much the better! And now, shall we
drive out somewhere? Or would you rather take
a boat to Bellevue? Have you ever dined there,
on the terrace, by moonlight? It’s not
at all bad. And there’s no earthly use
in sitting here waiting.”
She stood before him in perplexity.
“But when I wrote yesterday
I asked them to telegraph. I suppose they’re
horribly hard up, the poor dears, and they thought
a letter would do as well as a telegram.”
The colour had risen to her face. “That’s
why I wrote instead of telegraphing; I haven’t
a penny to spare myself!”
Nothing she could have said could
have filled her listener with a deeper contrition.
He felt the red in his own face as he recalled the
motive with which he had credited her in his midnight
musings. But that motive, after all, had simply
been trumped up to justify his own disloyalty:
he had never really believed in it. The reflection
deepened his confusion, and he would have liked to
take her hand in his and confess the injustice he
had done her.
She may have interpreted his change
of colour as an involuntary protest at being initiated
into such shabby details, for she went on with a laugh:
“I suppose you can hardly understand what it
means to have to stop and think whether one can afford
a telegram? But I’ve always had to consider
such things. And I mustn’t stay here any
longer now—I must try to get a night train
for Joigny. Even if the Farlows can’t
take me in, I can go to the hotel: it will cost
less than staying here.” She paused again
and then exclaimed: “I ought to have thought
of that sooner; I ought to have telegraphed yesterday!
But I was sure I should hear from them today; and
I wanted—oh, I did so awfully want
to stay!” She threw a troubled look at Darrow.
“Do you happen to remember,” she asked,
“what time it was when you posted my letter?”