One morning I was whistling to myself
the air “In Sweetest Harmony” from Saul.
Jones heard me and said:
“Do you know why you are whistling that?”
I said I did not.
Then he said: “Did you not hear me, two
minutes ago, whistling
’Eagles were not so Swift’?”
I had not noticed his doing so, and
it was so long since I had played that chorus myself
that I doubt whether I should have consciously recognised
it. That I did recognise it unconsciously is
tolerably clear from my having gone on with “In
Sweetest Harmony,” which is the air that follows
it.
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