When we grumble about the vanity of
all human things, inasmuch as even the noblest works
are not eternal but must become sooner or later as
though they had never been, we should remember that
the world, so far as we can see, was made to enjoy
rather than to last. Come-and-go pervades everything
of which we have knowledge, and though great things
go more slowly, they are built up of small ones and
must fare as that which makes them.
Are we to have our enjoyment of Handel
and Shakespeare weakened because a day will come when
there will be no more of either Handel or Shakespeare
nor yet of ears to hear them? Is it not enough
that they should stir such countless multitudes so
profoundly and kindle such intense and affectionate
admiration for so many ages as they have done and
probably will continue to do? The life of a great
thing may be so long as practically to come to immortality
even now, but that is not the point. The point
is that if anything was aimed at at all when things
began to shape or to be shaped, it seems to have been
a short life and a merry one, with an extension of
time in certain favoured cases, rather than a permanency
even of the very best and noblest. And, when
one comes to think of it, death and birth are so closely
correlated that one could not destroy either without
destroying the other at the same time. It is
extinction that makes creation possible.
If, however, any work is to have long
life it is not enough that it should be good of its
kind. Many ephemeral things are perfect in their
way. It must be of a durable kind as well.
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