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The Minstrelsy of the Scottish Border

Sir Walter Scott
PART SECOND.

SCOTTISH MUSIC, AN ODE,

NOTES ON SCOTTISH MUSIC, AN ODE. >

BY J. LEYDEN.

TO IANTHE.

  Again, sweet syren, breathe again
  That deep, pathetic, powerful strain;
    Whose melting tones, of tender woe,
  Fall soft as evening’s summer dew,
  That bathes the pinks and harebells blue,
    Which in the vales of Tiviot blow.

  Such was the song that soothed to rest. 
  Far in the green isle of the west,
    The Celtic warrior’s parted shade;
  Such are the lonely sounds that sweep
  O’er the blue bosom of the deep,
    Where ship-wrecked mariners are laid.

  Ah! sure, as Hindú legends tell,
  When music’s tones the bosom swell,
    The scenes of former life return;
  Ere, sunk beneath the morning star,
  We left our parent climes afar,
    Immured in mortal forms to mourn.

  Or if, as ancient sages ween,
  Departed spirits, half-unseen,
    Can mingle with the mortal throng;
  ’Tis when from heart to heart we roll
  The deep-toned music of the soul,
    That warbles in our Scottish song.

  I hear, I hear, with awful dread,
  The plaintive music of the dead;
    They leave the amber fields of day: 
  Soft as the cadence of the wave,
  That murmurs round the mermaid’s grave,
    They mingle in the magic lay.

  Sweet syren, breathe the powerful strain!
  Lochroyan’s Damsel[A] sails the main;
    The chrystal tower enchanted see! 
  “Now break,” she cries, “ye fairy charms!”
  As round she sails with fond alarms,
    “Now break, and set my true love free!”

  Lord Barnard is to greenwood gone,
  Where fair Gil Morrice sits alone,
    And careless combs his yellow hair;
  Ah! mourn the youth, untimely slain! 
  The meanest of Lord Barnard’s train
    The hunter’s mangled head must bear.

  Or, change these notes of deep despair,
  For love’s more soothing tender air: 
    Sing, how, beneath the greenwood tree,
  Brown Adam’s[B] love maintained her truth,
  Nor would resign the exiled youth
    For any knight the fair could see.

  And sing the Hawk of pinion gray,[C]
  To southern climes who winged his way,
    For he could speak as well as fly;
  Her brethren how the fair beguiled,
  And on her Scottish lover smiled,
    As slow she raised her languid eye.

  Fair was her cheek’s carnation glow,
  Like red blood on a wreath of snow;
    Like evening’s dewy star her eye: 
  White as the sea-mew’s downy breast,
  Borne on the surge’s foamy crest,
    Her graceful bosom heaved the sigh.

  In youth’s first morn, alert and gay,
  Ere rolling years had passed away,
    Remembered like a morning dream,
  I heard these dulcet measures float,
  In many a liquid winding note,
    Along the banks of Teviot’s stream.

  Sweet sounds! that oft have soothed to rest
  The sorrows of my guileless breast,
    And charmed away mine infant tears: 
  Fond memory shall your strains repeat,
  Like distant echoes, doubly sweet,
    That in the wild the traveller hears.

  And thus, the exiled Scotian maid,
  By fond alluring love betrayed
    To visit Syria’s date-crowned shore;
  In plaintive strains, that soothed despair,
  Did “Bothwell’s banks that bloom so fair,”
    And scenes of early youth, deplore.

  Soft syren! whose enchanting strain
  Floats wildly round my raptured brain,
    I bid your pleasing haunts adieu! 
  Yet, fabling fancy oft shall lead
  My footsteps to the silver Tweed,
    Through scenes that I no more must view.

[Footnote A:  The Lass of Lochroyan—­In this volume.]

[Footnote B:  See the ballad, entitled, Brown Adam.]

[Footnote C:  See the Gay Goss Hawk.]

PART SECOND.

SCOTTISH MUSIC, AN ODE,

NOTES ON SCOTTISH MUSIC, AN ODE. >

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