The Marriage Contract

The pink of fashion

Though the foregoing conversation affected the Comte de Manerville somewhat, he made it a point of duty to carry out his intentions, and he returned to Bordeaux during the winter of the year 1821.

The expenses he incurred in restoring and furnishing his family mansion sustained the reputation for elegance which had preceded him.  Introduced through his former connections to the royalist society of Bordeaux, to which he belonged as much by his personal opinions as by his name and fortune, he soon obtained a fashionable pre-eminence.  His knowledge of life, his manners, his Parisian acquirements enchanted the Faubourg Saint-Germain of Bordeaux.  An old marquise made use of a term formerly in vogue at court to express the flowery beauty of the fops and beaux of the olden time, whose language and demeanor were social laws:  she called him “the pink of fashion.”  The liberal clique caught up the word and used it satirically as a nickname, while the royalist party continued to employ it in good faith.

Paul de Manerville acquitted himself gloriously of the obligations imposed by his flowery title.  It happened to him, as to many a mediocre actor, that the day when the public granted him their full attention he became, one may almost say, superior.  Feeling at his ease, he displayed the fine qualities which accompanied his defects.  His wit had nothing sharp or bitter in it; his manners were not supercilious; his intercourse with women expressed the respect they like,—­it was neither too deferential, nor too familiar; his foppery went no farther than a care for his personal appearance which made him agreeable; he showed consideration for rank; he allowed young men a certain freedom, to which his Parisian experience assigned due limits; though skilful with sword and pistol, he was noted for a feminine gentleness for which others were grateful.  His medium height and plumpness (which had not yet increased into obesity, an obstacle to personal elegance) did not prevent his outer man from playing the part of a Bordelais Brummell.  A white skin tinged with the hues of health, handsome hands and feet, blue eyes with long lashes, black hair, graceful motions, a chest voice which kept to its middle tones and vibrated in the listener’s heart, harmonized well with his sobriquet.  Paul was indeed that delicate flower which needs such careful culture, the qualities of which display themselves only in a moist and suitable soil,—­a flower which rough treatment dwarfs, which the hot sun burns, and a frost lays low.  He was one of those men made to receive happiness, rather than to give it; who have something of the woman in their nature, wishing to be divined, understood, encouraged; in short, a man to whom conjugal love ought to come as a providence.

If such a character creates difficulties in private life, it is gracious and full of attraction for the world.  Consequently, Paul had great success in the narrow social circle of the provinces, where his mind, always, so to speak, in half-tints, was better appreciated than in Paris.

The arrangement of his house and the restoration of the chateau de Lanstrac, where he introduced the comfort and luxury of an English country-house, absorbed the capital saved by the notary during the preceding six years.  Reduced now to his strict income of forty-odd thousand a year, he thought himself wise and prudent in so regulating his household as not to exceed it.

After publicly exhibiting his equipages, entertaining the most distinguished young men of the place, and giving various hunting parties on the estate at Lanstrac, Paul saw very plainly that provincial life would never do without marriage.  Too young to employ his time in miserly occupations, or in trying to interest himself in the speculative improvements in which provincials sooner or later engage (compelled thereto by the necessity of establishing their children), he soon felt the need of that variety of distractions a habit of which becomes at last the very life of a Parisian.  A name to preserve, property to transmit to heirs, social relations to be created by a household where the principal families of the neighborhood could assemble, and a weariness of all irregular connections, were not, however, the determining reasons of his matrimonial desires.  From the time he first returned to the provinces he had been secretly in love with the queen of Bordeaux, the great beauty, Mademoiselle Evangelista.

About the beginning of the century, a rich Spaniard, named Evangelista, established himself in Bordeaux, where his letters of recommendation, as well as his large fortune, gave him an entrance to the salons of the nobility.  His wife contributed greatly to maintain him in the good graces of an aristocracy which may perhaps have adopted him in the first instance merely to pique the society of the class below them.  Madame Evangelista, who belonged to the Casa-Reale, an illustrious family of Spain, was a Creole, and, like all women served by slaves, she lived as a great lady, knew nothing of the value of money, repressed no whims, even the most expensive, finding them ever satisfied by an adoring husband who generously concealed from her knowledge the running-gear of the financial machine.  Happy in finding her pleased with Bordeaux, where his interests obliged him to live, the Spaniard bought a house, set up a household, received in much style, and gave many proofs of possessing a fine taste in all things.  Thus, from 1800 to 1812, Monsieur and Madame Evangelista were objects of great interest to the community of Bordeaux.

The Spaniard died in 1813, leaving his wife a widow at thirty-two years of age, with an immense fortune and the prettiest little girl in the world, a child of eleven, who promised to be, and did actually become, a most accomplished young woman.  Clever as Madame Evangelista was, the Restoration altered her position; the royalist party cleared its ranks and several of the old families left Bordeaux.  Though the head and hand of her husband were lacking in the direction of her affairs, for which she had hitherto shown the indifference of a Creole and the inaptitude of a lackadaisical woman, she was determined to make no change in her manner of living.  At the period when Paul resolved to return to his native town, Mademoiselle Natalie Evangelista was a remarkably beautiful young girl, and, apparently, the richest match in Bordeaux, where the steady diminution of her mother’s capital was unknown.  In order to prolong her reign, Madame Evangelista had squandered enormous sums.  Brilliant fetes and the continuation of an almost regal style of living kept the public in its past belief as to the wealth of the Spanish family.

Natalie was now in her nineteenth year, but no proposal of marriage had as yet reached her mother’s ear.  Accustomed to gratify her fancies, Mademoiselle Evangelista wore cashmeres and jewels, and lived in a style of luxury which alarmed all speculative suitors in a region and at a period when sons were as calculating as their parents.  The fatal remark, “None but a prince can afford to marry Mademoiselle Evangelista,” circulated among the salons and the cliques.  Mothers of families, dowagers who had granddaughters to establish, young girls jealous of Natalie, whose elegance and tyrannical beauty annoyed them, took pains to envenom this opinion with treacherous remarks.  When they heard a possible suitor say with ecstatic admiration, as Natalie entered a ball-room, “Heavens, how beautiful she is!” “Yes,” the mammas would answer, “but expensive.”  If some new-comer thought Mademoiselle Evangelista bewitching and said to a marriageable man that he couldn’t do it better, “Who would be bold enough,” some woman would reply, “to marry a girl whose mother gives her a thousand francs a month for her toilet,—­a girl who has horses and a maid of her own, and wears laces?  Yes, her ‘peignoirs’ are trimmed with mechlin.  The price of her washing would support the household of a clerk.  She wears pelerines in the morning which actually cost six francs to get up.”

These, and other speeches said occasionally in the form of praise extinguished the desires that some men might have had to marry the beautiful Spanish girl.  Queen of every ball, accustomed to flattery, “blasee” with the smiles and the admiration which followed her every step, Natalie, nevertheless, knew nothing of life.  She lived as the bird which flies, as the flower that blooms, finding every one about her eager to do her will.  She was ignorant of the price of things; she knew neither the value of money, nor whence it came, how it should be managed, and how spent.  Possibly she thought that every household had cooks and coachmen, lady’s-maids and footmen, as the fields have hay and the trees their fruits.  To her, beggars and paupers, fallen trees and waste lands seemed in the same category.  Pampered and petted as her mother’s hope, no fatigue was allowed to spoil her pleasure.  Thus she bounded through life as a courser on his steppe, unbridled and unshod.

Six month’s after Paul’s arrival the Pink of Fashion and the Queen of Balls met in presence of the highest society of the town of Bordeaux.  The two flowers looked at each other with apparent coldness, and mutually thought each other charming.  Interested in watching the effects of the meeting, Madame Evangelista divined in the expression of Paul’s eyes the feelings within him, and she muttered to herself, “He will be my son-in-law.”  Paul, on the other hand, said to himself, as he looked at Natalie, “She will be my wife.”

The wealth of the Evangelistas, proverbial in Bordeaux, had remained in Paul’s mind as a memory of his childhood.  Thus the pecuniary conditions were known to him from the start, without necessitating those discussions and inquiries which are as repugnant to a timid mind as to a proud one.  When some persons attempting to say to Paul a few flattering phrases as to Natalie’s manner, language, and beauty, ending by remarks, cruelly calculated to deter him, on the lavish extravagance of the Evangelistas, the Pink of Fashion replied with a disdain that was well-deserved by such provincial pettiness.  This method of receiving such speeches soon silenced them; for he now set the tone to the ideas and language as well as to the manners of those about him.  He had imported from his travels a certain development of the Britannic personality with its icy barriers, also a tone of Byronic pessimism as to life, together with English plate, boot-polish, ponies, yellow gloves, cigars, and the habit of galloping.

It thus happened that Paul escaped the discouragements hitherto presented to marriageable men by dowagers and young girls.  Madame Evangelista began by asking him to formal dinners on various occasions.  The Pink of Fashion would not, of course, miss festivities to which none but the most distinguished young men of the town were bidden.  In spite of the coldness that Paul assumed, which deceived neither mother nor daughter, he was drawn, step by step, into the path of marriage.  Sometimes as he passed in his tilbury, or rode by on his fine English horse, he heard the young men of his acquaintance say to one another:—­

“There’s a lucky man.  He is rich and handsome, and is to marry, so they say, Mademoiselle Evangelista.  There are some men for whom the world seems made.”

When he met the Evangelistas he felt proud of the particular distinction which mother and daughter imparted to their bows.  If Paul had not secretly, within his heart, fallen in love with Mademoiselle Natalie, society would certainly have married him to her in spite of himself.  Society, which never causes good, is the accomplice of much evil; then when it beholds the evil it has hatched maternally, it rejects and revenges it.  Society in Bordeaux, attributing a “dot” of a million to Mademoiselle Evangelista, bestowed it upon Paul without awaiting the consent of either party.  Their fortunes, so it was said, agreed as well as their persons.  Paul had the same habits of luxury and elegance in the midst of which Natalie had been brought up.  He had just arranged for himself a house such as no other man in Bordeaux could have offered her.  Accustomed to Parisian expenses and the caprices of Parisian women, he alone was fitted to meet the pecuniary difficulties which were likely to follow this marriage with a girl who was as much of a Creole and a great lady as her mother.  Where they themselves, remarked the marriageable men, would have been ruined, the Comte de Manerville, rich as he was, could evade disaster.  In short, the marriage was made.  Persons in the highest royalist circles said a few engaging words to Paul which flattered his vanity:—­

“Every one gives you Mademoiselle Evangelista.  If you marry her you will do well.  You could not find, even in Paris, a more delightful girl.  She is beautiful, graceful, elegant, and takes after the Casa-Reales through her mother.  You will make a charming couple; you have the same tastes, the same desires in life, and you will certainly have the most agreeable house in Bordeaux.  Your wife need only bring her night-cap; all is ready for her.  You are fortunate indeed in such a mother-in-law.  A woman of intelligence, and very adroit, she will be a great help to you in public life, to which you ought to aspire.  Besides, she has sacrificed everything to her daughter, whom she adores, and Natalie will, no doubt, prove a good wife, for she loves her mother.  You must soon bring the matter to a conclusion.”

“That is all very well,” replied Paul, who, in spite of his love, was desirous of keeping his freedom of action, “but I must be sure that the conclusion shall be a happy one.”

He now went frequently to Madame Evangelista’s, partly to occupy his vacant hours, which were harder for him to employ than for most men.  There alone he breathed the atmosphere of grandeur and luxury to which he was accustomed.

At forty years of age, Madame Evangelista was beautiful, with the beauty of those glorious summer sunsets which crown a cloudless day.  Her spotless reputation had given an endless topic of conversation to the Bordeaux cliques; the curiosity of the women was all the more lively because the widow gave signs of the temperament which makes a Spanish woman and a Creole particularly noted.  She had black eyes and hair, the feet and form of a Spanish woman,—­that swaying form the movements of which have a name in Spain.  Her face, still beautiful, was particularly seductive for its Creole complexion, the vividness of which can be described only by comparing it to muslin overlying crimson, so equally is the whiteness suffused with color.  Her figure, which was full and rounded, attracted the eye by a grace which united nonchalance with vivacity, strength with ease.  She attracted and she imposed, she seduced, but promised nothing.  She was tall, which gave her at times the air and carriage of a queen.  Men were taken by her conversation like birds in a snare; for she had by nature that genius which necessity bestows on schemes; she advanced from concession to concession, strengthening herself with what she gained to ask for more, knowing well how to retreat with rapid steps when concessions were demanded in return.  Though ignorant of facts, she had known the courts of Spain and Naples, the celebrated men of the two Americas, many illustrious families of England and the continent, all of which gave her so extensive an education superficially that it seemed immense.  She received her society with the grace and dignity which are never learned, but which come to certain naturally fine spirits like a second nature; assimilating choice things wherever they are met.  If her reputation for virtue was unexplained, it gave at any rate much authority to her actions, her conversation, and her character.

Mother and daughter had a true friendship for each other, beyond the filial and maternal sentiment.  They suited one another, and their perpetual contact had never produced the slightest jar.  Consequently many persons explained Madame Evangelista’s actions by maternal love.  But although Natalie consoled her mother’s persistent widowhood, she may not have been the only motive for it.  Madame Evangelista had been, it was said, in love with a man who recovered his titles and property under the Restoration.  This man, desirous of marrying her in 1814 had discreetly severed the connection in 1816.  Madame Evangelista, to all appearance the best-hearted woman in the world, had, in the depths of her nature, a fearful quality, explainable only by Catherine de Medici’s device:  “Odiate e aspettate”—­“Hate and wait.”  Accustomed to rule, having always been obeyed, she was like other royalties, amiable, gentle, easy and pleasant in ordinary life, but terrible, implacable, if the pride of the woman, the Spaniard, and the Casa-Reale was touched.  She never forgave.  This woman believed in the power of her hatred; she made an evil fate of it and bade it hover above her enemy.  This fatal power she employed against the man who had jilted her.  Events which seemed to prove the influence of her “jettatura”—­the casting of an evil eye—­confirmed her superstitious faith in herself.  Though a minister and peer of France, this man began to ruin himself, and soon came to total ruin.  His property, his personal and public honor were doomed to perish.  At this crisis Madame Evangelista in her brilliant equipage passed her faithless lover walking on foot in the Champes Elysees, and crushed him with a look which flamed with triumph.  This misadventure, which occupied her mind for two years, was the original cause of her not remarrying.  Later, her pride had drawn comparisons between the suitors who presented themselves and the husband who had loved her so sincerely and so well.

She had thus reached, through mistaken calculations and disappointed hopes, that period of life when women have no other part to take in life than that of mother; a part which involves the sacrifice of themselves to their children, the placing of their interests outside of self upon another household,—­the last refuge of human affections.

Madame Evangelista divined Paul’s nature intuitively, and hid her own from his perception.  Paul was the very man she desired for a son-in-law, for the responsible editor of her future power.  He belonged, through his mother, to the family of Maulincour, and the old Baronne de Maulincour, the friend of the Vidame de Pamiers, was then living in the centre of the faubourg Saint-Germain.  The grandson of the baroness, Auguste de Maulincour, held a fine position in the army.  Paul would therefore be an excellent introducer for the Evangelistas into Parisian society.  The widow had known something of the Paris of the Empire, she now desired to shine in the Paris of the Restoration.  There alone were the elements of political fortune, the only business in which women of the world could decently co-operate.  Madame Evangelista, compelled by her husband’s affairs to reside in Bordeaux, disliked the place.  She desired a wider field, as gamblers rush to higher stakes.  For her own personal ends, therefore, she looked to Paul as a means of destiny, she proposed to employ the resources of her own talent and knowledge of life to advance her son-in-law, in order to enjoy through him the delights of power.  Many men are thus made the screens of secret feminine ambitions.  Madame Evangelista had, however, more than one interest, as we shall see, in laying hold of her daughter’s husband.

Paul was naturally captivated by this woman, who charmed him all the more because she seemed to seek no influence over him.  In reality she was using her ascendancy to magnify herself, her daughter, and all her surroundings in his eyes, for the purpose of ruling from the start the man in whom she saw a means of gratifying her social longings.  Paul, on the other hand, began to value himself more highly when he felt himself appreciated by the mother and daughter.  He thought himself much cleverer than he really was when he found his reflections and sayings accepted and understood by Mademoiselle Natalie—­who raised her head and smiled in response to them—­and by the mother, whose flattery always seemed involuntary.  The two women were so kind and friendly to him, he was so sure of pleasing them, they ruled him so delightfully by holding the thread of his self-love, that he soon passed all his time at the hotel Evangelista.

A year after his return to Bordeaux, Comte Paul, without having declared himself, was so attentive to Natalie that the world considered him as courting her.  Neither mother nor daughter appeared to be thinking of marriage.  Mademoiselle Evangelista preserved towards Paul the reserve of a great lady who can make herself charming and converse agreeably without permitting a single step into intimacy.  This reserve, so little customary among provincials, pleased Paul immensely.  Timid men are shy; sudden proposals alarm them.  They retreat from happiness when it comes with a rush, and accept misfortune if it presents itself mildly with gentle shadows.  Paul therefore committed himself in his own mind all the more because he saw no effort on Madame Evangelista’s part to bind him.  She fairly seduced him one evening by remarking that to superior women as well as men there came a period of life when ambition superseded all the earlier emotions of life.

“That woman is fitted,” thought Paul, as he left her, “to advance me in diplomacy before I am even made a deputy.”

If, in all the circumstances of life a man does not turn over and over both things and ideas in order to examine them thoroughly under their different aspects before taking action, that man is weak and incomplete and in danger of fatal failure.  At this moment Paul was an optimist; he saw everything to advantage, and did not tell himself than an ambitious mother-in-law might prove a tyrant.  So, every evening as he left the house, he fancied himself a married man, allured his mind with its own thought, and slipped on the slippers of wedlock cheerfully.  In the first place, he had enjoyed his freedom too long to regret the loss of it; he was tired of a bachelor’s life, which offered him nothing new; he now saw only its annoyances; whereas if he thought at times of the difficulties of marriage, its pleasures, in which lay novelty, came far more prominently before his mind.

“Marriage,” he said to himself, “is disagreeable for people without means, but half its troubles disappear before wealth.”

Every day some favorable consideration swelled the advantages which he now saw in this particular alliance.

“No matter to what position I attain, Natalie will always be on the level of her part,” thought he, “and that is no small merit in a woman.  How many of the Empire men I’ve seen who suffered horribly through their wives!  It is a great condition of happiness not to feel one’s pride or one’s vanity wounded by the companion we have chosen.  A man can never be really unhappy with a well-bred wife; she will never make him ridiculous; such a woman is certain to be useful to him.  Natalie will receive in her own house admirably.”

So thinking, he taxed his memory as to the most distinguished women of the faubourg Saint-Germain, in order to convince himself that Natalie could, if not eclipse them, at any rate stand among them on a footing of perfect equality.  All comparisons were to her advantage, for they rested on his own imagination, which followed his desires.  Paris would have shown him daily other natures, young girls of other styles of beauty and charm, and the multiplicity of impressions would have balanced his mind; whereas in Bordeaux Natalie had no rivals, she was the solitary flower; moreover, she appeared to him at a moment when Paul was under the tyranny of an idea to which most men succumb at his age.

Thus these reasons of propinquity, joined to reasons of self-love and a real passion which had no means of satisfaction except by marriage, led Paul on to an irrational love, which he had, however, the good sense to keep to himself.  He even endeavored to study Mademoiselle Evangelista as a man should who desires not to compromise his future life; for the words of his friend de Marsay did sometimes rumble in his ears like a warning.  But, in the first place, persons accustomed to luxury have a certain indifference to it which misleads them.  They despise it, they use it; it is an instrument, and not the object of their existence.  Paul never imagined, as he observed the habits of life of the two ladies, that they covered a gulf of ruin.  Then, though there may exist some general rules to soften the asperities of marriage, there are none by which they can be accurately foreseen and evaded.  When trouble arises between two persons who have undertaken to render life agreeable and easy to each other, it comes from the contact of continual intimacy, which, of course, does not exist between young people before they marry, and will never exist so long as our present social laws and customs prevail in France.  All is more or less deception between the two young persons about to take each other for life,—­an innocent and involuntary deception, it is true.  Each endeavors to appear in a favorable light; both take a tone and attitude conveying a more favorable idea of their nature than they are able to maintain in after years.  Real life, like the weather, is made up of gray and cloudy days alternating with those when the sun shines and the fields are gay.  Young people, however, exhibit fine weather and no clouds.  Later they attribute to marriage the evils inherent in life itself; for there is in man a disposition to lay the blame of his own misery on the persons and things that surround him.

To discover in the demeanor, or the countenance, or the words, or the gestures of Mademoiselle Evangelista any indication that revealed the imperfections of her character, Paul must have possessed not only the knowledge of Lavater and Gall, but also a science in which there exists no formula of doctrine,—­the individual and personal science of an observer, which, for its perfection, requires an almost universal knowledge.  Natalie’s face, like that of most young girls, was impenetrable.  The deep, serene peace given by sculptors to the virgin faces of Justice and Innocence, divinities aloof from all earthly agitations, is the greatest charm of a young girl, the sign of her purity.  Nothing, as yet, has stirred her; no shattered passion, no hope betrayed has clouded the placid expression of that pure face.  Is that expression assumed?  If so, there is no young girl behind it.

Natalie, closely held to the heart of her mother, had received, like other Spanish women, an education that was solely religious, together with a few instructions from her mother as to the part in life she was called upon to play.  Consequently, the calm, untroubled expression of her face was natural.  And yet it formed a casing in which the woman was wrapped as the moth in its cocoon.  Nevertheless, any man clever at handling the scalpel of analysis might have detected in Natalie certain indications of the difficulties her character would present when brought into contact with conjugal or social life.  Her beauty, which was really marvellous, came from extreme regularity of feature harmonizing with the proportions of the head and the body.  This species of perfection augurs ill for the mind; and there are few exceptions to the rule.  All superior nature is found to have certain slight imperfections of form which become irresistible attractions, luminous points from which shine vivid sentiments, and on which the eye rests gladly.  Perfect harmony expresses usually the coldness of a mixed organization.

Natalie’s waist was round,—­a sign of strength, but also the infallible indication of a will which becomes obstinacy in persons whose mind is neither keen nor broad.  Her hands, like those of a Greek statue, confirmed the predictions of face and figure by revealing an inclination for illogical domination, of willing for will’s sake only.  Her eyebrows met,—­a sign, according to some observers, which indicates jealousy.  The jealousy of superior minds becomes emulation and leads to great things; that of small minds turns to hatred.  The “hate and wait” of her mother was in her nature, without disguise.  Her eyes were black apparently, though really brown with orange streaks, contrasting with her hair, of the ruddy tint so prized by the Romans, called auburn in England, a color which often appears in the offspring of persons of jet black hair, like that of Monsieur and Madame Evangelista.  The whiteness and delicacy of Natalie’s complexion gave to the contrast of color in her eyes and hair an inexpressible charm; and yet it was a charm that was purely external; for whenever the lines of a face are lacking in a certain soft roundness, whatever may be the finish and grace of the details, the beauty therein expressed is not of the soul.  These roses of deceptive youth will drop their leaves, and you will be surprised in a few years to see hardness and dryness where you once admired what seemed to be the beauty of noble qualities.

Though the outlines of Natalie’s face had something august about them, her chin was slightly “empate,”—­a painter’s expression which will serve to show the existence of sentiments the violence of which would only become manifest in after life.  Her mouth, a trifle drawn in, expressed a haughty pride in keeping with her hand, her chin, her brows, and her beautiful figure.  And—­as a last diagnostic to guide the judgment of a connoisseur—­Natalie’s pure voice, a most seductive voice, had certain metallic tones.  Softly as that brassy ring was managed, and in spite of the grace with which its sounds ran through the compass of the voice, that organ revealed the character of the Duke of Alba, from whom the Casa-Reales were collaterally descended.  These indications were those of violent passions without tenderness, sudden devotions, irreconcilable dislikes, a mind without intelligence, and the desire to rule natural to persons who feel themselves inferior to their pretensions.

These defects, born of temperament and constitution, were buried in Natalie like ore in a mine, and would only appear under the shocks and harsh treatment to which all characters are subjected in this world.  Meantime the grace and freshness of her youth, the distinction of her manners, her sacred ignorance, and the sweetness of a young girl, gave a delicate glamour to her features which could not fail to mislead an unthinking or superficial mind.  Her mother had early taught her the trick of agreeable talk which appears to imply superiority, replying to arguments by clever jests, and attracting by the graceful volubility beneath which a woman hides the subsoil of her mind, as Nature disguises her barren strata beneath a wealth of ephemeral vegetation.  Natalie had the charm of children who have never known what it is to suffer.  She charmed by her frankness, and had none of that solemn air which mothers impose on their daughters by laying down a programme of behavior and language until the time comes when they marry and are emancipated.  She was gay and natural, like any young girl who knows nothing of marriage, expects only pleasure from it, replies to all objections with a jest, foresees no troubles, and thinks she is acquiring the right to have her own way.

How could Paul, who loved as men love when desire increases love, perceive in a girl of this nature whose beauty dazzled him, the woman, such as she would probably be at thirty, when observers themselves have been misled by these appearances?  Besides, if happiness might prove difficult to find in a marriage with such a girl, it was not impossible.  Through these embryo defects shone several fine qualities.  There is no good quality which, if properly developed by the hand of an able master, will not stifle defects, especially in a young girl who loves him.  But to render ductile so intractable a woman, the iron wrist, about which de Marsay had preached to Paul, was needful.  The Parisian dandy was right.  Fear, inspired by love is an infallible instrument by which to manage the minds of women.  Whoso loves, fears; whoso fears is nearer to affection than to hatred.

Had Paul the coolness, firmness, and judgment required for this struggle, which an able husband ought not to let the wife suspect?  Did Natalie love Paul?  Like most young girls, Natalie mistook for love the first emotions of instinct and the pleasure she felt in Paul’s external appearance; but she knew nothing of the things of marriage nor the demands of a home.  To her, the Comte de Manerville, a rising diplomatist, to whom the courts of Europe were known, and one of the most elegant young men in Paris, could not seem, what perhaps he was, an ordinary man, without moral force, timid, though brave in some ways, energetic perhaps in adversity, but helpless against the vexations and annoyances that hinder happiness.  Would she, in after years, have sufficient tact and insight to distinguish Paul’s noble qualities in the midst of his minor defects?  Would she not magnify the latter and forget the former, after the manner of young wives who know nothing of life?  There comes a time when wives will pardon defects in the husband who spares her annoyances, considering annoyances in the same category as misfortunes.  What conciliating power, what wise experience would uphold and enlighten the home of this young pair?  Paul and his wife would doubtless think they loved when they had really not advanced beyond the endearments and compliments of the honeymoon.  Would Paul in that early period yield to the tyranny of his wife, instead of establishing his empire?  Could Paul say, “No?” All was peril to a man so weak where even a strong man ran some risks.

The subject of this Study is not the transition of a bachelor into a married man,—­a picture which, if broadly composed, would not lack the attraction which the inner struggles of our nature and feelings give to the commonest situations in life.  The events and the ideas which led to the marriage of Paul with Natalie Evangelista are an introduction to our real subject, which is to sketch the great comedy that precedes, in France, all conjugal pairing.  This Scene, until now singularly neglected by our dramatic authors, although it offers novel resources to their wit, controlled Paul’s future life and was now awaited by Madame Evangelista with feelings of terror.  We mean the discussion which takes place on the subject of the marriage contract in all families, whether noble or bourgeois, for human passions are as keenly excited by small interests as by large ones.  These comedies, played before a notary, all resemble, more or less, the one we shall now relate, the interest of which will be far less in the pages of this book than in the memories of married persons.