THE ACCUSER
As Syme strode along the corridor
he saw the Secretary standing at the top of a great
flight of stairs. The man had never looked so
noble. He was draped in a long robe of starless
black, down the centre of which fell a band or broad
stripe of pure white, like a single shaft of light.
The whole looked like some very severe ecclesiastical
vestment. There was no need for Syme to search
his memory or the Bible in order to remember that
the first day of creation marked the mere creation
of light out of darkness. The vestment itself
would alone have suggested the symbol; and Syme felt
also how perfectly this pattern of pure white and black
expressed the soul of the pale and austere Secretary,
with his inhuman veracity and his cold frenzy, which
made him so easily make war on the anarchists, and
yet so easily pass for one of them. Syme was
scarcely surprised to notice that, amid all the ease
and hospitality of their new surroundings, this man’s
eyes were still stern. No smell of ale or orchards
could make the Secretary cease to ask a reasonable
question.
If Syme had been able to see himself,
he would have realised that he, too, seemed to be
for the first time himself and no one else. For
if the Secretary stood for that philosopher who loves
the original and formless light, Syme was a type of
the poet who seeks always to make the light in special
shapes, to split it up into sun and star. The
philosopher may sometimes love the infinite; the poet
always loves the finite. For him the great moment
is not the creation of light, but the creation of
the sun and moon.
As they descended the broad stairs
together they overtook Ratcliffe, who was clad in
spring green like a huntsman, and the pattern upon
whose garment was a green tangle of trees. For
he stood for that third day on which the earth and
green things were made, and his square, sensible face,
with its not unfriendly cynicism, seemed appropriate
enough to it.
They were led out of another broad
and low gateway into a very large old English garden,
full of torches and bonfires, by the broken light
of which a vast carnival of people were dancing in
motley dress. Syme seemed to see every shape in
Nature imitated in some crazy costume. There
was a man dressed as a windmill with enormous sails,
a man dressed as an elephant, a man dressed as a balloon;
the two last, together, seemed to keep the thread of
their farcical adventures. Syme even saw, with
a queer thrill, one dancer dressed like an enormous
hornbill, with a beak twice as big as himself—the
queer bird which had fixed itself on his fancy like
a living question while he was rushing down the long
road at the Zoological Gardens. There were a thousand
other such objects, however. There was a dancing
lamp-post, a dancing apple tree, a dancing ship.
One would have thought that the untamable tune of
some mad musician had set all the common objects of
field and street dancing an eternal jig. And
long afterwards, when Syme was middle-aged and at
rest, he could never see one of those particular objects—a
lamppost, or an apple tree, or a windmill—
without thinking that it was a strayed reveller from
that revel of masquerade.
On one side of this lawn, alive with
dancers, was a sort of green bank, like the terrace
in such old-fashioned gardens.
Along this, in a kind of crescent,
stood seven great chairs, the thrones of the seven
days. Gogol and Dr. Bull were already in their
seats; the Professor was just mounting to his.
Gogol, or Tuesday, had his simplicity well symbolised
by a dress designed upon the division of the waters,
a dress that separated upon his forehead and fell
to his feet, grey and silver, like a sheet of rain.
The Professor, whose day was that on which the birds
and fishes—the ruder forms of life—were
created, had a dress of dim purple, over which sprawled
goggle-eyed fishes and outrageous tropical birds,
the union in him of unfathomable fancy and of doubt.
Dr. Bull, the last day of Creation, wore a coat covered
with heraldic animals in red and gold, and on his
crest a man rampant. He lay back in his chair
with a broad smile, the picture of an optimist in his
element.
One by one the wanderers ascended
the bank and sat in their strange seats. As each
of them sat down a roar of enthusiasm rose from the
carnival, such as that with which crowds receive kings.
Cups were clashed and torches shaken, and feathered
hats flung in the air. The men for whom these
thrones were reserved were men crowned with some extraordinary
laurels. But the central chair was empty.
Syme was on the left hand of it and
the Secretary on the right. The Secretary looked
across the empty throne at Syme, and said, compressing
his lips—
“We do not know yet that he is not dead in a
field.”
Almost as Syme heard the words, he
saw on the sea of human faces in front of him a frightful
and beautiful alteration, as if heaven had opened
behind his head. But Sunday had only passed silently
along the front like a shadow, and had sat in the
central seat. He was draped plainly, in a pure
and terrible white, and his hair was like a silver
flame on his forehead.
For a long time—it seemed
for hours—that huge masquerade of mankind
swayed and stamped in front of them to marching and
exultant music. Every couple dancing seemed a
separate romance; it might be a fairy dancing with
a pillar-box, or a peasant girl dancing with the moon;
but in each case it was, somehow, as absurd as Alice
in Wonderland, yet as grave and kind as a love story.
At last, however, the thick crowd began to thin itself.
Couples strolled away into the garden-walks, or began
to drift towards that end of the building where stood
smoking, in huge pots like fish-kettles, some hot
and scented mixtures of old ale or wine. Above
all these, upon a sort of black framework on the roof
of the house, roared in its iron basket a gigantic
bonfire, which lit up the land for miles. It
flung the homely effect of firelight over the face
of vast forests of grey or brown, and it seemed to
fill with warmth even the emptiness of upper night.
Yet this also, after a time, was allowed to grow fainter;
the dim groups gathered more and more round the great
cauldrons, or passed, laughing and clattering, into
the inner passages of that ancient house. Soon
there were only some ten loiterers in the garden;
soon only four. Finally the last stray merry-maker
ran into the house whooping to his companions.
The fire faded, and the slow, strong stars came out.
And the seven strange men were left alone, like seven
stone statues on their chairs of stone. Not one
of them had spoken a word.
They seemed in no haste to do so,
but heard in silence the hum of insects and the distant
song of one bird. Then Sunday spoke, but so dreamily
that he might have been continuing a conversation
rather than beginning one.
“We will eat and drink later,”
he said. “Let us remain together a little,
we who have loved each other so sadly, and have fought
so long. I seem to remember only centuries of
heroic war, in which you were always heroes—epic
on epic, iliad on iliad, and you always brothers in
arms. Whether it was but recently (for time is
nothing), or at the beginning of the world, I sent
you out to war. I sat in the darkness, where
there is not any created thing, and to you I was only
a voice commanding valour and an unnatural virtue.
You heard the voice in the dark, and you never heard
it again. The sun in heaven denied it, the earth
and sky denied it, all human wisdom denied it.
And when I met you in the daylight I denied it myself.”
Syme stirred sharply in his seat,
but otherwise there was silence, and the incomprehensible
went on.
“But you were men. You
did not forget your secret honour, though the whole
cosmos turned an engine of torture to tear it out of
you. I knew how near you were to hell. I
know how you, Thursday, crossed swords with King Satan,
and how you, Wednesday, named me in the hour without
hope.”
There was complete silence in the
starlit garden, and then the black-browed Secretary,
implacable, turned in his chair towards Sunday, and
said in a harsh voice—
“Who and what are you?”
“I am the Sabbath,” said
the other without moving. “I am the peace
of God.”
The Secretary started up, and stood
crushing his costly robe in his hand.
“I know what you mean,”
he cried, “and it is exactly that that I cannot
forgive you. I know you are contentment, optimism,
what do they call the thing, an ultimate reconciliation.
Well, I am not reconciled. If you were the man
in the dark room, why were you also Sunday, an offense
to the sunlight? If you were from the first our
father and our friend, why were you also our greatest
enemy? We wept, we fled in terror; the iron entered
into our souls—and you are the peace of
God! Oh, I can forgive God His anger, though it
destroyed nations; but I cannot forgive Him His peace.”
Sunday answered not a word, but very
slowly he turned his face of stone upon Syme as if
asking a question.
“No,” said Syme, “I
do not feel fierce like that. I am grateful to
you, not only for wine and hospitality here, but for
many a fine scamper and free fight. But I should
like to know. My soul and heart are as happy
and quiet here as this old garden, but my reason is
still crying out. I should like to know.”
Sunday looked at Ratcliffe, whose clear voice said—
“It seems so silly that you
should have been on both sides and fought yourself.”
Bull said—
“I understand nothing, but I
am happy. In fact, I am going to sleep.”
“I am not happy,” said
the Professor with his head in his hands, “because
I do not understand. You let me stray a little
too near to hell.”
And then Gogol said, with the absolute
simplicity of a child—
“I wish I knew why I was hurt so much.”
Still Sunday said nothing, but only
sat with his mighty chin upon his hand, and gazed
at the distance. Then at last he said—
“I have heard your complaints
in order. And here, I think, comes another to
complain, and we will hear him also.”
The falling fire in the great cresset
threw a last long gleam, like a bar of burning gold,
across the dim grass. Against this fiery band
was outlined in utter black the advancing legs of a
black-clad figure. He seemed to have a fine close
suit with knee-breeches such as that which was worn
by the servants of the house, only that it was not
blue, but of this absolute sable. He had, like
the servants, a kind of sword by his side. It
was only when he had come quite close to the crescent
of the seven and flung up his face to look at them,
that Syme saw, with thunder-struck clearness, that
the face was the broad, almost ape-like face of his
old friend Gregory, with its rank red hair and its
insulting smile.
“Gregory!” gasped Syme,
half-rising from his seat. “Why, this is
the real anarchist!”
“Yes,” said Gregory, with
a great and dangerous restraint, “I am the real
anarchist.”
“‘Now there was a day,’”
murmured Bull, who seemed really to have fallen asleep,
“’when the sons of God came to present
themselves before the Lord, and Satan came also among
them.’”
“You are right,” said
Gregory, and gazed all round. “I am a destroyer.
I would destroy the world if I could.”
A sense of a pathos far under the
earth stirred up in Syme, and he spoke brokenly and
without sequence.
“Oh, most unhappy man,”
he cried, “try to be happy! You have red
hair like your sister.”
“My red hair, like red flames,
shall burn up the world,” said Gregory.
“I thought I hated everything more than common
men can hate anything; but I find that I do not hate
everything so much as I hate you!”
“I never hated you,” said Syme very sadly.
Then out of this unintelligible creature the last
thunders broke.
“You!” he cried.
“You never hated because you never lived.
I know what you are all of you, from first to last—you
are the people in power! You are the police—the
great fat, smiling men in blue and buttons! You
are the Law, and you have never been broken. But
is there a free soul alive that does not long to break
you, only because you have never been broken?
We in revolt talk all kind of nonsense doubtless about
this crime or that crime of the Government. It
is all folly! The only crime of the Government
is that it governs. The unpardonable sin of the
supreme power is that it is supreme. I do not
curse you for being cruel. I do not curse you
(though I might) for being kind. I curse you for
being safe! You sit in your chairs of stone,
and have never come down from them. You are the
seven angels of heaven, and you have had no troubles.
Oh, I could forgive you everything, you that rule
all mankind, if I could feel for once that you had
suffered for one hour a real agony such as I—”
Syme sprang to his feet, shaking from head to foot.
“I see everything,” he
cried, “everything that there is. Why does
each thing on the earth war against each other thing?
Why does each small thing in the world have to fight
against the world itself? Why does a fly have
to fight the whole universe? Why does a dandelion
have to fight the whole universe? For the same
reason that I had to be alone in the dreadful Council
of the Days. So that each thing that obeys law
may have the glory and isolation of the anarchist.
So that each man fighting for order may be as brave
and good a man as the dynamiter. So that the real
lie of Satan may be flung back in the face of this
blasphemer, so that by tears and torture we may earn
the right to say to this man, ‘You lie!’
No agonies can be too great to buy the right to say
to this accuser, ‘We also have suffered.’
“It is not true that we have
never been broken. We have been broken upon the
wheel. It is not true that we have never descended
from these thrones. We have descended into hell.
We were complaining of unforgettable miseries even
at the very moment when this man entered insolently
to accuse us of happiness. I repel the slander;
we have not been happy. I can answer for every
one of the great guards of Law whom he has accused.
At least—”
He had turned his eyes so as to see
suddenly the great face of Sunday, which wore a strange
smile.
“Have you,” he cried in
a dreadful voice, “have you ever suffered?”
As he gazed, the great face grew to
an awful size, grew larger than the colossal mask
of Memnon, which had made him scream as a child.
It grew larger and larger, filling the whole sky; then
everything went black. Only in the blackness
before it entirely destroyed his brain he seemed to
hear a distant voice saying a commonplace text that
he had heard somewhere, “Can ye drink of the
cup that I drink of?”
* * *
When men in books awake from a vision,
they commonly find themselves in some place in which
they might have fallen asleep; they yawn in a chair,
or lift themselves with bruised limbs from a field.
Syme’s experience was something much more psychologically
strange if there was indeed anything unreal, in the
earthly sense, about the things he had gone through.
For while he could always remember afterwards that
he had swooned before the face of Sunday, he could
not remember having ever come to at all. He could
only remember that gradually and naturally he knew
that he was and had been walking along a country lane
with an easy and conversational companion. That
companion had been a part of his recent drama; it
was the red-haired poet Gregory. They were walking
like old friends, and were in the middle of a conversation
about some triviality. But Syme could only feel
an unnatural buoyancy in his body and a crystal simplicity
in his mind that seemed to be superior to everything
that he said or did. He felt he was in possession
of some impossible good news, which made every other
thing a triviality, but an adorable triviality.
Dawn was breaking over everything
in colours at once clear and timid; as if Nature made
a first attempt at yellow and a first attempt at rose.
A breeze blew so clean and sweet, that one could not
think that it blew from the sky; it blew rather through
some hole in the sky. Syme felt a simple surprise
when he saw rising all round him on both sides of
the road the red, irregular buildings of Saffron Park.
He had no idea that he had walked so near London.
He walked by instinct along one white road, on which
early birds hopped and sang, and found himself outside
a fenced garden. There he saw the sister of Gregory,
the girl with the gold-red hair, cutting lilac before
breakfast, with the great unconscious gravity of a
girl.