During dinner both Ruth and Ethel
were aware of some sub-interest in the Judge’s
manner; his absent-mindedness was unusual, and once
Ruth saw a faint smile that nothing evident could
have induced. Unconsciously also he set a tone
of constraint and hurry; the meal was not loitered
over, the conversation flagged, and all rose from
the table with a sense of relief; perhaps, indeed,
with a feeling of expectation.
They entered the parlor together,
and the mastiff rose to meet them, asking permission
to remain with the little coaxing push of his nose
which brought the ready answer:
“Certainly, Sultan. Make
yourself comfortable.”
Then they grouped themselves round
the fire, and the Judge lit his cigar and looked
at Ethel in a way that instantly brought curiosity
to the question:
“You have a secret, father,”
she said. “Is it about grandmother?”
“It is news rather than a secret,
Ethel. And grandmother has a good deal to do
with it, for it is about her family—the
Mostyns.”
“Oh!”
The tone of Ethel’s “Oh!”
was not encouraging, and Ruth’s look of interest
held in abeyance was just as chilling. But something
like this attitude had been expected, and Judge Rawdon
was not discouraged by it; he knew that youth is capable
of great and sudden changes, and that its ability
to find reasonable motives for them is unlimited,
so he calmly continued:
“You are aware that your grandmother’s
name before marriage was Rachel Mostyn?”
“I have seen it a thousand times
at the bottom of her sampler, father, the one that
is framed and hanging in her morning room—
Rachel Mostyn, November, Anno Domini, 1827.”
“Very well. She married
George Rawdon, and they came to New York in 1834.
They had a pretty house on the Bowling Green and lived
very happily there. I was born in 1850, the youngest
of their children. You know that I sign my name
Edward M. Rawdon; it is really Edward Mostyn Rawdon.”
He paused, and Ruth said, “I
suppose Mrs. Rawdon has had some news from her old
home?”
“She had a letter last night,
and I shall probably receive one to-morrow. Frederick
Mostyn, her grand-nephew, is coming to New York, and
Squire Rawdon, of Rawdon Manor, writes to recommend
the young man to our hospitality.”
“But you surely do not intend
to invite him here, Edward. I think that would
not do.”
“He is going to the Holland
House. But he is our kinsman, and therefore we
must be hospitable.”
“I have been trying to count
the kinship. It is out of my reckoning,”
said Ethel. “I hope at least he is nice
and presentable.”
“The Mostyns are a handsome
family. Look at your grandmother. And Squire
Rawdon speaks very well of Mr. Mostyn. He has
taken the right side in politics, and is likely to
make his mark. They were always great sportsmen,
and I dare say this representative of the family is
a good-looking fellow, well-mannered, and perfectly
dressed.”
Ethel laughed. “If his
clothes fit him he will be an English wonder.
I have seen lots of Englishmen; they are all frights
as to trousers and vests. There was Lord Wycomb,
his broadcloths and satins and linen were marvels
in quality, but the make! The girls hated to
be seen walking with him, and he would walk—`good
for the constitution,’ was his explanation for
all his peculiarities. The Caylers were weary
to death of them.”
“And yet,” said Ruth,
“they sang songs of triumph when Lou Cayler
married him.”
“That was a different thing.
Lou would make him get `fits’ and stop wearing
sloppy, baggy arrangements. And I do not suppose
the English lord has now a single peculiarity left,
unless it be his constitutional walk— that,
of course. I have heard English babies get out
of their cradles to take a constitutional.”
During this tirade Ruth had been thinking.
“Edward,” she asked, “why does
Squire Rawdon introduce Mr. Mostyn?
Their relationship cannot be worth counting.”
“There you are wrong, Ruth.”
He spoke with a little excitement. “Englishmen
never deny matrimonial relationships, if they are
worthy ones. Mostyn and Rawdon are bound together
by many a gold wedding ring; we reckon such ties relationships.
Squire Raw-don lost his son and his two grandsons
a year ago. Perhaps this young man may eventually
stand in their place. The Squire is nearly eighty
years old; he is the last of the English Rawdons—at
least of our branch of it.”
“You suppose this Mr. Mostyn
may become Squire of Rawdon Manor?”
“He may, Ruth, but it is not
certain. There is a large mortgage on the Manor.”
“Oh!”
Both girls made the ejaculation at
the same moment, and in both voices there was the
same curious tone of speculation. It was a cry
after truth apprehended, but not realized. Mr.
Rawdon remained silent; he was debating with himself
the advisability of further confidence, but he came
quickly to the conclusion that enough had been told
for the present. Turning to Ethel, he said:
“I suppose girls have a code of honor about
their secrets. Is Dora Denning’s `extraordinary
news’ shut up in it?”
“Oh, no, father. She is
going to be married. That is all.”
“That is enough. Who is the man?”
“Reverend Mr. Stanhope.”
“Nonsense!”
“Positively.”
“I never heard anything more
ridiculous. That saintly young priest! Why,
Dora will be tired to death of him in a month.
And he? Poor fellow!”
“Why poor fellow? He is
very much in love with her.”
“It is hard to understand.
St. Jerome’s love `pale with midnight prayer’
would be more believable than the butterfly Dora.
Goodness, gracious! The idea of that man being
in love! It pulls him down a bit. I thought
he never looked at a woman.”
“Do you know him, father?”
“As many people know him—by
good report. I know that he is a clergyman who
believes what he preaches. I know a Wall Street
broker who left St. Jude’s church because Mr.
Stanhope’s sermons on Sunday put such a fine
edge on his conscience that Mondays were dangerous
days for him to do business on. And whatever
Wall Street financiers think of the Bible personally,
they do like a man who sticks to his colors, and who
holds intact the truth committed to him. Stanhope
does this emphatically; and he is so well trusted
that if he wanted to build a new church he could get
all the money necessary, from Wall Street men in an
hour. And he is going to marry! Going to
marry Dora Denning! It is `extraordinary news,’
indeed!”
Ethel was a little offended at such
unusual surprise. “I think you don’t
quite understand Dora,” she said. “It
will be Mr. Stanhope’s fault if she is not led
in the right way; for if he only loves and pets her
enough he may do all he wishes with her. I know,
I have both coaxed and ordered her for four years—sometimes
one way is best, and sometimes the other.”
“How is a man to tell which
way to take? What do her parents think of the
marriage?”
“They are pleased with it.”
“Pleased with it! Then
I have nothing more to say, except that I hope they
will not appeal to me on any question of divorce that
may arise from such an unlikely marriage.”
“They are only lovers yet, Edward,”
said Ruth. “It is not fair, or kind, to
even think of divorce.”
“My dear Ruth, the fashionable
girl of today accepts marriage with the provision
of divorce.”
“Dora is hardly one of that set.”
“I hope she may keep out of
it, but marriage will give her many opportunities.
Well, I am sorry for the young priest. He isn’t
fit to manage a woman like Dora Denning. I am
afraid he will get the worst of it.”
“I think you are very unkind,
father. Dora is my friend, and I know her.
She is a girl of intense feelings and very affectionate.
And she has dissolved all her life and mind in Mr.
Stanhope’s life and mind, just as a lump of
sugar is dissolved in water.”
Ruth laughed. “Can you
not find a more poetic simile, Ethel?”
“It will do. This is an
age of matter; a material symbol is the proper thing.”
“I am glad to hear she has dissolved
her mind in Stanhope’s,” said Judge Rawdon.
“Dora’s intellect in itself is childish.
What did the man see in her that he should desire
her?”
“Father, you never can tell
how much brains men like with their beauty. Very
little will do generally. And Dora has beauty
—great beauty; no one can deny that.
I think Dora is giving up a great deal. To her,
at least, marriage is a state of passing from perfect
freedom into the comparative condition of a slave,
giving up her own way constantly for some one else’s
way.”
“Well, Ethel, the remedy is
in the lady’s hands. She is not forced
to marry, and the slavery that is voluntary is no
hardship. Now, my dear, I have a case to look
over, and you must excuse me to-night. To-morrow
we shall know more concerning Mr. Mostyn, and it is
easier to talk about certainties than probabilities.”
But if conversation ceased about Mr.
Mostyn, thought did not; for, a couple of hours afterwards,
Ethel tapped at her aunt’s door and said, “Just
a moment, Ruth.”
“Yes, dear, what is it?”
“Did you notice what father
said about the mortgage on Rawdon Manor”’
“Yes.”
“He seemed to know all about it.”
“I think he does know all about it.”
“Do you think he holds it?”
“He may do so—it is not unlikely.”
“Oh! Then Mr. Fred Mostyn,
if he is to inherit Rawdon, would like the mortgage
removed?”
“Of course he would.”
“And the way to remove it would
be to marry the daughter of the holder of the mortgage?”
“It would be one way.”
“So he is coming to look me
over. I am a matrimonial possibility. How
do you like that idea, Aunt Ruth?”
“I do not entertain it for a
moment. Mr. Mostyn may not even know of the mortgage.
When men mortgage their estates they do not make confidences
about the matter, or talk it over with their friends.
They always conceal and hide the transaction.
If your father holds the mortgage, I feel sure that
no one but himself and Squire Rawdon know anything
about it. Don’t look at the wrong side
of events, Ethel; be content with the right side of
life’s tapestry. Why are you not asleep?
What are you worrying about?”
“Nothing, only I have not heard
all I wanted to hear.”
“And perhaps that is good for you.”
“I shall go and see grandmother
first thing in the morning.”
“I would not if I were you.
You cannot make any excuse she will not see through.
Your father will call on Mr. Mostyn to-morrow, and
we shall get unprejudiced information.”
“Oh, I don’t know that,
Ruth. Father is intensely American three hundred
and sixty-four days and twenty-three hours in a year,
and then in the odd hour he will flare up Yorkshire
like a conflagration.”
“English, you mean?”
“No. Yorkshire is
England to grandmother and father. They don’t
think anything much of the other counties, and people
from them are just respectable foreigners. You
may depend upon it, whatever grandmother says of Mr.
Fred Mostyn, father will believe it, too.”
“Your father always believes
whatever your grandmother says. Good night, dear.”
“Good night. I think I
shall go to grandmother in the morning. I know
how to manage her. I shall meet her squarely
with the truth, and acknowledge that I am dying with
curiosity about Mr. Mostyn.”
“And she will tease and lecture
you, say you are `not sweetheart high yet, only a
little maid,’ and so on. Far better go
and talk with Dora. To-morrow she will need you,
I am sure. Ethel, I am very sleepy. Good
night again, dear.”
“Good night!” Then with
a sudden animation, “I know what to do, I shall
tell grandmother about Dora’s marriage.
It is all plain enough now. Good night, Ruth.”
And this good night, though dropping sweetly into
the minor third, had yet on its final inflection something
of the pleasant hopefulness of its major key—it
expressed anticipation and satisfaction.
What happened in the night session
she could not tell, but she awoke with a positive
disinclination to ask a question about Mr. Mostyn.
“I have received orders from some one,”
she said to Ruth; “I simply do not care whether
I ever see or hear of the man again. I am going
to Dora, and I may not come home until late.
You know they will depend upon me for every suggestion.”
In fact, Ethel did not return home
until the following day, for a snowstorm came up in
the afternoon, and the girl was weary with planning
and writing, and well inclined to eat with Dora the
delicate little dinner served to them in Dora’s
private parlor. Then about nine o’clock
Mr. Stanhope called, and Ethel found it pleasant enough
to watch the lovers and listen to Mrs. Denning’s
opinions of what had been already planned. And
the next day she seemed to be so absolutely necessary
to the movement of the marriage preparations, that
it was nearly dark before she was permitted to return
home.
It was but a short walk between the
two houses, and Ethel was resolved to have the refreshment
of the exercise. And how good it was to feel
the pinch of the frost and the gust of the north wind,
and after it to come to the happy portal of home,
and the familiar atmosphere of the cheerful hall,
and then to peep into the firelit room in which Ruth
lay dreaming in the dusky shadows.
“Ruth, darling!”
“Ethel! I have just sent
for you to come home.” Then she rose and
took Ethel in her arms. “How delightfully
cold you are! And what rosy cheeks! Do you
know that we have a little dinner party?”
“Mr. Mostyn?”
“Yes, and your grandmother, and perhaps
Dr. Fisher—the Doctor is not certain.”
“And I see that you are already
dressed. How handsome you look! That black
lace dress, with the dull gold ornaments, is all
right.”
“I felt as if jewels would be
overdress for a family dinner.”
“Yes, but jewels always snub
men so completely. It is not altogether that
they represent money; they give an air of royalty,
and a woman without jewels is like an uncrowned queen—she
does not get the homage. I can’t account
for it, but there it is. I shall wear my sapphire
necklace. What did father say about our new kinsman?”
“Very little. It was impossible
to judge from his words what he thought. I fancied
that he might have been a little disappointed.”
“I should not wonder. We shall see.”
“You will be dressed in an hour?”
“In less time. Shall I
wear white or blue?”
“Pale blue and white flowers.
There are some white violets in the library.
I have a red rose. We shall contrast each other
very well.”
“What is it all about?
Do we really care how we look in the eyes of this
Mr. Mostyn?”
“Of course we care. We
should not be women if we did not care. We must
make some sort of an impression, and naturally we
prefer that it should be a pleasant one.”
“If we consider the mortgage——”
“Nonsense! The mortgage is not in it.”
“Good-by. Tell Mattie to
bring me a cup of tea upstairs. I will be dressed
in an hour.”
The tea was brought and drank, and
Ethel fell asleep while her maid prepared every item
for her toilet. Then she spoke to her mistress,
and Ethel awakened, as she always did, with a smile;
nature’s surest sign of a radically sweet temper.
And everything went in accord with the smile; her
hair fell naturally into its most becoming waves,
her dress into its most graceful folds; the sapphire
necklace matched the blue of her happy eyes, the roses
of youth were on her cheeks, and white violets on
her breast. She felt her own beauty and was glad
of it, and with a laughing word of pleasure went down
to the parlor.
Madam Rawdon was standing before the
fire, but when she heard the door open she turned
her face toward it.
“Come here, Ethel Rawdon,”
she said, “and let me have a look at you.”
And Ethel went to her side, laid her hand lightly
on the old lady’s shoulder and kissed her cheek.
“You do look middling well,” she continued,
“and your dress is about as it should be.
I like a girl to dress like a girl—still,
the sapphires. Are they necessary?”
“You would not say corals, would
you, grandmother? I have those you gave me when
I was three years old.”
“Keep your wit, my dear, for
this evening. I should not wonder but you might
need it. Fred Mostyn is rather better than I
expected. It was a great pleasure to see him.
It was like a bit of my own youth back again.
When you are a very old woman there are few things
sweeter, Ethel.”
“But you are not an old woman,
grandmother.”
Nor was she. In spite of her
seventy-five years she stood erect at the side of
her grand-daughter. Her abundant hair was partly
gray, but the gray mingled with the little oval of
costly lace that lay upon it, and the effect was soft
and fair as powdering. She had been very handsome,
and her beauty lingered as the beauty of some flowers
linger, in fainter tints and in less firm outlines;
for she had never fallen from that “grace of
God vouchsafed to children,” and therefore she
had kept not only the enthusiasms of her youth, but
that sweet promise of the “times of restitution”
when the child shall die one hundred years old, because
the child-heart shall be kept in all its freshness
and trust. Yes, in Rachel Rawdon’s heart
the well-springs of love and life lay too deep for
the frosts of age to touch. She would be eternally
young before she grew old.
She sat down as Ethel spoke, and drew
the girl to her side. “I hear your friend
is going to marry,” she said.
“Dora? Yes.”
“Are you sorry?”
“Perhaps not. Dora has
been a care to me for four years. I hope her
husband may manage her as well as I have done.”
“Are you afraid he will not?”
“I cannot tell, grandmother.
I see all Dora’s faults. Mr. Stanhope is
certain that she has no faults. Hitherto she
has had her own way in everything. Excepting
myself, no one has ventured to contradict her.
But, then, Dora is over head and ears in love, and
love, it is said, makes all things easy to bear and
to do.”
“One thing, girls, amazes me—it
is how readily women go to church and promise to
love, honor, and obey their husbands, when they never
intend to do anything of the kind.”
“There is a still more amazing
thing, Madam,” answered Ruth; “that is
that men should be so foolish as to think, or hope,
they perhaps might do so.”
“Old-fashioned women used to
manage it some way or other, Ruth. But the old-fashioned
woman was a very soft-hearted creature, and, maybe,
it was just as well that she was.”
“But Woman’s Dark Ages
are nearly over, Madam; and is not the New Woman a
great improvement on the Old Woman?”
“I haven’t made up my
mind yet, Ruth, about the New Woman. I notice
one thing that a few of the new kind have got into
their pretty heads, and that is, that they ought to
have been men; and they have followed up that idea
so far that there is now very little difference in
their looks, and still less in their walk; they go
stamping along with the step of an athlete and the
stride of a peasant on fresh plowed fields. It
is the most hideous of walks imaginable. The
Grecian bend, which you cannot remember, but may have
heard of, was a lackadaisical, vulgar walking fad,
but it was grace itself compared with the hideous
stride which the New Woman has acquired on the golf
links or somewhere else.”
“But men stamp and stride in
the same way, grandmother.”
“A long stride suits a man’s
anatomy well enough; it does not suit a woman’s—she
feels every stride she takes, I’ll warrant her.”
“If she plays golf——”
“My dear Ethel, there is no
need for her to play golf. It is a man’s
game and was played for centuries by men only.
In Scotland, the home of golf, it was not thought
nice for women to even go to the links, because of
the awful language they were likely to hear.”
“Then, grandmother, is it not
well for ladies to play golf if it keeps men from
using `awful language’ to each other)”
“God love you, child! Men
will think what they dare not speak.”
“If we could only have some
new men!” sighed Ethel. “The lover
of to-day is just what a girl can pick up; he has
no wit and no wisdom and no illusions. He talks
of his muscles and smells of cigarettes—perhaps
of whisky”—and at these words, Judge
Rawdon, accompanied by Mr. Fred Mostyn, entered the
room.
The introductions slipped over easily,
they hardly seemed to be necessary, and the young
man took the chair offered as naturally as if he had
sat by the hearth all his life. There was no
pause and no embarrassment and no useless polite platitudes;
and Ethel’s first feeling about her kinsman
was one of admiration for the perfect ease and almost
instinctive at-homeness with which he took his place.
He had come to his own and his own had received him;
that was the situation, a very pleasant one, which
he accepted with the smiling trust that was at once
the most perfect and polite of acknowledgments.
“So you do not enjoy traveling?”
said Judge Rawdon as if continuing a conversation.
“I think it the most painful
way of taking pleasure, sir—that is the
actual transit. And sleeping cars and electric-lighted
steamers and hotels do not mitigate the suffering.
If Dante was writing now he might depict a constant
round of personally conducted tours in Purgatory.
I should think the punishment adequate for any offense.
But I like arriving at places. New York has given
me a lot of new sensations to-day, and I have forgotten
the transit troubles already.”
He talked well and temperately, and
yet Ethel could not avoid the conclusion that he
was a man of positive character and uncompromising
prejudices. And she also felt a little disappointed
in his personality, which contradicted her ideal of
a Yorkshire squire. For he was small and slender
in stature, and his face was keen and thin, from the
high cheek bones to the sharp point of the clean-shaven
chin. Yet it was an interesting face, for the
brows were broad and the eyes bright and glancing.
That his nature held the op-posite of his qualities
was evident from the mouth, which was composed and
discreet and generally clothed with a frank smile,
negatived by the deep, sonorous voice which belongs
to the indiscreet and quarrelsome. His dress
was perfect. Ethel could find no fault in it,
except the monocle which he did not use once during
the evening, and which she therefore decided was a
quite idle and unhandsome adjunct.
One feature of his character was definite—
he was a home-loving man. He liked the society
of women with whom he could be familiar, and he preferred
the company of books and music to fashionable social
functions. This pleasant habit of domesticity
was illustrated during the evening by an accidental
incident— a noisy, mechanical street organ
stopped before the windows, and in a blatant manner
began its performance. Conversation was paralyzed
by the intrusion and when it was removed Judge Rawdon
said: “What a democratic, leveling, aggressive
thing music is! It insists on being heard.
It is always in the way, it thrusts itself upon you,
whether you want it or not. Now art is different.
You go to see pictures when you wish to.”
Mostyn did not notice the criticism
on music itself, but added in a soft, disapproving
way: “That man has no music in him.
Do you know that was one of Mendelssohn’s delicious
dreams. This is how it should have been rendered,”
and he went impulsively to the piano and then the
sweet monotonous cadences and melodious reveries slipped
from his long white fingers till the whole room was
permeated with a delicious sense of moonlit solitude
and conversation was stilled in its languor.
The young man had played his own dismissal, but it
was an effective one, and he complimented himself
on his readiness to seize opportunities for display,
and on his genius in satisfying them.
“I think I astonished them a
little,” he mused, “and I wonder what
that pretty, cousin of mine thought of the music and
the musician. I fancy we shall be good friends;
she is proud—that is no fault; and she has
very decided opinions—which might be a
great fault; but I think I rather astonished them.”
To such reflections he stepped rather
pompously down the avenue, not at all influenced by
any premonition that his satisfactory feelings might
be imperfectly shared. Yet silence was the first
result of his departure. Judge Rawdon took out
his pocketbook and began to study its entries.
Ruth Bayard rose and closed the piano. Ethel
lifted a magazine, while it was Madam who finally
asked in an impatient tone:
“What do you think of Frederick?
I suppose, Edward, you have an opinion. Isn’t
he a very clever man?”
“I should not wonder if he were,
mother, clever to a fault.”
“I never heard a young man talk
better.”
“He talked a great deal, but
then, you know, he was not on his oath.”
“I’ll warrant every word he said.”
“Your warrant is fine surety,
mother, but I am not bound to believe all I hear.
You women can please yourselves.”
And with these words he left the women
to find out, if they could, what manner of man their
newly-found kinsman might be.
* * * * * * *