THE MARRAINES
It is hardly too much to say that
every woman in France, from noblesse to peasant, has
her filleul (godson) in the trenches; in many cases,
when she still has a considerable income in spite of
taxes, moratoriums, and all the rest of it, she is
a marraine on the grand scale and has several hundred.
Children have their filleul, correspond with him,
send him little presents several times a month and
weep bitterly when word comes that he is deep in his
last trench.
Servants save their wages so that
when the filleuls of their mistresses come home on
their six days’ leave they at least can provide
the afternoon wine and entertain them royally in the
kitchen. Old maids, still sewing in their attic
for a few sous a day, have found a gleam of brightness
for the first time in their somber lives in the knowledge
that they give a mite of comfort or pleasure to some
unknown man, offering his life in the defence of France,
and whose letters, sentimental, effusive, playful,
almost resign these poor stranded women to the crucifixion
of their country.
Busy women like Madame d’Andigné
sit up until two in the morning writing to their grateful
filleuls. Girls, who once dreamed only of marrying
and living the brilliant life of the femme du monde
spend hours daily not only on cheerful letters, but
knitting, sewing, embroidering, purchasing for humble
men who will mean nothing to their future, beyond
the growth of spirit they unconsciously induced.
Poor women far from Paris, where, at least, thousands
of these permissionnaires linger for a few hours on
their way home, toil all night over their letters
to men for whom they conceive a profound sentiment
but never can hope to see. Shop girls save their
wages and lady’s maids pilfer in a noble cause.
It was Madame Berard (who was a Miss
Dana of Boston) who organized this magnificent spirit
into a great oeuvre, so that thousands of men could
be made happy whom no kindly woman so far had been
able to discover.
Madame Berard, who has three sons
in the army herself, nursed at the Front for several
months after the war broke out. Even officers
told her that they used to go off by themselves and
cry because they never received a letter, or any sort
of reminder that they were anything but part of a
machine defending France. These officers, of course,
were from the invaded district, and in addition to
their isolation, were haunted by fears for their women
now in the power of men who were as cruel as they
were sensual and degenerate.
When she returned to her home she
immediately entered upon the career of marraine, corresponding
with several hundred of the men she either had known
or whose names were given to her by their commanding
officers. Naturally the work progressed beyond
her capacity and she called upon friends to help her
out. Out of this initial and purely personal
devotion grew the great oeuvre, Mon Soldat, which has
met with such a warm response in this country.
Madame Berard’s headquarters
are in a villa in the Parc Monceau. Here is conducted
all the correspondence with the agents in other cities,
here come thousands of letters and presents by every
mail to be forwarded to the Front, and here come the
grateful—and hopeful—permissionnaires,
who never depart without a present and sometimes leave
one, generally an ingenious trinket made in the trenches.
When I visited the villa last summer
the oeuvre had eight thousand marraines, and no doubt
the number has doubled to-day. Fifteen hundred
of these were American, marshalled by Madame Berard’s
representative in New York, Mr. R.W. Neeser.
Some of these fairy godmothers had ten filleuls.
Packages were dispatched to the Front every week.
Women that could not afford presents wrote regularly.
There were at that time over twenty thousand filleuls.
The letters received from these men
of all grades must be a source of psychologic as well
as sympathetic interest to the more intelligent marraines,
for when the men live long enough they reveal much
of their native characteristics between the formalities
so dear to the French. But too many of them write
but one letter, and sometimes they do not finish that.