MR. NEWELL’S consent brought
with it no accompanying concessions. In the first
flush of his success Garnett had pictured himself as
bringing together the father and daughter, and hovering
in an attitude of benediction over a family group
in which Mrs. Newell did not very distinctly figure.
But Mr. Newell’s conditions
were inflexible. He would “see the thing
through” for his daughter’s sake; but he
stipulated that in the meantime there should be no
meetings or farther communications of any kind.
He agreed to be ready when Garnett called for him,
at the appointed hour on the wedding-day; but until
then he begged to be left alone. To this decision
he adhered immovably, and when Garnett conveyed it
to Hermione she accepted it with a deep look of understanding.
As for Mrs. Newell she was too much engrossed in the
nuptial preparations to give her husband another thought.
She had gained her point, she had disarmed her foes,
and in the first flush of success she had no time
to remember by what means her victory had been won.
Even Garnett’s services received little recognition,
unless he found them sufficiently compensated by the
new look in Hermione’s eyes.
The principal figures in Mrs. Newell’s
foreground were the Woolsey Hubbards and Baron Schenkelderff.
With these she was in hourly consultation, and Mrs.
Hubbard went about aureoled with the importance of
her close connection with an “aristocratic marriage,”
and dazzled by the Baron’s familiarity with the
intricacies of the Almanach de Gotha. In his
society and Mrs. Newell’s, Mrs. Hubbard evidently
felt that she had penetrated to the sacred precincts
where “the right thing” flourished in
its native soil. As for Hermione, her look of
happiness had returned, but with an undertint of melancholy,
visible perhaps only to Garnett, but to him always
hauntingly present. Outwardly she sank back into
her passive self, resigned to serve as the brilliant
lay-figure on which Mrs. Newell hung the trophies
of conquest. Preparations for the wedding were
zealously pressed. Mrs. Newell knew the danger
of giving people time to think things over, and her
fears about her husband being allayed, she began to
[87] dread a new attempt at evasion on the part of
the bridegroom’s family.
“The sooner it’s over
the sounder I shall sleep!” she declared to
Garnett; and all the mitigations of art could not conceal
the fact that she was desperately in need of that
restorative. There were moments, indeed, when
he was sorrier for her than for her husband or her
daughter; so black and unfathomable appeared the abyss
into which she must slip back if she lost her hold
on this last spar of safety.
But she did not lose her hold; his
own experience, as well as her husband’s declaration,
might have told him that she always got what she wanted.
How much she had wanted this particular thing was shown
by the way in which, on the last day, when all peril
was over, she bloomed out in renovated splendour.
It gave Garnett a shivering sense of the ugliness
of the alternative which had confronted her.
The day came; the showy coupe provided
by Mrs. Newell presented itself punctually at Garnett’s
door, and the young man entered it and drove to the
rue Panonceaus. It was a little melancholy back
street, with lean old houses sweating rust and damp,
and glimpses of pit-life gardens, black and sunless,
between walls bristling with iron spikes. On
the narrow pavement a blind man pottered along led
by a red-eyed poodle: a little farther on a dishevelled
woman sat grinding coffee on the threshold of a buvette.
The bridal carriage stopped before one of the doorways,
with a clatter of hoofs and harness which drew the
neighbourhood to its windows, and Garnett started
to mount the ill-smelling stairs to the fourth floor,
on which he learned from the concierge that
Mr. Newell lodged. But half-way up he met the
latter descending, and they turned and went down together.
Hermione’s parent wore his usual
imperturbable look, and his eye seemed as full as
ever of generalisations on human folly; but there
was something oddly shrunken and submerged in his appearance,
as though he had grown smaller or his clothes larger.
And on the last hypothesis Garnett paused—for
it became evident to him that Mr. Newell had hired
his dress-suit.
Seated at the young man’s side
on the satin cushions, he remained silent while the
carriage rolled smoothly and rapidly through the net-work
of streets leading to the Boulevard Saint-Germain;
only once he remarked, glancing at the elaborate fittings
of the coupe: “Is this Mrs. Newell’s
carriage?”
“I believe so—yes,”
Garnett assented, with the guilty sense that in defining
that lady’s possessions it was impossible not
to trespass on those of her friends.
Mr. Newell made no farther comment,
but presently requested his companion to rehearse
to him once more the exact duties which were to devolve
on him during the coming ceremony. Having mastered
these he remained silent, fixing a dry speculative
eye on the panorama of the brilliant streets, till
the carriage drew up at the entrance of Saint Philippe
du Roule.
With the same air of composure he
followed his guide through the mob of spectators,
and up the crimson velvet steps, at the head of which,
but for a word from Garnett, a formidable Suisse, glittering
with cocked hat and mace, would have checked the advance
of the small crumpled figure so oddly out of keeping
with the magnificence of the bridal party. The
French fashion prescribing that the family cortege
shall follow the bride to the altar, the vestibule
of the church was thronged with the participatore
in the coming procession; but if Mr. Newell felt any
nervousness at his sudden projection into this unfamiliar
group, nothing in his look or manner betrayed it.
He stood beside Garnett till a white-favoured carriage,
dashing up to the church with a superlative glitter
of highly groomed horseflesh and silver-plated harness,
deposited the snowy apparition of the bride, supported
by her mother; then, as Hermione entered the vestibule,
he went forward quietly to meet her.
The girl, wrapped in the haze of her
bridal veil, and a little confused, perhaps, by the
anticipation of the meeting, paused a moment, as if
in doubt, before the small oddly-clad figure which
blocked her path—a horrible moment to Garnett,
who felt a pang of misery at this satire on the infallibility
of the filial instinct. He longed to make some
sign, to break in some way the pause of uncertainty;
but before he could move he saw Mrs. Newell give her
daughter a sharp push, he saw a blush of compunction
flood Hermione’s face, and the girl, throwing
back her veil, bent her tall head and flung her arms
about her father.
Mr. Newell emerged unshaken from the
embrace: it seemed to have no effect beyond giving
an odder twist to his tie. He stood beside his
daughter till the church doors were thrown open; then,
at a sign from the verger, he gave her his arm, and
the strange couple, with the long train of fashion
and finery behind them, started on their march to
the altar.
Garnett had already slipped into the
church and secured a post of vantage which gave him
a side-view over the assemblage. The building
was thronged—Mrs. Newell had attained her
ambition and given Hermione a smart wedding.
Garnett’s eye travelled curiously from one group
to another—from the numerous representatives
of the bridegroom’s family, all stamped with
the same air of somewhat dowdy distinction, the air
of having had their thinking done for them for so
long that they could no longer perform the act individually,
and the heterogeneous company of Mrs. Newell’s
friends, who presented, on the opposite side of the
nave, every variety of individual conviction in dress
and conduct. Of the two groups the latter was
decidedly the more interesting to Garnett, who observed
that it comprised not only such recent acquisitions
as the Woolsey Hubbards and the Baron, but also sundry
more important figures which of late had faded to
the verse of Mrs. Newell’s horizon. Hermione’s
marriage had drawn them back, bad once more made her
mother a social entity, had in short already accomplished
the object for which it had been planned and executed.
And as he looked about him Garnett
saw that all the other actors in the show faded into
insignificance beside the dominant figure of Mrs.
Newell, became mere marionettes pulled hither and thither
by the hidden wires of her intention. One and
all they were there to serve her ends and accomplish
her purpose: Schenkelderff and the Hubbards to
pay for the show, the bride and bridegroom to seal
and symbolize her social rehabilitation, Garnett himself
as the humble instrument adjusting the different parts
of the complicated machinery, and her husband, finally,
as the last stake in her game, the last asset on which
she could draw to rebuild her fallen fortunes.
At the thought Garnett was filled with a deep disgust
for what the scene signified, and for his own share
in it. He had been her tool and dupe like the
others; if he imagined that he was serving Hermione,
it was for her mother’s ends that he had worked.
What right had he to sentimentalise a marriage founded
on such base connivances, and how could he have imagined
that in so doing he was acting a disinterested part?
While these thoughts were passing
through his mind the ceremony had already begun, and
the principal personages in the drama were ranged
before him in the row of crimson velvet chairs which
fills the foreground of a Catholic marriage.
Through the glow of lights and the perfumed haze about
the altar, Garnett’s eyes rested on the central
figures of the group, and gradually the others disappeared
from his view and his mind. After all, neither
Mrs. Newell’s schmes nor his own share in them
could ever unsanctify hermione’s marriage.
It was one more testimony to life’s indefatigable
renewals, to nature’s secret of drawing fragrance
from corruption; and as his eyes turned from the girl’s
illuminated presence to the resigned and stoical figure
sunk in the adjoining chair, it occured to him that
he had perhaps worked better than he knew in placing
them, if only for a moment, side by side.