Nancy had, in fact, been thinking
ever since Leonora had made that comment over the
giving of the horse to young Selmes. She had
been thinking and thinking, because she had had to
sit for many days silent beside her aunt’s
bed. (She had always thought of Leonora as her aunt.)
And she had had to sit thinking during many silent
meals with Edward. And then, at times, with his
bloodshot eyes and creased, heavy mouth, he would
smile at her. And gradually the knowledge had
come to her that Edward did not love Leonora and
that Leonora hated Edward. Several things contributed
to form and to harden this conviction. She was
allowed to read the papers in those days—or,
rather, since Leonora was always on her bed and Edward
breakfasted alone and went out early, over the estate,
she was left alone with the papers. One day,
in the papers, she saw the portrait of a woman she
knew very well. Beneath it she read the words:
“The Hon. Mrs Brand, plaintiff in the remarkable
divorce case reported on p. 8.” Nancy hardly
knew what a divorce case was. She had been so
remarkably well brought up, and Roman Catholics do
not practise divorce. I don’t know how
Leonora had done it exactly. I suppose she had
always impressed it on Nancy’s mind that nice
women did not read these things, and that would have
been enough to make Nancy skip those pages.
She read, at any rate, the account
of the Brand divorce case—principally
because she wanted to tell Leonora about it. She
imagined that Leonora, when her headache left her,
would like to know what was happening to Mrs Brand,
who lived at Christchurch, and whom they both liked
very well. The case occupied three days, and
the report that Nancy first came upon was that of
the third day. Edward, however, kept the papers
of the week, after his methodical fashion, in a rack
in his gun-room, and when she had finished her breakfast
Nancy went to that quiet apartment and had what she
would have called a good read. It seemed to
her to be a queer affair. She could not understand
why one counsel should be so anxious to know all about
the movements of Mr Brand upon a certain day; she
could not understand why a chart of the bedroom accommodation
at Christchurch Old Hall should be produced in court.
She did not even see why they should want to know
that, upon a certain occasion, the drawing-room door
was locked. It made her laugh; it appeared to
be all so senseless that grown people should occupy
themselves with such matters. It struck her,
nevertheless, as odd that one of the counsel should
cross-question Mr Brand so insistently and so impertinently
as to his feelings for Miss Lupton. Nancy knew
Miss Lupton of Ringwood very well—a jolly
girl, who rode a horse with two white fetlocks.
Mr Brand persisted that he did not love Miss Lupton.
. . . Well, of course he did not love Miss Lupton;
he was a married man. You might as well think
of Uncle Edward loving . . . loving anybody but Leonora.
When people were married there was an end of loving.
There were, no doubt, people who misbehaved—but
they were poor people—or people not like
those she knew. So these matters presented themselves
to Nancy’s mind. But later on in the case
she found that Mr Brand had to confess to a “guilty
intimacy” with some one or other. Nancy
imagined that he must have been telling some one his
wife’s secrets; she could not understand why
that was a serious offence. Of course it was
not very gentlemanly—it lessened her opinion
of Mrs Brand. But since she found that Mrs Brand
had condoned that offence, she imagined that they
could not have been very serious secrets that Mr Brand
had told. And then, suddenly, it was forced
on her conviction that Mr Brand—the mild
Mr Brand that she had seen a month or two before
their departure to Nauheim, playing “Blind
Man’s Buff” with his children and kissing
his wife when he caught her—Mr Brand and
Mrs Brand had been on the worst possible terms.
That was incredible.
Yet there it was—in black
and white. Mr Brand drank; Mr Brand had struck
Mrs Brand to the ground when he was drunk. Mr
Brand was adjudged, in two or three abrupt words,
at the end of columns and columns of paper, to have
been guilty of cruelty to his wife and to have committed
adultery with Miss Lupton. The last words conveyed
nothing to Nancy—nothing real, that is to
say. She knew that one was commanded not to
commit adultery—but why, she thought,
should one? It was probably something like catching
salmon out of season—a thing one did not
do. She gathered it had something to do with
kissing, or holding some one in your arms. . . .
And yet the whole effect of that reading
upon Nancy was mysterious, terrifying and evil.
She felt a sickness—a sickness that grew
as she read. Her heart beat painfully; she began
to cry. She asked God how He could permit such
things to be. And she was more certain that Edward
did not love Leonora and that Leonora hated Edward.
Perhaps, then, Edward loved some one else. It
was unthinkable.
If he could love some one else than
Leonora, her fierce unknown heart suddenly spoke
in her side, why could it not be herself? And
he did not love her. . . . This had occurred
about a month before she got the letter from her
mother. She let the matter rest until the sick
feeling went off; it did that in a day or two.
Then, finding that Leonora’s headaches had gone,
she suddenly told Leonora that Mrs Brand had divorced
her husband. She asked what, exactly, it all
meant.
Leonora was lying on the sofa in the
hall; she was feeling so weak that she could hardly
find the words. She answered just:
“It means that Mr Brand will be able to marry
again.”
Nancy said:
“But . . . but . . .”
and then: “He will be able to marry Miss
Lupton.” Leonora just moved a hand in
assent. Her eyes were shut.
“Then . . .” Nancy
began. Her blue eyes were full of horror:
her brows were tight above them; the lines of pain
about her mouth were very distinct. In her eyes
the whole of that familiar, great hall had a changed
aspect. The andirons with the brass flowers at
the ends appeared unreal; the burning logs were just
logs that were burning and not the comfortable symbols
of an indestructible mode of life. The flame
fluttered before the high fireback; the St Bernard
sighed in his sleep. Outside the winter rain fell
and fell. And suddenly she thought that Edward
might marry some one else; and she nearly screamed.
Leonora opened her eyes, lying sideways,
with her face upon the black and gold pillow of the
sofa that was drawn half across the great fireplace.
“I thought,” Nancy said,
“I never imagined. . . . Aren’t marriages
sacraments? Aren’t they indissoluble?
I thought you were married . . . and . . .”
She was sobbing. “I thought you were married
or not married as you are alive or dead.”
“That,” Leonora said, “is the law
of the church. It is not the law of the land.
. . .”
“Oh yes,” Nancy said,
“the Brands are Protestants.” She
felt a sudden safeness descend upon her, and for
an hour or so her mind was at rest. It seemed
to her idiotic not to have remembered Henry VIII
and the basis upon which Protestantism rests.
She almost laughed at herself.
The long afternoon wore on; the flames
still fluttered when the maid made up the fire; the
St Bernard awoke and lolloped away towards the kitchen.
And then Leonora opened her eyes and said almost
coldly:
“And you? Don’t you think you will
get married?”
It was so unlike Leonora that, for
the moment, the girl was frightened in the dusk.
But then, again, it seemed a perfectly reasonable
question. “I don’t know,” she
answered. “I don’t know that anyone
wants to marry me.”
“Several people want to marry you,” Leonora
said.
“But I don’t want to marry,”
Nancy answered. “I should like to go on
living with you and Edward. I don’t think
I am in the way or that I am really an expense.
If I went you would have to have a companion.
Or, perhaps, I ought to earn my living. . . .”
“I wasn’t thinking of
that,” Leonora answered in the same dull tone.
“You will have money enough from your father.
But most people want to be married.”
I believe that she then asked the
girl if she would not like to marry me, and that
Nancy answered that she would marry me if she were
told to; but that she wanted to go on living there.
She added:
“If I married anyone I should
want him to be like Edward.”
She was frightened out of her life.
Leonora writhed on her couch and called out:
“Oh, God! . . .”
Nancy ran for the maid; for tablets
of aspirin; for wet handkerchiefs. It never
occurred to her that Leonora’s expression of
agony was for anything else than physical pain.
You are to remember that all this
happened a month before Leonora went into the girl’s
room at night. I have been casting back again;
but I cannot help it. It is so difficult to keep
all these people going. I tell you about Leonora
and bring her up to date; then about Edward, who has
fallen behind. And then the girl gets hopelessly
left behind. I wish I could put it down in diary
form. Thus: On the 1st of September they
returned from Nauheim. Leonora at once took
to her bed. By the 1st of October they were all
going to meets together. Nancy had already observed
very fully that Edward was strange in his manner.
About the 6th of that month Edward gave the horse
to young Selmes, and Nancy had cause to believe that
her aunt did not love her uncle. On the 20th
she read the account of the divorce case, which is
reported in the papers of the 18th and the two following
days. On the 23rd she had the conversation with
her aunt in the hall—about marriage in
general and about her own possible marriage, her aunt’s
coming to her bedroom did not occur until the 12th
of November. . . .
Thus she had three weeks for introspection—for
introspection beneath gloomy skies, in that old house,
rendered darker by the fact that it lay in a hollow
crowned by fir trees with their black shadows.
It was not a good situation for a girl. She began
thinking about love, she who had never before considered
it as anything other than a rather humorous, rather
nonsensical matter. She remembered chance passages
in chance books—things that had not really
affected her at all at the time. She remembered
someone’s love for the Princess Badrulbadour;
she remembered to have heard that love was a flame,
a thirst, a withering up of the vitals—though
she did not know what the vitals were. She had
a vague recollection that love was said to render
a hopeless lover’s eyes hopeless; she remembered
a character in a book who was said to have taken
to drink through love; she remembered that lovers’
existences were said to be punctuated with heavy sighs.
Once she went to the little cottage piano that was
in the corner of the hall and began to play.
It was a tinkly, reedy instrument, for none of that
household had any turn for music. Nancy herself
could play a few simple songs, and she found herself
playing. She had been sitting on the window
seat, looking out on the fading day. Leonora
had gone to pay some calls; Edward was looking after
some planting up in the new spinney. Thus she
found herself playing on the old piano. She
did not know how she came to be doing it. A
silly lilting wavering tune came from before her in
the dusk—a tune in which major notes with
their cheerful insistence wavered and melted into
minor sounds, as, beneath a bridge, the high lights
on dark waters melt and waver and disappear into
black depths. Well, it was a silly old tune.
. . .
It goes with the words—they
are about a willow tree, I think: Thou art to
all lost loves the best The only true plant found.
—That sort of thing.
It is Herrick, I believe, and the music with the
reedy, irregular, lilting sound that goes with Herrick,
And it was dusk; the heavy, hewn, dark pillars that
supported the gallery were like mourning presences;
the fire had sunk to nothing—a mere glow
amongst white ashes, . . . It was a sentimental
sort of place and light and hour. . . .
And suddenly Nancy found that she
was crying. She was crying quietly; she went
on to cry with long convulsive sobs. It seemed
to her that everything gay, everything charming,
all light, all sweetness, had gone out of life.
Unhappiness; unhappiness; unhappiness was all around
her. She seemed to know no happy being and she
herself was agonizing. . . .
She remembered that Edward’s
eyes were hopeless; she was certain that he was drinking
too much; at times he sighed deeply. He appeared
as a man who was burning with inward flame; drying
up in the soul with thirst; withering up in the vitals.
Then, the torturing conviction came to her—the
conviction that had visited her again and again—that
Edward must love some one other than Leonora.
With her little, pedagogic sectarianism she remembered
that Catholics do not do this thing. But Edward
was a Protestant. Then Edward loved somebody.
. . .
And, after that thought, her eyes
grew hopeless; she sighed as the old St Bernard beside
her did. At meals she would feel an intolerable
desire to drink a glass of wine, and then another
and then a third. Then she would find herself
grow gay. . . . But in half an hour the gaiety
went; she felt like a person who is burning up with
an inward flame; desiccating at the soul with thirst;
withering up in the vitals. One evening she went
into Edward’s gun-room—he had gone
to a meeting of the National Reserve Committee.
On the table beside his chair was a decanter of whisky.
She poured out a wineglassful and drank it off.
Flame then really seemed to fill her body; her legs
swelled; her face grew feverish. She dragged
her tall height up to her room and lay in the dark.
The bed reeled beneath her; she gave way to the thought
that she was in Edward’s arms; that he was
kissing her on her face that burned; on her shoulders
that burned, and on her neck that was on fire.
She never touched alcohol again.
Not once after that did she have such thoughts.
They died out of her mind; they left only a feeling
of shame so insupportable that her brain could not
take it in and they vanished. She imagined that
her anguish at the thought of Edward’s love
for another person was solely sympathy for Leonora;
she determined that the rest of her life must be spent
in acting as Leonora’s handmaiden—sweeping,
tending, embroidering, like some Deborah, some medieval
saint—I am not, unfortunately, up in the
Catholic hagiology. But I know that she pictured
herself as some personage with a depressed, earnest
face and tightly closed lips, in a clear white room,
watering flowers or tending an embroidery frame.
Or, she desired to go with Edward to Africa and to
throw herself in the path of a charging lion so that
Edward might be saved for Leonora at the cost of her
life. Well, along with her sad thoughts she had
her childish ones. She knew nothing—nothing
of life, except that one must live sadly. That
she now knew. What happened to her on the night
when she received at once the blow that Edward wished
her to go to her father in India and the blow of the
letter from her mother was this. She called
first upon her sweet Saviour—and she thought
of Our Lord as her sweet Saviour!—that
He might make it impossible that she should go to
India. Then she realized from Edward’s
demeanour that he was determined that she should go
to India. It must then be right that she should
go. Edward was always right in his determinations.
He was the Cid; he was Lohengrin; he was the Chevalier
Bayard.
Nevertheless her mind mutinied and
revolted. She could not leave that house.
She imagined that he wished her gone that she might
not witness his amours with another girl. Well,
she was prepared to tell him that she was ready to
witness his amours with another young girl.
She would stay there —to comfort Leonora.
Then came the desperate shock of the
letter from her mother. Her mother said, I believe,
something like: “You have no right to go
on living your life of prosperity and respect.
You ought to be on the streets with me. How
do you know that you are even Colonel Rufford’s
daughter?” She did not know what these words
meant. She thought of her mother as sleeping
beneath the arches whilst the snow fell. That
was the impression conveyed to her mind by the words
“on the streets”. A Platonic sense
of duty gave her the idea that she ought to go to
comfort her mother—the mother that bore
her, though she hardly knew what the words meant.
At the same time she knew that her mother had left
her father with another man—therefore she
pitied her father, and thought it terrible in herself
that she trembled at the sound of her father’s
voice. If her mother was that sort of woman it
was natural that her father should have had accesses
of madness in which he had struck herself to the
ground. And the voice of her conscience said to
her that her first duty was to her parents.
It was in accord with this awakened sense of duty
that she undressed with great care and meticulously
folded the clothes that she took off. Sometimes,
but not very often, she threw them helter-skelter
about the room.
And that sense of duty was her prevailing
mood when Leonora, tall, clean-run, golden-haired,
all in black, appeared in her doorway, and told her
that Edward was dying of love for her. She knew
then with her conscious mind what she had known within
herself for months—that Edward was dying—actually
and physically dying—of love for her.
It seemed to her that for one short moment her spirit
could say: “Domine, nunc dimittis, . . .
Lord, now, lettest thou thy servant depart in peace.”
She imagined that she could cheerfully go away to
Glasgow and rescue her fallen mother.