This is the saddest story I have ever
heard. We had known the Ashburnhams for nine
seasons of the town of Nauheim with an extreme intimacy—or,
rather with an acquaintanceship as loose and easy
and yet as close as a good glove’s with your
hand. My wife and I knew Captain and Mrs Ashburnham
as well as it was possible to know anybody, and yet,
in another sense, we knew nothing at all about them.
This is, I believe, a state of things only possible
with English people of whom, till today, when I sit
down to puzzle out what I know of this sad affair,
I knew nothing whatever. Six months ago I had
never been to England, and, certainly, I had never
sounded the depths of an English heart. I had
known the shallows.
I don’t mean to say that we
were not acquainted with many English people.
Living, as we perforce lived, in Europe, and being,
as we perforce were, leisured Americans, which is
as much as to say that we were un-American, we were
thrown very much into the society of the nicer English.
Paris, you see, was our home. Somewhere between
Nice and Bordighera provided yearly winter quarters
for us, and Nauheim always received us from July to
September. You will gather from this statement
that one of us had, as the saying is, a “heart”,
and, from the statement that my wife is dead, that
she was the sufferer.
Captain Ashburnham also had a heart.
But, whereas a yearly month or so at Nauheim tuned
him up to exactly the right pitch for the rest of
the twelvemonth, the two months or so were only just
enough to keep poor Florence alive from year to year.
The reason for his heart was, approximately, polo,
or too much hard sportsmanship in his youth.
The reason for poor Florence’s broken years
was a storm at sea upon our first crossing to Europe,
and the immediate reasons for our imprisonment in
that continent were doctor’s orders. They
said that even the short Channel crossing might well
kill the poor thing.
When we all first met, Captain Ashburnham,
home on sick leave from an India to which he was
never to return, was thirty-three; Mrs Ashburnham
Leonora —was thirty-one. I was thirty-six
and poor Florence thirty. Thus today Florence
would have been thirty-nine and Captain Ashburnham
forty-two; whereas I am forty-five and Leonora forty.
You will perceive, therefore, that our friendship
has been a young-middle-aged affair, since we were
all of us of quite quiet dispositions, the Ashburnhams
being more particularly what in England it is the
custom to call “quite good people”.
They were descended, as you will probably
expect, from the Ashburnham who accompanied Charles
I to the scaffold, and, as you must also expect with
this class of English people, you would never have
noticed it. Mrs Ashburnham was a Powys; Florence
was a Hurlbird of Stamford, Connecticut, where, as
you know, they are more old-fashioned than even the
inhabitants of Cranford, England, could have been.
I myself am a Dowell of Philadelphia, Pa., where,
it is historically true, there are more old English
families than you would find in any six English counties
taken together. I carry about with me, indeed—as
if it were the only thing that invisibly anchored
me to any spot upon the globe—the title
deeds of my farm, which once covered several blocks
between Chestnut and Walnut Streets. These title
deeds are of wampum, the grant of an Indian chief
to the first Dowell, who left Farnham in Surrey in
company with William Penn. Florence’s people,
as is so often the case with the inhabitants of Connecticut,
came from the neighbourhood of Fordingbridge, where
the Ashburnhams’ place is. From there,
at this moment, I am actually writing.
You may well ask why I write.
And yet my reasons are quite many. For it is
not unusual in human beings who have witnessed the
sack of a city or the falling to pieces of a people
to desire to set down what they have witnessed for
the benefit of unknown heirs or of generations infinitely
remote; or, if you please, just to get the sight
out of their heads.
Some one has said that the death of
a mouse from cancer is the whole sack of Rome by
the Goths, and I swear to you that the breaking up
of our little four-square coterie was such another
unthinkable event. Supposing that you should
come upon us sitting together at one of the little
tables in front of the club house, let us say, at
Homburg, taking tea of an afternoon and watching
the miniature golf, you would have said that, as human
affairs go, we were an extraordinarily safe castle.
We were, if you will, one of those tall ships with
the white sails upon a blue sea, one of those things
that seem the proudest and the safest of all the beautiful
and safe things that God has permitted the mind of
men to frame. Where better could one take refuge?
Where better?
Permanence? Stability? I
can’t believe it’s gone. I can’t
believe that that long, tranquil life, which was
just stepping a minuet, vanished in four crashing
days at the end of nine years and six weeks. Upon
my word, yes, our intimacy was like a minuet, simply
because on every possible occasion and in every possible
circumstance we knew where to go, where to sit, which
table we unanimously should choose; and we could
rise and go, all four together, without a signal
from any one of us, always to the music of the Kur
orchestra, always in the temperate sunshine, or,
if it rained, in discreet shelters. No, indeed,
it can’t be gone. You can’t kill a
minuet de la cour. You may shut up the music-book,
close the harpsichord; in the cupboard and presses
the rats may destroy the white satin favours.
The mob may sack Versailles; the Trianon may fall,
but surely the minuet—the minuet itself
is dancing itself away into the furthest stars, even
as our minuet of the Hessian bathing places must
be stepping itself still. Isn’t there any
heaven where old beautiful dances, old beautiful
intimacies prolong themselves? Isn’t there
any Nirvana pervaded by the faint thrilling of instruments
that have fallen into the dust of wormwood but that
yet had frail, tremulous, and everlasting souls?
No, by God, it is false! It wasn’t
a minuet that we stepped; it was a prison—a
prison full of screaming hysterics, tied down so that
they might not outsound the rolling of our carriage
wheels as we went along the shaded avenues of the
Taunus Wald.
And yet I swear by the sacred name
of my creator that it was true. It was true
sunshine; the true music; the true splash of the fountains
from the mouth of stone dolphins. For, if for
me we were four people with the same tastes, with
the same desires, acting—or, no, not acting—sitting
here and there unanimously, isn’t that the
truth? If for nine years I have possessed a goodly
apple that is rotten at the core and discover its
rottenness only in nine years and six months less
four days, isn’t it true to say that for nine
years I possessed a goodly apple? So it may well
be with Edward Ashburnham, with Leonora his wife
and with poor dear Florence. And, if you come
to think of it, isn’t it a little odd that the
physical rottenness of at least two pillars of our
four-square house never presented itself to my mind
as a menace to its security? It doesn’t
so present itself now though the two of them are actually
dead. I don’t know. . . .
I know nothing—nothing
in the world—of the hearts of men.
I only know that I am alone—horribly alone.
No hearthstone will ever again witness, for me, friendly
intercourse. No smoking-room will ever be other
than peopled with incalculable simulacra amidst smoke
wreaths. Yet, in the name of God, what should
I know if I don’t know the life of the hearth
and of the smoking-room, since my whole life has
been passed in those places? The warm hearthside!
—Well, there was Florence: I believe
that for the twelve years her life lasted, after
the storm that seemed irretrievably to have weakened
her heart—I don’t believe that for
one minute she was out of my sight, except when she
was safely tucked up in bed and I should be downstairs,
talking to some good fellow or other in some lounge
or smoking-room or taking my final turn with a cigar
before going to bed. I don’t, you understand,
blame Florence. But how can she have known what
she knew? How could she have got to know it?
To know it so fully. Heavens! There doesn’t
seem to have been the actual time. It must have
been when I was taking my baths, and my Swedish exercises,
being manicured. Leading the life I did, of
the sedulous, strained nurse, I had to do something
to keep myself fit. It must have been then!
Yet even that can’t have been enough time to
get the tremendously long conversations full of worldly
wisdom that Leonora has reported to me since their
deaths. And is it possible to imagine that during
our prescribed walks in Nauheim and the neighbourhood
she found time to carry on the protracted negotiations
which she did carry on between Edward Ashburnham
and his wife? And isn’t it incredible that
during all that time Edward and Leonora never spoke
a word to each other in private? What is one
to think of humanity?
For I swear to you that they were
the model couple. He was as devoted as it was
possible to be without appearing fatuous. So
well set up, with such honest blue eyes, such a touch
of stupidity, such a warm goodheartedness! And
she—so tall, so splendid in the saddle,
so fair! Yes, Leonora was extraordinarily fair
and so extraordinarily the real thing that she seemed
too good to be true. You don’t, I mean,
as a rule, get it all so superlatively together.
To be the county family, to look the county family,
to be so appropriately and perfectly wealthy; to
be so perfect in manner—even just to the
saving touch of insolence that seems to be necessary.
To have all that and to be all that! No, it was
too good to be true. And yet, only this afternoon,
talking over the whole matter she said to me:
“Once I tried to have a lover but I was so sick
at the heart, so utterly worn out that I had to send
him away.” That struck me as the most
amazing thing I had ever heard. She said “I
was actually in a man’s arms. Such a nice
chap! Such a dear fellow! And I was saying
to myself, fiercely, hissing it between my teeth,
as they say in novels—and really clenching
them together: I was saying to myself:
’Now, I’m in for it and I’ll really
have a good time for once in my life—for
once in my life!’ It was in the dark, in a
carriage, coming back from a hunt ball. Eleven
miles we had to drive! And then suddenly the
bitterness of the endless poverty, of the endless
acting—it fell on me like a blight, it
spoilt everything. Yes, I had to realize that
I had been spoilt even for the good time when it came.
And I burst out crying and I cried and I cried for
the whole eleven miles. Just imagine me crying!
And just imagine me making a fool of the poor dear
chap like that. It certainly wasn’t playing
the game, was it now?”
I don’t know; I don’t
know; was that last remark of hers the remark of a
harlot, or is it what every decent woman, county family
or not county family, thinks at the bottom of her
heart? Or thinks all the time for the matter
of that? Who knows?
Yet, if one doesn’t know that
at this hour and day, at this pitch of civilization
to which we have attained, after all the preachings
of all the moralists, and all the teachings of all
the mothers to all the daughters in saecula saeculorum
. . . but perhaps that is what all mothers teach all
daughters, not with lips but with the eyes, or with
heart whispering to heart. And, if one doesn’t
know as much as that about the first thing in the
world, what does one know and why is one here?
I asked Mrs Ashburnham whether she
had told Florence that and what Florence had said
and she answered:—“Florence didn’t
offer any comment at all. What could she say?
There wasn’t anything to be said. With
the grinding poverty we had to put up with to keep
up appearances, and the way the poverty came about—you
know what I mean—any woman would have been
justified in taking a lover and presents too.
Florence once said about a very similar position—she
was a little too well-bred, too American, to talk about
mine—that it was a case of perfectly open
riding and the woman could just act on the spur of
the moment. She said it in American of course,
but that was the sense of it. I think her actual
words were: ‘That it was up to her to
take it or leave it. . . .’”
I don’t want you to think that
I am writing Teddy Ashburnham down a brute. I
don’t believe he was. God knows, perhaps
all men are like that. For as I’ve said
what do I know even of the smoking-room? Fellows
come in and tell the most extraordinarily gross stories—so
gross that they will positively give you a pain.
And yet they’d be offended if you suggested that
they weren’t the sort of person you could trust
your wife alone with. And very likely they’d
be quite properly offended—that is if you
can trust anybody alone with anybody. But that
sort of fellow obviously takes more delight in listening
to or in telling gross stories—more delight
than in anything else in the world. They’ll
hunt languidly and dress languidly and dine languidly
and work without enthusiasm and find it a bore to
carry on three minutes’ conversation about
anything whatever and yet, when the other sort of
conversation begins, they’ll laugh. and wake
up and throw themselves about in their chairs.
Then, if they so delight in the narration, how is
it possible that they can be offended—and
properly offended—at the suggestion that
they might make attempts upon your wife’s honour?
Or again: Edward Ashburnham was the cleanest
looking sort of chap;—an excellent magistrate,
a first rate soldier, one of the best landlords,
so they said, in Hampshire, England. To the
poor and to hopeless drunkards, as I myself have witnessed,
he was like a painstaking guardian. And he never
told a story that couldn’t have gone into the
columns of the Field more than once or twice in all
the nine years of my knowing him. He didn’t
even like hearing them; he would fidget and get up
and go out to buy a cigar or something of that sort.
You would have said that he was just exactly the
sort of chap that you could have trusted your wife
with. And I trusted mine and it was madness.
And yet again you have me. If poor Edward was
dangerous because of the chastity of his expressions—and
they say that is always the hall-mark of a libertine—what
about myself? For I solemnly avow that not only
have I never so much as hinted at an impropriety
in my conversation in the whole of my days; and more
than that, I will vouch for the cleanness of my thoughts
and the absolute chastity of my life. At what,
then, does it all work out? Is the whole thing
a folly and a mockery? Am I no better than a
eunuch or is the proper man—the man with
the right to existence—a raging stallion
forever neighing after his neighbour’s womankind?
I don’t know. And there
is nothing to guide us. And if everything is
so nebulous about a matter so elementary as the morals
of sex, what is there to guide us in the more subtle
morality of all other personal contacts, associations,
and activities? Or are we meant to act on impulse
alone? It is all a darkness.