The Great House of Peter Lytton was
hung with white from top to bottom, and every piece
of furniture looked as if the cold wing of death had
touched it. A white satin gown, which had come
from London for Rachael six years before,—just
too late, for she never went to a ball again,—was
taken from her mahogany press and wrapped about her
wasted body. Her magnificent hair was put out
of sight in a cap of blond lace.
The fashionable world of St. Croix,
which had seen little of Rachael in life, came to
the ceremonious exit of her body. They sat along
the four sides of the large drawing-room, looking
like a black dado against the white walls, and the
Rev. Cecil Wray Goodchild, the pastor of the larger
number of that sombre flock, sonorously read the prayers
for the dead. Hugh Knox felt that his was the
right to perform that ceremony; but he was a Presbyterian,
and Peter Lytton was not one of his converts.
He was there, however, and so were several Danes,
whose colourless faces and heads completed the symbolization
encircling the coffin. People of Nevis, St. Christopher,
and St. Croix were there, the sisters born of the
same mother, a kinsman of Hamilton’s, himself
named James Hamilton, these bleached people of the
North, whose faces, virtuous as they were, would have
seemed to the dead woman to shed the malignant aura
of Levine’s,—and the boy for whom
the sacrificial body had been laid on the altar.
He paid his debt in wretchedness then and there, and
stood by the black pall which covered his mother,
feeling a hundred years older than the brother who
sat demurely on Mrs. Lytton’s agitated lap.
When Mr. Goodchild closed his book,
the slave women entered with silver pitchers containing
mulled wines, porter mixed with sugar and spice, madeira,
and port wine. Heaped high on silver salvers were
pastries and “dyer bread,” wrapped in
white paper sealed with black wax. The guests
refreshed themselves deeply, then followed the coffin,
which was borne on the shoulders of the dead woman’s
brothers and their closest friends, across the valley
to the private burying-ground of the Lyttons.
Old James Lytton was placed beside her in the following
year, and ten years later a child of Christiana Huggins,
the wife of his son. The cane grows above their
graves to-day.