A man stood upon a railroad bridge
in northern Alabama, looking down into the swift water
twenty feet below. The man’s hands were
behind his back, the wrists bound with a cord.
A rope closely encircled his neck. It was attached
to a stout cross-timber above his head and the slack
fell to the level of his knees. Some loose boards
laid upon the sleepers supporting the metals of the
railway supplied a footing for him and his executioners—two
private soldiers of the Federal army, directed by a
sergeant who in civil life may have been a deputy sheriff.
At a short remove upon the same temporary platform
was an officer in the uniform of his rank, armed.
He was a captain. A sentinel at each end of the
bridge stood with his rifle in the position known
as “support,” that is to say, vertical
in front of the left shoulder, the hammer resting on
the forearm thrown straight across the chest—a
formal and unnatural position, enforcing an erect
carriage of the body. It did not appear to be
the duty of these two men to know what was occurring
at the centre of the bridge; they merely blockaded
the two ends of the foot planking that traversed it.
Beyond one of the sentinels nobody
was in sight; the railroad ran straight away into
a forest for a hundred yards, then, curving, was lost
to view. Doubtless there was an outpost farther
along. The other bank of the stream was open
ground—a gentle acclivity topped with a
stockade of vertical tree trunks, loop-holed for rifles,
with a single embrasure through which protruded the
muzzle of a brass cannon commanding the bridge.
Mid-way of the slope between bridge and fort were the
spectators—a single company of infantry
in line, at “parade rest,” the butts of
the rifles on the ground, the barrels inclining slightly
backward against the right shoulder, the hands crossed
upon the stock. A lieutenant stood at the right
of the line, the point of his sword upon the ground,
his left hand resting upon his right. Excepting
the group of four at the centre of the bridge, not
a man moved. The company faced the bridge, staring
stonily, motionless. The sentinels, facing the
banks of the stream, might have been statues to adorn
the bridge. The captain stood with folded arms,
silent, observing the work of his subordinates, but
making no sign. Death is a dignitary who when
he comes announced is to be received with formal manifestations
of respect, even by those most familiar with him.
In the code of military etiquette silence and fixity
are forms of deference.
The man who was engaged in being hanged
was apparently about thirty-five years of age.
He was a civilian, if one might judge from his habit,
which was that of a planter. His features were
good—a straight nose, firm mouth, broad
forehead, from which his long, dark hair was combed
straight back, falling behind his ears to the collar
of his well-fitting frock-coat. He wore a mustache
and pointed beard, but no whiskers; his eyes were
large and dark gray, and had a kindly expression which
one would hardly have expected in one whose neck was
in the hemp. Evidently this was no vulgar assassin.
The liberal military code makes provision for hanging
many kinds of persons, and gentlemen are not excluded.
The preparations being complete, the
two private soldiers stepped aside and each drew away
the plank upon which he had been standing. The
sergeant turned to the captain, saluted and placed
himself immediately behind that officer, who in turn
moved apart one pace. These movements left the
condemned man and the sergeant standing on the two
ends of the same plank, which spanned three of the
cross-ties of the bridge. The end upon which
the civilian stood almost, but not quite, reached a
fourth. This plank had been held in place by
the weight of the captain; it was now held by that
of the sergeant. At a signal from the former the
latter would step aside, the plank would tilt and
the condemned man go down between two ties. The
arrangement commended itself to his judgment as simple
and effective. His face had not been covered nor
his eyes bandaged. He looked a moment at his
“unsteadfast footing,” then let his gaze
wander to the swirling water of the stream racing madly
beneath his feet. A piece of dancing driftwood
caught his attention and his eyes followed it down
the current. How slowly it appeared to move!
What a sluggish stream!
He closed his eyes in order to fix
his last thoughts upon his wife and children.
The water, touched to gold by the early sun, the brooding
mists under the banks at some distance down the stream,
the fort, the soldiers, the piece of drift—all
had distracted him. And now he became conscious
of a new disturbance. Striking through the thought
of his dear ones was a sound which he could neither
ignore nor understand, a sharp, distinct, metallic
percussion like the stroke of a blacksmith’s
hammer upon the anvil; it had the same ringing quality.
He wondered what it was, and whether immeasurably
distant or near by—it seemed both.
Its recurrence was regular, but as slow as the tolling
of a death knell. He awaited each stroke with
impatience and—he knew not why—apprehension.
The intervals of silence grew progressively longer;
the delays became maddening. With their greater
infrequency the sounds increased in strength and sharpness.
They hurt his ear like the thrust of a knife; he feared
he would shriek. What he heard was the ticking
of his watch.
He unclosed his eyes and saw again
the water below him. “If I could free my
hands,” he thought, “I might throw off
the noose and spring into the stream. By diving
I could evade the bullets and, swimming vigorously,
reach the bank, take to the woods and get away home.
My home, thank God, is as yet outside their lines;
my wife and little ones are still beyond the invader’s
farthest advance.”
As these thoughts, which have here
to be set down in words, were flashed into the doomed
man’s brain rather than evolved from it the captain
nodded to the sergeant. The sergeant stepped aside.