* * * *
*
Towards midnight the cottage of Galope-Chopine,
hitherto the scene of life without a care, was full
of dread and horrible anxiety. Barbette and her
little boy returned at the supper-hour, one with her
heavy burden of rushes, the other carrying fodder
for the cattle. Entering the hut, they looked
about in vain for Galope-Chopine; the miserable chamber
never looked to them as large, so empty was it.
The fire was out, and the darkness, the silence, seemed
to tell of some disaster. Barbette hastened to
make a blaze, and to light two oribus, the name
given to candles made of pitch in the region between
the villages of Amorique and the Upper Loire, and
still used beyond Amboise in the Vendomois districts.
Barbette did these things with the slowness of a person
absorbed in one overpowering feeling. She listened
to every sound. Deceived by the whistling of
the wind she went often to the door of the hut, returning
sadly. She cleaned two beakers, filled them with
cider, and placed them on the long table. Now
and again she looked at her boy, who watched the baking
of the buckwheat cakes, but did not speak to him.
The lad’s eyes happened to rest on the nails
which usually held his father’s duck-gun, and
Barbette trembled as she noticed that the gun was
gone. The silence was broken only by the lowing
of a cow or the splash of the cider as it dropped at
regular intervals from the bung of the cask.
The poor woman sighed while she poured into three
brown earthenware porringers a sort of soup made of
milk, biscuit broken into bits, and boiled chestnuts.
“They must have fought in the
field next to the Berandiere,” said the boy.
“Go and see,” replied his mother.
The child ran to the place where the
fighting had, as he said, taken place. In the
moonlight he found the heap of bodies, but his father
was not among them, and he came back whistling joyously,
having picked up several five-franc pieces trampled
in the mud and overlooked by the victors. His
mother was sitting on a stool beside the fire, employed
in spinning flax. He made a negative sign to her,
and then, ten o’clock having struck from the
tower of Saint-Leonard, he went to bed, muttering
a prayer to the holy Virgin of Auray. At dawn,
Barbette, who had not closed her eyes, gave a cry
of joy, as she heard in the distance a sound she knew
well of hobnailed shoes, and soon after Galope-Chopine’s
scowling face presented itself.
“Thanks to Saint-Labre,”
he said, “to whom I owe a candle, the Gars is
safe. Don’t forget that we now owe three
candles to the saint.”
He seized a beaker of cider and emptied
it at a draught without drawing breath. When
his wife had served his soup and taken his gun and
he himself was seated on the wooden bench, he said,
looking at the fire: “I can’t make
out how the Blues got here. The fighting was at
Florigny. Who the devil could have told them that
the Gars was in our house; no one knew it but he and
the handsome garce and we—”
Barbette turned white.
“They made me believe they were
the gars of Saint-Georges,” she said, trembling,
“it was I who told them the Gars was here.”
Galope-Chopine turned pale himself
and dropped his porringer on the table.
“I sent the boy to warn you,”
said Barbette, frightened, “didn’t you
meet him?”
The Chouan rose and struck his wife
so violently that she dropped, pale as death, upon
the bed.
“You cursed woman,” he
said, “you have killed me!” Then seized
with remorse, he took her in his arms. “Barbette!”
he cried, “Barbette! —Holy Virgin,
my hand was too heavy!”
“Do you think,” she said,
opening her eyes, “that Marche-a-Terre will
hear of it?”
“The Gars will certainly inquire who betrayed
him.”
“Will he tell it to Marche-a-Terre?”
“Marche-a-Terre and Pille-Miche were both at
Florigny.”
Barbette breathed a little easier.
“If they touch a hair of your
head,” she cried, “I’ll rinse their
glasses with vinegar.”
“Ah! I can’t eat,” said Galope-Chopine,
anxiously.
His wife set another pitcher full
of cider before him, but he paid no heed to it.
Two big tears rolled from the woman’s eyes and
moistened the deep furrows of her withered face.
“Listen to me, wife; to-morrow
morning you must gather fagots on the rocks of Saint-Sulpice,
to the right and Saint-Leonard and set fire to them.
That is a signal agreed upon between the Gars and the
old rector of Saint-Georges who is to come and say
mass for him.”
“Is the Gars going to Fougeres?”
“Yes, to see his handsome garce.
I have been sent here and there all day about it.
I think he is going to marry her and carry her off;
for he told me to hire horses and have them ready
on the road to Saint-Malo.”
Thereupon Galope-Chopine, who was
tired out, went to bed for an hour or two, at the
end of which time he again departed. Later, on
the following morning, he returned, having carefully
fulfilled all the commissions entrusted to him by
the Gars. Finding that Marche-a-Terre and Pille-Miche
had not appeared at the cottage, he relieved the apprehensions
of his wife, who went off, reassured, to the rocks
of Saint-Sulpice, where she had collected the night
before several piles of fagots, now covered with hoarfrost.
The boy went with her, carrying fire in a broken wooden
shoe.
Hardly had his wife and son passed
out of sight behind the shed when Galope-Chopine heard
the noise of men jumping the successive barriers,
and he could dimly see, through the fog which was growing
thicker, the forms of two men like moving shadows.
“It is Marche-a-Terre and Pille-Miche,”
he said, mentally; then he shuddered. The two
Chouans entered the courtyard and showed their gloomy
faces under the broad-brimmed hats which made them
look like the figures which engravers introduce into
their landscapes.
“Good-morning, Galope-Chopine,”
said Marche-a-Terre, gravely.
“Good-morning, Monsieur Marche-a-Terre,”
replied the other, humbly. “Will you come
in and drink a drop? I’ve some cold buckwheat
cake and fresh-made butter.”
“That’s not to be refused, cousin,”
said Pille-Miche.
The two Chouans entered the cottage.
So far there was nothing alarming for the master of
the house, who hastened to fill three beakers from
his huge cask of cider, while Marche-a-Terre and Pille-Miche,
sitting on the polished benches on each side of the
long table, cut the cake and spread it with the rich
yellow butter from which the milk spurted as the knife
smoothed it. Galope-Chopine placed the beakers
full of frothing cider before his guests, and the
three Chouans began to eat; but from time to time
the master of the house cast side-long glances at
Marche-a-Terre as he drank his cider.
“Lend me your snuff-box,”
said Marche-a-Terre to Pille-Miche.
Having shaken several pinches into
the palm of his hand the Breton inhaled the tobacco
like a man who is making ready for serious business.
“It is cold,” said Pille-Miche,
rising to shut the upper half of the door.
The daylight, already dim with fog,
now entered only through the little window, and feebly
lighted the room and the two seats; the fire, however,
gave out a ruddy glow. Galope-Chopine refilled
the beakers, but his guests refused to drink again,
and throwing aside their large hats looked at him
solemnly. Their gestures and the look they gave
him terrified Galope-Chopine, who fancied he saw blood
in the red woollen caps they wore.
“Fetch your axe,” said Marche-a-Terre.
“But, Monsieur Marche-a-Terre, what do you want
it for?”
“Come, cousin, you know very
well,” said Pille-Miche, pocketing his snuff-box
which Marche-a-Terre returned to him; “you are
condemned.”
The two Chouans rose together and took their guns.
“Monsieur Marche-a-Terre, I never said one word
about the Gars—”
“I told you to fetch your axe,” said Marche-a-Terre.
The hapless man knocked against the
wooden bedstead of his son, and several five-franc
pieces rolled on the floor. Pille-Miche picked
them up.
“Ho! ho! the Blues paid you in new money,”
cried Marche-a-Terre.
“As true as that’s the
image of Saint-Labre,” said Galope-Chopine, “I
have told nothing. Barbette mistook the Fougeres
men for the gars of Saint-Georges, and that’s
the whole of it.”
“Why do you tell things to your wife?”
said Marche-a-Terre, roughly.
“Besides, cousin, we don’t
want excuses, we want your axe. You are condemned.”
At a sign from his companion, Pille-Miche
helped Marche-a-Terre to seize the victim. Finding
himself in their grasp Galope-Chopine lost all power
and fell on his knees holding up his hands to his slayers
in desperation.
“My friends, my good friends,
my cousin,” he said, “what will become
of my little boy?”
“I will take charge of him,” said Marche-a-Terre.
“My good comrades,” cried
the victim, turning livid. “I am not fit
to die. Don’t make me go without confession.
You have the right to take my life, but you’ve
no right to make me lose a blessed eternity.”
“That is true,” said Marche-a-Terre,
addressing Pille-Miche.
The two Chouans waited a moment in
much uncertainty, unable to decide this case of conscience.
Galope-Chopine listened to the rustling of the wind
as though he still had hope. Suddenly Pille-Miche
took him by the arm into a corner of the hut.
“Confess your sins to me,”
he said, “and I will tell them to a priest of
the true Church, and if there is any penance to do
I will do it for you.”
Galope-Chopine obtained some respite
by the way in which he confessed his sins; but in
spite of their number and the circumstances of each
crime, he came finally to the end of them.
“Cousin,” he said, imploringly,
“since I am speaking to you as I would to my
confessor, I do assure you, by the holy name of God,
that I have nothing to reproach myself with except
for having, now and then, buttered my bread on both
sides; and I call on Saint-Labre, who is there over
the chimney-piece, to witness that I have never said
one word about the Gars. No, my good friends,
I have not betrayed him.”
“Very good, that will do, cousin;
you can explain all that to God in course of time.”
“But let me say good-bye to Barbette.”
“Come,” said Marche-a-Terre,
“if you don’t want us to think you worse
than you are, behave like a Breton and be done with
it.”
The two Chouans seized him again and
threw him on the bench where he gave no other sign
of resistance than the instinctive and convulsive
motions of an animal, uttering a few smothered groans,
which ceased when the axe fell. The head was
off at the first blow. Marche-a-Terre took it
by the hair, left the room, sought and found a large
nail in the rough casing of the door, and wound the
hair about it; leaving the bloody head, the eyes of
which he did not even close, to hang there.
The two Chouans then washed their
hands, without the least haste, in a pot full of water,
picked up their hats and guns, and jumped the gate,
whistling the “Ballad of the Captain.”
Pille-Miche began to sing in a hoarse voice as he
reached the field the last verses of that rustic song,
their melody floating on the breeze:—
“At the first town
Her lover dressed her
All in white satin;
“At the next town
Her lover dressed her
In gold and silver.
“So beautiful was she
They gave her veils
To wear in the regiment.”
The tune became gradually indistinguishable
as the Chouans got further away; but the silence of
the country was so great that several of the notes
reached Barbette’s ear as she neared home, holding
her boy by the hand. A peasant-woman never listens
coldly to that song, so popular is it in the West
of France, and Barbette began, unconsciously, to sing
the first verses:—
“Come, let us go, my girl,
Let us go to the war;
Let us go, it is time.
“Brave captain,
Let it not trouble you,
But my daughter is not for you.
“You shall not have her on earth,
You shall not have her at sea,
Unless by treachery.
“The father took his daughter,
He unclothed her
And flung her out to sea.
“The captain, wiser still,
Into the waves he jumped
And to the shore he brought her.
“Come, let us go, my girl,
Let us go to the war;
Let us go, it is time.
“At the first town
Her lover dressed her,”
Etc., etc.
As Barbette reached this verse of
the song, where Pille-Miche had begun it, she was
entering the courtyard of her home; her tongue suddenly
stiffened, she stood still, and a great cry, quickly
repressed, came from her gaping lips.
“What is it, mother?” said the child.
“Walk alone,” she cried,
pulling her hand away and pushing him roughly; “you
have neither father nor mother.”
The child, who was rubbing his shoulder
and weeping, suddenly caught sight of the thing on
the nail; his childlike face kept the nervous convulsion
his crying had caused, but he was silent. He opened
his eyes wide, and gazed at the head of his father
with a stupid look which betrayed no emotion; then
his face, brutalized by ignorance, showed savage curiosity.
Barbette again took his hand, grasped it violently,
and dragged him into the house. When Pille-Miche
and Marche-a-Terre threw their victim on the bench
one of his shoes, dropping off, fell on the floor
beneath his neck and was afterward filled with blood.
It was the first thing that met the widow’s eye.
“Take off your shoe,”
said the mother to her son. “Put your foot
in that. Good. Remember,” she cried,
in a solemn voice, “your father’s shoe;
never put on your own without remembering how the Chouans
filled it with his blood, and kill the Chouans!”
She swayed her head with so convulsive
an action that the meshes of her black hair fell upon
her neck and gave a sinister expression to her face.
“I call Saint-Labre to witness,”
she said, “that I vow you to the Blues.
You shall be a soldier to avenge your father.
Kill, kill the Chouans, and do as I do.
Ha! they’ve taken the head of my man, and I
am going to give that of the Gars to the Blues.”
She sprang at a bound on the bed,
seized a little bag of money from a hiding-place,
took the hand of the astonished little boy, and dragged
him after her without giving him time to put on his
shoe, and was on her way to Fougeres rapidly, without
once turning her head to look at the home she abandoned.
When they reached the summit of the rocks of Saint-Sulpice
Barbette set fire to the pile of fagots, and the boy
helped her to pile on the green gorse, damp with hoarfrost,
to make the smoke more dense.
“That fire will last longer
than your father, longer than I, longer than the Gars,”
said Barbette, in a savage voice.
While the widow of Galope-Chopine
and her son with his bloody foot stood watching, the
one, with a gloomy expression of revenge, the other
with curiosity, the curling of the smoke, Mademoiselle
de Verneuil’s eyes were fastened on the same
rock, trying, but in vain, to see her lover’s
signal. The fog, which had thickened, buried the
whole region under a veil, its gray tints obscuring
even the outlines of the scenery that was nearest
the town. She examined with tender anxiety the
rocks, the castle, the buildings, which loomed like
shadows through the mist. Near her window several
trees stood out against this blue-gray background;
the sun gave a dull tone as of tarnished silver to
the sky; its rays colored the bare branches of the
trees, where a few last leaves were fluttering, with
a dingy red. But too many dear and delightful
sentiments filled Marie’s soul to let her notice
the ill-omens of a scene so out of harmony with the
joys she was tasting in advance. For the last
two days her ideas had undergone a change. The
fierce, undisciplined vehemence of her passions had
yielded under the influence of the equable atmosphere
which a true love gives to life. The certainty
of being loved, sought through so many perils, had
given birth to a desire to re-enter those social conditions
which sanction love, and which despair alone had made
her leave. To love for a moment only now seemed
to her a species of weakness. She saw herself
lifted from the dregs of society, where misfortune
had driven her, to the high rank in which her father
had meant to place her. Her vanity, repressed
for a time by the cruel alternations of hope and misconception,
was awakened and showed her all the benefits of a
great position. Born in a certain way to rank,
marriage to a marquis meant, to her mind, living and
acting in the sphere that belonged to her. Having
known the chances and changes of an adventurous life,
she could appreciate, better than other women, the
grandeur of the feelings which make the Family.
Marriage and motherhood with all their cares seemed
to her less a task than a rest. She loved the
calm and virtuous life she saw through the clouds of
this last storm as a woman weary of virtue may sometimes
covet an illicit passion. Virtue was to her a
new seduction.
“Perhaps,” she thought,
leaving the window without seeing the signal on the
rocks of Saint-Sulpice, “I have been too coquettish
with him —but I knew he loved me!
Francine, it is not a dream; to-night I shall be Marquise
de Montauran. What have I done to deserve such
perfect happiness? Oh! I love him, and love
alone is love’s reward. And yet, I think
God means to recompense me for taking heart through
all my misery; he means me to forget my sufferings—for
you know, Francine, I have suffered.”
“To-night, Marquise de Montauran,
you, Marie? Ah! until it is done I cannot believe
it! Who has told him your true goodness?”
“Dear child! he has more than
his handsome eyes to see me with, he has a soul.
If you had seen him, as I have, in danger! Oh!
he knows how to love—he is so brave!”
“If you really love him why
do you let him come to Fougeres?”
“We had no time to say one word
to each other when the Blues surprised us. Besides,
his coming is a proof of love. Can I ever have
proofs enough? And now, Francine, do my hair.”
But she pulled it down a score of
times with motions that seemed electric, as though
some stormy thoughts were mingling still with the
arts of her coquetry. As she rolled a curl or
smoothed the shining plaits she asked herself, with
a remnant of distrust, whether the marquis were deceiving
her; but treachery seemed to her impossible, for did
he not expose himself to instant vengeance by entering
Fougeres? While studying in her mirror the effects
of a sidelong glance, a smile, a gentle frown, an
attitude of anger, or of love, or disdain, she was
seeking some woman’s wile by which to probe to
the last instant the heart of the young leader.
“You are right, Francine,”
she said; “I wish with you that the marriage
were over. This is the last of my cloudy days—it
is big with death or happiness. Oh! that fog
is dreadful,” she went on, again looking towards
the heights of Saint-Sulpice, which were still veiled
in mist.
She began to arrange the silk and
muslin curtains which draped the window, making them
intercept the light and produce in the room a voluptuous
chiaro-scuro.
“Francine,” she said,
“take away those knick-knacks on the mantelpiece;
leave only the clock and the two Dresden vases.
I’ll fill those vases myself with the flowers
Corentin brought me. Take out the chairs, I want
only this sofa and a fauteuil. Then sweep the
carpet, so as to bring out the colors, and put wax
candles in the sconces and on the mantel.”
Marie looked long and carefully at
the old tapestry on the walls. Guided by her
innate taste she found among the brilliant tints of
these hangings the shades by which to connect their
antique beauty with the furniture and accessories
of the boudoir, either by the harmony of color or
the charm of contrast. The same thought guided
the arrangement of the flowers with which she filled
the twisted vases which decorated her chamber.
The sofa was placed beside the fire. On either
side of the bed, which filled the space parallel to
that of the chimney, she placed on gilded tables tall
Dresden vases filled with foliage and flowers that
were sweetly fragrant. She quivered more than
once as she arranged the folds of the green damask
above the bed, and studied the fall of the drapery
which concealed it. Such preparations have a
secret, ineffable happiness about them; they cause
so many delightful emotions that a woman as she makes
them forgets her doubts; and Mademoiselle de Verneuil
forgot hers. There is in truth a religious sentiment
in the multiplicity of cares taken for one beloved
who is not there to see them and reward them, but who
will reward them later with the approving smile these
tender preparations (always so fully understood) obtain.
Women, as they make them, love in advance; and there
are few indeed who would not say to themselves, as
Mademoiselle de Verneuil now thought: “To-night
I shall be happy!” That soft hope lies in every
fold of silk or muslin; insensibly, the harmony the
woman makes about her gives an atmosphere of love in
which she breathes; to her these things are beings,
witnesses; she has made them the sharers of her coming
joy. Every movement, every thought brings that
joy within her grasp. But presently she expects
no longer, she hopes no more, she questions silence;
the slightest sound is to her an omen; doubt hooks
its claws once more into her heart; she burns, she
trembles, she is grasped by a thought which holds her
like a physical force; she alternates from triumph
to agony, and without the hope of coming happiness
she could not endure the torture. A score of
times did Mademoiselle de Verneuil raise the window-curtain,
hoping to see the smoke rising above the rocks; but
the fog only took a grayer tone, which her excited
imagination turned into a warning. At last she
let fall the curtain, impatiently resolving not to
raise it again. She looked gloomily around the
charming room to which she had given a soul and a
voice, asking herself if it were done in vain, and
this thought brought her back to her preparations.
“Francine,” she said,
drawing her into a little dressing-room which adjoined
her chamber and was lighted through a small round window
opening on a dark corner of the fortifications where
they joined the rock terrace of the Promenade, “put
everything in order. As for the salon, you can
leave that as it is,” she added, with a smile
which women reserve for their nearest friends, the
delicate sentiment of which men seldom understand.
“Ah! how sweet you are!” exclaimed the
little maid.
“A lover is our beauty—foolish women
that we are!” she replied gaily.
Francine left her lying on the ottoman
and went away convinced that, whether her mistress
were loved or not, she would never betray Montauran.