Mad as he was with jealousy, that
lowest and most bestial of all the vile passions man
still inherits from the ape and tiger, Robert Monteith
was yet quite sane enough to know in his own soul what
deed he had wrought, and in what light even his country’s
barbaric laws would regard his action. So the
moment he had wreaked to the full his fiery vengeance
on the man who had never wronged him, he bent over
the body with strangely eager eyes, expecting to see
upon it some evidence of his guilt, some bloody mark
of the hateful crime his own hand had committed.
At the same instant, Frida, recovering from his blow
that had sent her reeling, rushed frantically forward,
flung herself with wild passion on her lover’s
corpse, and covered the warm lips with hot, despairing
kisses.
One marvellous fact, however, impressed
them both with a vague sense of the unknown and the
mysterious from the very first second. No spot
nor trace of blood marred the body anywhere.
And, even as they looked, a strange perfume, as of
violets or of burning incense, began by degrees to
flood the moor around them. Then slowly, while
they watched, a faint blue flame seemed to issue from
the wound in Bertram’s right side and rise lambent
into the air above the murdered body. Frida
drew back and gazed at it, a weird thrill of mystery
and unconscious hope beguiling for one moment her
profound pang of bereavement. Monteith, too,
stood away a pace or two, in doubt and surprise, the
deep consciousness of some strange and unearthly power
overawing for a while even his vulgar and commonplace
Scotch bourgeois nature. Gradually, as they gazed,
the pale blue flame, rising higher and higher, gathered
force and volume, and the perfume as of violets became
distinct on the air, like the savour of a purer life
than this century wots of. Bit by bit, the wan
blue light, flickering thicker and thicker, shaped
itself into the form and features of a man, even the
outward semblance of Bertram Ingledew. Shadowy,
but transfigured with an ineffable glory, it hovered
for a minute or two above the spot on the moor where
the corpse had lain; for now they were aware that as
the flame-shape formed, the body that lay dead upon
the ground beneath dissolved by degrees and melted
into it. Not a trace was left on the heath of
Robert Monteith’s crime: not a dapple of
blood, not a clot of gore: only a pale blue flame
and a persistent image represented the body that was
once Bertram Ingledew’s.
Again, even as they looked, a still
weirder feeling began to creep over them. The
figure, growing fainter, seemed to fade away piecemeal
in the remote distance. But it was not in space
that it faded; it appeared rather to become dim in
some vaguer and far more mysterious fashion, like
the memories of childhood or the aching abysses of
astronomical calculation. As it slowly dissolved,
Frida stretched out her hands to it with a wild cry,
like the cry of a mother for her first-born.
“O Bertram,” she moaned, “where
are you going? Do you mean to leave me?
Won’t you save me from this man? Won’t
you take me home with you?”
Dim and hollow, as from the womb of
time unborn, a calm voice came back to her across
the gulf of ages: “Your husband willed
it, Frida, and the customs of your nation. You
can come to me, but I can never return to you.
In three days longer your probation would have been
finished. But I forgot with what manner of savage
I had still to deal. And now I must go back
once more to the place whence I came—to
the twenty-fifth century.”
The voice died away in the dim recesses
of the future. The pale blue flame flickered
forward and vanished. The shadowy shape melted
through an endless vista of to-morrows. Only
the perfume as of violets or of a higher life still
hung heavy upon the air, and a patch of daintier purple
burned bright on the moor, like a pool of crimson
blood, where the body had fallen. Only that,
and a fierce ache in Frida’s tortured heart;
only that, and a halo of invisible glory round the
rich red lips, where his lips had touched them.