Banneker’s induction into journalism
was unimpressive. They gave him a desk, an outfit
of writing materials, a mail-box with his name on it,
and eventually an assignment. Mr. Mallory presented
him to several of the other “cubs” and
two or three of the older and more important reporters.
They were all quite amiable, obviously willing to be
helpful, and they impressed the observant neophyte
with that quiet and solid esprit de corps which
is based upon respect for work well performed in a
common cause. He apprehended that The Ledger office
was in some sort an institution.
None of his new acquaintances volunteered
information as to the mechanism of his new job.
Apparently he was expected to figure that out for
himself. By nature reticent, and trained in an
environment which still retained enough of frontier
etiquette to make a scrupulous incuriosity the touchstone
of good manners and perhaps the essence of self-preservation,
Banneker asked no questions. He sat and waited.
One by one the other reporters were
summoned by name to the city desk, and dispatched
with a few brief words upon the various items of the
news. Presently Banneker found himself alone,
in the long files of desks. For an hour he sat
there and for a second hour. It seemed a curious
way in which to be earning fifteen dollars a week.
He wondered whether he was expected to sit tight at
his desk. Or had he the freedom of the office?
Characteristically choosing the more active assumption,
he found his way to the current newspaper files.
They were like old friends.
“Mr. Banneker.” An
office boy was at his elbow. “Mr. Greenough
wants you.”
Conscious of a quickened pulse, and
annoyed at himself because of it, the tyro advanced
to receive his maiden assignment. The epochal
event was embodied in the form of a small clipping
from an evening paper, stating that a six-year-old
boy had been fatally burned at a bonfire near the
North River. Banneker, Mr. Greenough instructed
him mildly, was to make inquiries of the police, of
the boy’s family, of the hospital, and of such
witnesses as he could find.
Quick with interest he caught up his
hat and hurried out. Death, in the sparsely populated
country wherefrom he hailed, was a matter of inclusive
local importance; he assumed the same of New York.
Three intense hours he devoted to an item which any
police reporter of six months’ standing would
have rounded up in a brace of formal inquiries, and
hastened back, brimful of details for Mr. Greenough.
“Good! Good!” interpolated
that blandly approving gentleman from time to time
in the course of the narrative. “Write it,
Mr. Banneker! write it.”
“How much shall I write?”
“Just what is necessary to tell the news.”
Behind the amiable smile which broadened
without lighting up the sub-Mongol physiognomy of
the city editor, Banneker suspected something.
As he sat writing page after page, conscientiously
setting forth every germane fact, the recollection
of that speculative, estimating smile began to play
over the sentences with a dire and blighting beam.
Three fourths of the way through, the writer rose,
went to the file-board and ran through a dozen newspapers.
He was seeking a ratio, a perspective. He wished
to determine how much, in a news sense, the death of
the son of an obscure East-Side plasterer was worth.
On his return he tore up all that he had written,
and substituted a curt paragraph, without character
or color, which he turned in. He had gauged the
value of the tragedy accurately, in the light of his
study of news files.
Greenough showed the paragraph (which
failed to appear at all in the overcrowded paper of
next morning) to Mr. Gordon.
“The new man doesn’t start
well,” he remarked. “Too little imaginative
interest.”
“Isn’t it knowledge rather
than lack of interest?” suggested the managing
editor.
“It may come to the same thing.
If he knows too much to get really interested, he’ll
be a dull reporter.”
“I doubt whether you’ll
find him dull,” smiled Mr. Gordon. “But
he may find his job dull. In that case, of course
he’d better find another.”
Indeed, that was the danger which,
for weeks to follow, Banneker skirted. Police
news, petty and formal, made up his day’s work.
Had he sought beneath the surface of it the underlying
elements, and striven to express these, his matter
as it came to the desk, however slight the technical
news value might have been, would have afforded the
watchful copy-readers, trained to that special selectiveness
as only The Ledger could train its men, opportunity
of judging what potentialities might lurk beneath
the crudities of the “cub.” But Banneker
was not crude. He was careful. His sense
of the relative importance of news, acquired by those
weeks of intensive analysis before applying for his
job, was too just to let him give free play to his
pen. What was the use? The “story”
wasn’t worth the space.
Nevertheless, 3 T 9901, which Banneker
was already too cognoscent to employ in his formal
newsgathering (the notebook is anathema to the metropolitan
reporter), was filling up with odd bits, which were
being transferred, in the weary hours when the new
man sat at his desk with nothing to do, to paper in
the form of sketches for Miss Westlake’s trustful
and waiting typewriter. Nobody could say that
Banneker was not industrious. Among his fellow
reporters he soon acquired the melancholy reputation
of one who was forever writing “special stuff,”
none of which ever “landed.” It was
chiefly because of his industry and reliability, rather
than any fulfillment of the earlier promise of brilliant
worth as shown in the Sunday Sphere articles, that
he got his first raise to twenty dollars. It
surprised rather than gratified him.
He went to Mr. Gordon about it.
The managing editor was the kind of man with whom
it is easy to talk straight talk.
“What’s the matter with me?” asked
Banneker.
Mr. Gordon played a thoughtful tattoo
upon his fleshy knuckles with the letter-opener.
“Nothing. Aren’t you satisfied?”
“No. Are you?”
“You’ve had your raise,
and fairly early. Unless you had been worth it,
you wouldn’t have had it.”
“Am I doing what you expected of me?”
“Not exactly. But you’re developing
into a sure, reliable reporter.”
“A routine man,” commented Banneker.
“After all, the routine man
is the backbone of the office.” Mr. Gordon
executed a fantasia on his thumb. “Would
you care to try a desk job?” he asked, peering
at Banneker over his glasses.
“I’d rather run a trolley car. There’s
more life in it.”
“Do you see life, in your work, Mr. Banneker?”
“See it? I feel it.
Sometimes I think it’s going to flatten me out
like a steam-roller.”
“Then why not write it?”
“It isn’t news: not what I see.”
“Perhaps not. Perhaps it’s
something else. But if it’s there and we
can get a gleam of it into the paper, we’ll
crowd news out to make a place for it. You haven’t
been reading The Ledger I’m afraid.”
“Like a Bible.”
“Not to good purpose, then. What do you
think of Tommy Burt’s stuff?”
“It’s funny; some of it. But I couldn’t
do it to save my job.”
“Nobody can do it but Burt,
himself. Possibly you could learn something from
it, though.”
“Burt doesn’t like it,
himself. He told me it was all formula; that you
could always get a laugh out of people about something
they’d been taught to consider funny, like a
red nose or a smashed hat. He’s got a list
of Sign Posts on the Road to Humor.”
“The cynicism of twenty-eight,”
smiled the tolerant Mr. Gordon. “Don’t
let yourself be inoculated.”
“Mr. Gordon,” said Banneker
doggedly; “I’m not doing the kind of work
I expected to do here.”
“You can hardly expect the star
jobs until you’ve made yourself a star man.”
Banneker flushed. “I’m
not complaining of the way I’ve been treated.
I’ve had a square enough deal. The trouble
is with me. I want to know whether I ought to
stick or quit.”
“If you quit, what would you do?”
“I haven’t a notion,”
replied the other with an indifference which testified
to a superb, instinctive self-confidence. “Something.”
“Do it here. I think you’ll come
along all right.”
“But what’s wrong with me?” persisted
Banneker.
“Too much restraint. A
rare fault. You haven’t let yourself out.”
For a space he drummed and mused. Suddenly a
knuckle cracked loudly. Mr. Gordon flinched and
glared at it, startled as if it had offended him by
interrupting a train of thought. “Here!”
said he brusquely. “There’s a Sewer-Cleaners’
Association picnic to-morrow. They’re going
to put in half their day inspecting the Stimson Tunnel
under the North River. Pretty idea; isn’t
it? Suppose I ask Mr. Greenough to send you out
on the story. And I’d like a look at it
when you turn it in.”
Banneker worked hard on his report
of the picnic; hard and self-consciously. Tommy
Burt would, he knew, have made a “scream”
of it, for tired business men to chuckle over on their
way downtown. Pursuant to what he believed Mr.
Gordon wanted, Banneker strove conscientiously to
be funny with these human moles, who, having twelve
hours of freedom for sunshine and air, elected to
spend half of it in a hole bigger, deeper, and more
oppressive than any to which their noisome job called
them. The result was five painfully mangled sheets
which presently went to the floor, torn in strips.
After that Banneker reported the picnic as he saw,
felt, and smelt it. It was a somber bit of writing,
not without its subtleties and shrewd perceptions;
quite unsuitable to the columns of The Ledger, in
which it failed to appear. But Mr. Gordon read
it twice. He advised Banneker not to be discouraged.
Banneker was deeply discouraged. He wanted to
resign.
Perhaps he would nave resigned, if
old Mynderse Verschoyle had not died at eight o’clock
on the morning of the day when Banneker was the earliest
man to report at the office. A picturesque character,
old Mynderse, who had lived for forty-five years with
his childless wife in the ancient house on West 10th
Street, and for the final fifteen years had not addressed
so much as a word to her. She had died three months
before; and now he had followed, apparently, from what
Banneker learned in an interview with the upset and
therefore voluble secretary of the dead man, because,
having no hatred left on which to center his life,
he had nothing else to live for. Banneker wrote
the story of that hatred, rigid, ceremonious, cherished
like a rare virtue until it filled two lives; and
he threw about it the atmosphere of the drear and divided
old house. At the end, the sound of the laughter
of children at play in the street.
The article appeared word for word
as he had written it. That noon Tommy Burt, the
funny man, drawing down his hundred-plus a week on
space, came over and sat on Banneker’s desk,
and swung his legs and looked at him mournfully and
said:
“You’ve broken through your shell at last.”
“Did you like it?” asked Banneker.
“Like it! My God, if I
could write like that! But what’s the use!
Never in the world.”
“Oh, that’s nonsense,”
returned Banneker, pleased. “Of course you
can. But what’s the rest of your ’if’?”
“I wouldn’t be wasting
my time here. The magazines for me.”
“Is that better?”
“Depends on what you’re
after. For a man who wants to write, it’s
better, of course.”
“Why?”
“Gives him a larger audience.
No newspaper story is remembered overnight except
by newspaper men. And they don’t matter.”
“Why don’t they matter?”
Banneker was surprised again, this time rather disagreeably.
“It’s a little world.
There isn’t much substance to it. Take that
Verschoyle stuff of yours; that’s literature,
that is! But you’ll never hear of it again
after next week. A few people here will remember
it, and it’ll help you to your next raise.
But after you’ve got that, and, after that,
your lift onto space, where are you?”
The abruptly confidential approach
of Tommy Burt flattered Banneker with the sense that
by that one achievement of the Verschoyle story he
had attained a new status in the office. Later
there came out from the inner sanctum where sat the
Big Chief, distilling venom and wit in equal parts
for the editorial page, a special word of approval.
But this pleased the recipient less than the praise
of his peers in the city room.
After that first talk, Burt came back
to Banneker’s desk from time to time, and once
took him to dinner at “Katie’s,”
the little German restaurant around the corner.
Burt was given over to a restless and inoffensively
egoistic pessimism.
“Look at me. I’m
twenty-eight and making a good income. When I
was twenty-three, I was making nearly as much.
When I’m thirty-eight, where shall I be?”
“Can’t you keep on making it?” asked
Banneker.
“Doubtful. A fellow goes
stale on the kind of stuff I do. And if I do
keep on? Five to six thousand is fine now.
It won’t be so much ten years from now.
That’s the hell of this game; there’s no
real chance in it.”
“What about the editing jobs?”
“Desk-work? Chain yourself
by the leg, with a blue pencil in your hand to butcher
better men’s stuff? A managing editor, now,
I’ll grant you. He gets his twenty or twenty-five
thousand if he doesn’t die of overstrain, first.
But there’s only a few managing editors.”
“There are more editorial writers.”
“Hired pens. Dishing up
other fellows’ policies, whether you believe
in ’em or not. No; I’m not of that
profession, anyway.” He specified the profession,
a highly ancient and dishonorable one. Mr. Burt,
in his gray moods, was neither discriminating nor
quite just.
Banneker voiced the question which,
at some point in his progress, every thoughtful follower
of journalism must meet and solve as best he can.
“When a man goes on a newspaper I suppose he
more or less accepts that paper’s standards,
doesn’t he?”
“More or less? To what extent?” countered
the expert.
“I haven’t figured that out, yet.”
“Don’t be in a hurry about
it,” advised the other with a gleam of malice.
“The fellows that do figure it out to the end,
and are honest enough about it, usually quit.”
“You haven’t quit.”
“Perhaps I’m not honest
enough or perhaps I’m too cowardly,” retorted
the gloomy Burt.
Banneker smiled. Though the other
was nearly two years his senior, he felt immeasurably
the elder. There is about the true reporter type
an infinitely youthful quality; attractive and touching;
the eternal juvenile, which, being once outgrown with
its facile and evanescent enthusiasms, leaves the
expert declining into the hack. Beside this prematurely
weary example of a swift and precarious success, Banneker
was mature of character and standard. Nevertheless,
the seasoned journalist was steeped in knowledge which
the tyro craved.
“What would you do,” Banneker
asked, “if you were sent out to write a story
absolutely opposed to something you believed right;
political, for instance?”
“I don’t write politics. That’s
a specialty.”
“Who does?”
“‘Parson’ Gale.”
“Does he believe in everything The Ledger stands
for?”
“Certainly. In office hours.
For and in consideration of one hundred and twenty-five
dollars weekly, duly and regularly paid.”
“Outside of office hours, then.”
“Ah; that’s different.
In Harlem where he lives, the Parson is quite a figure
among the reform Democrats. The Ledger, as you
know, is Republican; and anything in the way of reform
is its favorite butt. So Gale spends his working
day poking fun at his political friends and associates.”
“Out West we’d call that kind of fellow
a yellow pup.”
“Well, don’t call the
Parson that; not to me,” warned the other indignantly.
“He’s as square a man as you’ll find
on Park Row. Why, you were just saying, yourself,
that a reporter is bound to accept his paper’s
standards when he takes the job.”
“Then I suppose the answer is
that a man ought to work only on a newspaper in whose
policies he believes.”
“Which policies? A newspaper
has a hundred different ones about a hundred different
things. Here in this office we’re dead against
the split infinitive and the Honest Laboring Man.
We don’t believe he’s honest and we’ve
got our grave doubts as to his laboring. Yet one
of our editorial writers is an out-and-out Socialist
and makes fiery speeches advising the proletariat
to rise and grab the reins of government. But
he’d rather split his own head than an infinitive.”
“Does he write anti-labor editorials?”
asked the bewildered Banneker.
“Not as bad as that. He
confines himself to European politics and popular
scientific matters. But, of course, wherever there
is necessity for an expression of opinion, he’s
anti-socialist in his writing, as he’s bound
to be.”
“Just a moment ago you were
talking of hired pens. Now you seem to be defending
that sort of thing. I don’t understand your
point of view.”
“Don’t you? Neither
do I, I guess,” admitted the expositor with great
candor. “I can argue it either way and convince
myself, so far as the other fellow’s work is
concerned. But not for my own.”
“How do you figure it out for yourself, then?”
“I don’t. I dodge.
It’s a kind of tacit arrangement between the
desk and me. In minor matters I go with the paper.
That’s easy, because I agree with it in most
questions of taste and the way of doing things.
After all The Ledger has got certain standards
of professional conduct and of decent manners; it’s
a gentleman’s paper. The other things, the
things where my beliefs conflict with the paper’s
standards, political or ethical, don’t come
my way. You see, I’m a specialist; I do
mostly the fluffy stuff.”
“If that’s the way to
keep out of embarrassing decisions, I’d like
to become a specialist myself.”
“You can do it, all right,”
the other assured him earnestly. “That story
of yours shows it. You’ve got The Ledger
touch—no, it’s more individual than
that. But you’ve got something that’s
going to stick out even here. Just the same,
there’ll come a time when you’ll have to
face the other issue of your job or your—well,
your conscience.”
What Tommy Burt did not say in continuation,
and had no need to say, since his expressive and ingenuous
face said it for him, was, “And I wonder what
you’ll do with that!”
A far more influential friend than
Tommy Burt had been wondering, too, and had, not without
difficulty, expressed her doubts in writing.
Camilla Van Arsdale had written to Banneker:
... I know so little of journalism,
but there are things about it that I distrust instinctively.
Do you remember what that wrangler from the Jon
Cal told Old Bill Speed when Bill wanted to hire
him: “I wouldn’t take any job that
I couldn’t look in the eye and tell it to go
to hell on five minutes’ notice.”
I have a notion that you’ve got to take that
attitude toward a reporting job. There must be
so much that a man cannot do without loss of self-respect.
Yet, I can’t imagine why I should worry about
you as to that. Unless it is that, in a strange
environment one gets one’s values confused….
Have you had to do any “Society” reporting
yet? I hope not. The society reporters of
my day were either obsequious little flunkeys and
parasites, or women of good connections but no money
who capitalized their acquaintanceship to make a poor
living, and whom one was sorry for, but would rather
not see. Going to places where one is not asked,
scavenging for bits of news from butlers and housekeepers,
sniffing after scandals—perhaps that is
part of the necessary apprenticeship of newspaper
work. But it’s not a proper work for a
gentleman. And, in any case, Ban, you are that,
by the grace of your ancestral gods.
Little enough did Banneker care for
his ancestral gods: but he did greatly care for
the maintenance of those standards which seemed to
have grown, indigenously within him, since he had
never consciously formulated them. As for reporting,
of whatever kind, he deemed Miss Van Arsdale prejudiced.
Furthermore, he had met the society reporter of The
Ledger, an elderly, mild, inoffensive man, neat and
industrious, and discerned in him no stigma of the
lickspittle. Nevertheless, he hoped that he would
not be assigned to such “society news”
as Remington did not cover in his routine. It
might, he conceived, lead him into false situations
where he could be painfully snubbed. And he had
never yet been in a position where any one could snub
him without instant reprisals. In such circumstances
he did not know exactly what he would do. However,
that bridge could be crossed or refused when he came
to it.