PASSION
He was gradually making it possible
to earn a livelihood by his art. Liberty’s
had taken several of his painted designs on various
stuffs, and he could sell designs for embroideries,
for altar-cloths, and similar things, in one or two
places. It was not very much he made at present,
but he might extend it. He had also made friends
with the designer for a pottery firm, and was gaining
some knowledge of his new acquaintance’s art.
The applied arts interested him very much. At
the same time he laboured slowly at his pictures.
He loved to paint large figures, full of light, but
not merely made up of lights and cast shadows, like
the impressionists; rather definite figures that had
a certain luminous quality, like some of Michael Angelo’s
people. And these he fitted into a landscape,
in what he thought true proportion. He worked
a great deal from memory, using everybody he knew.
He believed firmly in his work, that it was good and
valuable. In spite of fits of depression, shrinking,
everything, he believed in his work.
He was twenty-four when he said his
first confident thing to his mother.
“Mother,” he said, “I
s’ll make a painter that they’ll attend
to.”
She sniffed in her quaint fashion.
It was like a half-pleased shrug of the shoulders.
“Very well, my boy, we’ll see,”
she said.
“You shall see, my pigeon!
You see if you’re not swanky one of these days!”
“I’m quite content, my boy,” she
smiled.
“But you’ll have to alter. Look at
you with Minnie!”
Minnie was the small servant, a girl of fourteen.
“And what about Minnie?” asked Mrs. Morel,
with dignity.
“I heard her this morning:
‘Eh, Mrs. Morel! I was going to do that,’
when you went out in the rain for some coal,”
he said. “That looks a lot like your being
able to manage servants!”
“Well, it was only the child’s niceness,”
said Mrs. Morel.
“And you apologising to her:
’You can’t do two things at once, can
you?’”
“She was busy washing up,” replied
Mrs. Morel.
“And what did she say?
’It could easy have waited a bit. Now look
how your feet paddle!’”
“Yes—brazen young baggage!”
said Mrs. Morel, smiling.
He looked at his mother, laughing.
She was quite warm and rosy again with love of him.
It seemed as if all the sunshine were on her for a
moment. He continued his work gladly. She
seemed so well when she was happy that he forgot her
grey hair.
And that year she went with him to
the Isle of Wight for a holiday. It was too exciting
for them both, and too beautiful. Mrs. Morel was
full of joy and wonder. But he would have her
walk with him more than she was able. She had
a bad fainting bout. So grey her face was, so
blue her mouth! It was agony to him. He
felt as if someone were pushing a knife in his chest.
Then she was better again, and he forgot. But
the anxiety remained inside him, like a wound that
did not close.
After leaving Miriam he went almost
straight to Clara. On the Monday following the
day of the rupture he went down to the work-room.
She looked up at him and smiled. They had grown
very intimate unawares. She saw a new brightness
about him.
“Well, Queen of Sheba!” he said, laughing.
“But why?” she asked.
“I think it suits you. You’ve got
a new frock on.”
She flushed, asking:
“And what of it?”
“Suits you—awfully! I could
design you a dress.”
“How would it be?”
He stood in front of her, his eyes
glittering as he expounded. He kept her eyes
fixed with his. Then suddenly he took hold of
her. She half-started back. He drew the
stuff of her blouse tighter, smoothed it over her
breast.
“More so!” he explained.
But they were both of them flaming
with blushes, and immediately he ran away. He
had touched her. His whole body was quivering
with the sensation.
There was already a sort of secret
understanding between them. The next evening
he went to the cinematograph with her for a few minutes
before train-time. As they sat, he saw her hand
lying near him. For some moments he dared not
touch it. The pictures danced and dithered.
Then he took her hand in his. It was large and
firm; it filled his grasp. He held it fast.
She neither moved nor made any sign. When they
came out his train was due. He hesitated.
“Good-night,” she said. He darted
away across the road.
The next day he came again, talking
to her. She was rather superior with him.
“Shall we go a walk on Monday?” he asked.
She turned her face aside.
“Shall you tell Miriam?” she replied sarcastically.
“I have broken off with her,” he said.
“When?”
“Last Sunday.”
“You quarrelled?”
“No! I had made up my mind.
I told her quite definitely I should consider myself
free.”
Clara did not answer, and he returned
to his work. She was so quiet and so superb!
On the Saturday evening he asked her
to come and drink coffee with him in a restaurant,
meeting him after work was over. She came, looking
very reserved and very distant. He had three-quarters
of an hour to train-time.
“We will walk a little while,” he said.
She agreed, and they went past the
Castle into the Park. He was afraid of her.
She walked moodily at his side, with a kind of resentful,
reluctant, angry walk. He was afraid to take her
hand.
“Which way shall we go?” he asked as they
walked in darkness.
“I don’t mind.”
“Then we’ll go up the steps.”
He suddenly turned round. They
had passed the Park steps. She stood still in
resentment at his suddenly abandoning her. He
looked for her. She stood aloof. He caught
her suddenly in his arms, held her strained for a
moment, kissed her. Then he let her go.
“Come along,” he said, penitent.
She followed him. He took her
hand and kissed her finger-tips. They went in
silence. When they came to the light, he let go
her hand. Neither spoke till they reached the
station. Then they looked each other in the eyes.
“Good-night,” she said.
And he went for his train. His
body acted mechanically. People talked to him.
He heard faint echoes answering them. He was in
a delirium. He felt that he would go mad if Monday
did not come at once. On Monday he would see
her again. All himself was pitched there, ahead.
Sunday intervened. He could not bear it.
He could not see her till Monday. And Sunday
intervened—hour after hour of tension.
He wanted to beat his head against the door of the
carriage. But he sat still. He drank some
whisky on the way home, but it only made it worse.
His mother must not be upset, that was all. He
dissembled, and got quickly to bed. There he
sat, dressed, with his chin on his knees, staring out
of the window at the far hill, with its few lights.
He neither thought nor slept, but sat perfectly still,
staring. And when at last he was so cold that
he came to himself, he found his watch had stopped
at half-past two. It was after three o’clock.
He was exhausted, but still there was the torment
of knowing it was only Sunday morning. He went
to bed and slept. Then he cycled all day long,
till he was fagged out. And he scarcely knew where
he had been. But the day after was Monday.
He slept till four o’clock. Then he lay
and thought. He was coming nearer to himself—he
could see himself, real, somewhere in front.
She would go a walk with him in the afternoon.
Afternoon! It seemed years ahead.
Slowly the hours crawled. His
father got up; he heard him pottering about.
Then the miner set off to the pit, his heavy boots
scraping the yard. Cocks were still crowing.
A cart went down the road. His mother got up.
She knocked the fire. Presently she called him
softly. He answered as if he were asleep.
This shell of himself did well.
He was walking to the station—another
mile! The train was near Nottingham. Would
it stop before the tunnels? But it did not matter;
it would get there before dinner-time. He was
at Jordan’s. She would come in half an
hour. At any rate, she would be near. He
had done the letters. She would be there.
Perhaps she had not come. He ran downstairs.
Ah! he saw her through the glass door. Her shoulders
stooping a little to her work made him feel he could
not go forward; he could not stand. He went in.
He was pale, nervous, awkward, and quite cold.
Would she misunderstand him? He could not write
his real self with this shell.
“And this afternoon,”
he struggled to say. “You will come?”
“I think so,” she replied, murmuring.
He stood before her, unable to say
a word. She hid her face from him. Again
came over him the feeling that he would lose consciousness.
He set his teeth and went upstairs. He had done
everything correctly yet, and he would do so.
All the morning things seemed a long way off, as they
do to a man under chloroform. He himself seemed
under a tight band of constraint. Then there
was his other self, in the distance, doing things,
entering stuff in a ledger, and he watched that far-off
him carefully to see he made no mistake.
But the ache and strain of it could
not go on much longer. He worked incessantly.
Still it was only twelve o’clock. As if
he had nailed his clothing against the desk, he stood
there and worked, forcing every stroke out of himself.
It was a quarter to one; he could clear away.
Then he ran downstairs.
“You will meet me at the Fountain
at two o’clock,” he said.
“I can’t be there till half-past.”
“Yes!” he said.
She saw his dark, mad eyes.
“I will try at a quarter past.”
And he had to be content. He
went and got some dinner. All the time he was
still under chloroform, and every minute was stretched
out indefinitely. He walked miles of streets.
Then he thought he would be late at the meeting-place.
He was at the Fountain at five past two. The
torture of the next quarter of an hour was refined
beyond expression. It was the anguish of combining
the living self with the shell. Then he saw her.
She came! And he was there.
“You are late,” he said.
“Only five minutes,” she answered.
“I’d never have done it to you,”
he laughed.
She was in a dark blue costume. He looked at
her beautiful figure.
“You want some flowers,” he said, going
to the nearest florist’s.
She followed him in silence.
He bought her a bunch of scarlet, brick-red carnations.
She put them in her coat, flushing.
“That’s a fine colour!” he said.
“I’d rather have had something softer,”
she said.
He laughed.
“Do you feel like a blot of vermilion walking
down the street?” he said.
She hung her head, afraid of the people
they met. He looked sideways at her as they walked.
There was a wonderful close down on her face near
the ear that he wanted to touch. And a certain
heaviness, the heaviness of a very full ear of corn
that dips slightly in the wind, that there was about
her, made his brain spin. He seemed to be spinning
down the street, everything going round.
As they sat in the tramcar, she leaned
her heavy shoulder against him, and he took her hand.
He felt himself coming round from the anaesthetic,
beginning to breathe. Her ear, half-hidden among
her blonde hair, was near to him. The temptation
to kiss it was almost too great. But there were
other people on top of the car. It still remained
to him to kiss it. After all, he was not himself,
he was some attribute of hers, like the sunshine that
fell on her.
He looked quickly away. It had
been raining. The big bluff of the Castle rock
was streaked with rain, as it reared above the flat
of the town. They crossed the wide, black space
of the Midland Railway, and passed the cattle enclosure
that stood out white. Then they ran down sordid
Wilford Road.
She rocked slightly to the tram’s
motion, and as she leaned against him, rocked upon
him. He was a vigorous, slender man, with exhaustless
energy. His face was rough, with rough-hewn features,
like the common people’s; but his eyes under
the deep brows were so full of life that they fascinated
her. They seemed to dance, and yet they were still
trembling on the finest balance of laughter. His
mouth the same was just going to spring into a laugh
of triumph, yet did not. There was a sharp suspense
about him. She bit her lip moodily. His hand
was hard clenched over hers.
They paid their two halfpennies at
the turnstile and crossed the bridge. The Trent
was very full. It swept silent and insidious under
the bridge, travelling in a soft body. There
had been a great deal of rain. On the river levels
were flat gleams of flood water. The sky was grey,
with glisten of silver here and there. In Wilford
churchyard the dahlias were sodden with rain—wet
black-crimson balls. No one was on the path that
went along the green river meadow, along the elm-tree
colonnade.
There was the faintest haze over the
silvery-dark water and the green meadow-bank, and
the elm-trees that were spangled with gold. The
river slid by in a body, utterly silent and swift,
intertwining among itself like some subtle, complex
creature. Clara walked moodily beside him.
“Why,” she asked at length,
in rather a jarring tone, “did you leave Miriam?”
He frowned.
“Because I wanted to leave her,”
he said.
“Why?”
“Because I didn’t want to go on with her.
And I didn’t want to marry.”
She was silent for a moment.
They picked their way down the muddy path. Drops
of water fell from the elm-trees.
“You didn’t want to marry
Miriam, or you didn’t want to marry at all?”
she asked.
“Both,” he answered—“both!”
They had to manoeuvre to get to the
stile, because of the pools of water.
“And what did she say?” Clara asked.
“Miriam? She said I was
a baby of four, and that I always had battled
her off.”
Clara pondered over this for a time.
“But you have really been going with her for
some time?” she asked.
“Yes.”
“And now you don’t want any more of her?”
“No. I know it’s no good.”
She pondered again.
“Don’t you think you’ve treated
her rather badly?” she asked.
“Yes; I ought to have dropped
it years back. But it would have been no good
going on. Two wrongs don’t make a right.”
“How old are you?” Clara asked.
“Twenty-five.”
“And I am thirty,” she said.
“I know you are.”
“I shall be thirty-one—or am
I thirty-one?”
“I neither know nor care. What does it
matter!”
They were at the entrance to the Grove.
The wet, red track, already sticky with fallen leaves,
went up the steep bank between the grass. On
either side stood the elm-trees like pillars along
a great aisle, arching over and making high up a roof
from which the dead leaves fell. All was empty
and silent and wet. She stood on top of the stile,
and he held both her hands. Laughing, she looked
down into his eyes. Then she leaped. Her
breast came against his; he held her, and covered her
face with kisses.
They went on up the slippery, steep
red path. Presently she released his hand and
put it round her waist.
“You press the vein in my arm, holding it so
tightly,” she said.
They walked along. His finger-tips
felt the rocking of her breast. All was silent
and deserted. On the left the red wet plough-land
showed through the doorways between the elm-boles
and their branches. On the right, looking down,
they could see the tree-tops of elms growing far beneath
them, hear occasionally the gurgle of the river.
Sometimes there below they caught glimpses of the
full, soft-sliding Trent, and of water-meadows dotted
with small cattle.
“It has scarcely altered since
little Kirke White used to come,” he said.
But he was watching her throat below
the ear, where the flush was fusing into the honey-white,
and her mouth that pouted disconsolate. She stirred
against him as she walked, and his body was like a
taut string.
Halfway up the big colonnade of elms,
where the Grove rose highest above the river, their
forward movement faltered to an end. He led her
across to the grass, under the trees at the edge of
the path. The cliff of red earth sloped swiftly
down, through trees and bushes, to the river that
glimmered and was dark between the foliage. The
far-below water-meadows were very green. He and
she stood leaning against one another, silent, afraid,
their bodies touching all along. There came a
quick gurgle from the river below.
“Why,” he asked at length, “did
you hate Baxter Dawes?”
She turned to him with a splendid
movement. Her mouth was offered him, and her
throat; her eyes were half-shut; her breast was tilted
as if it asked for him. He flashed with a small
laugh, shut his eyes, and met her in a long, whole
kiss. Her mouth fused with his; their bodies were
sealed and annealed. It was some minutes before
they withdrew. They were standing beside the
public path.
“Will you go down to the river?” he asked.
She looked at him, leaving herself
in his hands. He went over the brim of the declivity
and began to climb down.
“It is slippery,” he said.
“Never mind,” she replied.
The red clay went down almost sheer.
He slid, went from one tuft of grass to the next,
hanging on to the bushes, making for a little platform
at the foot of a tree. There he waited for her,
laughing with excitement. Her shoes were clogged
with red earth. It was hard for her. He
frowned. At last he caught her hand, and she stood
beside him. The cliff rose above them and fell
away below. Her colour was up, her eyes flashed.
He looked at the big drop below them.
“It’s risky,” he said; “or
messy, at any rate. Shall we go back?”
“Not for my sake,” she said quickly.
“All right. You see, I
can’t help you; I should only hinder. Give
me that little parcel and your gloves. Your poor
shoes!”
They stood perched on the face of the declivity, under
the trees.
“Well, I’ll go again,” he said.
Away he went, slipping, staggering,
sliding to the next tree, into which he fell with
a slam that nearly shook the breath out of him.
She came after cautiously, hanging on to the twigs
and grasses. So they descended, stage by stage,
to the river’s brink. There, to his disgust,
the flood had eaten away the path, and the red decline
ran straight into the water. He dug in his heels
and brought himself up violently. The string
of the parcel broke with a snap; the brown parcel bounded
down, leaped into the water, and sailed smoothly away.
He hung on to his tree.
“Well, I’ll be damned!”
he cried crossly. Then he laughed. She was
coming perilously down.
“Mind!” he warned her.
He stood with his back to the tree, waiting.
“Come now,” he called, opening his arms.
She let herself run. He caught
her, and together they stood watching the dark water
scoop at the raw edge of the bank. The parcel
had sailed out of sight.
“It doesn’t matter,” she said.
He held her close and kissed her.
There was only room for their four feet.
“It’s a swindle!”
he said. “But there’s a rut where
a man has been, so if we go on I guess we shall find
the path again.”
The river slid and twined its great
volume. On the other bank cattle were feeding
on the desolate flats. The cliff rose high above
Paul and Clara on their right hand. They stood
against the tree in the watery silence.
“Let us try going forward,”
he said; and they struggled in the red clay along
the groove a man’s nailed boots had made.
They were hot and flushed. Their barkled shoes
hung heavy on their steps. At last they found
the broken path. It was littered with rubble from
the water, but at any rate it was easier. They
cleaned their boots with twigs. His heart was
beating thick and fast.
Suddenly, coming on to the little
level, he saw two figures of men standing silent at
the water’s edge. His heart leaped.
They were fishing. He turned and put his hand
up warningly to Clara. She hesitated, buttoned
her coat. The two went on together.
The fishermen turned curiously to
watch the two intruders on their privacy and solitude.
They had had a fire, but it was nearly out. All
kept perfectly still. The men turned again to
their fishing, stood over the grey glinting river
like statues. Clara went with bowed head, flushing;
he was laughing to himself. Directly they passed
out of sight behind the willows.
“Now they ought to be drowned,” said Paul
softly.
Clara did not answer. They toiled
forward along a tiny path on the river’s lip.
Suddenly it vanished. The bank was sheer red solid
clay in front of them, sloping straight into the river.
He stood and cursed beneath his breath, setting his
teeth.
“It’s impossible!” said Clara.
He stood erect, looking round.
Just ahead were two islets in the stream, covered
with osiers. But they were unattainable.
The cliff came down like a sloping wall from far above
their heads. Behind, not far back, were the fishermen.
Across the river the distant cattle fed silently in
the desolate afternoon. He cursed again deeply
under his breath. He gazed up the great steep
bank. Was there no hope but to scale back to
the public path?
“Stop a minute,” he said,
and, digging his heels sideways into the steep bank
of red clay, he began nimbly to mount. He looked
across at every tree-foot. At last he found what
he wanted. Two beech-trees side by side on the
hill held a little level on the upper face between
their roots. It was littered with damp leaves,
but it would do. The fishermen were perhaps sufficiently
out of sight. He threw down his rainproof and
waved to her to come.
She toiled to his side. Arriving
there, she looked at him heavily, dumbly, and laid
her head on his shoulder. He held her fast as
he looked round. They were safe enough from all
but the small, lonely cows over the river. He
sunk his mouth on her throat, where he felt her heavy
pulse beat under his lips. Everything was perfectly
still. There was nothing in the afternoon but
themselves.
When she arose, he, looking on the
ground all the time, saw suddenly sprinkled on the
black wet beech-roots many scarlet carnation petals,
like splashed drops of blood; and red, small splashes
fell from her bosom, streaming down her dress to her
feet.
“Your flowers are smashed,” he said.
She looked at him heavily as she put
back her hair. Suddenly he put his finger-tips
on her cheek.
“Why dost look so heavy?” he reproached
her.
She smiled sadly, as if she felt alone
in herself. He caressed her cheek with his fingers,
and kissed her.
“Nay!” he said. “Never thee
bother!”
She gripped his fingers tight, and
laughed shakily. Then she dropped her hand.
He put the hair back from her brows, stroking her temples,
kissing them lightly.
“But tha shouldna worrit!” he said softly,
pleading.
“No, I don’t worry!” she laughed
tenderly and resigned.
“Yea, tha does! Dunna thee worrit,”
he implored, caressing.
“No!” she consoled him, kissing him.
They had a stiff climb to get to the
top again. It took them a quarter of an hour.
When he got on to the level grass, he threw off his
cap, wiped the sweat from his forehead, and sighed.
“Now we’re back at the ordinary level,”
he said.
She sat down, panting, on the tussocky
grass. Her cheeks were flushed pink. He
kissed her, and she gave way to joy.
“And now I’ll clean thy
boots and make thee fit for respectable folk,”
he said.
He kneeled at her feet, worked away
with a stick and tufts of grass. She put her
fingers in his hair, drew his head to her, and kissed
it.
“What am I supposed to be doing,”
he said, looking at her laughing; “cleaning
shoes or dibbling with love? Answer me that!”
“Just whichever I please,” she replied.
“I’m your boot-boy for
the time being, and nothing else!” But they
remained looking into each other’s eyes and laughing.
Then they kissed with little nibbling kisses.
“T-t-t-t!” he went with
his tongue, like his mother. “I tell you,
nothing gets done when there’s a woman about.”
And he returned to his boot-cleaning,
singing softly. She touched his thick hair, and
he kissed her fingers. He worked away at her shoes.
At last they were quite presentable.
“There you are, you see!”
he said. “Aren’t I a great hand at
restoring you to respectability? Stand up!
There, you look as irreproachable as Britannia herself!”
He cleaned his own boots a little,
washed his hands in a puddle, and sang. They
went on into Clifton village. He was madly in
love with her; every movement she made, every crease
in her garments, sent a hot flash through him and
seemed adorable.
The old lady at whose house they had
tea was roused into gaiety by them.
“I could wish you’d had
something of a better day,” she said, hovering
round.
“Nay!” he laughed. “We’ve
been saying how nice it is.”
The old lady looked at him curiously.
There was a peculiar glow and charm about him.
His eyes were dark and laughing. He rubbed his
moustache with a glad movement.
“Have you been saying so!”
she exclaimed, a light rousing in her old eyes.
“Truly!” he laughed.
“Then I’m sure the day’s good enough,”
said the old lady.
She fussed about, and did not want to leave them.
“I don’t know whether
you’d like some radishes as well,” she
said to Clara; “but I’ve got some in the
garden—and a cucumber.”
Clara flushed. She looked very handsome.
“I should like some radishes,” she answered.
And the old lady pottered off gleefully.
“If she knew!” said Clara quietly to him.
“Well, she doesn’t know;
and it shows we’re nice in ourselves, at any
rate. You look quite enough to satisfy an archangel,
and I’m sure I feel harmless—so—if
it makes you look nice, and makes folk happy when they
have us, and makes us happy—why, we’re
not cheating them out of much!”
They went on with the meal. When
they were going away, the old lady came timidly with
three tiny dahlias in full blow, neat as bees, and
speckled scarlet and white. She stood before
Clara, pleased with herself, saying:
“I don’t know whether—”
and holding the flowers forward in her old hand.
“Oh, how pretty!” cried Clara, accepting
the flowers.
“Shall she have them all?” asked Paul
reproachfully of the old woman.
“Yes, she shall have them all,”
she replied, beaming with joy. “You have
got enough for your share.”
“Ah, but I shall ask her to give me one!”
he teased.
“Then she does as she pleases,”
said the old lady, smiling. And she bobbed a
little curtsey of delight.
Clara was rather quiet and uncomfortable. As
they walked along, he said:
“You don’t feel criminal, do you?”
She looked at him with startled grey eyes.
“Criminal!” she said. “No.”
“But you seem to feel you have done a wrong?”
“No,” she said. “I only think,
‘If they knew!’”
“If they knew, they’d
cease to understand. As it is, they do understand,
and they like it. What do they matter? Here,
with only the trees and me, you don’t feel not
the least bit wrong, do you?”
He took her by the arm, held her facing
him, holding her eyes with his. Something fretted
him.
“Not sinners, are we?” he said, with an
uneasy little frown.
“No,” she replied.
He kissed her, laughing.
“You like your little bit of
guiltiness, I believe,” he said. “I
believe Eve enjoyed it, when she went cowering out
of Paradise.”
But there was a certain glow and quietness
about her that made him glad. When he was alone
in the railway-carriage, he found himself tumultuously
happy, and the people exceedingly nice, and the night
lovely, and everything good.
Mrs. Morel was sitting reading when
he got home. Her health was not good now, and
there had come that ivory pallor into her face which
he never noticed, and which afterwards he never forgot.
She did not mention her own ill-health to him.
After all, she thought, it was not much.
“You are late!” she said, looking at him.
His eyes were shining; his face seemed to glow.
He smiled to her.
“Yes; I’ve been down Clifton Grove with
Clara.”
His mother looked at him again.
“But won’t people talk?” she said.
“Why? They know she’s
a suffragette, and so on. And what if they do
talk!”
“Of course, there may be nothing
wrong in it,” said his mother. “But
you know what folks are, and if once she gets talked
about—”
“Well, I can’t help it.
Their jaw isn’t so almighty important, after
all.”
“I think you ought to consider her.”
“So I do! What can
people say?—that we take a walk together.
I believe you’re jealous.”
“You know I should be glad
if she weren’t a married woman.”
“Well, my dear, she lives separate
from her husband, and talks on platforms; so she’s
already singled out from the sheep, and, as far as
I can see, hasn’t much to lose. No; her
life’s nothing to her, so what’s the worth
of nothing? She goes with me—it becomes
something. Then she must pay—we both
must pay! Folk are so frightened of paying; they’d
rather starve and die.”
“Very well, my son. We’ll see how
it will end.”
“Very well, my mother. I’ll abide
by the end.”
“We’ll see!”
“And she’s—she’s awfully
nice, mother; she is really! You don’t know!”
“That’s not the same as marrying her.”
“It’s perhaps better.”
There was silence for a while.
He wanted to ask his mother something, but was afraid.
“Should you like to know her?” He hesitated.
“Yes,” said Mrs. Morel coolly. “I
should like to know what she’s like.”
“But she’s nice, mother, she is!
And not a bit common!”
“I never suggested she was.”
“But you seem to think she’s—not
as good as—She’s better than ninety-nine
folk out of a hundred, I tell you! She’s
better, she is! She’s fair, she’s
honest, she’s straight! There isn’t
anything underhand or superior about her. Don’t
be mean about her!”
Mrs. Morel flushed.
“I am sure I am not mean about her. She
may be quite as you say, but—”
“You don’t approve,” he finished.
“And do you expect me to?” she answered
coldly.
“Yes
—if
you’d anything about you, you’d be glad!
Do you want to see her?”
“I said I did.”
“Then I’ll bring her—shall
I bring her here?”
“You please yourself.”
“Then I will bring her
here—one Sunday—to tea.
If you think a horrid thing about her, I shan’t
forgive you.”
His mother laughed.
“As if it would make any difference!”
she said. He knew he had won.
“Oh, but it feels so fine, when
she’s there! She’s such a queen in
her way.”
Occasionally he still walked a little
way from chapel with Miriam and Edgar. He did
not go up to the farm. She, however, was very
much the same with him, and he did not feel embarrassed
in her presence. One evening she was alone when
he accompanied her. They began by talking books:
it was their unfailing topic. Mrs. Morel had said
that his and Miriam’s affair was like a fire
fed on books—if there were no more volumes
it would die out. Miriam, for her part, boasted
that she could read him like a book, could place her
finger any minute on the chapter and the line.
He, easily taken in, believed that Miriam knew more
about him than anyone else. So it pleased him
to talk to her about himself, like the simplest egoist.
Very soon the conversation drifted to his own doings.
It flattered him immensely that he was of such supreme
interest.
“And what have you been doing lately?”
“I—oh, not much!
I made a sketch of Bestwood from the garden, that is
nearly right at last. It’s the hundredth
try.”
So they went on. Then she said:
“You’ve not been out, then, lately?”
“Yes; I went up Clifton Grove on Monday afternoon
with Clara.”
“It was not very nice weather,” said Miriam,
“was it?”
“But I wanted to go out, and it was all right.
The Trent is full.”
“And did you go to Barton?” she asked.
“No; we had tea in Clifton.”
“Did you! That would be nice.”
“It was! The jolliest old
woman! She gave us several pompom dahlias, as
pretty as you like.”
Miriam bowed her head and brooded.
He was quite unconscious of concealing anything from
her.
“What made her give them you?” she asked.
He laughed.
“Because she liked us—because we
were jolly, I should think.”
Miriam put her finger in her mouth.
“Were you late home?” she asked.
At last he resented her tone.
“I caught the seven-thirty.”
“Ha!”
They walked on in silence, and he was angry.
“And how is Clara?” asked Miriam.
“Quite all right, I think.”
“That’s good!” she
said, with a tinge of irony. “By the way,
what of her husband? One never hears anything
of him.”
“He’s got some other woman,
and is also quite all right,” he replied.
“At least, so I think.”
“I see—you don’t
know for certain. Don’t you think a position
like that is hard on a woman?”
“Rottenly hard!”
“It’s so unjust!” said Miriam.
“The man does as he likes—”
“Then let the woman also,” he said.
“How can she? And if she does, look at
her position!”
“What of it?”
“Why, it’s impossible! You don’t
understand what a woman forfeits—”
“No, I don’t. But
if a woman’s got nothing but her fair fame to
feed on, why, it’s thin tack, and a donkey would
die of it!”
So she understood his moral attitude,
at least, and she knew he would act accordingly.
She never asked him anything direct, but she got to
know enough.
Another day, when he saw Miriam, the
conversation turned to marriage, then to Clara’s
marriage with Dawes.
“You see,” he said, “she
never knew the fearful importance of marriage.
She thought it was all in the day’s march—it
would have to come—and Dawes—well,
a good many women would have given their souls to get
him; so why not him? Then she developed into the
femme incomprise, and treated him badly, I’ll
bet my boots.”
“And she left him because he didn’t understand
her?”
“I suppose so. I suppose
she had to. It isn’t altogether a question
of understanding; it’s a question of living.
With him, she was only half-alive; the rest was dormant,
deadened. And the dormant woman was the femme
incomprise, and she had to be awakened.”
“And what about him.”
“I don’t know. I
rather think he loves her as much as he can, but he’s
a fool.”
“It was something like your
mother and father,” said Miriam.
“Yes; but my mother, I believe,
got real joy and satisfaction out of my father at
first. I believe she had a passion for him; that’s
why she stayed with him. After all, they were
bound to each other.”
“Yes,” said Miriam.
“That’s what one must
have, I think,” he continued—“the
real, real flame of feeling through another person—once,
only once, if it only lasts three months. See,
my mother looks as if she’d had everything
that was necessary for her living and developing.
There’s not a tiny bit of feeling of sterility
about her.”
“No,” said Miriam.
“And with my father, at first,
I’m sure she had the real thing. She knows;
she has been there. You can feet it about her,
and about him, and about hundreds of people you meet
every day; and, once it has happened to you, you can
go on with anything and ripen.”
“What happened, exactly?” asked Miriam.
“It’s so hard to say,
but the something big and intense that changes you
when you really come together with somebody else.
It almost seems to fertilise your soul and make it
that you can go on and mature.”
“And you think your mother had it with your
father?”
“Yes; and at the bottom she
feels grateful to him for giving it her, even now,
though they are miles apart.”
“And you think Clara never had it?”
“I’m sure.”
Miriam pondered this. She saw
what he was seeking—a sort of baptism of
fire in passion, it seemed to her. She realised
that he would never be satisfied till he had it.
Perhaps it was essential to him, as to some men, to
sow wild oats; and afterwards, when he was satisfied,
he would not rage with restlessness any more, but
could settle down and give her his life into her hands.
Well, then, if he must go, let him go and have his
fill—something big and intense, he called
it. At any rate, when he had got it, he would
not want it—that he said himself; he would
want the other thing that she could give him.
He would want to be owned, so that he could work.
It seemed to her a bitter thing that he must go, but
she could let him go into an inn for a glass of whisky,
so she could let him go to Clara, so long as it was
something that would satisfy a need in him, and leave
him free for herself to possess.
“Have you told your mother about Clara?”
she asked.
She knew this would be a test of the
seriousness of his feeling for the other woman:
she knew he was going to Clara for something vital,
not as a man goes for pleasure to a prostitute, if
he told his mother.
“Yes,” he said, “and she is coming
to tea on Sunday.”
“To your house?”
“Yes; I want mater to see her.”
“Ah!”
There was a silence. Things had
gone quicker than she thought. She felt a sudden
bitterness that he could leave her so soon and so entirely.
And was Clara to be accepted by his people, who had
been so hostile to herself?
“I may call in as I go to chapel,”
she said. “It is a long time since I saw
Clara.”
“Very well,” he said, astonished, and
unconsciously angry.
On the Sunday afternoon he went to
Keston to meet Clara at the station. As he stood
on the platform he was trying to examine in himself
if he had a premonition.
“Do I feel as if she’d
come?” he said to himself, and he tried to find
out. His heart felt queer and contracted.
That seemed like foreboding. Then he had
a foreboding she would not come! Then she would
not come, and instead of taking her over the fields
home, as he had imagined, he would have to go alone.
The train was late; the afternoon would be wasted,
and the evening. He hated her for not coming.
Why had she promised, then, if she could not keep
her promise? Perhaps she had missed her train—he
himself was always missing trains—but that
was no reason why she should miss this particular
one. He was angry with her; he was furious.
Suddenly he saw the train crawling,
sneaking round the corner. Here, then, was the
train, but of course she had not come. The green
engine hissed along the platform, the row of brown
carriages drew up, several doors opened. No;
she had not come! No! Yes; ah, there she
was! She had a big black hat on! He was
at her side in a moment.
“I thought you weren’t coming,”
he said.
She was laughing rather breathlessly
as she put out her hand to him; their eyes met.
He took her quickly along the platform, talking at
a great rate to hide his feeling. She looked
beautiful. In her hat were large silk roses,
coloured like tarnished gold. Her costume of dark
cloth fitted so beautifully over her breast and shoulders.
His pride went up as he walked with her. He felt
the station people, who knew him, eyed her with awe
and admiration.
“I was sure you weren’t coming,”
he laughed shakily.
She laughed in answer, almost with a little cry.
“And I wondered, when I was
in the train, whatever I should do if you weren’t
there!” she said.
He caught her hand impulsively, and
they went along the narrow twitchel. They took
the road into Nuttall and over the Reckoning House
Farm. It was a blue, mild day. Everywhere
the brown leaves lay scattered; many scarlet hips
stood upon the hedge beside the wood. He gathered
a few for her to wear.
“Though, really,” he said,
as he fitted them into the breast of her coat, “you
ought to object to my getting them, because of the
birds. But they don’t care much for rose-hips
in this part, where they can get plenty of stuff.
You often find the berries going rotten in the springtime.”
So he chattered, scarcely aware of
what he said, only knowing he was putting berries
in the bosom of her coat, while she stood patiently
for him. And she watched his quick hands, so
full of life, and it seemed to her she had never seen
anything before. Till now, everything had been
indistinct.
They came near to the colliery.
It stood quite still and black among the corn-fields,
its immense heap of slag seen rising almost from the
oats.
“What a pity there is a coal-pit
here where it is so pretty!” said Clara.
“Do you think so?” he
answered. “You see, I am so used to it I
should miss it. No; and I like the pits here
and there. I like the rows of trucks, and the
headstocks, and the steam in the daytime, and the lights
at night. When I was a boy, I always thought a
pillar of cloud by day and a pillar of fire by night
was a pit, with its steam, and its lights, and the
burning bank,—and I thought the Lord was
always at the pit-top.”
As they drew near home she walked
in silence, and seemed to hang back. He pressed
her fingers in his own. She flushed, but gave
no response.
“Don’t you want to come home?” he
asked.
“Yes, I want to come,” she replied.
It did not occur to him that her position
in his home would be rather a peculiar and difficult
one. To him it seemed just as if one of his men
friends were going to be introduced to his mother,
only nicer.
The Morels lived in a house in an
ugly street that ran down a steep hill. The street
itself was hideous. The house was rather superior
to most. It was old, grimy, with a big bay window,
and it was semi-detached; but it looked gloomy.
Then Paul opened the door to the garden, and all was
different. The sunny afternoon was there, like
another land. By the path grew tansy and little
trees. In front of the window was a plot of sunny
grass, with old lilacs round it. And away went
the garden, with heaps of dishevelled chrysanthemums
in the sunshine, down to the sycamore-tree, and the
field, and beyond one looked over a few red-roofed
cottages to the hills with all the glow of the autumn
afternoon.
Mrs. Morel sat in her rocking-chair,
wearing her black silk blouse. Her grey-brown
hair was taken smooth back from her brow and her high
temples; her face was rather pale. Clara, suffering,
followed Paul into the kitchen. Mrs. Morel rose.
Clara thought her a lady, even rather stiff.
The young woman was very nervous. She had almost
a wistful look, almost resigned.
“Mother—Clara,” said Paul.
Mrs. Morel held out her hand and smiled.
“He has told me a good deal about you,”
she said.
The blood flamed in Clara’s cheek.
“I hope you don’t mind my coming,”
she faltered.
“I was pleased when he said he would bring you,”
replied Mrs. Morel.
Paul, watching, felt his heart contract
with pain. His mother looked so small, and sallow,
and done-for beside the luxuriant Clara.
“It’s such a pretty day, mother!”
he said. “And we saw a jay.”
His mother looked at him; he had turned
to her. She thought what a man he seemed, in
his dark, well-made clothes. He was pale and
detached-looking; it would be hard for any woman to
keep him. Her heart glowed; then she was sorry
for Clara.
“Perhaps you’ll leave
your things in the parlour,” said Mrs. Morel
nicely to the young woman.
“Oh, thank you,” she replied.
“Come on,” said Paul,
and he led the way into the little front room, with
its old piano, its mahogany furniture, its yellowing
marble mantelpiece. A fire was burning; the place
was littered with books and drawing-boards. “I
leave my things lying about,” he said. “It’s
so much easier.”
She loved his artist’s paraphernalia,
and the books, and the photos of people. Soon
he was telling her: this was William, this was
William’s young lady in the evening dress, this
was Annie and her husband, this was Arthur and his
wife and the baby. She felt as if she were being
taken into the family. He showed her photos, books,
sketches, and they talked a little while. Then
they returned to the kitchen. Mrs. Morel put
aside her book. Clara wore a blouse of fine silk
chiffon, with narrow black-and-white stripes; her
hair was done simply, coiled on top of her head.
She looked rather stately and reserved.
“You have gone to live down
Sneinton Boulevard?” said Mrs. Morel. “When
I was a girl—girl, I say!—when
I was a young woman we lived in Minerva Terrace.”
“Oh, did you!” said Clara. “I
have a friend in number 6.”
And the conversation had started.
They talked Nottingham and Nottingham people; it interested
them both. Clara was still rather nervous; Mrs.
Morel was still somewhat on her dignity. She clipped
her language very clear and precise. But they
were going to get on well together, Paul saw.
Mrs. Morel measured herself against
the younger woman, and found herself easily stronger.
Clara was deferential. She knew Paul’s surprising
regard for his mother, and she had dreaded the meeting,
expecting someone rather hard and cold. She was
surprised to find this little interested woman chatting
with such readiness; and then she felt, as she felt
with Paul, that she would not care to stand in Mrs.
Morel’s way. There was something so hard
and certain in his mother, as if she never had a misgiving
in her life.
Presently Morel came down, ruffled
and yawning, from his afternoon sleep. He scratched
his grizzled head, he plodded in his stocking feet,
his waistcoat hung open over his shirt. He seemed
incongruous.
“This is Mrs. Dawes, father,” said Paul.
Then Morel pulled himself together.
Clara saw Paul’s manner of bowing and shaking
hands.
“Oh, indeed!” exclaimed
Morel. “I am very glad to see you—I
am, I assure you. But don’t disturb yourself.
No, no make yourself quite comfortable, and be very
welcome.”
Clara was astonished at this flood
of hospitality from the old collier. He was so
courteous, so gallant! She thought him most delightful.
“And may you have come far?” he asked.
“Only from Nottingham,” she said.
“From Nottingham! Then you have had a beautiful
day for your journey.”
Then he strayed into the scullery
to wash his hands and face, and from force of habit
came on to the hearth with the towel to dry himself.
At tea Clara felt the refinement and
sang-froid of the household. Mrs. Morel was perfectly
at her ease. The pouring out the tea and attending
to the people went on unconsciously, without interrupting
her in her talk. There was a lot of room at the
oval table; the china of dark blue willow-pattern
looked pretty on the glossy cloth. There was a
little bowl of small, yellow chrysanthemums.
Clara felt she completed the circle, and it was a
pleasure to her. But she was rather afraid of
the self-possession of the Morels, father and all.
She took their tone; there was a feeling of balance.
It was a cool, clear atmosphere, where everyone was
himself, and in harmony. Clara enjoyed it, but
there was a fear deep at the bottom of her.
Paul cleared the table whilst his
mother and Clara talked. Clara was conscious
of his quick, vigorous body as it came and went, seeming
blown quickly by a wind at its work. It was almost
like the hither and thither of a leaf that comes unexpected.
Most of herself went with him. By the way she
leaned forward, as if listening, Mrs. Morel could see
she was possessed elsewhere as she talked, and again
the elder woman was sorry for her.
Having finished, he strolled down
the garden, leaving the two women to talk. It
was a hazy, sunny afternoon, mild and soft. Clara
glanced through the window after him as he loitered
among the chrysanthemums. She felt as if something
almost tangible fastened her to him; yet he seemed
so easy in his graceful, indolent movement, so detached
as he tied up the too-heavy flower branches to their
stakes, that she wanted to shriek in her helplessness.
Mrs. Morel rose.
“You will let me help you wash up,” said
Clara.
“Eh, there are so few, it will only take a minute,”
said the other.
Clara, however, dried the tea-things,
and was glad to be on such good terms with his mother;
but it was torture not to be able to follow him down
the garden. At last she allowed herself to go;
she felt as if a rope were taken off her ankle.
The afternoon was golden over the
hills of Derbyshire. He stood across in the other
garden, beside a bush of pale Michaelmas daisies, watching
the last bees crawl into the hive. Hearing her
coming, he turned to her with an easy motion, saying:
“It’s the end of the run with these chaps.”
Clara stood near him. Over the
low red wall in front was the country and the far-off
hills, all golden dim.
At that moment Miriam was entering
through the garden-door. She saw Clara go up
to him, saw him turn, and saw them come to rest together.
Something in their perfect isolation together made
her know that it was accomplished between them, that
they were, as she put it, married. She walked
very slowly down the cinder-track of the long garden.
Clara had pulled a button from a hollyhock
spire, and was breaking it to get the seeds.
Above her bowed head the pink flowers stared, as if
defending her. The last bees were falling down
to the hive.
“Count your money,” laughed
Paul, as she broke the flat seeds one by one from
the roll of coin. She looked at him.
“I’m well off,” she said, smiling.
“How much? Pf!” He snapped his fingers.
“Can I turn them into gold?”
“I’m afraid not,” she laughed.
They looked into each other’s
eyes, laughing. At that moment they became aware
of Miriam. There was a click, and everything had
altered.
“Hello, Miriam!” he exclaimed. “You
said you’d come!”
“Yes. Had you forgotten?”
She shook hands with Clara, saying:
“It seems strange to see you here.”
“Yes,” replied the other; “it seems
strange to be here.”
There was a hesitation.
“This is pretty, isn’t it?” said
Miriam.
“I like it very much,” replied Clara.
Then Miriam realised that Clara was accepted as she
had never been.
“Have you come down alone?” asked Paul.
“Yes; I went to Agatha’s
to tea. We are going to chapel. I only called
in for a moment to see Clara.”
“You should have come in here to tea,”
he said.
Miriam laughed shortly, and Clara turned impatiently
aside.
“Do you like the chrysanthemums?” he asked.
“Yes; they are very fine,” replied Miriam.
“Which sort do you like best?” he asked.
“I don’t know. The bronze, I think.”
“I don’t think you’ve
seen all the sorts. Come and look. Come and
see which are your favourites, Clara.”
He led the two women back to his own
garden, where the towsled bushes of flowers of all
colours stood raggedly along the path down to the field.
The situation did not embarrass him, to his knowledge.
“Look, Miriam; these are the
white ones that came from your garden. They aren’t
so fine here, are they?”
“No,” said Miriam.
“But they’re hardier.
You’re so sheltered; things grow big and tender,
and then die. These little yellow ones I like.
Will you have some?”
While they were out there the bells
began to ring in the church, sounding loud across
the town and the field. Miriam looked at the tower,
proud among the clustering roofs, and remembered the
sketches he had brought her. It had been different
then, but he had not left her even yet. She asked
him for a book to read. He ran indoors.
“What! is that Miriam?” asked his mother
coldly.
“Yes; she said she’d call and see Clara.”
“You told her, then?” came the sarcastic
answer.
“Yes; why shouldn’t I?”
“There’s certainly no
reason why you shouldn’t,” said Mrs. Morel,
and she returned to her book. He winced from
his mother’s irony, frowned irritably, thinking:
“Why can’t I do as I like?”
“You’ve not seen Mrs. Morel before?”
Miriam was saying to Clara.
“No; but she’s so nice!”
“Yes,” said Miriam, dropping her head;
“in some ways she’s very fine.”
“I should think so.”
“Had Paul told you much about her?”
“He had talked a good deal.”
“Ha!”
There was silence until he returned with the book.
“When will you want it back?” Miriam asked.
“When you like,” he answered.
Clara turned to go indoors, whilst he accompanied
Miriam to the gate.
“When will you come up to Willey Farm?”
the latter asked.
“I couldn’t say,” replied Clara.
“Mother asked me to say she’d
be pleased to see you any time, if you cared to come.”
“Thank you; I should like to, but I can’t
say when.”
“Oh, very well!” exclaimed Miriam rather
bitterly, turning away.
She went down the path with her mouth to the flowers
he had given her.
“You’re sure you won’t come in?”
he said.
“No, thanks.”
“We are going to chapel.”
“Ah, I shall see you, then!” Miriam was
very bitter.
“Yes.”
They parted. He felt guilty towards
her. She was bitter, and she scorned him.
He still belonged to herself, she believed; yet he
could have Clara, take her home, sit with her next
his mother in chapel, give her the same hymn-book
he had given herself years before. She heard him
running quickly indoors.
But he did not go straight in.
Halting on the plot of grass, he heard his mother’s
voice, then Clara’s answer:
“What I hate is the bloodhound quality in Miriam.”
“Yes,” said his mother
quickly, “yes; doesn’t it make you
hate her, now!”
His heart went hot, and he was angry
with them for talking about the girl. What right
had they to say that? Something in the speech
itself stung him into a flame of hate against Miriam.
Then his own heart rebelled furiously at Clara’s
taking the liberty of speaking so about Miriam.
After all, the girl was the better woman of the two,
he thought, if it came to goodness. He went indoors.
His mother looked excited. She was beating with
her hand rhythmically on the sofa-arm, as women do
who are wearing out. He could never bear to see
the movement. There was a silence; then he began
to talk.
In chapel Miriam saw him find the
place in the hymn-book for Clara, in exactly the same
way as he used for herself. And during the sermon
he could see the girl across the chapel, her hat throwing
a dark shadow over her face. What did she think,
seeing Clara with him? He did not stop to consider.
He felt himself cruel towards Miriam.
After chapel he went over Pentrich
with Clara. It was a dark autumn night.
They had said good-bye to Miriam, and his heart had
smitten him as he left the girl alone. “But
it serves her right,” he said inside himself,
and it almost gave him pleasure to go off under her
eyes with this other handsome woman.
There was a scent of damp leaves in
the darkness. Clara’s hand lay warm and
inert in his own as they walked. He was full of
conflict. The battle that raged inside him made
him feel desperate.
Up Pentrich Hill Clara leaned against
him as he went. He slid his arm round her waist.
Feeling the strong motion of her body under his arm
as she walked, the tightness in his chest because
of Miriam relaxed, and the hot blood bathed him.
He held her closer and closer.
Then: “You still keep on with Miriam,”
she said quietly.
“Only talk. There never
was a great deal more than talk between us,”
he said bitterly.
“Your mother doesn’t care for her,”
said Clara.
“No, or I might have married her. But it’s
all up really!”
Suddenly his voice went passionate with hate.
“If I was with her now, we should
be jawing about the ’Christian Mystery’,
or some such tack. Thank God, I’m not!”
They walked on in silence for some time.
“But you can’t really give her up,”
said Clara.
“I don’t give her up, because there’s
nothing to give,” he said.
“There is for her.”
“I don’t know why she
and I shouldn’t be friends as long as we live,”
he said. “But it’ll only be friends.”
Clara drew away from him, leaning away from contact
with him.
“What are you drawing away for?” he asked.
She did not answer, but drew farther from him.
“Why do you want to walk alone?” he asked.
Still there was no answer. She walked resentfully,
hanging her head.
“Because I said I would be friends with Miriam!”
he exclaimed.
She would not answer him anything.
“I tell you it’s only
words that go between us,” he persisted, trying
to take her again.
She resisted. Suddenly he strode
across in front of her, barring her way.
“Damn it!” he said. “What do
you want now?”
“You’d better run after Miriam,”
mocked Clara.
The blood flamed up in him. He
stood showing his teeth. She drooped sulkily.
The lane was dark, quite lonely. He suddenly caught
her in his arms, stretched forward, and put his mouth
on her face in a kiss of rage. She turned frantically
to avoid him. He held her fast. Hard and
relentless his mouth came for her. Her breasts
hurt against the wall of his chest. Helpless,
she went loose in his arms, and he kissed her, and
kissed her.
He heard people coming down the hill.
“Stand up! stand up!”
he said thickly, gripping her arm till it hurt.
If he had let go, she would have sunk to the ground.
She sighed and walked dizzily beside him. They
went on in silence.
“We will go over the fields,” he said;
and then she woke up.
But she let herself be helped over
the stile, and she walked in silence with him over
the first dark field. It was the way to Nottingham
and to the station, she knew. He seemed to be
looking about. They came out on a bare hilltop
where stood the dark figure of the ruined windmill.
There he halted. They stood together high up
in the darkness, looking at the lights scattered on
the night before them, handfuls of glittering points,
villages lying high and low on the dark, here and there.
“Like treading among the stars,” he said,
with a quaky laugh.
Then he took her in his arms, and
held her fast. She moved aside her mouth to ask,
dogged and low:
“What time is it?”
“It doesn’t matter,” he pleaded
thickly.
“Yes it does—yes! I must go!”
“It’s early yet,” he said.
“What time is it?” she insisted.
All round lay the black night, speckled and spangled
with lights.
“I don’t know.”
She put her hand on his chest, feeling
for his watch. He felt the joints fuse into fire.
She groped in his waistcoat pocket, while he stood
panting. In the darkness she could see the round,
pale face of the watch, but not the figures.
She stooped over it. He was panting till he could
take her in his arms again.
“I can’t see,” she said.
“Then don’t bother.”
“Yes; I’m going!” she said, turning
away.
“Wait! I’ll look!” But he could
not see. “I’ll strike a match.”
He secretly hoped it was too late
to catch the train. She saw the glowing lantern
of his hands as he cradled the light: then his
face lit up, his eyes fixed on the watch. Instantly
all was dark again. All was black before her
eyes; only a glowing match was red near her feet.
Where was he?
“What is it?” she asked, afraid.
“You can’t do it,” his voice answered
out of the darkness.
There was a pause. She felt in
his power. She had heard the ring in his voice.
It frightened her.
“What time is it?” she asked, quiet, definite,
hopeless.
“Two minutes to nine,” he replied, telling
the truth with a struggle.
“And can I get from here to the station in fourteen
minutes?”
“No. At any rate—”
She could distinguish his dark form
again a yard or so away. She wanted to escape.
“But can’t I do it?” she pleaded.
“If you hurry,” he said
brusquely. “But you could easily walk it,
Clara; it’s only seven miles to the tram.
I’ll come with you.”
“No; I want to catch the train.”
“But why?”
“I do—I want to catch the train.”
Suddenly his voice altered.
“Very well,” he said, dry and hard.
“Come along, then.”
And he plunged ahead into the darkness.
She ran after him, wanting to cry. Now he was
hard and cruel to her. She ran over the rough,
dark fields behind him, out of breath, ready to drop.
But the double row of lights at the station drew nearer.
Suddenly:
“There she is!” he cried, breaking into
a run.
There was a faint rattling noise.
Away to the right the train, like a luminous caterpillar,
was threading across the night. The rattling
ceased.
“She’s over the viaduct. You’ll
just do it.”
Clara ran, quite out of breath, and
fell at last into the train. The whistle blew.
He was gone. Gone!—and she was in a
carriage full of people. She felt the cruelty
of it.
He turned round and plunged home.
Before he knew where he was he was in the kitchen
at home. He was very pale. His eyes were
dark and dangerous-looking, as if he were drunk.
His mother looked at him.
“Well, I must say your boots
are in a nice state!” she said.
He looked at his feet. Then he
took off his overcoat. His mother wondered if
he were drunk.
“She caught the train then?” she said.
“Yes.”
“I hope her feet weren’t
so filthy. Where on earth you dragged her I don’t
know!”
He was silent and motionless for some time.
“Did you like her?” he asked grudgingly
at last.
“Yes, I liked her. But you’ll tire
of her, my son; you know you will.”
He did not answer. She noticed how he laboured
in his breathing.
“Have you been running?” she asked.
“We had to run for the train.”
“You’ll go and knock yourself up.
You’d better drink hot milk.”
It was as good a stimulant as he could
have, but he refused and went to bed. There he
lay face down on the counterpane, and shed tears of
rage and pain. There was a physical pain that
made him bite his lips till they bled, and the chaos
inside him left him unable to think, almost to feel.
“This is how she serves me,
is it?” he said in his heart, over and over,
pressing his face in the quilt. And he hated her.
Again he went over the scene, and again he hated her.
The next day there was a new aloofness
about him. Clara was very gentle, almost loving.
But he treated her distantly, with a touch of contempt.
She sighed, continuing to be gentle. He came round.
One evening of that week Sarah Bernhardt
was at the Theatre Royal in Nottingham, giving “La
Dame aux Camelias”. Paul wanted to see this
old and famous actress, and he asked Clara to accompany
him. He told his mother to leave the key in the
window for him.
“Shall I book seats?” he asked of Clara.
“Yes. And put on an evening suit, will
you? I’ve never seen you in it.”
“But, good Lord, Clara!
Think of me in evening suit at the theatre!”
he remonstrated.
“Would you rather not?” she asked.
“I will if you want me to; but I s’ll
feel a fool.”
She laughed at him.
“Then feel a fool for my sake, once, won’t
you?”
The request made his blood flush up.
“I suppose I s’ll have to.”
“What are you taking a suitcase for?”
his mother asked.
He blushed furiously.
“Clara asked me,” he said.
“And what seats are you going in?”
“Circle—three-and-six each!”
“Well, I’m sure!” exclaimed his
mother sarcastically.
“It’s only once in the bluest of blue
moons,” he said.
He dressed at Jordan’s, put
on an overcoat and a cap, and met Clara in a cafe.
She was with one of her suffragette friends. She
wore an old long coat, which did not suit her, and
had a little wrap over her head, which he hated.
The three went to the theatre together.
Clara took off her coat on the stairs,
and he discovered she was in a sort of semi-evening
dress, that left her arms and neck and part of her
breast bare. Her hair was done fashionably.
The dress, a simple thing of green crape, suited her.
She looked quite grand, he thought. He could
see her figure inside the frock, as if that were wrapped
closely round her. The firmness and the softness
of her upright body could almost be felt as he looked
at her. He clenched his fists.
And he was to sit all the evening
beside her beautiful naked arm, watching the strong
throat rise from the strong chest, watching the breasts
under the green stuff, the curve of her limbs in the
tight dress. Something in him hated her again
for submitting him to this torture of nearness.
And he loved her as she balanced her head and stared
straight in front of her, pouting, wistful, immobile,
as if she yielded herself to her fate because it was
too strong for her. She could not help herself;
she was in the grip of something bigger than herself.
A kind of eternal look about her, as if she were a
wistful sphinx, made it necessary for him to kiss
her. He dropped his programme, and crouched down
on the floor to get it, so that he could kiss her hand
and wrist. Her beauty was a torture to him.
She sat immobile. Only, when the lights went
down, she sank a little against him, and he caressed
her hand and arm with his fingers. He could smell
her faint perfume. All the time his blood kept
sweeping up in great white-hot waves that killed his
consciousness momentarily.
The drama continued. He saw it
all in the distance, going on somewhere; he did not
know where, but it seemed far away inside him.
He was Clara’s white heavy arms, her throat,
her moving bosom. That seemed to be himself.
Then away somewhere the play went on, and he was identified
with that also. There was no himself. The
grey and black eyes of Clara, her bosom coming down
on him, her arm that he held gripped between his hands,
were all that existed. Then he felt himself small
and helpless, her towering in her force above him.
Only the intervals, when the lights
came up, hurt him expressibly. He wanted to run
anywhere, so long as it would be dark again. In
a maze, he wandered out for a drink. Then the
lights were out, and the strange, insane reality of
Clara and the drama took hold of him again.
The play went on. But he was
obsessed by the desire to kiss the tiny blue vein
that nestled in the bend of her arm. He could
feel it. His whole face seemed suspended till
he had put his lips there. It must be done.
And the other people! At last he bent quickly
forward and touched it with his lips. His moustache
brushed the sensitive flesh. Clara shivered,
drew away her arm.
When all was over, the lights up,
the people clapping, he came to himself and looked
at his watch. His train was gone.
“I s’ll have to walk home!” he said.
Clara looked at him.
“It is too late?” she asked.
He nodded. Then he helped her on with her coat.
“I love you! You look beautiful
in that dress,” he murmured over her shoulder,
among the throng of bustling people.
She remained quiet. Together
they went out of the theatre. He saw the cabs
waiting, the people passing. It seemed he met
a pair of brown eyes which hated him. But he
did not know. He and Clara turned away, mechanically
taking the direction to the station.
The train had gone. He would have to walk the
ten miles home.
“It doesn’t matter,” he said.
“I shall enjoy it.”
“Won’t you,” she
said, flushing, “come home for the night?
I can sleep with mother.”
He looked at her. Their eyes met.
“What will your mother say?” he asked.
“She won’t mind.”
“You’re sure?”
“Quite!”
“Shall I come?”
“If you will.”
“Very well.”
And they turned away. At the
first stopping-place they took the car. The wind
blew fresh in their faces. The town was dark;
the tram tipped in its haste. He sat with her
hand fast in his.
“Will your mother be gone to bed?” he
asked.
“She may be. I hope not.”
They hurried along the silent, dark
little street, the only people out of doors.
Clara quickly entered the house. He hesitated.
He leaped up the step and was in the
room. Her mother appeared in the inner doorway,
large and hostile.
“Who have you got there?” she asked.
“It’s Mr. Morel; he has
missed his train. I thought we might put him up
for the night, and save him a ten-mile walk.”
“H’m,” exclaimed
Mrs. Radford. “That’s your lookout!
If you’ve invited him, he’s very welcome
as far as I’m concerned. You keep the
house!”
“If you don’t like me, I’ll go away
again,” he said.
“Nay, nay, you needn’t!
Come along in! I dunno what you’ll think
of the supper I’d got her.”
It was a little dish of chip potatoes
and a piece of bacon. The table was roughly laid
for one.
“You can have some more bacon,”
continued Mrs. Radford. “More chips you
can’t have.”
“It’s a shame to bother you,” he
said.
“Oh, don’t you be apologetic!
It doesn’t do wi’ me! You treated
her to the theatre, didn’t you?” There
was a sarcasm in the last question.
“Well?” laughed Paul uncomfortably.
“Well, and what’s an inch of bacon!
Take your coat off.”
The big, straight-standing woman was
trying to estimate the situation. She moved about
the cupboard. Clara took his coat. The room
was very warm and cosy in the lamplight.
“My sirs!” exclaimed Mrs.
Radford; “but you two’s a pair of bright
beauties, I must say! What’s all that get-up
for?”
“I believe we don’t know,” he said,
feeling a victim.
“There isn’t room in this
house for two such bobby-dazzlers, if you fly your
kites that high!” she rallied them.
It was a nasty thrust.
He in his dinner jacket, and Clara
in her green dress and bare arms, were confused.
They felt they must shelter each other in that little
kitchen.
“And look at that blossom!”
continued Mrs. Radford, pointing to Clara. “What
does she reckon she did it for?”
Paul looked at Clara. She was
rosy; her neck was warm with blushes. There was
a moment of silence.
“You like to see it, don’t you?”
he asked.
The mother had them in her power.
All the time his heart was beating hard, and he was
tight with anxiety. But he would fight her.
“Me like to see it!” exclaimed
the old woman. “What should I like to see
her make a fool of herself for?”
“I’ve seen people look
bigger fools,” he said. Clara was under
his protection now.
“Oh, ay! and when was that?”
came the sarcastic rejoinder.
“When they made frights of themselves,”
he answered.
Mrs. Radford, large and threatening,
stood suspended on the hearthrug, holding her fork.
“They’re fools either
road,” she answered at length, turning to the
Dutch oven.
“No,” he said, fighting
stoutly. “Folk ought to look as well as
they can.”
“And do you call that looking
nice!” cried the mother, pointing a scornful
fork at Clara. “That—that looks
as if it wasn’t properly dressed!”
“I believe you’re jealous
that you can’t swank as well,” he said
laughing.
“Me! I could have worn
evening dress with anybody, if I’d wanted to!”
came the scornful answer.
“And why didn’t you want
to?” he asked pertinently. “Or did
you wear it?”
There was a long pause. Mrs.
Radford readjusted the bacon in the Dutch oven.
His heart beat fast, for fear he had offended her.
“Me!” she exclaimed at
last. “No, I didn’t! And when
I was in service, I knew as soon as one of the maids
came out in bare shoulders what sort she was,
going to her sixpenny hop!”
“Were you too good to go to a sixpenny hop?”
he said.
Clara sat with bowed head. His
eyes were dark and glittering. Mrs. Radford took
the Dutch oven from the fire, and stood near him, putting
bits of bacon on his plate.
“There’s a nice crozzly bit!”
she said.
“Don’t give me the best!” he said.
“She’s got what she wants,”
was the answer.
There was a sort of scornful forbearance
in the woman’s tone that made Paul know she
was mollified.
“But do have some!” he said to Clara.
She looked up at him with her grey eyes, humiliated
and lonely.
“No thanks!” she said.
“Why won’t you?” he answered carelessly.
The blood was beating up like fire
in his veins. Mrs. Radford sat down again, large
and impressive and aloof. He left Clara altogether
to attend to the mother.
“They say Sarah Bernhardt’s fifty,”
he said.
“Fifty! She’s turned sixty!”
came the scornful answer.
“Well,” he said, “you’d
never think it! She made me want to howl even
now.”
“I should like to see myself
howling at that bad old baggage!” said
Mrs. Radford. “It’s time she began
to think herself a grandmother, not a shrieking catamaran—”
He laughed.
“A catamaran is a boat the Malays use,”
he said.
“And it’s a word as I use,” she
retorted.
“My mother does sometimes, and it’s no
good my telling her,” he said.
“I s’d think she boxes your ears,”
said Mrs. Radford, good-humouredly.
“She’d like to, and she
says she will, so I give her a little stool to stand
on.”
“That’s the worst of my
mother,” said Clara. “She never wants
a stool for anything.”
“But she often can’t touch
that lady with a long prop,” retorted Mrs.
Radford to Paul.
“I s’d think she doesn’t
want touching with a prop,” he laughed.
“I shouldn’t.”
“It might do the pair of you
good to give you a crack on the head with one,”
said the mother, laughing suddenly.
“Why are you so vindictive towards
me?” he said. “I’ve not stolen
anything from you.”
“No; I’ll watch that,” laughed the
older woman.
Soon the supper was finished.
Mrs. Radford sat guard in her chair. Paul lit
a cigarette. Clara went upstairs, returning with
a sleeping-suit, which she spread on the fender to
air.
“Why, I’d forgot all about
them!” said Mrs. Radford. “Where
have they sprung from?”
“Out of my drawer.”
“H’m! You bought
’em for Baxter, an’ he wouldn’t wear
’em, would he?”—laughing.
“Said he reckoned to do wi’out trousers
i’ bed.” She turned confidentially
to Paul, saying: “He couldn’t bear
’em, them pyjama things.”
The young man sat making rings of smoke.
“Well, it’s everyone to his taste,”
he laughed.
Then followed a little discussion of the merits of
pyjamas.
“My mother loves me in them,” he said.
“She says I’m a pierrot.”
“I can imagine they’d suit you,”
said Mrs. Radford.
After a while he glanced at the little
clock that was ticking on the mantelpiece. It
was half-past twelve.
“It is funny,” he said,
“but it takes hours to settle down to sleep
after the theatre.”
“It’s about time you did,” said
Mrs. Radford, clearing the table.
“Are you tired?” he asked of Clara.
“Not the least bit,” she answered, avoiding
his eyes.
“Shall we have a game at cribbage?” he
said.
“I’ve forgotten it.”
“Well, I’ll teach you again. May
we play crib, Mrs. Radford?” he asked.
“You’ll please yourselves,” she
said; “but it’s pretty late.”
“A game or so will make us sleepy,” he
answered.
Clara brought the cards, and sat spinning
her wedding-ring whilst he shuffled them. Mrs.
Radford was washing up in the scullery. As it
grew later Paul felt the situation getting more and
more tense.
“Fifteen two, fifteen four, fifteen six, and
two’s eight—!”
The clock struck one. Still the
game continued. Mrs. Radford had done all the
little jobs preparatory to going to bed, had locked
the door and filled the kettle. Still Paul went
on dealing and counting. He was obsessed by Clara’s
arms and throat. He believed he could see where
the division was just beginning for her breasts.
He could not leave her. She watched his hands,
and felt her joints melt as they moved quickly.
She was so near; it was almost as if he touched her,
and yet not quite. His mettle was roused.
He hated Mrs. Radford. She sat on, nearly dropping
asleep, but determined and obstinate in her chair.
Paul glanced at her, then at Clara. She met his
eyes, that were angry, mocking, and hard as steel.
Her own answered him in shame. He knew she,
at any rate, was of his mind. He played on.
At last Mrs. Radford roused herself stiffly, and said:
“Isn’t it nigh on time you two was thinking
o’ bed?”
Paul played on without answering.
He hated her sufficiently to murder her.
“Half a minute,” he said.
The elder woman rose and sailed stubbornly
into the scullery, returning with his candle, which
she put on the mantelpiece. Then she sat down
again. The hatred of her went so hot down his
veins, he dropped his cards.
“We’ll stop, then,” he said, but
his voice was still a challenge.
Clara saw his mouth shut hard.
Again he glanced at her. It seemed like an agreement.
She bent over the cards, coughing, to clear her throat.
“Well, I’m glad you’ve
finished,” said Mrs. Radford. “Here,
take your things”—she thrust the
warm suit in his hand—“and this is
your candle. Your room’s over this; there’s
only two, so you can’t go far wrong. Well,
good-night. I hope you’ll rest well.”
“I’m sure I shall; I always do,”
he said.
“Yes; and so you ought at your age,” she
replied.
He bade good-night to Clara, and went.
The twisting stairs of white, scrubbed wood creaked
and clanged at every step. He went doggedly.
The two doors faced each other. He went in his
room, pushed the door to, without fastening the latch.
It was a small room with a large bed.
Some of Clara’s hair-pins were on the dressing-table—her
hair-brush. Her clothes and some skirts hung
under a cloth in a corner. There was actually
a pair of stockings over a chair. He explored
the room. Two books of his own were there on the
shelf. He undressed, folded his suit, and sat
on the bed, listening. Then he blew out the candle,
lay down, and in two minutes was almost asleep.
Then click!—he was wide awake and writhing
in torment. It was as if, when he had nearly
got to sleep, something had bitten him suddenly and
sent him mad. He sat up and looked at the room
in the darkness, his feet doubled under him, perfectly
motionless, listening. He heard a cat somewhere
away outside; then the heavy, poised tread of the
mother; then Clara’s distinct voice:
“Will you unfasten my dress?”
There was silence for some time. At last the
mother said:
“Now then! aren’t you coming up?”
“No, not yet,” replied the daughter calmly.
“Oh, very well then! If
it’s not late enough, stop a bit longer.
Only you needn’t come waking me up when I’ve
got to sleep.”
“I shan’t be long,” said Clara.
Immediately afterwards Paul heard
the mother slowly mounting the stairs. The candlelight
flashed through the cracks in his door. Her dress
brushed the door, and his heart jumped. Then it
was dark, and he heard the clatter of her latch.
She was very leisurely indeed in her preparations
for sleep. After a long time it was quite still.
He sat strung up on the bed, shivering slightly.
His door was an inch open. As Clara came upstairs,
he would intercept her. He waited. All was
dead silence. The clock struck two. Then
he heard a slight scrape of the fender downstairs.
Now he could not help himself. His shivering was
uncontrollable. He felt he must go or die.
He stepped off the bed, and stood
a moment, shuddering. Then he went straight to
the door. He tried to step lightly. The first
stair cracked like a shot. He listened.
The old woman stirred in her bed. The staircase
was dark. There was a slit of light under the
stair-foot door, which opened into the kitchen.
He stood a moment. Then he went on, mechanically.
Every step creaked, and his back was creeping, lest
the old woman’s door should open behind him
up above. He fumbled with the door at the bottom.
The latch opened with a loud clack. He went through
into the kitchen, and shut the door noisily behind
him. The old woman daren’t come now.
Then he stood, arrested. Clara
was kneeling on a pile of white underclothing on the
hearthrug, her back towards him, warming herself.
She did not look round, but sat crouching on her heels,
and her rounded beautiful back was towards him, and
her face was hidden. She was warming her body
at the fire for consolation. The glow was rosy
on one side, the shadow was dark and warm on the other.
Her arms hung slack.
He shuddered violently, clenching
his teeth and fists hard to keep control. Then
he went forward to her. He put one hand on her
shoulder, the fingers of the other hand under her
chin to raise her face. A convulsed shiver ran
through her, once, twice, at his touch. She kept
her head bent.
“Sorry!” he murmured,
realising that his hands were very cold.
Then she looked up at him, frightened,
like a thing that is afraid of death.
“My hands are so cold,” he murmured.
“I like it,” she whispered, closing her
eyes.
The breath of her words were on his
mouth. Her arms clasped his knees. The cord
of his sleeping-suit dangled against her and made her
shiver. As the warmth went into him, his shuddering
became less.
At length, unable to stand so any
more, he raised her, and she buried her head on his
shoulder. His hands went over her slowly with
an infinite tenderness of caress. She clung close
to him, trying to hide herself against him. He
clasped her very fast. Then at last she looked
at him, mute, imploring, looking to see if she must
be ashamed.
His eyes were dark, very deep, and
very quiet. It was as if her beauty and his taking
it hurt him, made him sorrowful. He looked at
her with a little pain, and was afraid. He was
so humble before her. She kissed him fervently
on the eyes, first one, then the other, and she folded
herself to him. She gave herself. He held
her fast. It was a moment intense almost to agony.
She stood letting him adore her and
tremble with joy of her. It healed her hurt pride.
It healed her; it made her glad. It made her feel
erect and proud again. Her pride had been wounded
inside her. She had been cheapened. Now
she radiated with joy and pride again. It was
her restoration and her recognition.
Then he looked at her, his face radiant.
They laughed to each other, and he strained her to
his chest. The seconds ticked off, the minutes
passed, and still the two stood clasped rigid together,
mouth to mouth, like a statue in one block.
But again his fingers went seeking
over her, restless, wandering, dissatisfied.
The hot blood came up wave upon wave. She laid
her head on his shoulder.
“Come you to my room,” he murmured.
She looked at him and shook her head,
her mouth pouting disconsolately, her eyes heavy with
passion. He watched her fixedly.
“Yes!” he said.
Again she shook her head.
“Why not?” he asked.
She looked at him still heavily, sorrowfully,
and again she shook her head. His eyes hardened,
and he gave way.
When, later on, he was back in bed,
he wondered why she had refused to come to him openly,
so that her mother would know. At any rate, then
things would have been definite. And she could
have stayed with him the night, without having to
go, as she was, to her mother’s bed. It
was strange, and he could not understand it.
And then almost immediately he fell asleep.
He awoke in the morning with someone
speaking to him. Opening his eyes, he saw Mrs.
Radford, big and stately, looking down on him.
She held a cup of tea in her hand.
“Do you think you’re going
to sleep till Doomsday?” she said.
He laughed at once.
“It ought only to be about five o’clock,”
he said.
“Well,” she answered,
“it’s half-past seven, whether or not.
Here, I’ve brought you a cup of tea.”
He rubbed his face, pushed the tumbled
hair off his forehead, and roused himself.
“What’s it so late for!” he grumbled.
He resented being wakened. It
amused her. She saw his neck in the flannel sleeping-jacket,
as white and round as a girl’s. He rubbed
his hair crossly.
“It’s no good your scratching
your head,” she said. “It won’t
make it no earlier. Here, an’ how long
d’you think I’m going to stand waiting
wi’ this here cup?”
“Oh, dash the cup!” he said.
“You should go to bed earlier,” said the
woman.
He looked up at her, laughing with impudence.
“I went to bed before you did,” he
said.
“Yes, my Guyney, you did!” she exclaimed.
“Fancy,” he said, stirring
his tea, “having tea brought to bed to me!
My mother’ll think I’m ruined for life.”
“Don’t she never do it?” asked Mrs.
Radford.
“She’d as leave think of flying.”
“Ah, I always spoilt my lot!
That’s why they’ve turned out such bad
uns,” said the elderly woman.
“You’d only Clara,”
he said. “And Mr. Radford’s in heaven.
So I suppose there’s only you left to be the
bad un.”
“I’m not bad; I’m
only soft,” she said, as she went out of the
bedroom. “I’m only a fool, I am!”
Clara was very quiet at breakfast,
but she had a sort of air of proprietorship over him
that pleased him infinitely. Mrs. Radford was
evidently fond of him. He began to talk of his
painting.
“What’s the good,”
exclaimed the mother, “of your whittling and
worrying and twistin’ and too-in’ at that
painting of yours? What good does it do
you, I should like to know? You’d better
be enjoyin’ yourself.”
“Oh, but,” exclaimed Paul,
“I made over thirty guineas last year.”
“Did you! Well, that’s
a consideration, but it’s nothing to the time
you put in.”
“And I’ve got four pounds
owing. A man said he’d give me five pounds
if I’d paint him and his missis and the dog
and the cottage. And I went and put the fowls
in instead of the dog, and he was waxy, so I had to
knock a quid off. I was sick of it, and I didn’t
like the dog. I made a picture of it. What
shall I do when he pays me the four pounds?”
“Nay! you know your own uses
for your money,” said Mrs. Radford.
“But I’m going to bust
this four pounds. Should we go to the seaside
for a day or two?”
“Who?”
“You and Clara and me.”
“What, on your money!” she exclaimed,
half-wrathful.
“Why not?”
“You wouldn’t be long in breaking
your neck at a hurdle race!” she said.
“So long as I get a good run for my money!
Will you?”
“Nay; you may settle that atween you.”
“And you’re willing?” he asked,
amazed and rejoicing.
“You’ll do as you like,”
said Mrs. Radford, “whether I’m willing
or not.”