IV
Rosalind at work in Walter Sayers’
office was from the beginning something different,
apart from the young woman from Iowa who had been
drifting from office to office, moving from rooming
house to rooming house on Chicago’s North Side,
striving feebly to find out something about life by
reading books, going to the theatre and walking alone
in the streets. In the new place her life at
once began to have point and purpose, but at the same
time the perplexity that was later to send her running
to Willow Springs and to the presence of her mother
began to grow in her.
Walter Sayers’ office was a
rather large room on the third floor of the factory
whose walls went straight up from the river’s
edge. In the morning Rosalind arrived at eight
and went into the office and closed the door.
In a large room across a narrow hallway and shut off
from her retreat by two thick, clouded-glass partitions
was the company’s general office. It contained
the desks of salesmen, several clerks, a bookkeeper
and two stenographers. Rosalind avoided becoming
acquainted with these people. She was in a mood
to be alone, to spend as many hours as possible alone
with her own thoughts.
She got to the office at eight and
her employer did not arrive until nine-thirty or ten.
For an hour or two in the morning and in the late
afternoon she had the place to herself. Immediately
she shut the door into the hallway and was alone she
felt at home. Even in her father’s house
it had never been so. She took off her wraps and
walked about the room touching things, putting things
to rights. During the night a negro woman had
scrubbed the floor and wiped the dust off her employer’s
desk but she got a cloth and wiped the desk again.
Then she opened the letters that had come in and after
reading arranged them in little piles. She wanted
to spend a part of her wages for flowers and imagined
clusters of flowers arranged in small hanging baskets
along the grey walls. “I’ll do that
later, perhaps,” she thought.
The walls of the room enclosed her.
“What makes me so happy here?” she asked
herself. As for her employer—she felt
she scarcely knew him. He was a shy man, rather
small—
She went to a window and stood looking
out. Near the factory a bridge crossed the river
and over it went a stream of heavily loaded wagons
and motor trucks. The sky was grey with smoke.
In the afternoon, after her employer had gone for
the day, she would stand again by the window.
As she stood thus she faced westward and in the afternoon
saw the sun fall down the sky. It was glorious
to be there alone during the late hours of the afternoon.
What a tremendous thing this city in which she had
come to live! For some reason after she went to
work for Walter Sayers the city seemed, like the room
in which she worked, to have accepted her, taken her
into itself. In the late afternoon the rays of
the departing sun fell across great banks of clouds.
The whole city seemed to reach upwards. It left
the ground and ascended into the air. There was
an illusion produced. Stark grim factory chimneys,
that all day were stiff cold formal things sticking
up into the air and belching forth black smoke, were
now slender upreaching pencils of light and wavering
color. The tall chimneys detached themselves from
the buildings and sprang into the air. The factory
in which Rosalind stood had such a chimney. It
also was leaping upward. She felt herself being
lifted, an odd floating sensation was achieved.
With what a stately tread the day went away, over
the city! The city, like the factory chimneys
yearned after it, hungered for it.
In the morning gulls came in from
Lake Michigan to feed on the sewage floating in the
river below. The river was the color of chrysoprase.
The gulls floated above it as sometimes in the evening
the whole city seemed to float before her eyes.
They were graceful, living, free things. They
were triumphant. The getting of food, even the
eating of sewage was done thus gracefully, beautifully.
The gulls turned and twisted in the air. They
wheeled and floated and then fell downward to the
river in a long curve, just touching, caressing the
surface of the water and then rising again.
Rosalind raised herself on her toes.
At her back beyond the two glass partitions were other
men and women, but there, in that room, she was alone.
She belonged there. What an odd feeling she had.
She also belonged to her employer, Walter Sayers.
She scarcely knew the man and yet she belonged to
him. She threw her arms above her head, trying
awkwardly to imitate some movement of the birds.
Her awkwardness shamed her a little
and she turned and walked about the room. “I’m
twenty-five years old and it’s a little late
to begin trying to be a bird, to be graceful,”
she thought. She resented the slow stupid heavy
movements of her father and mother, the movements she
had imitated as a child. “Why was I not
taught to be graceful and beautiful in mind and body,
why in the place I came from did no one think it worth
while to try to be graceful and beautiful?” she
whispered to herself.
How conscious of her own body Rosalind
was becoming! She walked across the room, trying
to go lightly and gracefully. In the office beyond
the glass partitions someone spoke suddenly and she
was startled. She laughed foolishly. For
a long time after she went to work in the office of
Walter Sayers she thought the desire in herself to
be physically more graceful and beautiful and to rise
also out of the mental stupidity and sloth of her
young womanhood was due to the fact that the factory
windows faced the river and the western sky, and that
in the morning she saw the gulls feeding and in the
afternoon the sun going down through the smoke clouds
in a riot of colors.