Literature Archive

Register
Login

Authors
Works
Reading Lists

Forums
Members
Book Auctions

Bookmark
Add Del.icio.us Bookmark!
Add Furl Bookmark!
Add Spurl Bookmark!


Shapes of Clay

Ambrose Bierce
Dedication.

Preface.

The Passing Show. >

PREFACE.

Some small part of this book being personally censorious, and in that
part the names of real persons being used without their assent, it seems
fit that a few words be said of the matter in sober prose.  What it seems
well to say I have already said with sufficient clarity in the preface
of another book, somewhat allied to this by that feature of its
character.  I quote from “Black Beetles in Amber:” 

“Many of the verses in this book are republished, with considerable
alterations, from various newspapers.  Of my motives in writing and in
now republishing I do not care to make either defence or explanation,
except with reference to those who since my first censure of them have
passed away.  To one having only a reader’s interest in the matter it may
easily seem that the verses relating to those might properly have been
omitted from this collection.  But if these pieces, or indeed, if any
considerable part of my work in literature, have the intrinsic worth
which by this attempt to preserve some of it I have assumed, their
permanent suppression is impossible, and it is only a question of when
and by whom they will be republished.  Some one will surely search them
out and put them in circulation.

“I conceive it the right of an author to have his fugitive work
collected in his lifetime; and this seems to me especially true of one
whose work, necessarily engendering animosities, is peculiarly exposed
to challenge as unjust.  That is a charge that can best be examined
before time has effaced the evidence.  For the death of a man of whom
I have written what I may venture to think worthy to live I am no way
responsible; and however sincerely I may regret it, I can hardly consent
that it shall affect my literary fortunes.  If the satirist who does not
accept the remarkable doctrine that, while condemning the sin he should
spare the sinner, were bound to let the life of his work be coterminous
with that of his subject his were a lot of peculiar hardship.

“Persuaded of the validity of all this I have not hesitated to reprint
even certain ‘epitaphs’ which, once of the living, are now of the dead,
as all the others must eventually be.  The objection inheres in all forms
of applied satire—­my understanding of whose laws and liberties is at
least derived from reverent study of the masters.  That in respect of
matters herein mentioned I have but followed their practice can be shown
by abundant instance and example.”

In arranging these verses for publication I have thought it needless
to classify them according to character, as “Serious,” “Comic,”
“Sentimental,” “Satirical,” and so forth.  I do the reader the honor to
think that he will readily discern the nature of what he is reading;
and I entertain the hope that his mood will accommodate itself without
disappointment to that of his author.

AMBROSE BIERCE.

Dedication.

Preface.

The Passing Show. >

Ruby on Rails