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Shapes of Clay

Ambrose Bierce
A Paradox.

A Bit of Science.

To a Dejected Poet. >

  What! photograph in colors?  ’Tis a dream
    And he who dreams it is not overwise,
  If colors are vibration they but seem,
    And have no being.  But if Tyndall lies,
    Why, come, then—­photograph my lady’s eyes. 
  Nay, friend, you can’t; the splendor of their blue,
    As on my own beclouded orbs they rest,
  To naught but vibratory motion’s due,
    As heart, head, limbs and all I am attest. 
  How could her eyes, at rest themselves, be making
  In me so uncontrollable a shaking?

THE TABLES TURNED.

  Over the man the street car ran,
    And the driver did never grin. 
  “O killer of men, pray tell me when
    Your laughter means to begin.

  “Ten years to a day I’ve observed you slay,
    And I never have missed before
  Your jubilant peals as your crunching wheels
    Were spattered with human gore.

  “Why is it, my boy, that you smother your joy,
    And why do you make no sign
  Of the merry mind that is dancing behind
    A solemner face than mine?”

  The driver replied:  “I would laugh till I cried
    If I had bisected you;
  But I’d like to explain, if I can for the pain,
    ’T is myself that I’ve cut in two.”

A Paradox.

A Bit of Science.

To a Dejected Poet. >

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