II
A glance rapidly thrown over the past
life of this household will strengthen the ideas which
ought to have been suggested by the friendly altercation
of the two personages in this scene. While picturing
the manners and customs of retail shopkeepers, this
sketch will also show by what singular chances Cesar
Birotteau became deputy-mayor and perfumer, retired
officer of the National Guard, and chevalier of the
Legion of honor. In bringing to light the depths
of his character and the causes of his rise, we shall
show that fortuitous commercial events which strong
brains dominate, may become irreparable catastrophes
for weak ones. Events are never absolute; their
results depend on individuals. Misfortune is a
stepping-stone for genius, the baptismal font of Christians,
a treasure for the skilful man, an abyss for the feeble.
A vine-dresser in the neighborhood
of Chinon, named Jean Birotteau, married the waiting-maid
of a lady whose vines he tilled. He had three
sons; his wife died in giving birth to the last, and
the poor man did not long survive her. The mistress
had been fond of the maid, and brought up with her
own sons the eldest child, Francois, and placed him
in a seminary. Ordained priest, Francois Birotteau
hid himself during the Revolution, and led the wandering
life of priests not sworn by the Republic, hunted
like wild beasts and guillotined at the first chance.
At the time when this history begins he was vicar of
the cathedral of Tours, and had only once left that
city to visit his brother Cesar. The bustle of
Paris so bewildered the good priest that he was afraid
to leave his room. He called the cabriolets “half-coaches,”
and wondered at all he saw. After a week’s
stay he went back to Tours resolving never to revisit
the capital.
The second son of the vine-dresser,
Jean Birotteau, was drafted into the militia, and
won the rank of captain early in the wars of the Revolution.
At the battle of Trebia, Macdonald called for volunteers
to carry a battery. Captain Jean Birotteau advanced
with his company, and was killed. The destiny
of the Birotteaus demanded, no doubt, that they should
be oppressed by men, or by circumstances, wheresoever
they planted themselves.
The last child is the hero of this
story. When Cesar at fourteen years of age could
read, write, and cipher, he left his native place and
came to Paris on foot to seek his fortune, with one
louis in his pocket. The recommendation of an
apothecary at Tours got him a place as shop-boy with
Monsieur and Madame Ragon, perfumers. Cesar owned
at this period a pair of hob-nailed shoes, a pair
of breeches, blue stockings, a flowered waistcoat,
a peasant’s jacket, three coarse shirts of good
linen, and his travelling cudgel. If his hair
was cut like that of a choir-boy, he at least had
the sturdy loins of a Tourangian; if he yielded sometimes
to the native idleness of his birthplace, it was counterbalanced
by his desire to make his fortune; if he lacked cleverness
and education, he possessed an instinctive rectitude
and delicate feelings, which he inherited from his
mother, —a being who had, in Tourangian
phrase, a “heart of gold.” Cesar
received from the Ragons his food, six francs a month
as wages, and a pallet to sleep upon in the garret
near the cook. The clerks who taught him to pack
the goods, to do the errands, and sweep up the shop
and the pavement, made fun of him as they did so, according
to the manners and customs of shop-keeping, in which
chaff is a principal element of instruction.
Monsieur and Madame Ragon spoke to him like a dog.
No one paid attention to his weariness, though many
a night his feet, blistered by the pavements of Paris,
and his bruised shoulders, made him suffer horribly.
This harsh application of the maxim “each for
himself,”—the gospel of large cities,—made
Cesar think the life of Paris very hard. At night
he cried as he thought of Touraine, where the peasant
works at his ease, where the mason lays a stone between
breakfast and dinner, and idleness is wisely mingled
with labor; but he always fell asleep without having
time to think of running away, for he had his errands
to do in the morning, and obeyed his duty with the
instinct of a watch-dog. If occasionally he complained,
the head clerk would smile with a jovial air, and
say,—
“Ah, my boy! all is not rose
at ‘The Queen of Roses.’ Larks don’t
fall down roasted; you must run after them and catch
them, and then you must find some way to cook them.”
The cook, a big creature from Picardy,
took the best bits for herself, and only spoke to
Cesar when she wanted to complain of Monsieur and
Madame Ragon, who left her nothing to steal. Towards
the end of the first month this girl, who was forced
to keep house of a Sunday, opened a conversation with
Cesar. Ursula with the grease washed off seemed
charming to the poor shop-boy, who, unless hindered
by chance, was likely to strike on the first rock
that lay hidden in his way. Like all unprotected
boys, he loved the first woman who threw him a kind
look. The cook took Cesar under her protection;
and thence followed certain secret relations, which
the clerks laughed at pitilessly. Two years later,
the cook happily abandoned Cesar for a young recruit
belonging to her native place who was then hiding in
Paris,—a lad twenty years old, owning a
few acres of land, who let Ursula marry him.
During those two years the cook had
fed her little Cesar well, and had explained to him
certain mysteries of Parisian life, which she made
him look at from the bottom; and she impressed upon
him, out of jealousy, a profound horror of evil places,
whose dangers seemed not unknown to her. In 1792
the feet of the deserted Cesar were well-toughened
to the pavements, his shoulders to the bales, and his
mind to what he called the “humbugs” of
Paris. So when Ursula abandoned him he was speedily
consoled, for she had realized none of his instinctive
ideas in relation to sentiment. Licentious and
surly, wheedling and pilfering, selfish and a tippler,
she clashed with the simple nature of Birotteau without
offering him any compensating perspective. Sometimes
the poor lad felt with pain that he was bound by ties
that are strong enough to hold ingenuous hearts to
a creature with whom he could not sympathize.
By the time that he became master of his own heart
he had reached his growth, and was sixteen years old.
His mind, developed by Ursula and by the banter of
the clerks, made him study commerce with an eye in
which intelligence was veiled beneath simplicity:
he observed the customers; asked in leisure moments
for explanations about the merchandise, whose divers
sorts and proper places he retained in his head.
The day came when he knew all the articles, and their
prices and marks, better than any new-comer; and from
that time Monsieur and Madame Ragon made a practice
of employing him in the business.
When the terrible levy of the year
II. made a clean sweep in the shop of citizen Ragon,
Cesar Birotteau, promoted to be second clerk, profited
by the occasion to obtain a salary of fifty francs
a month, and took his seat at the dinner-table of
the Ragons with ineffable delight. The second
clerk of “The Queen of Roses,” possessing
already six hundred francs, now had a chamber where
he could put away, in long-coveted articles of furniture,
the clothing he had little by little got together.
Dressed like other young men of an epoch when fashion
required the assumption of boorish manners, the gentle
and modest peasant had an air and manner which rendered
him at least their equal; and he thus passed the barriers
which in other times ordinary life would have placed
between himself and the bourgeoisie. Towards
the end of this year his integrity won him a place
in the counting-room. The dignified citoyenne
Ragon herself looked after his linen, and the two
shopkeepers became familiar with him.
In Vendemiaire, 1794, Cesar, who possessed
a hundred louis d’or, changed them for six thousand
francs in assignats, with which he bought into the
Funds at thirty, paying for the investment on the very
day before the paper began its course of depreciation
at the Bourse, and locking up his securities with
unspeakable satisfaction. From that day forward
he watched the movement of stocks and public affairs
with secret anxieties of his own, which made him quiver
at each rumor of the reverses or successes that marked
this period of our history. Monsieur Ragon, formerly
perfumer to her majesty Queen Marie-Antoinette, confided
to Cesar Birotteau, during this critical period, his
attachment to the fallen tyrants. This disclosure
was one of the cardinal events in Cesar’s life.
The nightly conversations when the shop was closed,
the street quiet, the accounts regulated, made a fanatic
of the Tourangian, who in becoming a royalist obeyed
an inborn instinct. The recital of the virtuous
deeds of Louis XVI., the anecdotes with which husband
and wife exalted the memory of the queen, fired the
imagination of the young man. The horrible fate
of those two crowned heads, decapitated a few steps
from the shop-door, roused his feeling heart and made
him hate a system of government which was capable
of shedding blood without repugnance. His commercial
interests showed him the death of trade in the Maximum,
and in political convulsions, which are always destructive
of business. Moreover, like a true perfumer,
he hated the revolution which made a Titus of every
man and abolished powder. The tranquillity resulting
from absolutism could alone, he thought, give life
to money, and he grew bigoted on behalf of royalty.
When Monsieur Ragon saw that Cesar was well-disposed
on this point, he made him head-clerk and initiated
him into the secrets of “The Queen of Roses,”
several of whose customers were the most active and
devoted emissaries of the Bourbons, and where the
correspondence between Paris and the West secretly
went on. Carried away by the fervor of youth,
electrified by his intercourse with the Georges, the
Billardiere, Montauran, Bauvan, Longuy, Manda, Bernier,
du Guenic, and the Fontaines, Cesar flung himself into
the conspiracy by which the royalists and the terrorists
combined on the 13th Vendemiaire against the expiring
Convention.
On that day Cesar had the honor of
fighting against Napoleon on the steps of Saint-Roch,
and was wounded at the beginning of the affair.
Every one knows the result of that attempt. If
the aide-de-camp of Barras then issued from his obscurity,
the obscurity of Birotteau saved the clerk’s
life. A few friends carried the belligerent perfumer
to “The Queen of Roses,” where he remained
hidden in the garret, nursed by Madame Ragon, and
happily forgotten. Cesar Birotteau never had
but that one spurt of martial courage. During
the month his convalescence lasted, he made solid
reflections on the absurdity of an alliance between
politics and perfumery. Although he remained
royalist, he resolved to be, purely and simply, a royalist
perfumer, and never more to compromise himself, body
and soul, for his country.
On the 18th Brumaire, Monsieur and
Madame Ragon, despairing of the royal cause, determined
to give up perfumery, and live like honest bourgeois
without meddling in politics. To recover the value
of their business, it was necessary to find a man
who had more integrity than ambition, more plain good
sense than ability. Ragon proposed the affair
to his head-clerk. Birotteau, now master at twenty
years of age of a thousand francs a year from the
public Funds, hesitated. His ambition was to
live near Chinon as soon as he could get together an
income of fifteen hundred francs, or whenever the First
Consul should have consolidated the public debt by
consolidating himself in the Tuileries. Why should
he risk his honest and simple independence in commercial
uncertainties? he asked himself. He had never
expected to win so large a fortune, and he owed it
to happy chances which only come in early youth; he
intended to marry in Touraine some woman rich enough
to enable him to buy and cultivate Les Tresorieres,
a little property which, from the dawn of his reason,
he had coveted, which he dreamed of augmenting, where
he could make a thousand crowns a year, and where
he would lead a life of happy obscurity. He was
about to refuse the offer, when love suddenly changed
all his resolutions by increasing tenfold the measure
of his ambition.
After Ursula’s desertion, Cesar
had remained virtuous, as much through fear of the
dangers of Paris as from application to his work.
When the passions are without food they change their
wants; marriage then becomes, to persons of the middle
class, a fixed idea, for it is their only way of winning
and appropriating a woman. Cesar Birotteau had
reached that point. Everything at “The Queen
of Roses” now rested on the head-clerk; he had
not a moment to give to pleasure. In such a life
wants become imperious, and a chance meeting with a
beautiful young woman, of whom a libertine clerk would
scarcely have dreamed, produced on Cesar an overpowering
effect. On a fine June day, crossing by the Pont-Marie
to the Ile Saint-Louis, he saw a young girl standing
at the door of a shop at the angle of the Quai d’Anjou.
Constance Pillerault was the forewoman of a linen-draper’s
establishment called Le Petit Matelot,—the
first of those shops which have since been established
in Paris with more or less of painted signs, floating
banners, show-cases filled with swinging shawls, cravats
arranged like houses of cards, and a thousand other
commercial seductions, such as fixed prices, fillets
of suspended objects, placards, illusions and optical
effects carried to such a degree of perfection that
a shop-front has now become a commercial poem.
The low price of all the articles called “Novelties”
which were to be found at the Petit-Matelot gave the
shop an unheard of vogue, and that in a part of Paris
which was the least favorable to fashion and commerce.
The young forewoman was at this time cited for her
beauty, as was the case in later days with the beautiful
lemonade-girl of the cafe of the Milles Colonnnes,
and several other poor creatures who flattened more
noses, young and old, against the window-panes of
milliners, confectioners, and linen-drapers, than
there are stones in the streets of Paris.
The head-clerk of “The Queen
of Roses,” living between Saint-Roch and the
Rue de la Sourdiere, knew nothing of the existence
of the Petit-Matelot; for the smaller trades of Paris
are more or less strangers to each other. Cesar
was so vigorously smitten by the beauty of Constance
that he rushed furiously into the shop to buy six linen
shirts, disputing the price a long time, and requiring
volumes of linen to be unfolded and shown to him,
precisely like an Englishwoman in the humor for “shopping.”
The young person deigned to take notice of Cesar,
perceiving, by certain symptoms known to women, that
he came more for the seller than the goods. He
dictated his name and address to the young lady, who
grew very indifferent to the admiration of her customer
once the purchase was made. The poor clerk had
had little to do to win the good graces of Ursula;
in such matters he was as silly as a sheep, and love
now made him sillier. He dared not utter a word,
and was moreover too dazzled to observe the indifference
which succeeded the smiles of the siren shopwoman.
For eight succeeding days Cesar mounted
guard every evening before the Petit-Matelot, watching
for a look as a dog waits for a bone at the kitchen
door, indifferent to the derision of the clerks and
the shop-girls, humbly stepping aside for the buyers
and passers-by, and absorbed in the little revolving
world of the shop. Some days later he again entered
the paradise of his angel, less to purchase handkerchiefs
than to communicate to her a luminous idea.
“If you should have need of
perfumery, Mademoiselle, I could furnish you in the
same manner,” he said as he paid for the handkerchiefs.
Constance Pillerault was daily receiving
brilliant proposals, in which there was no question
of marriage; and though her heart was as pure as her
forehead was white, it was only after six months of
marches and counter-marches, in the course of which
Cesar revealed his inextinguishable love, that she
condescended to receive his attentions, and even then
without committing herself to an answer, —a
prudence suggested by the number of her swains, wholesale
wine-merchants, rich proprietors of cafes, and others
who made soft eyes at her. The lover was backed
up in his suit by the guardian of Constance, Monsieur
Claude-Joseph Pillerault, at that time an ironmonger
on the Quai de la Ferraille, whom the young man had
finally discovered by devoting himself to the subterraneous
spying which distinguishes a genuine love.
The rapidity of this narrative compels
us to pass over in silence the joys of Parisian love
tasted with innocence, the prodigalities peculiar
to clerkdom, such as melons in their earliest prime,
choice dinners at Venua’s followed by the theatre,
Sunday jaunts to the country in hackney-coaches.
Without being handsome, there was nothing in Cesar’s
person which made it difficult to love him. The
life of Paris and his sojourn in a dark shop had dulled
the brightness of his peasant complexion. His
abundant black hair, his solid neck and shoulders
like those of a Norman horse, his sturdy limbs, his
honest and straightforward manner, all contributed
to predispose others in his favor. The uncle
Pillerault, whose duty it was to watch over the happiness
of his brother’s daughter, made inquiries which
resulted in his sanctioning the wishes of the young
Tourangian. In the year 1800, and in the pretty
month of May, Mademoiselle Pillerault consented to
marry Cesar Birotteau, who fainted with joy at the
moment when, under a linden at Sceaux, Constance-Barbe-Josephine
Pillerault accepted him as her husband.
“My little girl,” said
Monsieur Pillerault, “you have won a good husband.
He has a warm heart and honorable feelings; he is true
as gold, and as good as an infant Jesus,—in
fact, a king of men.”
Constance frankly abdicated the more
brilliant destiny to which, like all shop-girls, she
may at times have aspired. She wished to be an
honest woman, a good mother of a family, and looked
at life according to the religious programme of the
middle classes. Such a career suited her own
ideas far better than the dangerous vanities which
seduce so many youthful Parisian imaginations.
Constance, with her narrow intelligence, was a type
of the petty bourgeoisie whose labors are not performed
without grumbling; who begin by refusing what they
desire, and end by getting angry when taken at their
word; whose restless activity is carried into the
kitchen and into the counting-room, into the gravest
matters of business, and into the invisible darns of
the household linen; who love while scolding, who
conceive no ideas but the simplest (the small change
of the mind); who argue about everything, fear everything,
calculate everything, and fret perpetually over the
future. Her cold but ingenuous beauty, her touching
expression, her freshness and purity, prevented Birotteau
from thinking of her defects, which moreover were more
than compensated by a delicate sense of honor natural
to women, by an excessive love of order, by a fanaticism
for work, and by her genius as a saleswoman.
Constance was eighteen years old, and possessed eleven
thousand francs of her own. Cesar, inspired by
his love with an excessive ambition, bought the business
of “The Queen of Roses” and removed it
to a handsome building near the Place Vendome.
At the early age of twenty-one, married to a woman
he adored, the proprietor of an establishment for
which he had paid three quarters of the price down,
he had the right to view, and did view, the future
in glowing colors; all the more when he measured the
path which led from his original point of departure.
Roguin, notary of Ragon, who had drawn up the marriage
contract, gave the new perfumer some sound advice,
and prevented him from paying the whole purchase money
down with the fortune of his wife.
“Keep the means of undertaking
some good enterprise, my lad,” he had said to
him.
Birotteau looked up to the notary
with admiration, fell into the habit of consulting
him, and made him his friend. Like Ragon and Pillerault,
he had so much faith in the profession that he gave
himself up to Roguin without allowing himself a suspicion.
Thanks to this advice, Cesar, supplied with the eleven
thousand francs of his wife for his start in business,
would have scorned to exchange his possessions for
those of the First Consul, brilliant as the prospects
of Napoleon might seem. At first the Birotteaus
kept only a cook, and lived in the entresol
above the shop,—a sort of den tolerably
well decorated by an upholsterer, where the bride
and bridegroom began a honeymoon that was never to
end. Madame Cesar appeared to advantage behind
the counter. Her celebrated beauty had an enormous
influence upon the sales, and the beautiful Madame
Birotteau became a topic among the fashionable young
men of the Empire. If Cesar was sometimes accused
of royalism, the world did justice to his honesty;
if a few neighboring shopkeepers envied his happiness,
every one at least thought him worthy of it.
The bullet which struck him on the steps of Saint-Roch
gave him the reputation of being mixed up with political
secrets, and also of being a courageous man,—though
he had no military courage in his heart, and not the
smallest political idea in his brain. Upon these
grounds the worthy people of the arrondissement made
him captain of the National Guard; but he was cashiered
by Napoleon, who, according to Birotteau, owed him
a grudge for their encounter on the 13th Vendemiaire.
Cesar thus obtained at a cheap rate a varnish of persecution,
which made him interesting in the eyes of the opposition,
and gave him a certain importance.
* * * *
Such was the history of this household,
lastingly happy through its feeling, and agitated
only by commercial anxieties.
During the first year Cesar instructed
his wife about the sales of their merchandise and
the details of perfumery,—a business which
she understood admirably. She really seemed to
have been created and sent into the world to fit on
the gloves of customers. At the close of that
year the assets staggered our ambitious perfumer; all
costs calculated, he would be able in less than twenty
years to make a modest capital of one hundred thousand
francs, which was the sum at which he estimated their
happiness. He then resolved to reach fortune
more rapidly, and determined to manufacture articles
as well as retail them. Contrary to the advice
of his wife, he hired some sheds, with the ground
about them, in the Faubourg du Temple, and painted
upon them in big letters, “Manufactory of Cesar
Birotteau.” He enticed a skilful workman
from Grasse, with whom he began, on equal shares, the
manufacture of soaps, essences, and eau-de-cologne.
His connection with this man lasted only six months,
and ended by losses which fell upon him alone.
Without allowing himself to be discouraged, Birotteau
determined to get better results at any price, solely
to avoid being scolded by his wife,—to
whom he acknowledged later that in those depressing
days his head had boiled like a saucepan, and that
several times, if it had not been for his religious
sentiments, he should have flung himself into the
Seine.
Harassed by some unprofitable enterprise,
he was lounging one day along the boulevard on his
way to dinner,—for the Parisian lounger
is as often a man filled with despair as an idler,—when
among a parcel of books for six sous a-piece, laid
out in a hamper on the pavement, his eyes lighted
on the following title, yellow with dust: “Abdeker,
or the Art of Preserving Beauty.” He picked
up the so-called Arab book, a sort of romance written
by a physician of the preceding century, and happened
on a page which related to perfumes. Leaning
against a tree on the boulevard to turn over the leaves
at his ease, he read a note by the author which explained
the nature of the skin and the cuticle, and showed
that a certain soap, or a certain paste, often produced
effects quite contrary to those expected of them, if
the soap and the paste toned up a skin which needed
relaxing, or relaxed a skin which required tones.
Birotteau bought the book, in which he saw his fortune.
Nevertheless, having little confidence in his own
lights, he consulted a celebrated chemist, Vauquelin,
from whom he naively inquired how to mix a two-sided
cosmetic which should produce effects appropriate
to the diversified nature of the human epidermis.
Truly scientific men—men who are really
great in the sense that they never attain in their
lifetime the renown which their immense and unrecognized
labors deserve—are nearly always kind, and
willing to serve the poor in spirit. Vauquelin
accordingly patronized the perfumer, and allowed him
to call himself the inventor of a paste to whiten
the hands, the composition of which he dictated to
him. Birotteau named this cosmetic the “Double
Paste of Sultans.” To complete the work,
he applied the same recipe to the manufacture of a
lotion for the complexion, which he called the “Carminative
Balm.” He imitated in his own line the
system of the Petit-Matelot, and was the first perfumer
to display that redundancy of placards, advertisements,
and other methods of publication which are called,
perhaps unjustly, charlatanism.
The Paste of Sultans and the Carminative
Balm were ushered into the world of fashion and commerce
by colored placards, at the head of which were these
words, “Approved by the Institute.”
This formula, used for the first time, had a magical
effect. Not only all France, but the continent
flaunted with the posters, yellow, red, and blue, of
the monarch of the “The Queen of Roses,”
who kept in stock, supplied, and manufactured, at
moderate prices, all that belonged to his trade.
At a period when nothing was talked of but the East,
to name any sort of cosmetic the “Paste of Sultans”
thus divining the magic force of such words in a land
where every man hoped to be a sultan as much as every
woman longed to be a sultana, was an inspiration which
could only have come to a common man or a man of genius.
The public always judges by results. Birotteau
passed for a superior man, commercially speaking;
all the more because he compiled a prospectus whose
ridiculous phraseology was an element of success.
In France they only made fun of things which occupy
the public mind, and the public does not occupy itself
with things that do not succeed. Though Birotteau
perpetrated this folly in good faith and not as a trick,
the world gave him credit for knowing how to play
the fool for a purpose. We have found, not without
difficulty, a copy of this prospectus at the establishment
of Popinot and Co., druggists, Rue des Lombards.
This curious document belongs to the class which,
in a higher sphere, historians call pieces justificatives.
We give it here:
The double
paste of Sultans
And Carminative
balm
Of Cesar Birotteau.
MARVELLOUS
discovery!
Approved by the Institute
of France.
“For many years a paste for the
hands and a lotion for the face offering superior
results to those obtained from Eau-de-Cologne in the
domain of the toilet, has been widely sought by both
sexes in Europe. Devoting long vigils to the
study of the skin and cuticle of the two sexes,
each of whom, one as much as the other, attach the
utmost importance to the softness, suppleness, brilliancy,
and velvet texture of the complexion, the Sieur
Birotteau, perfumer, favorably known in this metropolis
and abroad, has discovered a Paste and a Lotion
justly hailed as marvellous by the fashion and elegance
of Paris. In point of fact, this Paste and this
Lotion possess amazing properties which act upon
the skin without prematurely wrinkling it,—the
inevitable result of drugs thoughtlessly employed,
and sold in these days by ignorance and cupidity.
This discovery rests upon diversities of temperament,
which divide themselves into two great classes, indicated
by the color of the Paste and the Lotion, which
will be found pink for the skin and cuticle
of persons of lymphatic habit, and white for
those possessed of a sanguine temperament.
“This Paste is named the ‘Paste
of Sultans,’ because the discovery was originally
made for the Seraglio by an Arabian physician.
It has been approved by the Institute on the recommendation
of our illustrious chemist, Vauquelin; together
with the Lotion, fabricated on the same principles
which govern the composition of the Paste.
“This precious Paste, exhaling as
it does the sweetest perfumes, removes all blotches,
even those that are obstinately rebellious, whitens
the most recalcitrant epidermis, and dissipates the
perspirations of the hand, of which both sexes equally
complain.
“The Carminative Balm will disperse
the little pimples which appear inopportunely at
certain times, and interfere with a lady’s projects
for a ball; it refreshes and revives the color by opening
or shutting the pores of the skin according to the
exigencies of the individual temperament. It
is so well known already for its effect in arresting
the ravages of time that many, out of gratitude,
have called it the ‘Friend of Beauty.’
“Eau-de-Cologne is, purely and simply,
a trivial perfume without special efficacy of any
kind; while the Double Paste of Sultans and the
Carminative Balm are two operative compounds, of a
motive power which acts without risk upon the internal
energies and seconds them. Their perfumes (essentially
balsamic, and of a stimulating character which admirably
revives the heart and brain) awake ideas and vivify
them; they are as wonderful for their simplicity
as for their merits. In short, they offer one
attraction the more to women, and to men a means
of seduction which it is within their power to secure.
“The daily use of the Balm will
relieve the smart occasioned by the heat of the
razor; it will protect the lips from chapping, and
restore their color; it dispels in time all discolorations,
and revives the natural tones of the skin.
Such results demonstrate in man a perfect equilibrium
of the juices of life, which tends to relieve all
persons subject to headache from the sufferings of
that horrible malady. Finally, the Carminative
Balm, which can be employed by women in all stages
of their toilet, will prevent cutaneous diseases
by facilitating the transpiration of the tissues,
and communicating to them a permanent texture like
that of velvet.
“Address, post-paid, Monsieur Cesar
Birotteau, successor to Ragon,
former perfumer to the Queen Marie Antoinette,
at The Queen of
Roses, Rue Saint-Honore, Paris, near the
Place Vendome.
“The price of a cake of Paste is
three francs; that of the bottle
six francs.
“Monsieur Cesar Birotteau, to avoid
counterfeits, informs the
public that the Paste is wrapped in paper
bearing his signature,
and that the bottles have a stamp blown
in the glass.”
The success was owing, without Cesar’s
suspecting it, to Constance, who advised him to send
cases of the Carminative Balm and the Paste of Sultans
to all perfumers in France and in foreign cities, offering
them at the same time a discount of thirty per cent
if they would buy the two articles by the gross.
The Paste and the Balm were, in reality, worth more
than other cosmetics of the sort; and they captivated
ignorant people by the distinctions they set up among
the temperaments. The five hundred perfumers
of France, allured by the discount, each bought annually
from Birotteau more than three hundred gross of the
Paste and the Lotion,—a consumption which,
if it gave only a limited profit on each article,
became enormous considered in bulk. Cesar was
then able to buy the huts and the land in the Faubourg
du Temple; he built large manufactories, and decorated
his shop at “The Queen of Roses” with
much magnificence; his household began to taste the
little joys of competence, and his wife no longer trembled
as before.
In 1810 Madame Cesar, foreseeing a
rise in rents, pushed her husband into becoming chief
tenant of the house where they had hitherto occupied
only the shop and the entresol, and advised
him to remove their own appartement to the first floor.
A fortunate event induced Constance to shut her eyes
to the follies which Birotteau committed for her sake
in fitting up the new appartement. The perfumer
had just been elected judge in the commercial courts:
his integrity, his well-known sense of honor, and
the respect he enjoyed, earned for him this dignity,
which ranked him henceforth among the leading merchants
of Paris. To improve his knowledge, he rose daily
at five o’clock, and read law-reports and books
treating of commercial litigation. His sense
of justice, his rectitude, his conscientious intentions,
—qualities essential to the understanding
of questions submitted for consular decision,—soon
made him highly esteemed among the judges. His
defects contributed not a little to his reputation.
Conscious of his inferiority, Cesar subordinated his
own views to those of his colleagues, who were flattered
in being thus deferred to. Some sought the silent
approbation of a man held to be sagacious, in his capacity
of listener; others, charmed with his modesty and gentleness,
praised him publicly. Plaintiffs and defendants
extolled his kindness, his conciliatory spirit; and
he was often chosen umpire in contests where his own
good sense would have suggested the swift justice of
a Turkish cadi. During his whole period in office
he contrived to use language which was a medley of
commonplaces mixed with maxims and computations served
up in flowing phrases mildly put forth, which sounded
to the ears of superficial people like eloquence.
Thus he pleased that great majority, mediocre by nature,
who are condemned to perpetual labor and to views
which are of the earth earthy. Cesar, however,
lost so much time in court that his wife obliged him
finally to resign the expensive dignity.
Towards 1813, the Birotteau household,
thanks to its constant harmony, and after steadily
plodding on through life, saw the dawn of an era of
prosperity which nothing seemed likely to interrupt.
Monsieur and Madame Ragon, their predecessors, the
uncle Pillerault, Roguin the notary, the Messrs. Matifat,
druggists in the Rue des Lombards and purveyors to
“The Queen of Roses,” Joseph Lebas, woollen
draper and successor to the Messrs. Guillaume at the
Maison du Chat-qui-pelote (one of the luminaries of
the Rue Saint-Denis), Popinot the judge, brother of
Madame Ragon, Chiffreville of the firm of Protez &
Chiffreville, Monsieur and Madame Cochin, employed
in the treasury department and sleeping partners in
the house of Matifat, the Abbe Loraux, confessor and
director of the pious members of this coterie, with
a few other persons, made up the circle of their friends.
In spite of the royalist sentiments of Birotteau,
public opinion was in his favor; he was considered
very rich, though in fact he possessed only a hundred
thousand francs over and above his business. The
regularity of his affairs, his punctuality, his habit
of making no debts, of never discounting his paper,
and of taking, on the contrary, safe securities from
those whom he could thus oblige, together with his
general amiability, won him enormous credit. His
household cost him nearly twenty thousand francs a
year, and the education of Cesarine, an only daughter,
idolized by Constance as well as by himself, necessitated
heavy expenses. Neither husband nor wife considered
money when it was a question of giving pleasure to
their child, from whom they had never been willing
to separate. Imagine the happiness of the poor
parvenu peasant as he listened to his charming Cesarine
playing a sonata of Steibelt’s on the piano,
and singing a ballad; or when he found her writing
the French language correctly, or reading Racine,
father and son, and explaining their beauties, or
sketching a landscape, or painting in sepia! What
joy to live again in a flower so pure, so lovely,
which had never left the maternal stem; an angel whose
budding graces and whose earliest developments he had
passionately watched; an only daughter, incapable of
despising her father, or of ridiculing his defective
education, so truly was she an ingenuous young girl.
When he first came to Paris, Cesar
had known how to read, write, and cipher, but his
education stopped there; his laborious life had kept
him from acquiring ideas and knowledge outside the
business of perfumery. Mixing wholly with people
to whom science and letters were of no importance,
and whose information did not go beyond their specialty,
having no time to give to higher studies, the perfumer
had become a merely practical man. He adopted
necessarily the language, blunders, and opinions of
the bourgeois of Paris, who admires Moliere, Voltaire,
and Rousseau on faith, and buys their books without
ever reading them; who maintains that people should
say ormoires, because women put away their
gold and their dresses and moire in those articles
of furniture, and that it is only a corruption of the
language to say armoires. Potier, Talma,
and Mademoiselle Mars were ten times millionaires,
and did not live like other human beings; the great
tragedian ate raw meat, and Mademoiselle Mars sometimes
drank dissolved pearls, in imitation of a celebrated
Egyptian actress. The Emperor had leather pockets
in his waistcoat, so that he could take his snuff
by the handful; he rode on horseback at full gallop
up the stairway of the orangery at Versailles.
Writers and artists died in the hospital, as a natural
consequence of their eccentricities; they were, moreover,
all atheists, and people should be very careful not
to admit them into their households. Joseph Lebas
cited with horror the history of his step-sister Augustine’s
marriage with the painter Sommervieux. Astronomers
lived on spiders.
These striking points of information
on the French language, on dramatic art, politics,
literature, and science, will explain the bearings
of the bourgeois intellect. A poet passing through
the Rue des Lombards may dream of Araby as he inhales
certain perfumes. He may admire the danseuses
in a chauderie, as he breathes the odors of
an Indian root. Dazzled by the blaze of cochineal,
he recalls the poems of the Veda, the religion of
Brahma and its castes; brushing against piles of ivory
in the rough, he mounts the backs of elephants; seated
in a muslin cage, he makes love like the King of Lahore.
But the little retail merchant is ignorant from whence
have come, or where may grow, the products in which
he deals. Birotteau, perfumer, did not know an
iota of natural history, nor of chemistry. Though
regarding Vauquelin as a great man, he thought him
an exception,—of about the same capacity
as the retired grocer who summed up a discussion on
the method of importing teas, by remarking with a
knowing air, “There are but two ways: tea
comes either by caravan, or by Havre.” According
to Birotteau aloes and opium were only to be found
in the Rue des Lombards. Rosewater, said to be
brought from Constantinople, was made in Paris like
eau-de-cologne. The names of these places were
shams, invented to please Frenchmen who could not
endure the things of their own country. A French
merchant must call his discoveries English to make
them fashionable, just as in England the druggists
attribute theirs to France.
Nevertheless, Cesar was incapable
of being wholly stupid or a fool. Honesty and
goodness cast upon all the acts of his life a light
which made them creditable; for noble conduct makes
even ignorance seem worthy. Success gave him
confidence. In Paris confidence is accepted as
power, of which it is the outward sign. As for
Madame Birotteau, having measured Cesar during the
first three years of their married life, she was a
prey to continual terror. She represented in their
union the sagacious and fore-casting side,—doubt,
opposition, and fear; while Cesar, on the other hand,
was the embodiment of audacity, energy, and the inexpressible
delights of fatalism. Yet in spite of these appearances
the husband often quaked, while the wife, in reality,
was possessed of patience and true courage.
Thus it happened that a man who was
both mediocre and pusillanimous, without education,
without ideas, without knowledge, without force of
character, and who might be expected not to succeed
in the slipperiest city in the world, came by his
principles of conduct, by his sense of justice, by
the goodness of a heart that was truly Christian, and
through his love for the only woman he had really won,
to be considered as a remarkable man, courageous,
and full of resolution. The public saw results
only. Excepting Pillerault and Popinot the judge,
all the people of his own circle knew him superficially,
and were unable to judge him. Moreover, the twenty
or thirty friends he had collected about him talked
the same nonsense, repeated the same commonplaces,
and all thought themselves superior in their own line.
The women vied with each other in dress and good dinners;
each had said her all when she dropped a contemptuous
word about her husband. Madame Birotteau alone
had the good sense to treat hers with honor and respect
in public; she knew him to be a man who, in spite of
his secret disabilities, had earned their fortune,
and whose good name she shared. It is true that
she sometimes asked herself what sort of world this
could be, if all the men who were thought superior
were like her husband. Such conduct contributed
not a little to maintain the respectful esteem bestowed
upon the perfumer in a community where women are much
inclined to complain of their husbands and bring them
into discredit.
* * *
The first days of the year 1814, so
fatal to imperial France, were marked at the Birotteaus
by two events, not especially remarkable in other
households, but of a nature to impress such simple
souls as Cesar and his wife, who casting their eyes
along the past could find nothing but tender memories.
They had taken as head-clerk a young man twenty-two
years of age, named Ferdinand du Tillet. This
lad—who had just left a perfumery where
he was refused a share in the business, and who was
reckoned a genius—had made great efforts
to get employed at “The Queen of Roses,”
whose methods, facilities, and customs were well known
to him. Birotteau took him, and gave him a salary
of a thousand francs, intending to make him eventually
his successor.
Ferdinand had so great an influence
on the destinies of this family that it is necessary
to say a few words about him. In the first place
he was named simply Ferdinand, without surname.
This anonymous condition seemed to him an immense
advantage at the time when Napoleon conscripted all
families to fill the ranks. He was, however, born
somewhere, as the result of some cruel and voluptuous
caprice. The following are the only facts preserved
about his civil condition. In 1793 a poor girl
of Tillet, a village near Andelys, came by night and
gave birth to a child in the garden of the curate of
the church at Tillet, and after rapping on the window-shutters
went away and drowned herself. The good priest
took the child, gave him the name of the saint inscribed
on the calendar for that day, and fed and brought him
up as his own son. The curate died in 1804, without
leaving enough property to carry on the education
he had begun. Ferdinand, thrown upon Paris, led
a filibustering life whose chances might bring him
to the scaffold, to fortune, the bar, the army, commerce,
or domestic life. Obliged to live like a Figaro,
he was first a commercial traveller, then a perfumer’s
clerk in Paris, where he turned up after traversing
all France, having studied the world and made up his
mind to succeed at any price.
In 1813 Ferdinand thought it necessary
to register his age, and obtain a civil standing by
applying to the courts at Andelys for a judgment,
which should enable his baptismal record to be transferred
from the registry of the parish to that of the mayor’s
office; and he obtained permission to rectify the
document by inserting the name of du Tillet, under
which he was known, and which legally belonged to him
through the fact of his exposure and abandonment in
that township. Without father, mother, or other
guardian than the procureur imperial, alone
in the world and owing no duty to any man, he found
society a hard stepmother, and he handled it, in his
turn, without gloves,—as the Turks the
Moors; he knew no guide but his own interests, and
any means to fortune he considered good. This
young Norman, gifted with dangerous abilities, coupled
his desires for success with the harsh defects which,
justly or unjustly, are attributed to the natives of
his province. A wheedling manner cloaked a quibbling
mind, for he was in truth a hard judicial wrangler.
But if he boldly contested the rights of others, he
certainly yielded none of his own; he attacked his
adversary at the right moment, and wearied him out
with his inflexible persistency. His merits were
those of the Scapins of ancient comedy; he had their
fertility of resource, their cleverness in skirting
evil, their itching to lay hold of all that was good
to keep. In short, he applied to his own poverty
a saying which the Abbe Terray uttered in the name
of the State,—he kept a loophole to become
in after years an honest man. Gifted with passionate
energy, with a boldness that was almost military in
requiring good as well as evil actions from those
about him, and justifying such demands on the theory
of personal interest, he despised men too much, believing
them all corruptible, he was too unscrupulous in the
choice of means, thinking all equally good, he was
too thoroughly convinced that the success of money
was the absolution of all moral mechanism, not to
attain his ends sooner or later.
Such a man, standing between the hulks
and a vast fortune, was necessarily vindictive, domineering,
quick in decisions, yet as dissimulating as a Cromwell
planning to decapitate the head of integrity.
His real depth was hidden under a light and jesting
mind. Mere clerk as he was, his ambition knew
no bounds. With one comprehensive glance of hatred
he had taken in the whole of society, saying boldly
to himself, “Thou shalt be mine!” He had
vowed not to marry till he was forty, and kept his
word. Physically, Ferdinand was a tall, slender
young man, with a good figure and adaptive manners,
which enabled him to take, on occasion, the key-note
of the various societies in which he found himself.
His ignoble face was rather pleasant at first sight;
but later, on closer acquaintance, expressions were
caught such as come to the surface of those who are
ill at ease in their own minds, and whose consciences
groan at certain times. His complexion, which
was sanguine under the soft skin of a Norman, had
a crude or acrid color. The glance of his eye,
whose iris was circled with a whitish rim as if it
were lined with silver, was evasive yet terrible when
he fixed it straight upon his victim. His voice
had a hollow sound, like that of a man worn out with
much speaking. His thin lips were not wanting
in charm, but his pointed nose and slightly projecting
forehead showed defects of race; and his hair, of
a tint like hair that has been dyed black, indicated
a mongrel descent, through which he derived his mental
qualities from some libertine lord, his low instincts
from a seduced peasant-girl, his knowledge from an
incomplete education, and his vices from his deserted
and abandoned condition.
Birotteau discovered with much amazement
that his clerk went out in the evening very elegantly
dressed, came home late, and was seen at the balls
of bankers and notaries. Such habits displeased
Cesar, according to whose ideas clerks should study
the books of the firm and think only of their business.
The worthy man was shocked by trifles, and reproached
du Tillet gently for wearing linen that was too fine,
for leaving cards on which his name was inscribed,
F. du Tillet,—a fashion, according to commercial
jurisprudence, which belonged only to the great world.
Ferdinand had entered the employ of this Orgon with
the intentions of a Tartuffe. He paid court to
Madame Cesar, tried to seduce her, and judged his
master very much as the wife judged him herself, and
all with alarming rapidity. Though discreet, reserved,
and accustomed to say only what he meant to say, du
Tillet unbosomed his opinions on men and life in a
way to shock a scrupulous woman who shared the religious
feelings of her husband, and who thought it a crime
to do the least harm to a neighbor. In spite of
Madame Birotteau’s caution, du Tillet suspected
the contempt in which she held him. Constance,
to whom Ferdinand had written a few love-letters,
soon noticed a change in his manners, which grew presuming,
as if intended to convey the idea of a mutual good
understanding. Without giving the secret reason
to her husband, she advised him to send Ferdinand
away. Birotteau agreed with his wife, and the
dismissal was determined upon.
Two days before it was carried into
effect, on a Saturday night when Birotteau was making
up his monthly accounts, three thousand francs were
found to be missing. His consternation was dreadful,
less for the loss than for the suspicions which fell
upon three clerks, one cook, a shop-boy, and several
habitual workmen. On whom should he lay the blame?
Madame Birotteau never left her counter. The clerk
who had charge of the desk was a nephew of Monsieur
Ragon named Popinot, a young man nineteen years old,
who lived with the Birotteaus and was integrity itself.
His figures, which disagreed with the money in the
desk, revealed the deficit, and showed that the abstraction
had been made after the balance had been added up.
Husband and wife resolved to keep silence and watch
the house. On the following day, Sunday, they
received their friends. The families who made
up their coterie met at each other’s houses
for little festivities, turn and turn about. While
playing at bouillote, Roguin the notary placed
on the card-table some old louis d’or which
Madame Cesar had taken only a few days before from
a bride, Madame d’Espart.
“Have you been robbing the poor-box?”
asked the perfumer, laughing.
Roguin replied that he had won the
money, at the house of a banker, from du Tillet, who
confirmed the answer without blushing. Cesar,
on the other hand, grew scarlet. When the evening
was over, and just as Ferdinand was going to bed,
Birotteau took him into the shop on a pretext of business.
“Du Tillet,” said the
worthy man, “three thousand francs are missing
from the desk. I suspect no one; but the circumstance
of the old louis seems too much against you not to
oblige me to speak of it. We will not go to bed
till we have found where the error lies,—for,
after all, it may be only an error. Perhaps you
took something on account of your salary?”
Du Tillet said at once that he had
taken the louis. The perfumer opened his ledger
and found that his clerk’s account had not been
debited.
“I was in a hurry; but I ought
to have made Popinot enter the sum,” said Ferdinand.
“That is true,” said Birotteau,
bewildered by the cool unconcern of the Norman, who
well knew the worthy people among whom he had come
meaning to make his fortune. The perfumer and
his clerk passed the whole night in examining accounts,
a labor which the good man knew to be useless.
In coming and going about the desk Cesar slipped three
bills of a thousand francs each into the money-drawer,
catching them against the top of it; then he pretended
to be much fatigued and to fall asleep and snore.
Du Tillet awoke him triumphantly, with an excessive
show of joy at discovering the error. The next
day Birotteau scolded Popinot and his little wife
publicly, as if very angry with them for their negligence.
Fifteen days later Ferdinand du Tillet got a situation
with a stockbroker. He said perfumery did not
suit him, and he wished to learn banking. In
leaving Birotteau, he spoke of Madame Cesar in a way
to make people suppose that his master had dismissed
him out of jealousy. A few months later, however,
du Tillet went to see Birotteau and asked his endorsement
for twenty thousand francs, to enable him to make
up the securities he needed in an enterprise which
was to put him on the high-road to fortune. Observing
the surprise which Cesar showed at this impudence,
du Tillet frowned, and asked if he had no confidence
in him. Matifat and two other merchants, who
were present on business with Birotteau, also observed
the indignation of the perfumer, who repressed his
anger in their presence. Du Tillet, he thought,
might have become an honest man; his previous fault
might have been committed for some mistress in distress
or from losses at cards; the public reprobation of
an honest man might drive one still young, and possibly
repentant, into a career of crime. So this angel
took up his pen and endorsed du Tillet’s notes,
telling him that he was heartily willing thus to oblige
a lad who had been very useful to him. The blood
rushed to his face as he uttered the falsehood.
Du Tillet could not meet his eye, and no doubt vowed
to him at that moment the undying hatred which the
spirits of darkness feel towards the angels of light.
From this time du Tillet held his
balance-pole so well as he danced the tight-rope of
financial speculation, that he was rich and elegant
in appearance before he became so in reality.
As soon as he got hold of a cabriolet he was always
in it; he kept himself in the high sphere of those
who mingle business with pleasure, and make the foyer
of the opera-house a branch of the Bourse,—in
short, the Turcarets of the period. Thanks to
Madame Roguin, whom he had known at the Birotteau’s,
he was received at once among people of the highest
standing in finance; and, at the moment of which we
write, he had reached a prosperity in which there
was nothing fictitious. He was on the best terms
with the house of Nucingen, to which Roguin had introduced
him, and he had promptly become connected with the
brothers Keller and with several other great banking-houses.
No one knew from whence this youth had derived the
immense capital which he handled, but every one attributed
his success to his intelligence and his integrity.
* * *
The Restoration made Cesar a personage,
and the turmoil of political crises naturally lessened
his recollection of these domestic misadventures.
The constancy of his royalist opinions (to which he
had become exceedingly indifferent since his wound,
though he remained faithful to them out of decency)
and the memory of his devotion in Vendemiaire won
him very high patronage, precisely because he had
asked for none. He was appointed major in the
National Guard, although he was utterly incapable
of giving the word of command. In 1815 Napoleon,
always his enemy, dismissed him. During the Hundred
Days Birotteau was the bugbear of the liberals of
his quarter; for it was not until 1815 that differences
of political opinion grew up among merchants, who
had hitherto been unanimous in their desires for public
tranquillity, of which, as they knew, business affairs
stood much in need.
At the second Restoration the royal
government was obliged to remodel the municipality
of Paris. The prefect wished to nominate Birotteau
as mayor. Thanks to his wife, the perfumer would
only accept the place of deputy-mayor, which brought
him less before the public. Such modesty increased
the respect generally felt for him, and won him the
friendship of the new mayor, Monsieur Flamet de la
Billardiere. Birotteau, who had seen him in the
shop in the days when “The Queen of Roses”
was the headquarters of royalist conspiracy, mentioned
him to the prefect of the Seine when that official
consulted Cesar on the choice to be made. Monsieur
and Madame Birotteau were therefore never forgotten
in the invitations of the mayor. Madame Birotteau
frequently took up the collections at Saint-Roch in
the best of good company. La Billardiere warmly
supported Birotteau when the question of bestowing
the crosses given to the municipality came up, and
dwelt upon his wound at Saint-Roch, his attachment
to the Bourbons, and the respect which he enjoyed.
The government, wishing on the one hand to cheapen
Napoleon’s order by lavishing the cross of the
Legion of honor, and on the other to win adherents
and rally to the Bourbons the various trades and men
of arts and sciences, included Birotteau in the coming
promotion. This honor, which suited well with
the show that Cesar made in his arrondissement, put
him in a position where the ideas of a man accustomed
to succeed naturally enlarged themselves. The
news which the mayor had just given him of his preferment
was the determining reason that decided him to plunge
into the scheme which he now for the first time revealed
to his wife; he believed it would enable him to give
up perfumery all the more quickly, and rise into the
regions of the higher bourgeoisie of Paris.
Cesar was now forty years old.
The work he had undertaken in his manufactories had
given him a few premature wrinkles, and had slightly
silvered the thick tufts of hair on which the pressure
of his hat left a shining circle. His forehead,
where the hair grew in a way to mark five distinct
points, showed the simplicity of his life. The
heavy eyebrows were not alarming because the limpid
glance of his frank blue eyes harmonized with the
open forehead of an honest man. His nose, broken
at the bridge and thick at the end, gave him the wondering
look of a gaby in the streets of Paris. His lips
were very thick, and his large chin fell in a straight
line below them. His face, high-colored and square
in outline, revealed, by the lines of its wrinkles
and by the general character of its expression, the
ingenuous craftiness of a peasant. The strength
of his body, the stoutness of his limbs, the squareness
of his shoulders, the width of his feet,—all
denoted the villager transplanted to Paris. His
powerful hairy hands, with their large square nails,
would alone have attested his origin if other vestiges
had not remained in various parts of his person.
His lips wore the cordial smile which shopkeepers
put on when a customer enters; but this commercial
sunshine was really the image of his inward content,
and pictured the state of his kindly soul. His
distrust never went beyond the lines of his business,
his craftiness left him on the steps of the Bourse,
or when he closed the pages of his ledger. Suspicion
was to him very much what his printed bill-heads were,—a
necessity of the sale itself. His countenance
presented a sort of comical assurance and conceit mingled
with good nature, which gave it originality and saved
it from too close a resemblance to the insipid face
of a Parisian bourgeois. Without this air of
naive self-admiration and faith in his own person,
he would have won too much respect; he drew nearer
to his fellows by thus contributing his quota of absurdity.
When speaking, he habitually crossed his hands behind
his back. When he thought he had said something
striking or gallant, he rose imperceptibly on the points
of his toes twice, and dropped back heavily on his
heels, as if to emphasize what he said. In the
midst of an argument he might be seen turning round
upon himself and walking off a few steps, as if he
had gone to find objections with which he returned
upon his adversary brusquely. He never interrupted,
and was sometimes a victim to this careful observance
of civility; for others would take the words out of
his mouth, and the good man had to yield his ground
without opening his lips. His great experience
in commercial matters had given him a few fixed habits,
which some people called eccentricities. If a
note were overdue he sent for the bailiff, and thought
only of recovering capital, interest, and costs; and
the bailiff was ordered to pursue the matter until
the debtor went into bankruptcy. Cesar then stopped
all proceedings, never appeared at any meeting of creditors,
and held on to his securities. He adopted this
system and his implacable contempt for bankrupts from
Monsieur Ragon, who in the course of his commercial
life had seen such loss of time in litigation that
he had come to look upon the meagre and uncertain
dividends obtained by such compromises as fully counterbalanced
by a better employment of the time spent in coming
and going, in making proposals, or in listening to
excuses for dishonesty.
“If the bankrupt is an honest
man, and recovers himself, he will pay you,”
Ragon would say. “If he is without means
and simply unfortunate, why torment him? If he
is a scoundrel, you will never get anything.
Your known severity will make you seem uncompromising;
it will be impossible to negotiate with you; consequently
you are the one who will get paid as long as there
is anything to pay with.”
Cesar came to all appointments at
the expected hour; but if he were kept waiting, he
left ten minutes later with an inflexibility which
nothing ever changed. Thus his punctuality compelled
all persons who had dealings with him to be punctual
themselves.
The dress adopted by the worthy man
was in keeping with his manners and his countenance.
No power could have made him give up the white muslin
cravats, with ends embroidered by his wife or daughter,
which hung down beneath his chin. His waistcoat
of white pique, squarely buttoned, came down low over
his stomach, which was rather protuberant, for he
was somewhat fat. He wore blue trousers, black
silk stockings, and shoes with ribbon ties, which were
often unfastened. His surtout coat, olive-green
and always too large, and his broad-brimmed hat gave
him the air of a Quaker. When he dressed for
the Sunday evening festivities he put on silk breeches,
shoes with gold buckles, and the inevitable square
waistcoat, whose front edges opened sufficiently to
show a pleated shirt-frill. His coat, of maroon
cloth, had wide flaps and long skirts. Up to the
year 1819 he kept up the habit of wearing two watch-chains,
which hung down in parallel lines; but he only put
on the second when he dressed for the evening.
* * *
*
Such was Cesar Birotteau; a worthy
man, to whom the fates presiding at the birth of men
had denied the faculty of judging politics and life
in their entirety, and of rising above the social level
of the middle classes; who followed ignorantly the
track of routine, whose opinions were all imposed
upon him from the outside and applied by him without
examination. Blind but good, not spiritual but
deeply religious, he had a pure heart. In that
heart there shone one love, the light and strength
of his life; for his desire to rise in life, and the
limited knowledge he had gained of the world, both
came from his affection for his wife and for his daughter.
As for Madame Cesar, then thirty-seven
years old, she bore so close a resemblance to the
Venus of Milo that all who knew her recognized the
likeness when the Duc de Riviere sent the beautiful
statue to Paris. In a few months sorrows were
to dim with yellowing tints that dazzling fairness,
to hollow and blacken the bluish circle round the lovely
greenish-gray eyes so cruelly that she then wore the
look of an old Madonna; for amid the coming ruin she
retained her gentle sincerity, her pure though saddened
glance; and no one ever thought her less than a beautiful
woman, whose bearing was virtuous and full of dignity.
At the ball now planned by Cesar she was to shine
with a last lustre of beauty, remarked upon at the
time and long remembered.
Every life has its climax,—a
period when causes are at work, and are in exact relation
to results. This mid-day of life, when living
forces find their equilibrium and put forth their
productive powers with full effect, is common not
only to organized beings but to cities, nations, ideas,
institutions, commerce, and commercial enterprises,
all of which, like noble races and dynasties, are
born and rise and fall. From whence comes the
vigor with which this law of growth and decay applies
itself to all organized things in this lower world?
Death itself, in times of scourge, has periods when
it advances, slackens, sinks back, and slumbers.
Our globe is perhaps only a rocket a little more continuing
than the rest. History, recording the causes of
the rise and fall of all things here below, could
enlighten man as to the moment when he might arrest
the play of all his faculties; but neither the conquerors,
nor the actors, nor the women, nor the writers in the
great drama will listen to the salutary voice.
Cesar Birotteau, who might with reason
think himself at the apogee of his fortunes, used
this crucial pause as the point of a new departure.
He did not know, moreover neither nations nor kings
have attempted to make known in characters ineffaceable,
the cause of the vast overthrows with which history
teems, and of which so many royal and commercial houses
offer signal examples. Why are there no modern
pyramids to recall ceaselessly the one principle which
dominates the common-weal of nations and of individual
life? When the effect produced is no longer in
direct relation nor in equal proportion to the cause,
disorganization has begun. And yet such monuments
stand everywhere; it is tradition and the stones of
the earth which tell us of the past, which set a seal
upon the caprices of indomitable destiny, whose hand
wipes out our dreams, and shows us that all great
events are summed up in one idea. Troy and Napoleon
are but poems. May this present history be the
poem of middle-class vicissitudes, to which no voice
has given utterance because they have seemed poor in
dignity, enormous as they are in volume. It is
not one man with whom we are now to deal, but a whole
people, or world, of sorrows.