Henry Saylor, who was killed in Covington,
in a quarrel with Antonio Finch, was a reporter on
the Cincinnati Commercial. In the year 1859
a vacant dwelling in Vine street, in Cincinnati, became
the center of a local excitement because of the strange
sights and sounds said to be observed in it nightly.
According to the testimony of many reputable residents
of the vicinity these were inconsistent with any other
hypothesis than that the house was haunted.
Figures with something singularly unfamiliar about
them were seen by crowds on the sidewalk to pass in
and out. No one could say just where they appeared
upon the open lawn on their way to the front door
by which they entered, nor at exactly what point they
vanished as they came out; or, rather, while each spectator
was positive enough about these matters, no two agreed.
They were all similarly at variance in their descriptions
of the figures themselves. Some of the bolder
of the curious throng ventured on several evenings
to stand upon the doorsteps to intercept them, or
failing in this, get a nearer look at them. These
courageous men, it was said, were unable to force
the door by their united strength, and always were
hurled from the steps by some invisible agency and
severely injured; the door immediately afterward opening,
apparently of its own volition, to admit or free some
ghostly guest. The dwelling was known as the
Roscoe house, a family of that name having lived there
for some years, and then, one by one, disappeared,
the last to leave being an old woman. Stories
of foul play and successive murders had always been
rife, but never were authenticated.
One day during the prevalence of the
excitement Saylor presented himself at the office
of the Commercial for orders. He received a
note from the city editor which read as follows:
“Go and pass the night alone in the haunted
house in Vine street and if anything occurs worth
while make two columns.” Saylor obeyed
his superior; he could not afford to lose his position
on the paper.
Apprising the police of his intention,
he effected an entrance through a rear window before
dark, walked through the deserted rooms, bare of furniture,
dusty and desolate, and seating himself at last in
the parlor on an old sofa which he had dragged in from
another room watched the deepening of the gloom as
night came on. Before it was altogether dark
the curious crowd had collected in the street, silent,
as a rule, and expectant, with here and there a scoffer
uttering his incredulity and courage with scornful
remarks or ribald cries. None knew of the anxious
watcher inside. He feared to make a light; the
uncurtained windows would have betrayed his presence,
subjecting him to insult, possibly to injury.
Moreover, he was too conscientious to do anything to
enfeeble his impressions and unwilling to alter any
of the customary conditions under which the manifestations
were said to occur.
It was now dark outside, but light
from the street faintly illuminated the part of the
room that he was in. He had set open every door
in the whole interior, above and below, but all the
outer ones were locked and bolted. Sudden exclamations
from the crowd caused him to spring to the window
and look out. He saw the figure of a man moving
rapidly across the lawn toward the building—saw
it ascend the steps; then a projection of the wall
concealed it. There was a noise as of the opening
and closing of the hall door; he heard quick, heavy
footsteps along the passage—heard them ascend
the stairs—heard them on the uncarpeted
floor of the chamber immediately overhead.
Saylor promptly drew his pistol, and
groping his way up the stairs entered the chamber,
dimly lighted from the street. No one was there.
He heard footsteps in an adjoining room and entered
that. It was dark and silent. He struck
his foot against some object on the floor, knelt by
it, passed his hand over it. It was a human
head—that of a woman. Lifting it by
the hair this iron-nerved man returned to the half-lighted
room below, carried it near the window and attentively
examined it. While so engaged he was half conscious
of the rapid opening and closing of the outer door,
of footfalls sounding all about him. He raised
his eyes from the ghastly object of his attention
and saw himself the center of a crowd of men and women
dimly seen; the room was thronged with them.
He thought the people had broken in.
“Ladies and gentlemen,”
he said, coolly, “you see me under suspicious
circumstances, but”—his voice was
drowned in peals of laughter—such laughter
as is heard in asylums for the insane. The persons
about him pointed at the object in his hand and their
merriment increased as he dropped it and it went rolling
among their feet. They danced about it with
gestures grotesque and attitudes obscene and indescribable.
They struck it with their feet, urging it about the
room from wall to wall; pushed and overthrew one another
in their struggles to kick it; cursed and screamed
and sang snatches of ribald songs as the battered
head bounded about the room as if in terror and trying
to escape. At last it shot out of the door into
the hall, followed by all, with tumultuous haste.
That moment the door closed with a sharp concussion.
Saylor was alone, in dead silence.
Carefully putting away his pistol,
which all the time he had held in his hand, he went
to a window and looked out. The street was deserted
and silent; the lamps were extinguished; the roofs
and chimneys of the houses were sharply outlined against
the dawn-light in the east. He left the house,
the door yielding easily to his hand, and walked to
the Commercial office. The city editor was still
in his office—asleep. Saylor waked
him and said: “I have been at the haunted
house.”
The editor stared blankly as if not
wholly awake. “Good God!” he cried,
“are you Saylor?”
“Yes—why not?”
The editor made no answer, but continued staring.
“I passed the night there—it seems,”
said Saylor.
“They say that things were uncommonly
quiet out there,” the editor said, trifling
with a paper-weight upon which he had dropped his
eyes, “did anything occur?”
“Nothing whatever.”