The ‘Peace’ was brought
out four years after ‘The Acharnians’ (422
B.C.), when the War had already lasted ten years.
The leading motive is the same as in the former play—the
intense desire of the less excitable and more moderate-minded
citizens for relief from the miseries of war.
Trygaeus, a rustic patriot, finding
no help in men, resolves to ascend to heaven to expostulate
personally with Zeus for allowing this wretched state
of things to continue. With this object he has
fed and trained a gigantic dung-beetle, which he mounts,
and is carried, like Bellerophon on Pegasus, on an
aerial journey. Eventually he reaches Olympus,
only to find that the gods have gone elsewhere, and
that the heavenly abode is occupied solely by the
demon of War, who is busy pounding up the Greek States
in a huge mortar. However, his benevolent purpose
is not in vain; for learning from Hermes that the
goddess Peace has been cast into a pit, where she
is kept a fast prisoner, he calls upon the different
peoples of Hellas to make a united effort and rescue
her, and with their help drags her out and brings
her back in triumph to earth. The play concludes
with the restoration of the goddess to her ancient
honours, the festivities of the rustic population
and the nuptials of Trygaeus with Opora (Harvest),
handmaiden of Peace, represented as a pretty courtesan.
Such references as there are to Cleon
in this play are noteworthy. The great Demagogue
was now dead, having fallen in the same action as
the rival Spartan general, the renowned Brasidas, before
Amphipolis, and whatever Aristophanes says here of
his old enemy is conceived in the spirit of ‘de
mortuis nil nisi bonum.’ In one scene Hermes
is descanting on the evils which had nearly ruined
Athens and declares that ‘The Tanner’
was the cause of them all. But Trygaeus interrupts
him with the words:
“Hold-say not so, good master Hermes;
Let the man rest in peace where now he lies.
He is no longer of our world, but yours.”
Here surely we have a trait of magnanimity
on the author’s part as admirable in its way
as the wit and boldness of his former attacks had
been in theirs.