Catherine was not so much engaged
at the theatre that evening, in returning the nods
and smiles of Miss Thorpe, though they certainly claimed
much of her leisure, as to forget to look with an inquiring
eye for Mr. Tilney in every box which her eye could
reach; but she looked in vain. Mr. Tilney was
no fonder of the play than the pump-room. She
hoped to be more fortunate the next day; and when
her wishes for fine weather were answered by seeing
a beautiful morning, she hardly felt a doubt of it;
for a fine Sunday in Bath empties every house of its
inhabitants, and all the world appears on such an
occasion to walk about and tell their acquaintance
what a charming day it is.
As soon as divine service was over,
the Thorpes and Allens eagerly joined each other;
and after staying long enough in the pump-room to
discover that the crowd was insupportable, and that
there was not a genteel face to be seen, which everybody
discovers every Sunday throughout the season, they
hastened away to the Crescent, to breathe the fresh
air of better company. Here Catherine and Isabella,
arm in arm, again tasted the sweets of friendship in
an unreserved conversation; they talked much, and
with much enjoyment; but again was Catherine disappointed
in her hope of reseeing her partner. He was nowhere
to be met with; every search for him was equally unsuccessful,
in morning lounges or evening assemblies; neither
at the Upper nor Lower Rooms, at dressed or undressed
balls, was he perceivable; nor among the walkers,
the horsemen, or the curricle-drivers of the morning.
His name was not in the pump-room book, and curiosity
could do no more. He must be gone from Bath.
Yet he had not mentioned that his stay would be so
short! This sort of mysteriousness, which is
always so becoming in a hero, threw a fresh grace
in Catherine’s imagination around his person
and manners, and increased her anxiety to know more
of him. From the Thorpes she could learn nothing,
for they had been only two days in Bath before they
met with Mrs. Allen. It was a subject, however,
in which she often indulged with her fair friend, from
whom she received every possible encouragement to
continue to think of him; and his impression on her
fancy was not suffered therefore to weaken.
Isabella was very sure that he must be a charming young
man, and was equally sure that he must have been delighted
with her dear Catherine, and would therefore shortly
return. She liked him the better for being a
clergyman, “for she must confess herself very
partial to the profession”; and something like
a sigh escaped her as she said it. Perhaps Catherine
was wrong in not demanding the cause of that gentle
emotion — but she was not experienced enough
in the finesse of love, or the duties of friendship,
to know when delicate raillery was properly called
for, or when a confidence should be forced.
Mrs. Allen was now quite happy —
quite satisfied with Bath. She had found some
acquaintance, had been so lucky too as to find in
them the family of a most worthy old friend; and, as
the completion of good fortune, had found these friends
by no means so expensively dressed as herself.
Her daily expressions were no longer, “I wish
we had some acquaintance in Bath!” They were
changed into, “How glad I am we have met with
Mrs. Thorpe!” and she was as eager in promoting
the intercourse of the two families, as her young charge
and Isabella themselves could be; never satisfied with
the day unless she spent the chief of it by the side
of Mrs. Thorpe, in what they called conversation,
but in which there was scarcely ever any exchange
of opinion, and not often any resemblance of subject,
for Mrs. Thorpe talked chiefly of her children, and
Mrs. Allen of her gowns.
The progress of the friendship between
Catherine and Isabella was quick as its beginning
had been warm, and they passed so rapidly through
every gradation of increasing tenderness that there
was shortly no fresh proof of it to be given to their
friends or themselves. They called each other
by their Christian name, were always arm in arm when
they walked, pinned up each other’s train for
the dance, and were not to be divided in the set; and
if a rainy morning deprived them of other enjoyments,
they were still resolute in meeting in defiance of
wet and dirt, and shut themselves up, to read novels
together. Yes, novels; for I will not adopt
that ungenerous and impolitic custom so common with
novel-writers, of degrading by their contemptuous
censure the very performances, to the number of which
they are themselves adding — joining with
their greatest enemies in bestowing the harshest epithets
on such works, and scarcely ever permitting them to
be read by their own heroine, who, if she accidentally
take up a novel, is sure to turn over its insipid
pages with disgust. Alas! If the heroine
of one novel be not patronized by the heroine of another,
from whom can she expect protection and regard?
I cannot approve of it. Let us leave it to
the reviewers to abuse such effusions of fancy at their
leisure, and over every new novel to talk in threadbare
strains of the trash with which the press now groans.
Let us not desert one another; we are an injured
body. Although our productions have afforded
more extensive and unaffected pleasure than those of
any other literary corporation in the world, no species
of composition has been so much decried. From
pride, ignorance, or fashion, our foes are almost
as many as our readers. And while the abilities
of the nine-hundredth abridger of the History of England,
or of the man who collects and publishes in a volume
some dozen lines of Milton, Pope, and Prior, with
a paper from the Spectator, and a chapter from Sterne,
are eulogized by a thousand pens — there
seems almost a general wish of decrying the capacity
and undervaluing the labour of the novelist, and of
slighting the performances which have only genius,
wit, and taste to recommend them. “I am
no novel-reader — I seldom look into novels
— Do not imagine that I often read novels
— It is really very well for a novel.”
Such is the common cant. “And what are
you reading, Miss — ?” “Oh!
It is only a novel!” replies the young lady,
while she lays down her book with affected indifference,
or momentary shame. “It is only Cecilia,
or Camilla, or Belinda”; or, in short, only some
work in which the greatest powers of the mind are displayed,
in which the most thorough knowledge of human nature,
the happiest delineation of its varieties, the liveliest
effusions of wit and humour, are conveyed to the world
in the best-chosen language. Now, had the same
young lady been engaged with a volume of the Spectator,
instead of such a work, how proudly would she have
produced the book, and told its name; though the chances
must be against her being occupied by any part of
that voluminous publication, of which either the matter
or manner would not disgust a young person of taste:
the substance of its papers so often consisting in
the statement of improbable circumstances, unnatural
characters, and topics of conversation which no longer
concern anyone living; and their language, too, frequently
so coarse as to give no very favourable idea of the
age that could endure it.