In the office McGregor occupied in
Van Buren Street there was another desk besides his
own. The desk was owned by a small man with an
extraordinary long moustache and with grease spots
on the lapel of his coat. In the morning he came
in and sat in his chair with his feet on his desk.
He smoked long black stogies and read the morning papers.
On the glass panel of the door was the inscription,
“Henry Hunt, Real Estate Broker.”
When he had finished with the morning papers he disappeared,
returning tired and dejected late in the afternoon.
The real estate business of Henry
Hunt was a myth. Although he bought and sold
no property he insisted on the title and had in his
desk a pile of letterheads setting forth the kind
of property in which he specialised. He had a
picture of his daughter, a graduate of the Hyde Park
High School, in a glass frame on the wall. When
he went out at the door in the morning he paused to
look at McGregor and said, “If any one comes
in about property tend to them for me. I’ll
be gone for a while.”
Henry Hunt was a collector of tithes
for the political bosses of the first ward. All
day he went from place to place through the ward interviewing
women, checking their names off a little red book he
carried in his pocket, promising, demanding, making
veiled threats. In the evening he sat in his
flat overlooking Jackson Park and listened to his
daughter play on the piano. With all his heart
he hated his place in life and as he rode back and
forth to town on the Illinois Central trains he stared
at the lake and dreamed of owning a farm and living
a free life in the country. In his mind he could
see the merchants standing gossiping on the sidewalk
before the stores in an Ohio village where he had
lived as a boy and in fancy saw himself again a boy,
driving cows through the village street in the evening
and making a delightful little slap slap with his bare
feet in the deep dust.
It was Henry Hunt in his secret office
as collector and lieutenant to the “boss”
of the first ward who shifted the scenes for McGregor’s
appearance as a public character in Chicago.
One night a young man—son
of one of the city’s plunging millionaire wheat
speculators—was found dead in a little blind
alley back of a resort known as Polk Street Mary’s
place. He lay crumpled up against a board fence
quite dead and with a bruise on the side of his head.
A policeman found him and dragged him to the street
light at the corner of the alley.
For twenty minutes the policeman had
been standing under the light swinging his stick.
He had heard nothing. A young man came up, touched
him on the arm and whispered to him. When he turned
to go down the alley the young man ran away up the
street.
* * * *
The powers that rule the first ward
in Chicago were furious when the identity of the dead
man became known. The “boss,” a mild-looking
blue-eyed little man in a neat grey suit and with a
silky moustache, stood in his office opening and closing
his fists convulsively. Then he called a young
man and sent for Henry Hunt and a well known police
official.
For some weeks the newspapers of Chicago
had been conducting a campaign against vice.
Swarms of reporters had over-run the ward. Daily
they issued word pictures of life in the underworld.
On the front pages of the papers with senators and
governors and millionaires who had divorced their
wives, appeared also the names of Ugly Brown Chophouse
Sam and Carolina Kate with descriptions of their places,
their hours of closing and the class and quantity of
their patronage. A drunken man rolled on the
floor at the back of a Twenty-second Street saloon
and robbed of his pocketbook had his picture on the
front page of the morning papers.
Henry Hunt sat in his office on Van
Buren Street trembling with fright. He expected
to see his name in the paper and his occupation disclosed.
The powers that ruled the First—quiet
shrewd men who knew how to make and to take profits,
the very flower of commercialism—were frightened.
They saw in the prominence of the dead man a real
opportunity for their momentary enemies the press.
For weeks they had been sitting quietly, weathering
the storm of public disapproval. In their minds
they thought of the ward as a kingdom in itself, something
foreign and apart from the city. Among their followers
were men who had not been across the Van Buren Street
line into foreign territory for years.
Suddenly through the minds of these
men floated a menace. Like the small soft-speaking
boss the ward gripped its fist conclusively.
Through the streets and alleys ran a cry, a warning.
Like birds of prey disturbed in their nesting places
they fluttered, uttering cries. Throwing his
stogie into the gutter Henry Hunt ran through the ward.
From house to house he uttered his cry—“Lay
low! Pull off nothing.”
The little boss in his office at the
front of his saloon looked from Henry Hunt to the
police official. “It is no time for hesitation,”
he said. “It will prove a boon if we act
quickly. We have got to arrest and try that murderer
and do it now. Who is our man? Quick.
Let’s have action.”
Henry Hunt lighted a fresh stogie.
He played nervously with the ends of his fingers and
wished he were out of the ward and safely out of range
of the prying eyes of the press. In fancy he could
hear his daughter screaming with horror at the sight
of his name spread in glaring letters before the world
and thought of her with a flush of abhorrence on her
young face turning from him forever. In his terror
his mind darted here and there. A name sprang
to his lips. “It might have been Andy Brown,”
he said, puffing at the stogie.
The little boss whirled his chair
about. He began picking up the papers scattered
about his desk. When he spoke his voice was again
soft and mild. “It was Andy Brown,”
he said. “Whisper the word about.
Let a Tribune man locate Brown for you.
Handle this right and you will save your own scalp
and get the fool papers off the back of the First.”
* * *
*
The arrest of Brown brought respite
to the ward. The prediction of the shrewd little
boss made good. The newspapers dropped the clamorous
cry for reform and began demanding instead the life
of Andrew Brown. Newspaper artists rushed into
police headquarters and made hurried sketches to appear
an hour later blazoned across the face of extras on
the streets. Grave scientific men got their pictures
printed at the heads of articles on “Criminal
Characteristics of the Head and Face.”
An adept and imaginative writer for
an afternoon paper spoke of Brown as a Jekyll and
Hyde of the Tenderloin and hinted at other murders
by the same hand. From the comparatively quiet
life of a not markedly industrious yeggman Brown came
out of the upper floor of a State Street lodging house
to stand stoically before the world of men—a
storm centre about which swirled and eddied the wrath
of an aroused city.
The thought that had flashed into
the mind of Henry Hunt as he sat in the office of
the soft-voiced boss was the making of an opportunity
for McGregor. For months he and Andrew Brown had
been friends. The yeggman, a strongly built slow
talking man, looked like a skilled mechanic of a locomotive
engineer. Coming into O’Toole’s in
the quiet hours between eight and twelve he sat eating
his evening meal and talking in a half bantering humorous
vein to the young lawyer. In his eyes lurked
a kind of hard cruelty tempered by indolence.
It was he who gave McGregor the name that still clings
to him in that strange savage land—“Judge
Mac, the Big ’un.”
When he was arrested Brown sent for
McGregor and offered to give him charge of his case.
When the young lawyer refused he was insistent.
In a cell at the county jail they talked it over.
By the door stood a guard watching them. McGregor
peered into the half darkness and said what he thought
should be said. “You are in a hole,”
he began. “You don’t want me, you
want a big name. They’re all set to hang
you over there.” He waved his hand in the
direction of the First. “They’re
going to hand you over as an answer to a stirred up
city. It’s a job for the biggest and best
criminal lawyer in town. Name the man and I’ll
get him for you and help raise the money to pay him.”
Andrew Brown got up and walked to
McGregor. Looking down at him he spoke quickly
and determinedly. “You do what I say,”
he growled. “You take this case. I
didn’t do the job. I was asleep in my room
when it was pulled off. Now you take the case.
You won’t clear me. It ain’t in the
cards. But you get the job just the same.”
He sat down again upon the iron cot
at the corner of the cell. His voice became slow
and had in it a touch of cynical humour. “Look
here, Big ’un,” he said, “the gang’s
picked my number out of the hat. I’m going
across but there’s good advertising in the job
for some one and you get it.”