Chicago is a vast city and millions
of people live within the limits of its influence.
It stands at the heart of America almost within sound
of the creaking green leaves of the corn in the vast
corn fields of the Mississippi Valley. It is
inhabited by hordes of men of all nations who have
come across the seas or out of western corn—shipping
towns to make their fortunes. On all sides men
are busy making fortunes.
In little Polish villages the word
has been whispered about, “In America one gets
much money,” and adventurous souls have set forth
only to land at last, a little perplexed and disconcerted,
in narrow ill—smelling rooms in Halstead
Street in Chicago.
In American villages the tale has
been told. Here it has not been whispered but
shouted. Magazines and newspapers have done the
job. The word regarding the making of money runs
over the land like a wind among the corn. The
young men listen and run away to Chicago. They
have vigour and youth but in them has been builded
no dream no tradition of devotion to anything but
gain.
Chicago is one vast gulf of disorder.
Here is the passion for gain, the very spirit of the
bourgeoise gone drunk with desire. The result
is something terrible. Chicago is leaderless,
purposeless, slovenly, down at the heels.
And back of Chicago lie the long corn
fields that are not disorderly. There is hope
in the corn. Spring comes and the corn is green.
It shoots up out of the black land and stands up in
orderly rows. The corn grows and thinks of nothing
but growth. Fruition comes to the corn and it
is cut down and disappears. Barns are filled to
bursting with the yellow fruit of the corn.
And Chicago has forgotten the lesson
of the corn. All men have forgotten. It
has never been told to the young men who come out of
the corn fields to live in the city.
Once and once only in modern times
the soul of America was stirred. The Civil War
swept like a purifying fire through the land.
Men marched together and knew the feel of shoulder
to shoulder action. Brown stout bearded figures
returned after the war to the villages. The beginning
of a literature of strength and virility arose.
And then the time of sorrow and of
stirring effort passed and prosperity returned.
Only the aged are now cemented together by the sorrow
of that time and there has been no new national sorrow.
It is a summer evening in America
and the citizens sit in their houses after the effort
of the day. They talk of the children in school
or of the new difficulty of meeting the high prices
of food stuff. In cities the bands play in the
parks. In villages the lights go out and one
hears the sound of hurrying horses on distant roads.
A thoughtful man walking in the streets
of Chicago on such an evening sees women in white
shirt waists and men with cigars in their mouths who
sit on the porches of the houses. The man is from
Ohio. He owns a factory in one of the large industrial
towns there and has come to the city to sell his product.
He is a man of the better sort, quiet, efficient,
kindly. In his own community every one respects
him and he respects himself. Now he walks and
gives himself over to thoughts. He passes a house
set among trees where a man cuts grass by the streaming
light from a window. The song of the lawn mower
stirs the walker. He idles along the street and
looks in through the windows at Prints upon the walls.
A white—clad woman sits playing on a piano.
“Life is good,” he says, lighting a cigar;
“it climbs on and up toward a kind of universal
fairness.”
And then in the light from a street
lamp the walker sees a man staggering along the sidewalk,
muttering and helping himself with his hands upon
a wall. The sight does not greatly disturb the
pleasant satisfying thoughts that stir in his mind.
He has eaten a good dinner at the hotel, he knows
that drunken men are often but gay money-spending
dogs who to-morrow morning will settle down to their
work feeling secretly better for the night of wine
and song.
My thoughtful man is an American with
the disease of comfort and prosperity in his blood.
He strolls along and turns a corner. He is satisfied
with the cigar he smokes and, he decides, satisfied
with the age in which he lives. “Agitators
may howl,” he says, “but on the whole
life is good, and as for me I am going to spend my
life attending to the business in hand.”
The walker has turned a corner into
a side street. Two men emerge from the door of
a saloon and stand upon the sidewalk under a light.
They wave their arms up and down. Suddenly one
of them springs forward and with a quick forward thrust
of his body and the flash of a clenched fist in the
lamp light knocks his companion into the gutter.
Down the street he sees rows of tall smoke-begrimed
brick buildings hanging black and ominous against
the sky. At the end of a street a huge mechanical
apparatus lifts cars of coal and dumps them roaring
and rattling into the bowels of a ship that lies tied
in the river.
The walker throws his cigar away and
looks about. A man walks before him in the silent
street. He sees the man raise his fist to the
sky and notes with a shock the movement of the lips
and the hugeness and ugliness of the face in the lamplight.
Again he goes on, hurrying now, around
another corner into a street filled with pawn shops,
clothing stores and the clamour of voices. In
his mind floats a picture. He sees two boys, clad
in white rompers, feeding clover to a tame rabbit
in a suburban back lawn and wishes he were at home
in his own place. In his fancy the two sons are
walking under apple trees and laughing and tusseling
for a great bundle of newly pulled sweet smelling
clover. The strange looking red man with the
huge face he has seen in the street is looking at the
two children over a garden wall. There is a threat
in the look and the threat alarms him. Into his
mind comes the notion that the man who looks over
the wall wants to destroy the future of his children.
The night advances. Down a stairway
beside a clothing store comes a woman with gleaming
white teeth who is clad in a black dress. She
makes a Peculiar little jerking movement with her head
to the walker. A patrol wagon with clanging bells
rushes through the street, two blue clad policemen
sitting stiffly in the seat. A boy—he
can’t be above six—runs along the
street pushing soiled newspapers under the noses of
idlers on the corners, his shrill childish voice rises
above the din of the trolley cars and the clanging
notes of the patrol wagon.
The walker throws his cigar into the
gutter and climbing the steps of a street car goes
back to his hotel. His fine reflective mood is
gone. He half wishes that something lovely might
come into American life but the wish does not persist.
He is only irritated and feels that a pleasant evening
has been in some way spoiled. He is wondering
if he will be successful in the business that brought
him to the city. As he turns out the light in
his room and putting his head upon the pillow listens
to the noises of the city merged now into a quiet droning
roar he thinks of the brick factory on the banks of
the river in Ohio and as he falls into sleep the face
of the red-haired man lowers at him from the factory
door.
* * * *
*
When McGregor returned to the city
after the burial of his mother he began at once to
try to put his idea of the marching men into form.
For a long time he did not know how to begin.
The idea was vague and shadowy. It belonged to
the nights in the hills of his own country and seemed
a little absurd when he tried to think of it in the
daylight of North State Street in Chicago.
McGregor felt that he had to prepare
himself. He believed that he could study books
and learn much from men’s ideas expressed in
books without being overwhelmed by their thoughts.
He became a student and quit the place in the apple-warehouse
to the secret relief of the little bright-eyed superintendent
who had never been able to get himself up to the point
of raging at this big red fellow as he had raged at
the German before McGregor’s time. The warehouse
man felt that during the meeting on the corner before
the saloon on the day McGregor began to work for him
something had happened. The miner’s son
had unmanned him. “A man ought to be boss
in his own place,” he sometimes muttered to
himself, as he walked in the passageways among rows
of piled apple barrels in the upper part of the warehouse
wondering why the presence of McGregor irritated him.
From six o’clock in the evening
until two in the morning McGregor now worked as night-cashier
in a restaurant on South State Street below Van Buren
and from two until seven in the morning he slept in
a room whose windows looked down into Michigan Boulevard.
On Thursday he was free, his place being taken for
the evening by the man who owned the restaurant, a
small excitable Irishman by the name of Tom O’Toole.
McGregor got his chance to become
a student through the bank account belonging to Edith
Carson. The opportunity arose in this way.
On a summer evening after his return from Pennsylvania
he sat with her in the darkened store back of the
closed screen door. McGregor was morose and silent.
On the evening before he had tried to talk to several
men at the warehouse about the Marching Men and they
had not understood. He blamed his inability with
words and sat in the half darkness with his face in
his hands and looked up the street saying nothing and
thinking bitter thoughts.
The idea that had come to him made
him half drunk with its possibilities and he knew
that he must not let it make him drunk. He wanted
to begin forcing men to do the simple thing full of
meaning rather than the disorganised ineffective things
and he had an ever-present inclination to arise,
to stretch himself, to run into the streets and with
his great arms see if he could not sweep the people
before him, starting them on the long purposeful march
that was to be the beginning of the rebirth of the
world and that was to fill with meaning the lives
of men. Then when he had walked the fever out
of his blood and had frightened the people in the
streets by the grim look in his face he tried to school
himself to sit quietly waiting.
The woman sitting beside him in a
low rocking chair began trying to tell him of something
that had been in her mind. Her heart jumped and
she talked slowly, pausing between sentences to conceal
the trembling of her voice. “Would it help
you in what you want to do if you could quit at the
warehouse and spend your days in study?” she
asked.
McGregor looked at her and nodded
his head absent-mindedly. He thought of the nights
in his room when the hard heavy work of the day in
the warehouse seemed to have benumbed his brain.
“Besides the business here I
have seventeen hundred dollars in the savings bank,”
said Edith, turning aside to conceal the eager hopeful
look in her eyes. “I want to invest it.
I do not want it lying there doing nothing. I
want you to take it and make a lawyer of yourself.”
Edith sat rigid in her chair waiting
for his answer. She felt that she had put him
to a test. In her mind was a new hope. “If
he takes it he will not be walking out at the door
some night and never coming back.”
McGregor tried to think. He had
not tried to explain to her his new notion of life
and did not know how to begin.
“After all why not stick to
my plan and be a lawyer?” he asked himself.
“That might open the door. I’ll do
that,” he said aloud to the woman. “Both
you and mother have talked of it so I’ll give
it a trial. Yes, I’ll take the money.”
Again he looked at her as she sat
before him flushed and eager and was touched by her
devotion as he had been touched by the devotion of
the undertaker’s daughter in Coal Creek.
“I don’t mind being under obligations
to you,” he said; “I don’t know any
one else I would take it from.”
In the street later the troubled man
walked about trying to make new plans for the accomplishment
of his purpose. He was annoyed by what he thought
to be the dulness of his own brain and he thrust his
fist up into the air to look at it in the lamplight.
“I’ll get ready to use that intelligently,”
he thought; “a man wants trained brains backed
up by a big fist in the struggle I’m going into.”
It was then that the man from Ohio
walked past with his hands in his pockets and attracted
his attention. To McGregor’s nostrils came
the odour of rich fragrant tobacco. He turned
and stood staring at the intruder on his thoughts.
“That’s what I am going to fight,”
he growled; “the comfortable well-to-do acceptance
of a disorderly world, the smug men who see nothing
wrong with a world like this. I would like to
frighten them so that they throw their cigars away
and run about like ants when you kick over ant hills
in the field.”