The Honourable John Yates, this new
friend, had not much to recommend him beyond habits
of fashion and expense, and being the younger son
of a lord with a tolerable independence; and Sir Thomas
would probably have thought his introduction at Mansfield
by no means desirable. Mr. Bertram’s acquaintance
with him had begun at Weymouth, where they had spent
ten days together in the same society, and the friendship,
if friendship it might be called, had been proved
and perfected by Mr. Yates’s being invited to
take Mansfield in his way, whenever he could, and by
his promising to come; and he did come rather earlier
than had been expected, in consequence of the sudden
breaking-up of a large party assembled for gaiety
at the house of another friend, which he had left
Weymouth to join. He came on the wings of disappointment,
and with his head full of acting, for it had been
a theatrical party; and the play in which he had borne
a part was within two days of representation, when
the sudden death of one of the nearest connexions
of the family had destroyed the scheme and dispersed
the performers. To be so near happiness, so near
fame, so near the long paragraph in praise of the
private theatricals at Ecclesford, the seat of the
Right Hon. Lord Ravenshaw, in Cornwall, which would
of course have immortalised the whole party for at
least a twelvemonth! and being so near, to lose it
all, was an injury to be keenly felt, and Mr. Yates
could talk of nothing else. Ecclesford and its
theatre, with its arrangements and dresses, rehearsals
and jokes, was his never-failing subject, and to boast
of the past his only consolation.
Happily for him, a love of the theatre
is so general, an itch for acting so strong among
young people, that he could hardly out-talk the interest
of his hearers. From the first casting of the
parts to the epilogue it was all bewitching, and there
were few who did not wish to have been a party concerned,
or would have hesitated to try their skill.
The play had been Lovers’ Vows, and Mr. Yates
was to have been Count Cassel. “A trifling
part,” said he, “and not at all to my taste,
and such a one as I certainly would not accept again;
but I was determined to make no difficulties.
Lord Ravenshaw and the duke had appropriated the only
two characters worth playing before I reached Ecclesford;
and though Lord Ravenshaw offered to resign his to
me, it was impossible to take it, you know.
I was sorry for him that he should have so
mistaken his powers, for he was no more equal to the
Baron—a little man with a weak voice, always
hoarse after the first ten minutes. It must
have injured the piece materially; but I was
resolved to make no difficulties. Sir Henry thought
the duke not equal to Frederick, but that was because
Sir Henry wanted the part himself; whereas it was
certainly in the best hands of the two. I was
surprised to see Sir Henry such a stick. Luckily
the strength of the piece did not depend upon him.
Our Agatha was inimitable, and the duke was thought
very great by many. And upon the whole, it would
certainly have gone off wonderfully.”
“It was a hard case, upon my
word”; and, “I do think you were very
much to be pitied,” were the kind responses
of listening sympathy.
“It is not worth complaining
about; but to be sure the poor old dowager could not
have died at a worse time; and it is impossible to
help wishing that the news could have been suppressed
for just the three days we wanted. It was but
three days; and being only a grandmother, and all
happening two hundred miles off, I think there would
have been no great harm, and it was suggested, I know;
but Lord Ravenshaw, who I suppose is one of the most
correct men in England, would not hear of it.”
“An afterpiece instead of a
comedy,” said Mr. Bertram. “Lovers’
Vows were at an end, and Lord and Lady Ravenshaw left
to act My Grandmother by themselves. Well, the
jointure may comfort him; and perhaps, between
friends, he began to tremble for his credit and his
lungs in the Baron, and was not sorry to withdraw;
and to make you amends, Yates, I think we must
raise a little theatre at Mansfield, and ask you to
be our manager.”
This, though the thought of the moment,
did not end with the moment; for the inclination to
act was awakened, and in no one more strongly than
in him who was now master of the house; and who, having
so much leisure as to make almost any novelty a certain
good, had likewise such a degree of lively talents
and comic taste, as were exactly adapted to the novelty
of acting. The thought returned again and again.
“Oh for the Ecclesford theatre and scenery
to try something with.” Each sister could
echo the wish; and Henry Crawford, to whom, in all
the riot of his gratifications it was yet an untasted
pleasure, was quite alive at the idea. “I
really believe,” said he, “I could be fool
enough at this moment to undertake any character that
ever was written, from Shylock or Richard III down
to the singing hero of a farce in his scarlet coat
and cocked hat. I feel as if I could be anything
or everything; as if I could rant and storm, or sigh
or cut capers, in any tragedy or comedy in the English
language. Let us be doing something. Be
it only half a play, an act, a scene; what should
prevent us? Not these countenances, I am sure,”
looking towards the Miss Bertrams; “and for a
theatre, what signifies a theatre? We shall
be only amusing ourselves. Any room in this house
might suffice.”
“We must have a curtain,”
said Tom Bertram; “a few yards of green baize
for a curtain, and perhaps that may be enough.”
“Oh, quite enough,” cried
Mr. Yates, “with only just a side wing or two
run up, doors in flat, and three or four scenes to
be let down; nothing more would be necessary on such
a plan as this. For mere amusement among ourselves
we should want nothing more.”
“I believe we must be satisfied
with less,” said Maria. “There
would not be time, and other difficulties would arise.
We must rather adopt Mr. Crawford’s views,
and make the performance, not the theatre,
our object. Many parts of our best plays are
independent of scenery.”
“Nay,” said Edmund, who
began to listen with alarm. “Let us do
nothing by halves. If we are to act, let it be
in a theatre completely fitted up with pit, boxes,
and gallery, and let us have a play entire from beginning
to end; so as it be a German play, no matter what,
with a good tricking, shifting afterpiece, and a figure-dance,
and a hornpipe, and a song between the acts.
If we do not outdo Ecclesford, we do nothing.”
“Now, Edmund, do not be disagreeable,”
said Julia. “Nobody loves a play better
than you do, or can have gone much farther to see
one.”
“True, to see real acting, good
hardened real acting; but I would hardly walk from
this room to the next to look at the raw efforts of
those who have not been bred to the trade: a
set of gentlemen and ladies, who have all the disadvantages
of education and decorum to struggle through.”
After a short pause, however, the
subject still continued, and was discussed with unabated
eagerness, every one’s inclination increasing
by the discussion, and a knowledge of the inclination
of the rest; and though nothing was settled but that
Tom Bertram would prefer a comedy, and his sisters
and Henry Crawford a tragedy, and that nothing in the
world could be easier than to find a piece which would
please them all, the resolution to act something or
other seemed so decided as to make Edmund quite uncomfortable.
He was determined to prevent it, if possible, though
his mother, who equally heard the conversation which
passed at table, did not evince the least disapprobation.
The same evening afforded him an opportunity
of trying his strength. Maria, Julia, Henry
Crawford, and Mr. Yates were in the billiard-room.
Tom, returning from them into the drawing-room, where
Edmund was standing thoughtfully by the fire, while
Lady Bertram was on the sofa at a little distance,
and Fanny close beside her arranging her work, thus
began as he entered—“Such a horribly
vile billiard-table as ours is not to be met with,
I believe, above ground. I can stand it no longer,
and I think, I may say, that nothing shall ever tempt
me to it again; but one good thing I have just ascertained:
it is the very room for a theatre, precisely the
shape and length for it; and the doors at the farther
end, communicating with each other, as they may be
made to do in five minutes, by merely moving the bookcase
in my father’s room, is the very thing we could
have desired, if we had sat down to wish for it; and
my father’s room will be an excellent greenroom.
It seems to join the billiard-room on purpose.”
“You are not serious, Tom, in
meaning to act?” said Edmund, in a low voice,
as his brother approached the fire.
“Not serious! never more so,
I assure you. What is there to surprise you
in it?”
“I think it would be very wrong.
In a general light, private theatricals are
open to some objections, but as we are circumstanced,
I must think it would be highly injudicious, and more
than injudicious to attempt anything of the kind.
It would shew great want of feeling on my father’s
account, absent as he is, and in some degree of constant
danger; and it would be imprudent, I think, with regard
to Maria, whose situation is a very delicate one,
considering everything, extremely delicate.”
“You take up a thing so seriously!
as if we were going to act three times a week till
my father’s return, and invite all the country.
But it is not to be a display of that sort.
We mean nothing but a little amusement among ourselves,
just to vary the scene, and exercise our powers in
something new. We want no audience, no publicity.
We may be trusted, I think, in chusing some play
most perfectly unexceptionable; and I can conceive
no greater harm or danger to any of us in conversing
in the elegant written language of some respectable
author than in chattering in words of our own.
I have no fears and no scruples. And as to my
father’s being absent, it is so far from an
objection, that I consider it rather as a motive;
for the expectation of his return must be a very anxious
period to my mother; and if we can be the means of
amusing that anxiety, and keeping up her spirits for
the next few weeks, I shall think our time very well
spent, and so, I am sure, will he. It is a very
anxious period for her.”
As he said this, each looked towards
their mother. Lady Bertram, sunk back in one
corner of the sofa, the picture of health, wealth,
ease, and tranquillity, was just falling into a gentle
doze, while Fanny was getting through the few difficulties
of her work for her.
Edmund smiled and shook his head.
“By Jove! this won’t do,”
cried Tom, throwing himself into a chair with a hearty
laugh. “To be sure, my dear mother, your
anxiety—I was unlucky there.”
“What is the matter?”
asked her ladyship, in the heavy tone of one half-roused;
“I was not asleep.”
“Oh dear, no, ma’am, nobody
suspected you! Well, Edmund,” he continued,
returning to the former subject, posture, and voice,
as soon as Lady Bertram began to nod again, “but
this I will maintain, that we shall be
doing no harm.”
“I cannot agree with you; I
am convinced that my father would totally disapprove
it.”
“And I am convinced to the contrary.
Nobody is fonder of the exercise of talent in young
people, or promotes it more, than my father, and for
anything of the acting, spouting, reciting kind, I
think he has always a decided taste. I am sure
he encouraged it in us as boys. How many a time
have we mourned over the dead body of Julius Caesar,
and to be’d and not to be’d,
in this very room, for his amusement? And I
am sure, my name was Norval,
every evening of my life through one Christmas holidays.”
“It was a very different thing.
You must see the difference yourself. My father
wished us, as schoolboys, to speak well, but he would
never wish his grown-up daughters to be acting plays.
His sense of decorum is strict.”
“I know all that,” said
Tom, displeased. “I know my father as
well as you do; and I’ll take care that his daughters
do nothing to distress him. Manage your own concerns,
Edmund, and I’ll take care of the rest of the
family.”
“If you are resolved on acting,”
replied the persevering Edmund, “I must hope
it will be in a very small and quiet way; and I think
a theatre ought not to be attempted. It would
be taking liberties with my father’s house in
his absence which could not be justified.”
“For everything of that nature
I will be answerable,” said Tom, in a decided
tone. “His house shall not be hurt.
I have quite as great an interest in being careful
of his house as you can have; and as to such alterations
as I was suggesting just now, such as moving a bookcase,
or unlocking a door, or even as using the billiard-room
for the space of a week without playing at billiards
in it, you might just as well suppose he would object
to our sitting more in this room, and less in the
breakfast-room, than we did before he went away, or
to my sister’s pianoforte being moved from one
side of the room to the other. Absolute nonsense!”
“The innovation, if not wrong
as an innovation, will be wrong as an expense.”
“Yes, the expense of such an
undertaking would be prodigious! Perhaps it might
cost a whole twenty pounds. Something of a theatre
we must have undoubtedly, but it will be on the simplest
plan: a green curtain and a little carpenter’s
work, and that’s all; and as the carpenter’s
work may be all done at home by Christopher Jackson
himself, it will be too absurd to talk of expense;
and as long as Jackson is employed, everything will
be right with Sir Thomas. Don’t imagine
that nobody in this house can see or judge but yourself.
Don’t act yourself, if you do not like it,
but don’t expect to govern everybody else.”
“No, as to acting myself,”
said Edmund, “that I absolutely protest
against.”
Tom walked out of the room as he said
it, and Edmund was left to sit down and stir the fire
in thoughtful vexation.
Fanny, who had heard it all, and borne
Edmund company in every feeling throughout the whole,
now ventured to say, in her anxiety to suggest some
comfort, “Perhaps they may not be able to find
any play to suit them. Your brother’s
taste and your sisters’ seem very different.”
“I have no hope there, Fanny.
If they persist in the scheme, they will find something.
I shall speak to my sisters and try to dissuade them,
and that is all I can do.”
“I should think my aunt Norris
would be on your side.”
“I dare say she would, but she
has no influence with either Tom or my sisters that
could be of any use; and if I cannot convince them
myself, I shall let things take their course, without
attempting it through her. Family squabbling
is the greatest evil of all, and we had better do
anything than be altogether by the ears.”
His sisters, to whom he had an opportunity
of speaking the next morning, were quite as impatient
of his advice, quite as unyielding to his representation,
quite as determined in the cause of pleasure, as Tom.
Their mother had no objection to the plan, and they
were not in the least afraid of their father’s
disapprobation. There could be no harm in what
had been done in so many respectable families, and
by so many women of the first consideration; and it
must be scrupulousness run mad that could see anything
to censure in a plan like theirs, comprehending only
brothers and sisters and intimate friends, and which
would never be heard of beyond themselves. Julia
did seem inclined to admit that Maria’s
situation might require particular caution and delicacy—but
that could not extend to her— she
was at liberty; and Maria evidently considered her
engagement as only raising her so much more above restraint,
and leaving her less occasion than Julia to consult
either father or mother. Edmund had little to
hope, but he was still urging the subject when Henry
Crawford entered the room, fresh from the Parsonage,
calling out, “No want of hands in our theatre,
Miss Bertram. No want of understrappers:
my sister desires her love, and hopes to be admitted
into the company, and will be happy to take the part
of any old duenna or tame confidante, that you may
not like to do yourselves.”
Maria gave Edmund a glance, which
meant, “What say you now? Can we be wrong
if Mary Crawford feels the same?” And Edmund,
silenced, was obliged to acknowledge that the charm
of acting might well carry fascination to the mind
of genius; and with the ingenuity of love, to dwell
more on the obliging, accommodating purport of the
message than on anything else.
The scheme advanced. Opposition
was vain; and as to Mrs. Norris, he was mistaken in
supposing she would wish to make any. She started
no difficulties that were not talked down in five
minutes by her eldest nephew and niece, who were all-powerful
with her; and as the whole arrangement was to bring
very little expense to anybody, and none at all to
herself, as she foresaw in it all the comforts of
hurry, bustle, and importance, and derived the immediate
advantage of fancying herself obliged to leave her
own house, where she had been living a month at her
own cost, and take up her abode in theirs, that every
hour might be spent in their service, she was, in
fact, exceedingly delighted with the project.