The figure of my mother comes always
into my conception of the Change.
I remember how one day she confessed herself.
She had been very sleepless that night,
she said, and took the reports of the falling stars
for shooting; there had been rioting in Clayton and
all through Swathinglea all day, and so she got out
of bed to look. She had a dim sense that I was
in all such troubles.
But she was not looking when the Change came.
“When I saw the stars a-raining
down, dear,” she said, “and thought of
you out in it, I thought there’d be no harm in
saying a prayer for you, dear? I thought you
wouldn’t mind that.”
And so I got another of my pictures—the
green vapors come and go, and there by her patched
coverlet that dear old woman kneels and droops, still
clasping her poor gnarled hands in the attitude of
prayer—prayer to it—for
me!
Through the meagre curtains and blinds
of the flawed refracting window I see the stars above
the chimneys fade, the pale light of dawn creeps into
the sky, and her candle flares and dies. . . .
That also went with me through the
stillness—that silent kneeling figure,
that frozen prayer to God to shield me, silent in
a silent world, rushing through the emptiness of space.
. . .