You must understand that I had no
set plan of murder when I walked over to Checkshill.
I had no set plan of any sort. There was a great
confusion of dramatically conceived intentions in my
head, scenes of threatening and denunciation and terror,
but I did not mean to kill. The revolver was
to turn upon my rival my disadvantage in age and physique.
. . .
But that was not it really! The
revolver!—I took the revolver because I
had the revolver and was a foolish young lout.
It was a dramatic sort of thing to take. I had,
I say, no plan at all.
Ever and again during that second
trudge to Checkshill I was irradiated with a novel
unreasonable hope. I had awakened in the morning
with the hope, it may have been the last unfaded trail
of some obliterated dream, that after all Nettie might
relent toward me, that her heart was kind toward me
in spite of all that I imagined had happened.
I even thought it possible that I might have misinterpreted
what I had seen. Perhaps she would explain everything.
My revolver was in my pocket for all that.
I limped at the outset, but after
the second mile my ankle warmed to forgetfulness,
and the rest of the way I walked well. Suppose,
after all, I was wrong?
I was still debating that, as I came
through the park. By the corner of the paddock
near the keeper’s cottage, I was reminded by
some belated blue hyacinths of a time when I and Nettie
had gathered them together. It seemed impossible
that we could really have parted ourselves for good
and all. A wave of tenderness flowed over me,
and still flooded me as I came through the little dell
and drew towards the hollies. But there the sweet
Nettie of my boy’s love faded, and I thought
of the new Nettie of desire and the man I had come
upon in the moonlight, I thought of the narrow, hot
purpose that had grown so strongly out of my springtime
freshness, and my mood darkened to night.
I crossed the beech wood and came
towards the gardens with a resolute and sorrowful
heart. When I reached the green door in the garden
wall I was seized for a space with so violent a trembling
that I could not grip the latch to lift it, for I
no longer had any doubt how this would end. That
trembling was succeeded by a feeling of cold, and
whiteness, and self-pity. I was astonished to
find myself grimacing, to feel my cheeks wet, and
thereupon I gave way completely to a wild passion
of weeping. I must take just a little time before
the thing was done. . . . I turned away from the
door and stumbled for a little distance, sobbing loudly,
and lay down out of sight among the bracken, and so
presently became calm again. I lay there some
time. I had half a mind to desist, and then my
emotion passed like the shadow of a cloud, and I walked
very coolly into the gardens.
Through the open door of one of the
glass houses I saw old Stuart. He was leaning
against the staging, his hands in his pockets, and
so deep in thought he gave no heed to me.
I hesitated and went on towards the cottage, slowly.
Something struck me as unusual about
the place, but I could not tell at first what it was.
One of the bedroom windows was open, and the customary
short blind, with its brass upper rail partly unfastened,
drooped obliquely across the vacant space. It
looked negligent and odd, for usually everything about
the cottage was conspicuously trim.
The door was standing wide open, and
everything was still. But giving that usually
orderly hall an odd look—it was about half-past
two in the afternoon—was a pile of three
dirty plates, with used knives and forks upon them,
on one of the hall chairs.
I went into the hall, looked into
either room, and hesitated.
Then I fell to upon the door-knocker
and gave a loud rat-tat-too, and followed this up
with an amiable “Hel-lo!”
For a time no one answered me, and
I stood listening and expectant, with my fingers about
my weapon. Some one moved about upstairs presently,
and was still again. The tension of waiting seemed
to brace my nerves.
I had my hand on the knocker for the
second time, when Puss appeared in the doorway.
For a moment we remained staring at
one another without speaking. Her hair was disheveled,
her face dirty, tear-stained, and irregularly red.
Her expression at the sight of me was pure astonishment.
I thought she was about to say something, and then
she had darted away out of the house again.
“I say, Puss!” I said. “Puss!”
I followed her out of the door.
“Puss! What’s the matter? Where’s
Nettie?”
She vanished round the corner of the house.
I hesitated, perplexed whether I should
pursue her. What did it all mean? Then I
heard some one upstairs.
“Willie!” cried the voice
of Mrs. Stuart. “Is that you?”
“Yes,” I answered.
“Where’s every one? Where’s
Nettie? I want to have a talk with her.”
She did not answer, but I heard her
dress rustle as she moved. I Judged she was upon
the landing overhead.
I paused at the foot of the stairs,
expecting her to appear and come down.
Suddenly came a strange sound, a rush
of sounds, words jumbled and hurrying, confused and
shapeless, borne along upon a note of throaty distress
that at last submerged the words altogether and ended
in a wail. Except that it came from a woman’s
throat it was exactly the babbling sound of a weeping
child with a grievance. “I can’t,”
she said, “I can’t,” and that was
all I could distinguish. It was to my young ears
the strangest sound conceivable from a kindly motherly
little woman, whom I had always thought of chiefly
as an unparalleled maker of cakes. It frightened
me. I went upstairs at once in a state of infinite
alarm, and there she was upon the landing, leaning
forward over the top of the chest of drawers beside
her open bedroom door, and weeping. I never saw
such weeping. One thick strand of black hair
had escaped, and hung with a spiral twist down her
back; never before had I noticed that she had gray
hairs.
As I came up upon the landing her
voice rose again. “Oh that I should have
to tell you, Willie! Oh that I should have to
tell you!” She dropped her head again, and a
fresh gust of tears swept all further words away.
I said nothing, I was too astonished;
but I drew nearer to her, and waited. . . .
I never saw such weeping; the extraordinary
wetness of her dripping handkerchief abides with me
to this day.
“That I should have lived to
see this day!” she wailed. “I had
rather a thousand times she was struck dead at my feet.”
I began to understand.
“Mrs. Stuart,” I said,
clearing my throat; “what has become of Nettie?”
“That I should have lived to
see this day!” she said by way of reply.
I waited till her passion abated.
There came a lull. I forgot the
weapon in my pocket. I said nothing, and suddenly
she stood erect before me, wiping her swollen eyes.
“Willie,” she gulped, “she’s
gone!”
“Nettie?”
“Gone! . . . Run away.
. . . Run away from her home. Oh, Willie,
Willie! The shame of it! The sin and shame
of it!”
She flung herself upon my shoulder,
and clung to me, and began again to wish her daughter
lying dead at our feet.
“There, there,” said I,
and all my being was a-tremble. “Where has
she gone?” I said as softly as I could.
But for the time she was preoccupied
with her own sorrow, and I had to hold her there,
and comfort her with the blackness of finality spreading
over my soul.
“Where has she gone?” I asked for the
fourth time.
“I don’t know—we
don’t know. And oh, Willie, she went out
yesterday morning! I said to her, ‘Nettie,’
I said to her, ’you’re mighty fine for
a morning call.’ ‘Fine clo’s
for a fine day,’ she said, and that was her
last words to me
—the
child I suckled at my breast!”
“Yes, yes. But where has she gone?”
I said.
She went on with sobs, and now telling
her story with a sort of fragmentary hurry: “She
went out bright and shining, out of this house for
ever. She was smiling, Willie—as if
she was glad to be going. (“Glad to be going,”
I echoed with soundless lips.) ’You’re
mighty fine for the morning,’ I says; ‘mighty
fine.’ ’Let the girl be pretty,’
says her father, ‘while she’s young!’
And somewhere she’d got a parcel of her things
hidden to pick up, and she was going off—out
of this house for ever!”
She became quiet.
“Let the girl be pretty,”
she repeated; “let the girl be pretty while
she’s young. . . . Oh! how can we go on
living, Willie? He doesn’t show it,
but he’s like a stricken beast. He’s
wounded to the heart. She was always his favorite.
He never seemed to care for Puss like he did for her.
And she’s wounded him—”
“Where has she gone?” I reverted at last
to that.
“We don’t know. She
leaves her own blood, she trusts herself—
Oh, Willie, it’ll kill me! I wish she and
me together were lying in our graves.”
“But”—I moistened
my lips and spoke slowly—“she may
have gone to marry.”
“If that was so! I’ve
prayed to God it might be so, Willie. I’ve
prayed that he’d take pity on her—him,
I mean, she’s with.”
I jerked out: “Who’s that?”
“In her letter, she said he
was a gentleman. She did say he was a gentleman.”
“In her letter. Has she written? Can
I see her letter?”
“Her father took it.”
“But if she writes— When did she
write?”
“It came this morning.”
“But where did it come from? You can tell—”
“She didn’t say.
She said she was happy. She said love took one
like a storm—”
“Curse that! Where is her
letter? Let me see it. And as for this gentleman—”
She stared at me.
“You know who it is.”
“Willie!” she protested.
“You know who it is, whether
she said or not?” Her eyes made a mute unconfident
denial.
“Young Verrall?”
She made no answer. “All
I could do for you, Willie,” she began presently.
“Was it young Verrall?” I insisted.
For a second, perhaps, we faced one
another in stark understanding. . . . Then she
plumped back to the chest of drawers, and her wet
pocket-handkerchief, and I knew she sought refuge from
my relentless eyes.
My pity for her vanished. She
knew it was her mistress’s son as well as I!
And for some time she had known, she had felt.
I hovered over her for a moment, sick
with amazed disgust. I suddenly bethought me
of old Stuart, out in the greenhouse, and turned and
went downstairs. As I did so, I looked up to see
Mrs. Stuart moving droopingly and lamely back into
her own room.