We are not concerned with the
very poor. They are unthinkable and only to be
approached by the statistician or the poet. This
story deals with gentlefolk, or with those who are
obliged to pretend that they are gentlefolk.
The boy, Leonard Bast, stood at the
extreme verge of gentility. He was not in the
abyss, but he could see it, and at times people whom
he knew had dropped in, and counted no more. He
knew that he was poor, and would admit it; he would
have died sooner than confess any inferiority to the
rich. This may be splendid of him. But he
was inferior to most rich people, there is not the
least doubt of it. He was not as courteous as
the average rich man, nor as intelligent, nor as healthy,
nor as lovable. His mind and his body had been
alike underfed, because he was poor, and because he
was modern they were always craving better food.
Had he lived some centuries ago, in the brightly coloured
civilisations of the past, he would have had a definite
status, his rank and his income would have corresponded.
But in his day the angel of Democracy had arisen,
enshadowing the classes with leathern wings, and proclaiming,
“All men are equal—all men, that is
to say, who possess umbrellas,” and so he was
obliged to assert gentility, lest he slip into the
abyss where nothing counts, and the statements of
Democracy are inaudible.
As he walked away from Wickham Place,
his first care was to prove that he was as good as
the Miss Schlegels. Obscurely wounded in his
pride, he tried to wound them in return. They
were probably not ladies. Would real ladies have
asked him to tea? They were certainly ill-natured
and cold. At each step his feeling of superiority
increased. Would a real lady have talked about
stealing an umbrella? Perhaps they were thieves
after all, and if he had gone into the house they
would have clapped a chloroformed handkerchief over
his face. He walked on complacently as far as
the Houses of Parliament. There an empty stomach
asserted itself, and told him that he was a fool.
“Evening, Mr. Bast.”
“Evening, Mr. Dealtry.”
“Nice evening.”
“Evening.”
Mr. Dealtry, a fellow clerk, passed
on, and Leonard stood wondering whether he would take
the tram as far as a penny would take him, or whether
he would walk. He decided to walk—it
is no good giving in, and he had spent money enough
at Queen’s Hall— and he walked over
Westminster Bridge, in front of St. Thomas’s
Hospital, and through the immense tunnel that passes
under the South-Western main line at Vauxhall.
In the tunnel he paused and listened to the roar of
the trains. A sharp pain darted through his head,
and he was conscious of the exact form of his eye
sockets. He pushed on for another mile, and did
not slacken speed until he stood at the entrance of
a road called Camelia Road which was at present his
home.
Here he stopped again, and glanced
suspiciously to right and left, like a rabbit that
is going to bolt into its hole. A block of flats,
constructed with extreme cheapness, towered on either
hand. Farther down the road two more blocks were
being built, and beyond these an old house was being
demolished to accommodate another pair. It was
the kind of scene that may be observed all over London,
whatever the locality—bricks and mortar
rising and falling with the restlessness of the water
in a fountain as the city receives more and more men
upon her soil. Camelia Road would soon stand
out like a fortress, and command, for a little, an
extensive view. Only for a little. Plans
were out for the erection of flats in Magnolia Road
also. And again a few years, and all the flats
in either road might be pulled down, and new buildings,
of a vastness at present unimaginable, might arise
where they had fallen.
“Evening, Mr. Bast.”
“Evening, Mr. Cunningham.”
“Very serious thing this decline
of the birth-rate in Manchester.”
“I beg your pardon?”
“Very serious thing this decline
of the birth-rate in Manchester,” repeated Mr.
Cunningham, tapping the Sunday paper, in which the
calamity in question had just been announced to him.
“Ah, yes,” said Leonard,
who was not going to let on that he had not bought
a Sunday paper.
“If this kind of thing goes
on the population of England will be stationary in
1960.”
“You don’t say so.”
“I call it a very serious thing, eh?”
“Good-evening, Mr. Cunningham.”
“Good-evening, Mr. Bast.”
Then Leonard entered Block B of the
flats, and turned, not upstairs, but down, into what
is known to house agents as a semi-basement, and to
other men as a cellar. He opened the door, and
cried, “Hullo!” with the pseudo geniality
of the Cockney. There was no reply. “Hullo!”
he repeated. The sitting-room was empty, though
the electric light had been left burning. A look
of relief came over his face, and he flung himself
into the armchair.
The sitting-room contained, besides
the armchair, two other chairs, a piano, a three-legged
table, and a cosy corner. Of the walls, one was
occupied by the window, the other by a draped mantelshelf
bristling with Cupids. Opposite the window was
the door, and beside the door a bookcase, while over
the piano there extended one of the masterpieces of
Maud Goodman. It was an amorous and not unpleasant
little hole when the curtains were drawn, and the
lights turned on, and the gas-stove unlit. But
it struck that shallow makeshift note that is so often
heard in the dwelling-place. It had been too
easily gained, and could be relinquished too easily.
As Leonard was kicking off his boots
he jarred the three-legged table, and a photograph
frame, honourably poised upon it, slid sideways, fell
off into the fireplace, and smashed. He swore
in a colourless sort of way, and picked the photograph
up. It represented a young lady called Jacky,
and had been taken at the time when young ladies called
Jacky were often photographed with their mouths open.
Teeth of dazzling whiteness extended along either
of Jacky’s jaw’s, and positively weighed
her head sideways, so large were they and so numerous.
Take my word for it, that smile was simply stunning,
and it is only you and I who will be fastidious, and
complain that true joy begins in the eyes, and that
the eyes of Jacky did not accord with her smile, but
were anxious and hungry.
Leonard tried to pull out the fragments
of glass, and cut his fingers and swore again.
A drop of blood fell on the frame, another followed,
spilling over on to the exposed photograph. He
swore more vigorously, and dashed into the kitchen,
where he bathed his hands. The kitchen was the
same size as the sitting-room; beyond it was a bedroom.
This completed his home. He was renting the flat
furnished; of all the objects that encumbered it none
were his own except the photograph frame, the Cupids,
and the books.
“Damn, damn, damnation!”
he murmured, together with such other words as he
had learnt from older men. Then he raised his
hand to his forehead and said, “Oh, damn it
all—“which meant something different.
He pulled himself together. He drank a little
tea, black and silent, that still survived upon an
upper shelf. He swallowed some dusty crumbs of
a cake. Then he went back to the sitting-room,
settled himself anew, and began to read a volume of
Ruskin.
“Seven miles to the north of Venice—”
How perfectly the famous chapter opens!
How supreme its command of admonition and of poetry!
The rich man is speaking to us from his gondola.
“Seven miles to the north of
Venice the banks of sand which nearer the city rise
little above low-water mark attain by degrees a higher
level, and knit themselves at last into fields of
salt morass, raised here and there into shapeless mounds,
and intercepted by narrow creeks of sea.”
Leonard was trying to form his style
on Ruskin; he understood him to be the greatest master
of English Prose. He read forward steadily, occasionally
making a few notes.
“Let us consider a little each
of these characters in succession, and first (for
of the shafts enough has been said already), what
is very peculiar to this church—its luminousness.”
Was there anything to be learnt from
this fine sentence? Could he adapt it to the
needs of daily life? Could he introduce it, with
modifications, when he next wrote a letter to his brother,
the lay-reader? For example:
“Let us consider a little each
of these characters in succession, and first (for
of the absence of ventilation enough has been said
already), what is very peculiar to this flat—its
obscurity.”
Something told him that the modifications
would not do; and that something, had he known it,
was the spirit of English Prose. “My flat
is dark as well as stuffy.” Those were the
words for him.
And the voice in the gondola rolled
on, piping melodiously of Effort and Self-Sacrifice,
full of high purpose, full of beauty, full even of
sympathy and the love of men, yet somehow eluding
all that was actual and insistent in Leonard’s
life. For it was the voice of one who had never
been dirty or hungry, and had not guessed successfully
what dirt and hunger are.
Leonard listened to it with reverence.
He felt that he was being done good to, and that if
he kept on with Ruskin, and the Queen’s Hall
Concerts, and some pictures by Watts, he would one
day push his head out of the grey waters and see the
universe. He believed in sudden conversion, a
belief which may be right, but which is peculiarly
attractive to a half-baked mind. It is the basis
of much popular religion; in the domain of business
it dominates the Stock Exchange, and becomes that
“bit of luck” by which all successes and
failures are explained. “If only I had a
bit of luck, the whole thing would come straight…
He’s got a most magnificent place down at Streatham
and a 20 h.p. Fiat, but then, mind you, he’s
had luck… I ’m sorry the wife’s
so late, but she never has any luck over catching
trains.” Leonard was superior to these
people; he did believe in effort and in a steady preparation
for the change that he desired. But of a heritage
that may expand gradually, he had no conception; he
hoped to come to Culture suddenly, much as the Revivalist
hopes to come to Jesus. Those Miss Schlegels
had come to it; they had done the trick; their hands
were upon the ropes, once and for all. And meanwhile,
his flat was dark, as well as stuffy.
Presently there was a noise on the
staircase. He shut up Margaret’s card in
the pages of Ruskin, and opened the door. A woman
entered, of whom it is simplest to say that she was
not respectable. Her appearance was awesome.
She seemed all strings and bell-pulls—ribbons,
chains, bead necklaces that clinked and caught and
a boa of azure feathers hung round her neck, with the
ends uneven. Her throat was bare, wound with a
double row of pearls, her arms were bare to the elbows,
and might again be detected at the shoulder, through
cheap lace. Her hat, which was flowery, resembled
those punnets, covered with flannel, which we sowed
with mustard and cress in our childhood, and which
germinated here yes, and there no. She wore it
on the back of her head. As for her hair, or
rather hairs, they are too complicated to describe,
but one system went down her back, lying in a thick
pad there, while another, created for a lighter destiny,
rippled around her forehead. The face—the
face does not signify. It was the face of the
photograph, but older, and the teeth were not so numerous
as the photographer had suggested, and certainly not
so white. Yes, Jacky was past her prime, whatever
that prime may have been. She was descending
quicker than most women into the colourless years,
and the look in her eyes confessed it.”
“What ho!” said Leonard,
greeting the apparition with much spirit, and helping
it off with its boa.
Jacky, in husky tones, replied, “What ho!”
“Been out?” he asked.
The question sounds superfluous, but it cannot have
been really, for the lady answered, “No,”
adding, “Oh, I am so tired.”
“You tired?”
“Eh?”
“I’m tired,” said he, hanging the
boa up.
“Oh, Len, I am so tired.”
“I’ve been to that classical
concert I told you about,” said Leonard.
“What’s that?”
“I came back as soon as it was over.”
“Any one been round to our place?” asked
Jacky.
“Not that I’ve seen.
I met Mr. Cunningham outside, and we passed a few
remarks.”
“What, not Mr. Cunningham?”
“Yes.”
“Oh, you mean Mr. Cunningham.”
“Yes. Mr. Cunningham.”
“I’ve been out to tea at a lady friend’s.”
Her secret being at last given—to
the world, and the name of the lady friend being even
adumbrated, Jacky made no further experiments in the
difficult and tiring art of conversation. She
never had been a great talker. Even in her photographic
days she had relied upon her smile and her figure
to attract, and now that she was
“On the
shelf,
On the shelf,
Boys, boys,
I’m on the shelf,”
she was not likely to find her tongue.
Occasional bursts of song (of which the above is an
example) still issued from her lips, but the spoken
word was rare.
She sat down on Leonard’s knee,
and began to fondle him. She was now a massive
woman of thirty-three, and her weight hurt him, but
he could not very well say anything. Then she
said, “Is that a book you’re reading?”
and he said, “That’s a book,” and
drew it from her unreluctant grasp. Margaret’s
card fell out of it. It fell face downwards,
and he murmured, “Bookmarker.”
“Len—”
“What is it?” he asked,
a little wearily, for she only had one topic of conversation
when she sat upon his knee.
“You do love me?”
“Jacky, you know that I do. How can you
ask such questions!”
“But you do love me, Len, don’t you?”
“Of course I do.”
A pause. The other remark was still due.
“Len—”
“Well? What is it?”
“Len, you will make it all right?”
“I can’t have you ask
me that again,” said the boy, flaring up into
a sudden passion. “I’ve promised to
marry you when I’m of age, and that’s
enough. My word’s my word. I’ve
promised to marry you as soon as ever I’m twenty-one,
and I can’t keep on being worried. I’ve
worries enough. It isn’t likely I’d
throw you over, let alone my word, when I’ve
spent all this money. Besides, I’m an Englishman,
and I never go back on my word. Jacky, do be
reasonable. Of course I’ll marry you.
Only do stop badgering me.”
“When’s your birthday, Len?”
“I’ve told you again and
again, the eleventh of November next. Now get
off my knee a bit; some one must get supper, I suppose.”
Jacky went through to the bedroom,
and began to see to her hat. This meant blowing
at it with short sharp puffs. Leonard tidied
up the sitting-room, and began to prepare their evening
meal. He put a penny into the slot of the gas-meter,
and soon the flat was reeking with metallic fumes.
Somehow he could not recover his temper, and all the
time he was cooking he continued to complain bitterly.
“It really is too bad when a
fellow isn’t trusted. It makes one feel
so wild, when I’ve pretended to the people here
that you’re my wife—all right, all
right, you shall be my wife—and I’ve
bought you the ring to wear, and I’ve taken this
flat furnished, and it’s far more than I can
afford, and yet you aren’t content, and I’ve
also not told the truth when I’ve written home.
He lowered his voice. “He’d stop
it.” In a tone of horror, that was a little
luxurious, he repeated: “My brother’d
stop it. I’m going against the whole world,
Jacky.
“That’s what I am, Jacky.
I don’t take any heed of what any one says.
I just go straight forward, I do. That’s
always been my way. I’m not one of your
weak knock-kneed chaps. If a woman’s in
trouble, I don’t leave her in the lurch.
That’s not my street. No, thank you.
“I’ll tell you another
thing too. I care a good deal about improving
myself by means of Literature and Art, and so getting
a wider outlook. For instance, when you came
in I was reading Ruskin’s Stones of Venice.
I don’t say this to boast, but just to show
you the kind of man I am. I can tell you, I enjoyed
that classical concert this afternoon.”
To all his moods Jacky remained equally
indifferent. When supper was ready—and
not before—she emerged from the bedroom,
saying: “But you do love me, don’t
you?”
They began with a soup square, which
Leonard had just dissolved in some hot water.
It was followed by the tongue—a freckled
cylinder of meat, with a little jelly at the top, and
a great deal of yellow fat at the bottom—ending
with another square dissolved in water (jelly:
pineapple), which Leonard had prepared earlier in
the day. Jacky ate contentedly enough, occasionally
looking at her man with those anxious eyes, to which
nothing else in her appearance corresponded, and which
yet seemed to mirror her soul. And Leonard managed
to convince his stomach that it was having a nourishing
meal.
After supper they smoked cigarettes
and exchanged a few statements. She observed
that her “likeness” had been broken.
He found occasion to remark, for the second time,
that he had come straight back home after the concert
at Queen’s Hall. Presently she sat upon
his knee. The inhabitants of Camelia Road tramped
to and fro outside the window, just on a level with
their heads, and the family in the flat on the ground-floor
began to sing, “Hark, my soul, it is the Lord.”
“That tune fairly gives me the hump,”
said Leonard.
Jacky followed this, and said that,
for her part, she thought it a lovely tune.
“No; I’ll play you something
lovely. Get up, dear, for a minute.”
He went to the piano and jingled out
a little Grieg. He played badly and vulgarly,
but the performance was not without its effect, for
Jacky said she thought she’d be going to bed.
As she receded, a new set of interests possessed the
boy, and he began to think of what had been said about
music by that odd Miss Schlegel—the one
that twisted her face about so when she spoke.
Then the thoughts grew sad and envious. There
was the girl named Helen, who had pinched his umbrella,
and the German girl who had smiled at him pleasantly,
and Herr some one, and Aunt some one, and the brother—all,
all with their hands on the ropes. They had all
passed up that narrow, rich staircase at Wickham Place
to some ample room, whither he could never follow
them, not if he read for ten hours a day. Oh,
it was no good, this continual aspiration. Some
are born cultured; the rest had better go in for whatever
comes easy. To see life steadily and to see it
whole was not for the likes of him.
From the darkness beyond the kitchen
a voice called, Len?”
“You in bed?” he asked, his forehead twitching.
“All right.”
Presently she called him again.
“I must clean my boots ready for the morning,”
he answered.
Presently she called him again.
“I rather want to get this chapter done.”
“What?”
He closed his ears against her.
“What’s that?”
“All right, Jacky, nothing; I’m reading
a book.”
“What?”
“What?” he answered, catching her degraded
deafness.
Presently she called him again.
Ruskin had visited Torcello by this
time, and was ordering his gondoliers to take him
to Murano. It occurred to him, as he glided over
the whispering lagoons, that the power of Nature could
not be shortened by the folly, nor her beauty altogether
saddened by the misery of such as Leonard.