Thomas Gradgrind, sir. A man
of realities. A man of facts and calculations.
A man who proceeds upon the principle that two and
two are four, and nothing over, and who is not to be
talked into allowing for anything over. Thomas
Gradgrind, sir — peremptorily Thomas —
Thomas Gradgrind. With a rule and a pair of scales,
and the multiplication table always in his pocket,
sir, ready to weigh and measure any parcel of human
nature, and tell you exactly what it comes to.
It is a mere question of figures, a case of simple
arithmetic. You might hope to get some other
nonsensical belief into the head of George Gradgrind,
or Augustus Gradgrind, or John Gradgrind, or Joseph
Gradgrind (all supposititious, non-existent persons),
but into the head of Thomas Gradgrind — no, sir!
In such terms Mr. Gradgrind always
mentally introduced himself, whether to his private
circle of acquaintance, or to the public in general.
In such terms, no doubt, substituting the words ’boys
and girls,’ for ‘sir,’ Thomas Gradgrind
now presented Thomas Gradgrind to the little pitchers
before him, who were to be filled so full of facts.
Indeed, as he eagerly sparkled at
them from the cellarage before mentioned, he seemed
a kind of cannon loaded to the muzzle with facts,
and prepared to blow them clean out of the regions
of childhood at one discharge. He seemed a galvanizing
apparatus, too, charged with a grim mechanical substitute
for the tender young imaginations that were to be
stormed away.
‘Girl number twenty,’
said Mr. Gradgrind, squarely pointing with his square
forefinger, ‘I don’t know that girl.
Who is that girl?’
‘Sissy Jupe, sir,’ explained
number twenty, blushing, standing up, and curtseying.
‘Sissy is not a name,’
said Mr. Gradgrind. ’Don’t call yourself
Sissy. Call yourself Cecilia.’
‘It’s father as calls
me Sissy, sir,’ returned the young girl in a
trembling voice, and with another curtsey.
‘Then he has no business to
do it,’ said Mr. Gradgrind. ’Tell
him he mustn’t. Cecilia Jupe. Let
me see. What is your father?’
‘He belongs to the horse-riding, if you please,
sir.’
Mr. Gradgrind frowned, and waved off
the objectionable calling with his hand.
’We don’t want to know
anything about that, here. You mustn’t
tell us about that, here. Your father breaks
horses, don’t he?’
’If you please, sir, when they
can get any to break, they do break horses in the
ring, sir.’
’You mustn’t tell us about
the ring, here. Very well, then. Describe
your father as a horsebreaker. He doctors sick
horses, I dare say?’
‘Oh yes, sir.’
’Very well, then. He is
a veterinary surgeon, a farrier, and horsebreaker.
Give me your definition of a horse.’
(Sissy Jupe thrown into the greatest
alarm by this demand.)
‘Girl number twenty unable to
define a horse!’ said Mr. Gradgrind, for the
general behoof of all the little pitchers. ’Girl
number twenty possessed of no facts, in reference
to one of the commonest of animals! Some boy’s
definition of a horse. Bitzer, yours.’
The square finger, moving here and
there, lighted suddenly on Bitzer, perhaps because
he chanced to sit in the same ray of sunlight which,
darting in at one of the bare windows of the intensely
white-washed room, irradiated Sissy. For, the
boys and girls sat on the face of the inclined plane
in two compact bodies, divided up the centre by a
narrow interval; and Sissy, being at the corner of
a row on the sunny side, came in for the beginning
of a sunbeam, of which Bitzer, being at the corner
of a row on the other side, a few rows in advance,
caught the end. But, whereas the girl was so
dark-eyed and dark-haired, that she seemed to receive
a deeper and more lustrous colour from the sun, when
it shone upon her, the boy was so light-eyed and light-haired
that the self-same rays appeared to draw out of him
what little colour he ever possessed. His cold
eyes would hardly have been eyes, but for the short
ends of lashes which, by bringing them into immediate
contrast with something paler than themselves, expressed
their form. His short-cropped hair might have
been a mere continuation of the sandy freckles on
his forehead and face. His skin was so unwholesomely
deficient in the natural tinge, that he looked as
though, if he were cut, he would bleed white.
‘Bitzer,’ said Thomas
Gradgrind. ‘Your definition of a horse.’
’Quadruped. Graminivorous.
Forty teeth, namely twenty-four grinders, four eye-teeth,
and twelve incisive. Sheds coat in the spring;
in marshy countries, sheds hoofs, too. Hoofs
hard, but requiring to be shod with iron. Age
known by marks in mouth.’ Thus (and much
more) Bitzer.
‘Now girl number twenty,’
said Mr. Gradgrind. ’You know what a horse
is.’
She curtseyed again, and would have
blushed deeper, if she could have blushed deeper than
she had blushed all this time. Bitzer, after
rapidly blinking at Thomas Gradgrind with both eyes
at once, and so catching the light upon his quivering
ends of lashes that they looked like the antennae
of busy insects, put his knuckles to his freckled
forehead, and sat down again.
The third gentleman now stepped forth.
A mighty man at cutting and drying, he was; a government
officer; in his way (and in most other people’s
too), a professed pugilist; always in training, always
with a system to force down the general throat like
a bolus, always to be heard of at the bar of his little
Public-office, ready to fight all England. To
continue in fistic phraseology, he had a genius for
coming up to the scratch, wherever and whatever it
was, and proving himself an ugly customer. He
would go in and damage any subject whatever with his
right, follow up with his left, stop, exchange, counter,
bore his opponent (he always fought All England) to
the ropes, and fall upon him neatly. He was certain
to knock the wind out of common sense, and render
that unlucky adversary deaf to the call of time.
And he had it in charge from high authority to bring
about the great public-office Millennium, when Commissioners
should reign upon earth.
‘Very well,’ said this
gentleman, briskly smiling, and folding his arms.
’That’s a horse. Now, let me ask
you girls and boys, Would you paper a room with representations
of horses?’
After a pause, one half of the children
cried in chorus, ’Yes, sir!’ Upon which
the other half, seeing in the gentleman’s face
that Yes was wrong, cried out in chorus, ‘No,
sir!’ — as the custom is, in these examinations.
‘Of course, No. Why wouldn’t you?’
A pause. One corpulent slow
boy, with a wheezy manner of breathing, ventured the
answer, Because he wouldn’t paper a room at
all, but would paint it.
‘You must paper it,’ said
the gentleman, rather warmly.
‘You must paper it,’ said
Thomas Gradgrind, ’whether you like it or not.
Don’t tell us you wouldn’t paper it.
What do you mean, boy?’
‘I’ll explain to you,
then,’ said the gentleman, after another and
a dismal pause, ’why you wouldn’t paper
a room with representations of horses. Do you
ever see horses walking up and down the sides of rooms
in reality — in fact? Do you?’
‘Yes, sir!’ from one half. ‘No,
sir!’ from the other.
‘Of course no,’ said the
gentleman, with an indignant look at the wrong half.
’Why, then, you are not to see anywhere, what
you don’t see in fact; you are not to have anywhere,
what you don’t have in fact. What is called
Taste, is only another name for Fact.’
Thomas Gradgrind nodded his approbation.
‘This is a new principle, a
discovery, a great discovery,’ said the gentleman.
’Now, I’ll try you again. Suppose
you were going to carpet a room. Would you use
a carpet having a representation of flowers upon it?’
There being a general conviction by
this time that ‘No, sir!’ was always the
right answer to this gentleman, the chorus of no
was very strong. Only a few feeble stragglers
said Yes: among them Sissy Jupe.
‘Girl number twenty,’
said the gentleman, smiling in the calm strength of
knowledge.
Sissy blushed, and stood up.
’So you would carpet your room
— or your husband’s room, if you were
a grown woman, and had a husband — with representations
of flowers, would you?’ said the gentleman.
‘Why would you?’
‘If you please, sir, I am very
fond of flowers,’ returned the girl.
’And is that why you would put
tables and chairs upon them, and have people walking
over them with heavy boots?’
’It wouldn’t hurt them,
sir. They wouldn’t crush and wither, if
you please, sir. They would be the pictures of
what was very pretty and pleasant, and I would fancy
— ’
‘Ay, ay, ay! But you mustn’t
fancy,’ cried the gentleman, quite elated by
coming so happily to his point. ’That’s
it! You are never to fancy.’
‘You are not, Cecilia Jupe,’
Thomas Gradgrind solemnly repeated, ‘to do anything
of that kind.’
‘Fact, fact, fact!’ said
the gentleman. And ‘Fact, fact, fact!’
repeated Thomas Gradgrind.
‘You are to be in all things
regulated and governed,’ said the gentleman,
’by fact. We hope to have, before long,
a board of fact, composed of commissioners of fact,
who will force the people to be a people of fact,
and of nothing but fact. You must discard the
word Fancy altogether. You have nothing to do
with it. You are not to have, in any object
of use or ornament, what would be a contradiction
in fact. You don’t walk upon flowers in
fact; you cannot be allowed to walk upon flowers in
carpets. You don’t find that foreign birds
and butterflies come and perch upon your crockery;
you cannot be permitted to paint foreign birds and
butterflies upon your crockery. You never meet
with quadrupeds going up and down walls; you must
not have quadrupeds represented upon walls.
You must use,’ said the gentleman, ’for
all these purposes, combinations and modifications
(in primary colours) of mathematical figures which
are susceptible of proof and demonstration.
This is the new discovery. This is fact.
This is taste.’
The girl curtseyed, and sat down.
She was very young, and she looked as if she were
frightened by the matter-of-fact prospect the world
afforded.
‘Now, if Mr. M’Choakumchild,’
said the gentleman, ’will proceed to give his
first lesson here, Mr. Gradgrind, I shall be happy,
at your request, to observe his mode of procedure.’
Mr. Gradgrind was much obliged.
’Mr. M’Choakumchild, we only wait for
you.’
So, Mr. M’Choakumchild began
in his best manner. He and some one hundred
and forty other schoolmasters, had been lately turned
at the same time, in the same factory, on the same
principles, like so many pianoforte legs. He
had been put through an immense variety of paces,
and had answered volumes of head-breaking questions.
Orthography, etymology, syntax, and prosody, biography,
astronomy, geography, and general cosmography, the
sciences of compound proportion, algebra, land-surveying
and levelling, vocal music, and drawing from models,
were all at the ends of his ten chilled fingers.
He had worked his stony way into Her Majesty’s
most Honourable Privy Council’s Schedule B,
and had taken the bloom off the higher branches of
mathematics and physical science, French, German,
Latin, and Greek. He knew all about all the Water
Sheds of all the world (whatever they are), and all
the histories of all the peoples, and all the names
of all the rivers and mountains, and all the productions,
manners, and customs of all the countries, and all
their boundaries and bearings on the two and thirty
points of the compass. Ah, rather overdone,
M’Choakumchild. If he had only learnt
a little less, how infinitely better he might have
taught much more!
He went to work in this preparatory
lesson, not unlike Morgiana in the Forty Thieves:
looking into all the vessels ranged before him, one
after another, to see what they contained. Say,
good M’Choakumchild. When from thy boiling
store, thou shalt fill each jar brim full by-and-by,
dost thou think that thou wilt always kill outright
the robber Fancy lurking within — or sometimes
only maim him and distort him!