Three weeks later he turned up once
more. “Great Heavens!” I cried; “you
back again?”
“Yes,” he answered; “and
I’ve come to tell you I’m mighty sorry
about those ruined MSS. of yours. It is too bad
that your whole day’s work had to go for nothing.”
[Illustration: “HE WAS AMPLY PROTECTED”]
“I think so myself,” I
retorted, coldly. “It’s rather late
in the day for you to be sorry, though. If you’ll
show your sincerity by going away and never crossing
my path again, I may believe in you.”
“Ah!” he said, “I’ve
shown it in another way. Indeed I have. You
know I have some conscience, though, to tell the truth,
I haven’t made much use of it. This time,
however, as I considered the situation, a little voice
rose up within me and said: ’It’s
all right, old chap, to be rough on this person; make
him mad and shove him every which way; but don’t
destroy his work. His work is what he lives by—’”
“Yes,” I interrupted,
“and after what I told you on the steamer about
what I would do to you when we got on even terms, you
are not anxious to have me die. I know just how
you feel. No thing likes to contemplate that
paralysis that will surely fall upon you when my ghost
begins to get in its fine work. I’m putting
it in training now.”
“You poor droll mortal!”
laughed the cockney. “You poor droll mortal!
As if I could ever be afraid of that! What is
the matter with my going into training myself?
Two can train, you know—even three.
You almost make me feel sorry I tried to remedy the
loss of those MSS.”
Somehow or other a sense of some new
misfortune came upon me.
“What?” I said, nervously.
“I say I’m almost sorry
I tried to remedy the loss of those manuscripts.
Composition, particularly poetry, is devilish hard
for me—I admit it—and when I
think of how I toiled over my substitutes for your
ruined stuff, and see how very ungrateful you are,
I grudge the effort.”
“I don’t understand you,”
I said, anxiously. “What do you mean?”
“I mean that I have written
and sent out to the editors of the papers you write
for a half a dozen poems and short stories.”
“What has all that got to do with me?”
I demanded.
“A great deal,” he said.
“You’ll get the pay. I signed your name
to ’em.”
“Y—you—you—you—did
what?” I cried.
“Signed your name to ’em.
There was a sonnet to ’A Coal Grab’—that
was the longest of the lot. I think it will cover
at least six magazine pages—”
“But,” I cried, “a
sonnet never contains more than fourteen lines—
you—fool!”
“Oh yes, it does,” he
replied, calmly. “This one of yours had
over four hundred. And then I wrote a three-page
quatrain on ‘Immortality,’ which, if I
do say it, is the funniest thing I ever read.
I sent that to the Weekly Methodist.”
“Good Lord, good Lord, good
Lord!” I moaned. “A three-page quatrain!”
“Yes,” he observed, calmly
lighting one of his accursed cigars. “And
you’ll get all the credit.”
A ray of hope entered my soul, and
it enabled me to laugh hysterically. “They’ll
know it isn’t mine,” said I. “They
know my handwriting at the office of the Weekly
Methodist.”
“No doubt,” said he, dashing
all my hopes to the ground. “But—ah—
to remedy that drawback I took pains to find out what
type-writer you used, and I had my quatrain copied
on one of the same make.”
“But the letter—the
note with the manuscript?” I put in.
“Oh, I got over that very easily,”
he said. “I had that written also on the
machine, on thin paper, and traced your signature at
the bottom. It will be all right, my dear fellow.
They’ll never suspect.”
And then, looking at the spirit-watch
which he carried in his spectral fob-pocket, he vanished,
leaving me immersed in the deepest misery of my life.
Not content with ruining me socially, and as a lecturer;
not satisfied with destroying me mentally on the seas,
he had now attacked me on my most vulnerable point,
my literary aspirations. I could not rest until
I had read his “three-page quatrain” on
“Immortality.” Vulgar as I knew him
to be, I felt confident that over my name something
had gone out which even in my least self-respecting
moods I could not tolerate. The only comfort
that came to me was that his verses and his type-writing
and his tracings of my autograph would be as spectral
to others as to the eye not attuned to the seeing
of ghosts. I was soon to be undeceived, however,
for the next morning’s mail brought to my home
a dozen packages from my best “consumers,”
containing the maudlin frivolings of this—this—this—well,
there is no polite word to describe him in any known
tongue. I shall have to study the Aryan language—or
Kipling—to find an epithet strong enough
to apply to this especial case. Every point,
every single detail, about these packages was convincing
evidence of their contents having been of my own production.
The return envelopes were marked at the upper corner
with my name and address. The handwriting upon
them was manifestly mine, although I never in my life
penned those particular superscriptions. Within
these envelopes were, I might say, pounds of MSS.,
apparently from my own typewriting machine, and signed
in an autograph which would have deceived even myself.
And the stuff!
Stuff is not the word—in
fact, there is no word in any language, however primitive
and impolite, that will describe accurately the substance
of those pages. And with each came a letter from
the editor of the periodical to which the tale or
poem had been sent advising me to stop work for
a while, and one suggested the Keeley cure!
Immediately I sat down and wrote to
the various editors to whom these productions had
been submitted, explaining all—and every
one of them came back to me unopened, with the average
statement that until I had rested a year they really
hadn’t the time to read what I wrote; and my
best friend among them, the editor of the Weekly
Methodist, took the trouble to telegraph to my
brother the recommendation that I should be looked
after. And out of the mistaken kindness of his
heart, he printed a personal in his next issue to
the effect that his “valued contributor, Mr.
Me, the public would regret to hear, was confined
to his house by a sudden and severe attack of nervous
prostration,” following it up with an estimate
of my career, which bore every mark of having been
saved up to that time for use as an obituary.
And as I read the latter—the
obituary—over, with tears in my eyes, what
should I hear but the words, spoken at my back, clearly,
but in unmistakable cockney accents,
“Shove the fifth!” followed
by uproarious laughter. I grabbed up the ink-bottle
and threw it with all my strength back of me, and
succeeded only in destroying the wall-paper.