Fugitive Pieces, Byron’s
first volume of verse, was privately printed in the
autumn of 1806, when Byron was eighteen years of age.
Passages in Byron’s correspondence indicate that
as early as August of that year some of the poems
were in the printers’ hands and that during
the latter part of August and during September the
printing was suspended in order that Byron might give
his poems an “entire new form.” The
new form consisted, in part, in an enlargement; for
he wrote to Elizabeth Pigot about September that he
had nearly doubled his poems “partly by the
discovery of some I conceived to be lost, and partly
by some new productions.” According to Moore,
Fugitive Pieces was ready for distribution
in November. The last poem in the volume bears
the date of November 16, 1806.
A difficulty in supposing the date
of completion of the volume to be about November 16
is that two copies contain inscriptions in Byron’s
hand with earlier dates. On the copy of the late
Mr. J.A. Spoor, of Chicago, the inscription reads:
“October 21st Tuesday 1806—Haec poemata
ex dono sunt—Georgii Gordon Byron, Vale.”
That on the copy in the Morgan library reads:
“Nov. 8, 1806, H.P.E.D.S.G.G.B., Southwell.—Vale!—Byron,”
the initials evidently standing for the Latin words
of the preceding inscription. The Latin “Vale”
in each inscription, however, suggests that it commemorates
a leave-taking, the date referring not to the presentation
but to the farewell.
It has been suggested that copies
of the volume were distributed earlier than November
and that some of the poems, printed separately and
distributed in fly-leaf form, were added later.
This would explain such discrepancies as the early
dates of the inscriptions, and the presence of Byron’s
name on pages 46 and 48 in a volume otherwise anonymous,
but there is little evidence to support it.
Moore’s account of Fugitive
Pieces is that it was distributed in November,
Byron presenting the first copy to the Reverend J.T.
Becher, prebendary of Southwell minster, who objected
to what he considered the too voluptuous coloring
of the poem “To Mary.” The objection
led Byron to suppress the edition immediately, he
himself burning nearly every copy. This account
is corroborated in part by Miss Pigot and in part
by Byron.
Immediately after the destruction,
Byron began the preparation of a second volume, to
replace Fugitive Pieces. This appeared
in January, 1807, as Poems on Various Occasions,
Byron describing it as “vastly correct and miraculously
chaste.” Of the 38 poems that constitute
Fugitive Pieces, all except “To Mary,”
“To Caroline,” and the last six stanzas
of “To Miss E.P.” were reprinted in Poems
on Various Occasions. Nineteen of the original
38 poems occur in Byron’s third work, Hours
of Idleness, published in June or July, 1807.
All three editions were printed by S. and J. Ridge,
booksellers of Newark, England.
Byron himself never reprinted the
poems “To Mary” or “To Caroline,”
or the last six stanzas of “To Miss E.P.”
Except in a limited facsimile of Fugitive Pieces,
supervised by H. Buxton Forman in 1886, “To
Mary” has never been reprinted—not
even in supposedly complete editions of Byron’s
works.
Only four copies of Fugitive Pieces
are known to-day, and one of these is incomplete.
The copy from which the present facsimile is made
was originally given by Byron to Becher and preserved
by him in spite of his objections to the poem “To
Mary.” From Becher’s family it passed
into the possession of Mr. Faulkner, of Louth, solicitor
for the Becher family. In 1885 it was in the
possession of H.W. Ball, antiquary and bookseller
of Barton-on-Humber, who sold it to H. Buxton Forman.
Forman used it for his facsimile, but incorporated
certain manuscript corrections of the original, so
that his facsimile is not exact. The original
is now owned by Mr. Thomas J. Wise, who has kindly
permitted its use for the present facsimile.
Of the other three copies, the incomplete
one, lacking pages 17-20 (“To Mary”) and all
after page 58, is in the possession of the family
of the late Mr. H.C. Roe, of Nottingham.
This was originally sent by Byron to Pigot, then studying
medicine in Edinburgh. Byron later asked Pigot
to destroy the copy and Pigot seems to have complied
so far as to tear out the offending verses “To
Mary.” For many years it was thought that
only the Pigot and Becher copies had escaped destruction
at Byron’s hands. But another complete copy
came to light in 1907 and is now in the Pierpont Morgan
Library in New York. This contains numerous manuscript
corrections and alterations, and seems to have been
used as a proof copy for Poems on Various Occasions
(not, as has sometimes been stated, for Hours of
Idleness). A fourth copy, also complete,
was offered at public sale in 1912, and is now in the
hands of the executors of the late Mr. J.A. Spoor,
of Chicago.
The present facsimile is an exact
photographic reproduction of the text with all typographical
and other errors as in the original, except that certain
manuscript corrections which appear in the original
perforce appear in the photographic reproduction, as
follows:
Page 3, To E.... line 2.
“me” has been inserted by hand.
Page 8, stanza 5, line 2.
A letter (“s”?) has been erased
between “so”
and “oft,” and
the second
“e” of “meets” has
been inserted
to replace “l.”
Page 14, line 10.
“j” in “jargon” has been
inserted by
hand.
Page 19, stanza (11), line 1.
“night” was originally printed
“might,”
the “m” later changed
to “n”
by erasure.
Page 24, stanza 4, line 4.
“s” in “setting” has been
inserted by
hand.
Page 25, Thoughts Suggested by
“e” in “tremble” has been
a College Examination, inserted,
correcting “trimble.”
line 4.
Page 31, line 4.
“f” in “fast” was originally
“l,”
but was changed by hand.
The text has been collated with that
in the Morgan library, and except for later corrections
made in ink in the Morgan copy, the only differences
noted are as follows:
1.) On p. 5, in the first line
of the footnote, the Morgan
copy reads “piece” where the Wise
copy reads “p*ece,” the
“[dotless i]” lacking.
2.) The two pages of signature M are
incorrectly numbered in the Wise copy as “41,
41,” this copy having no page numbered 42;
and are incorrectly numbered in the Morgan copy as
“40, 42,” the latter copy having no
page numbered 41. The text of these pages
is identical.
M.K.
FUGITIVE PIECES.