[Sidenote:1140a] Let thus much be
accepted as a definition of Knowledge. Matter
which may exist otherwise than it actually does in
any given case (commonly called Contingent) is of
two kinds, that which is the object of Making, and
that which is the object of Doing; now Making and Doing
are two different things (as we show in the exoteric
treatise), and so that state of mind, conjoined with
Reason, which is apt to Do, is distinct from that
also conjoined with Reason, which is apt to Make:
and for this reason they are not included one by the
other, that is, Doing is not Making, nor Making Doing.
Now as Architecture is an Art, and is the same as
“a certain state of mind, conjoined with Reason,
which is apt to Make,” and as there is no Art
which is not such a state, nor any such state which
is not an Art, Art, in its strict and proper sense,
must be “a state of mind, conjoined with true
Reason, apt to Make.”
Now all Art has to do with production,
and contrivance, and seeing how any of those things
may be produced which may either be or not be, and
the origination of which rests with the maker and not
with the thing made.
And, so neither things which exist
or come into being necessarily, nor things in the
way of nature, come under the province of Art, because
these are self-originating. And since Making and
Doing are distinct, Art must be concerned with the
former and not the latter. And in a certain sense
Art and Fortune are concerned with the same things,
as, Agathon says by the way,
“Art Fortune loves, and is of her
beloved.”
So Art, as has been stated, is “a
certain state of mind, apt to Make, conjoined with
true Reason;” its absence, on the contrary, is
the same state conjoined with false Reason, and both
are employed upon Contingent matter.