A breezy day and a sunny landscape.
An open country to right and left and forward; behind,
a wood. In the edge of this wood, facing the open
but not venturing into it, long lines of troops halted.
The wood is alive with them, and full of confused
noises: the occasional rattle of wheels as a
battery of artillery goes into position to cover the
advance; the hum and murmur of the soldiers talking;
a sound of innumerable feet in the dry leaves that
strew the interspaces among the trees; hoarse commands
of officers. Detached groups of horsemen are well
in front — not altogether exposed — many
of them intently regarding the crest of a hill a mile
away in the direction of the interrupted advance.
For this powerful army, moving in battle order through
a forest, has met with a formidable obstacle —
the open country. The crest of that gentle hill
a mile away has a sinister look; it says, Beware!
Along it runs a stone wall extending to left and right
a great distance. Behind the wall is a hedge;
behind the hedge are seen the tops of trees in rather
straggling order. Among the trees — what?
It is necessary to know.
Yesterday, and for many days and nights
previously, we were fighting somewhere; always there
was cannonading, with occasional keen rattlings of
musketry, mingled with cheers, our own or the enemy’s,
we seldom knew, attesting some temporary advantage.
This morning at daybreak the enemy was gone.
We have moved forward across his earthworks, across
which we have so often vainly attempted to move before,
through the debris of his abandoned camps, among the
graves of his fallen, into the woods beyond.
How curiously we regarded everything!
How odd it all seemed! Nothing appeared quite
familiar; the most commonplace objects — an old
saddle, a splintered wheel, a forgotten canteen everything
related something of the mysterious personality of
those strange men who had been killing us. The
soldier never becomes wholly familiar with the conception
of his foes as men like himself; he cannot divest
himself of the feeling that they are another order
of beings, differently conditioned, in an environment
not altogether of the earth. The smallest vestiges
of them rivet his attention and engage his interest.
He thinks of them as inaccessible; and, catching an
unexpected glimpse of them, they appear farther away,
and therefore larger, than they really are —
like objects in a fog. He is somewhat in awe
of them.
From the edge of the wood leading
up the acclivity are the tracks of horses and wheels
— the wheels of cannon. The yellow grass
is beaten down by the feet of infantry. Clearly
they have passed this way in thousands; they have
not withdrawn by the country roads. This is significant
— it is the difference between retiring and retreating.
That group of horsemen is our commander,
his staff, and escort. He is facing the distant
crest, holding his field-glass against his eyes with
both hands, his elbows needlessly elevated. It
is a fashion; it seems to dignify the act; we are
all addicted to it. Suddenly he lowers the glass
and says a few words to those about him. Two or
three aides detach themselves from the group and canter
away into the woods, along the lines in each direction.
We did not hear his words, but we knew them:
“Tell General X. to send forward the skirmish
line.” Those of us who have been out of
place resume our positions; the men resting at ease
straighten themselves, and the ranks are reformed without
a command. Some of us staff officers dismount
and look at our saddle-girths; those already on the
ground remount.
Galloping rapidly along in the edge
of the open ground comes a young officer on a snow-white
horse. His saddle-blanket is scarlet. What
a fool! No one who has ever been in battle but
remembers how naturally every rifle turns toward the
man on a white horse; no one but has observed how
a bit of red enrages the bull of battle. That
such colors are fashionable in military life must
be accepted as the most astonishing of all the phenomena
of human vanity. They would seem to have been
devised to increase the death-rate.
This young officer is in full uniform,
as if on parade. He is all agleam with bullion,
a blue-and-gold edition of the Poetry of War.
A wave of derisive laughter runs abreast of him all
along the line. But how handsome he is!
With what careless grace he sits his horse!
He reins up within a respectful distance
of the corps commander and salutes. The old soldier
nods familiarly; he evidently knows him. A brief
colloquy between them is going on; the young man seems
to be preferring some request which the elder one
is indisposed to grant. Let us ride a little
nearer. Ah! too late — it is ended.
The young officer salutes again, wheels his horse,
and rides straight toward the crest of the hill.
He is deadly pale.
A thin line of skirmishers, the men
deployed at six paces or so apart, now pushes from
the wood into the open. The commander speaks to
his bugler, who claps his instrument to his lips.
Tra-la-la! Tra-la-la! The skirmishers halt
in their tracks.
Meantime the young horseman has advanced
a hundred yards. He is riding at a walk, straight
up the long slope, with never a turn of the head.
How glorious! Gods! what would we not give to
be in his place — with his soul! He does
not draw his sabre; his right hand hangs easily at
his side. The breeze catches the plume in his
hat and flutters it smartly. The sunshine rests
upon his shoulder-straps, lovingly, like a visible
benediction. Straight on he rides. Ten thousand
pairs of eyes are fixed upon him with an intensity
that he can hardly fail to feel; ten thousand hearts
keep quick time to the inaudible hoof-beats of his
snowy steed. He is not alone — he draws
all souls after him; we are but “dead men all.”
But we remember that we laughed! On and on, straight
for the hedge-lined wall, he rides. Not a look
backward. Oh, if he would but turn — if
he could but see the love, the adoration, the atonement!
Not a word is spoken; the populous
depths of the forest still murmur with their unseen
and unseeing swarm, but all along the fringe there
is silence absolute. The burly commander is an
equestrian statue of himself. The mounted staff
officers, their field-glasses up, are motionless all.
The line of battle in the edge of the wood stands at
a new kind of “attention,” each man in
the attitude in which he was caught by the consciousness
of what is going on. All these hardened and impenitent
man-killers, to whom death in its awfulest forms is
a fact familiar to their every-day observation; who
sleep on hills trembling with the thunder of great
guns, dine in the midst of streaming missiles, and
play at cards among the dead faces of their dearest
friends, — all are watching with suspended breath
and beating hearts the outcome of an act involving
the life of one man. Such is the magnetism of
courage and devotion.
If now you should turn your head you
would see a simultaneous movement among the spectators
a start, as if they had received an electric shock
- and looking forward again to the now distant horseman
you would see that he has in that instant altered
his direction and is riding at an angle to his former
course. The spectators suppose the sudden deflection
to be caused by a shot, perhaps a wound; but take this
field-glass and you will observe that he is riding
toward a break in the wall and hedge. He means,
if not killed, to ride through and overlook the country
beyond.
You are not to forget the nature of
this man’s act; it is not permitted to you to
think of it as an instance of bravado, nor, on the
other hand, a needless sacrifice of self. If
the enemy has not retreated, he is in force on that
ridge. The investigator will encounter nothing
less than a line of battle; there is no need of pickets,
videttes, skirmishers, to give warning of our approach;
our attacking lines will be visible, conspicuous,
exposed to an artillery fire that will shave the ground
the moment they break from cover, and for half the
distance to a sheet of rifle bullets in which nothing
can live. In short, if the enemy is there, it
would be madness to attack him in front; he must be
maneuvered out by the immemorial plan of threatening
his line of communication, as necessary to his existence
as to the diver at the bottom of the sea his air-tube.
But how ascertain if the enemy is there? There
is but one way: somebody must go and see.
The natural and customary thing to do is to send forward
a line of skirmishers. But in this case they will
answer in the affirmative with all their lives; the
enemy, crouching in double ranks behind the stone
wall and in cover of the hedge, will wait until it
is possible to count each assailant’s teeth.
At the first volley a half of the questioning line
will fall, the other half before it can accomplish
the predestined retreat. What a price to pay for
gratified curiosity! At what a dear rate an army
must sometimes purchase knowledge! “Let
me pay all,” says this gallant man — this
military Christ!
There is no hope except the hope against
hope that the crest is clear. True, he might
prefer capture to death. So long as he advances,
the line will not fire, — why should it?
He can safely ride into the hostile ranks and become
a prisoner of war. But this would defeat his object.
It would not answer our question; it is necessary
either that he return unharmed or be shot to death
before our eyes. Only so shall we know how to
act. If captured — why, that might have
been done by a half-dozen stragglers.
Now begins an extraordinary contest
of intellect between a man and an army. Our horseman,
now within a quarter of a mile of the crest, suddenly
wheels to the left and gallops in a direction parallel
to it. He has caught sight of his antagonist;
he knows all. Some slight advantage of ground
has enabled him to overlook a part of the line.
If he were here, he could tell us in words. But
that is now hopeless; he must make the best use of
the few minutes of life remaining to him, by compelling
the enemy himself to tell us as much and as plainly
as possible — which, naturally, that discreet
power is reluctant to do. Not a rifleman in those
crouching ranks, not a cannoneer at those masked and
shotted guns, but knows the needs of the situation,
the imperative duty of forbearance. Besides,
there has been time enough to forbid them all to fire.
True, a single rifle-shot might drop him and be no
great disclosure. But firing is infectious —
and see how rapidly he moves, with never a pause except
as he whirls his horse about to take a new direction,
never directly backward toward us, never directly forward
toward his executioners. All this is visible through
the glass; it seems occurring within pistol-shot;
we see all but the enemy, whose presence, whose thoughts,
whose motives we infer. To the unaided eye there
is nothing but a black figure on a white horse, tracing
slow zigzags against the slope of a distant hill —
so slowly they seem almost to creep.
Now — the glass again —
he has tired of his failure, or sees his error, or
has gone mad; he is dashing directly forward at the
wall, as if to take it at a leap, hedge and all!
One moment only and he wheels right about and is speeding
like the wind straight down the slope — toward
his friends, toward his death! Instantly the
wall is topped with a fierce roll of smoke for a distance
of hundreds of yards to, right and left. This
is as instantly dissipated by the wind, and before
the rattle of the rifles reaches us, he is down.
No, he recovers his seat; he has but pulled his horse
upon its haunches. They are up and away!
A tremendous cheer bursts from our ranks, relieving
the insupportable tension of our feelings. And
the horse and its rider? Yes, they are up and
away. Away, indeed — they are making directly
to our left, parallel to the now steadily blazing
and smoking wall. The rattle of the musketry is
continuous, and every bullet’s target is that
courageous heart.
Suddenly a great bank of white smoke
pushes upward from behind the wall. Another and
another — a dozen roll up before the thunder
of the explosions and the humming of the missiles
reach our ears, and the missiles themselves come bounding
through clouds of dust into our covert, knocking over
here and there a man and causing a temporary distraction,
a passing thought of self.
The dust drifts away. Incredible!
— that enchanted horse and rider have passed
a ravine and are climbing another slope to unveil another
conspiracy of silence, to thwart the will of another
armed host. Another moment and that crest too
is in eruption. The horse rears and strikes the
air with its forefeet. They are down at last.
But look again — the man has detached himself
from the dead animal. He stands erect, motionless,
holding his sabre in his right hand straight above
his head. His face is toward us. Now he
lowers his hand to a level with his face and moves
it outward, the blade of the sabre describing a downward
curve. It is a sign to us, to the world, to posterity.
It is a hero’s salute to death and history.
Again the spell is broken; our men
attempt to cheer; they are choking with emotion; they
utter hoarse, discordant cries; they clutch their
weapons and press tumultuously forward into the open.
The skirmishers, without orders, against orders, are
going forward at a keen run, like hounds unleashed.
Our cannon speak and the enemy’s now open in
full chorus; to right and left as far as we can see,
the distant crest, seeming now so near, erects its
towers of cloud, and the great shot pitch roaring
down among our moving masses. Flag after flag
of ours emerges from the wood, line after line sweeps
forth, catching the sunlight on its burnished arms.
The rear battalions alone are in obedience; they preserve
their proper distance from the insurgent front.
The commander has not moved.
He now removes his field-glass from his eyes and glances
to the right and left. He sees the human current
flowing on either side of him and his huddled escort,
like tide waves parted by a rock. Not a sign
of feeling in his face; he is thinking. Again
he directs his eyes forward; they slowly traverse that
malign and awful crest. He addresses a calm word
to his bugler. Tra-la-la! Tra-la-la!
The injunction has an imperiousness which enforces
it. It is repeated by all the bugles of all the
subordinate commanders; the sharp metallic notes assert
themselves above the hum of the advance, and penetrate
the sound of the cannon. To halt is to withdraw.
The colors move slowly back, the lines face about
and sullenly follow, bearing their wounded; the skirmishers
return, gathering up the dead.
Ah, those many, many needless dead!
That great soul whose beautiful body is lying over
yonder, so conspicuous against the sere hillside —
could it not have been spared the bitter consciousness
of a vain devotion? Would one exception have
marred too much the pitiless perfection of the divine,
eternal plan?