“And thus I’ll curb her mad and headstrong
humor.
He that knows better how to tame a shrew,
Now let him speak; ’tis charity to show.”
—“Taming of the Shrew.”
“What would have happened if
she had behaved differently, Stuart?” I asked,
after I had read the pages he had so kindly placed
at my disposal.
“Oh, nothing in particular to
which she could reasonably object,” returned
Harley. “The incidents of a truly realistic
novel are rarely objectionable, except to people of
a captious nature. I intended to have Bonetti
dance attendance upon Miss Andrews for the balance
of the season, that’s all, hoping thereby to
present a good picture of life at Newport in July
and part of August. About the middle of August
I was going to transport the whole cast to Bar Harbor,
for variety’s sake. That would have been
another opportunity to get a good deal of the American
summer atmosphere into the book. I wish I could
afford the kind of summer I contemplated giving her.”
“You didn’t intend that
she should fall in love with Bonetti?” I asked.
“Not to any serious extent,”
said Harley, deprecatingly. “Even if she
had a little, she’d have come out of it all right
as soon as the hero turned up, and she had a chance
to see the difference between a manly man of her own
country and a little titled fortune hunter from the
land of macaroni. Bonetti wasn’t to be
a bad fellow at all. He was merely an Italian,
which he couldn’t help, being born so, and therefore,
as she said, of an acquisitive nature. There
is no villany in that, however—that is,
no reprehensible villany. He was after a rich
marriage because he was fond of a life of ease.
She’d have found him amusing, at any rate.”
“But he was bogus!” I suggested.
“Not at all,” said Harley,
impatiently. “That’s what vexes me
more than anything else. She made a very bad
mistake there. As a Count, Bonetti was quite
as real as his financial necessities.”
“It was a beastly awkward situation,
that conservatory scene,” said I. “Especially
for Willard. The Count might have challenged
him. What became of the Count when it was over?”
“I don’t know,”
said Harley. “I left him to get out of
his predicament as best he could. Possibly he
did challenge Willard. I haven’t taken
the trouble to find out. If, as I think, however,
he’s a living person, he’ll extricate
himself from his difficulty all right; if he’s
not, and I have unwittingly allowed myself to conjure
him up in my fancy, there’s no great harm done.
If he’s nothing more than a marionette, let
him fall on the floor, and stay there until I find
some imaginative writer who will take him off my hands—you,
for instance. You can have Bonetti for a Christmas
present, with my compliments. I’m through
with him; but as for Miss Andrews, she has been so
confoundedly elusive that she has aroused my deepest
interest, and I couldn’t give her up if I wanted
to. I never encountered a heroine like her in
all my life before, and the one object of my future
career will be to catch her finally in the meshes
of a romance. Romance will come into her life
some time. She is not at all of an unsentimental
nature—only fractious—new-womanish,
perhaps; but none the less lovable, and Cupid will
have a shot at her when she least expects it; and
when it does come, I’ll be on hand to report
the attempted assassination for the delectation of
the Herring, Beemer, & Chadwick public.”
“I should think you would try
a little persuasion, just for larks,” I suggested.
“You forget I am a realist,”
he replied, as he went out.
Now I sincerely admired Stuart Harley,
and I wished to the bottom of my heart to help him
if I could. It seemed to me that, however admirable
Miss Andrews had shown herself to be generally as a
woman, she had been an altogether unsatisfactory person
in the role of a heroine. I respected her scruples
about marrying men she did not care for, and, as I
have already said, no one could deny her the right
to her own convictions; but it seemed to me that in
the Bonetti incident she might and truly ought to
have acted differently when the time came for the
presentation. There is no doubt in my mind that
her little speech to Willard, in which she stated that
the Count was a fraud and might not be presented,
was a deliberately planned rebuff, and therefore not
in any sense excusable. She could have avoided
it by telling Willard before leaving home that she
did not care to meet the Count. To make a scene
at Mrs. Howlett’s was not a thing which a sober-minded,
self-contained woman would have done; it was bad form
to behave so rudely to one of Mrs. Howlett’s
guests, and was so inconsiderate of Willard and unreasonable
in other ways that I blamed her unreservedly.
“She deserves to be punished,”
I thought to myself, as Harley went dejectedly out
of the room. “And there is no kind of punishment
for a woman like that so galling to her soul as to
find herself in the hands of a relentless despot who
forces her this way and that, according to his whim.
I’d like to play Petrucio to her Katherine
for five minutes. She’d soon find out that
I’m not a realist bound by a creed to which
I must adhere. Whatever I choose to do I can
do without violating my conscientious scruples, because
I haven’t any conscientious scruples in literature.
And, by Jove, I’ll do it! I’ll take
Miss Marguerite Andrews in hand myself this very afternoon,
and I’ll put her through a course of training
that will make her rue the day she ever trifled with
Stuart Harley—and when he takes her up
again she’ll be as meek as Moses.”
Strong in my belief that I could bring
the young woman to terms, I went to my desk and tried
my hand at a story, with Miss Andrews as its heroine,
and I was not particular about being realistic either.
Neither did I go off into any trances in search of
heroes and villains. I did what Harley could
not do. I brought the New York back to port
that very day, and despatched Robert Osborne, the
despised lover of the first tale, to Newport.
“She shall have him whether
she likes him or not,” said I, gritting my teeth
determinedly; “and she won’t know whether
she loves him or Count Bonetti best; and she’ll
promise to marry both of them; and she shall go to
Venice in August, despite her uncompromising refusal
to do so for Harley; and she shall meet Balderstone
there, and, no matter what her opinion of him or of
his literary work, she shall be fascinated by the
story I’ll have him write, and under the spell
of that fascination she shall promise to marry him
also; whereupon the Willards will turn up and take
her to Heidelberg, where I’ll have her meet
the hero she couldn’t wait for at the Howlett
dance, the despised Professor, and she shall promise
to be his wife likewise; and finally I’ll put
her on board a steamer at Southampton, bound for New
York, with Mrs. Corwin and the twins; and the second
day out, when she is feeling her very worst, all four
of her fiances will turn up at the same time beside
her chair. Then I shall leave her to get out
of her trouble the best way she can. I imagine,
after she has had a taste of my literary regimen,
she’ll quite fall in love with the Harley method,
and behave herself as a heroine should.”
I sat down all aglow with the idea
of being able to tame Harley’s heroine and place
her in a mood more suited for his purposes. The
more I thought of how his failures were weighing on
his mind, the more viciously ready was I to play the
tyrant with Marguerite, and— well, I might
as well confess it at once, with all my righteous
indignation against her, I could not do it. Five
times I started, and as many times did I destroy what
I wrote. On the sixth trial I did haul the New
York relentlessly back into port, never for an instant
considering the inconvenience of the passengers, or
the protests of the officers, crew, or postal authorities.
This done, I seized upon the unfortunate Osborne,
spirited his luggage through the Custom-house, and
sent the ship to sea again. That part was easy.
I have written a great deal for the comic papers,
and acrobatic nonsense of that sort comes almost without
an effort on my part. With equal ease I got Osborne
to Newport—how, I do not recollect.
It is just possible that I took him through from New
York without a train, by the mere say-so of my pen.
At any rate, I got him there, and I fully intended
to have him meet Miss Andrews at a dance at the Ocean
House the day after his arrival. I even progressed
so far as to get up the dance. I described the
room, the decorations, and the band. I had Osborne
dressed and waiting, with Bonetti also dressed and
waiting on the other side of the room, Scylla and Charybdis
all over again, but by no possibility could I force
Miss Andrews to appear. Why it was, I do not
pretend to be able to say—she may have
known that Bonetti was there, she may have realized
that I was trying to force Osborne upon her; but whatever
it was that enabled her to do so, she resisted me
successfully—or my pen did; for that situation
upon which I had based the opening scene of my story
of compulsion I found beyond my ability to depict;
and as Harley had done before me, so was I now forced
to do—to change my plan.
“I’ll have her run away
with!” I cried, growing vicious in my wrath;
“and both Bonetti and Osborne shall place her
under eternal obligations by rushing out to stop the
horse, one from either side of the street. She’ll
have to meet Bonetti then,” I added, with a
chuckle.
And I tried that plan. As docile
as a lamb she entered the phaeton, which I conjured
up out of my ink-pot, and like a veteran Jehu did
she seize the reins. I could not help admiring
her as I wrote of it—she was so like a goddess;
but I did not relent. Run away with she must
be, and run away with she was. But again did
this extraordinary woman assert herself to my discomfiture;
for the moment she saw Bonetti rushing out to rescue
her from the east, she jerked the left rein so violently
that the horse swerved to one side, toppled over on
Osborne, who had sprung gallantly to the rescue from
the west; and Bonetti, missing his aim as the horse
turned, fell all in a heap in the roadway two yards
back of the phaeton. Miss Andrews was not hurt,
but my story was, for she had not even observed the
unhappy Osborne; and as for Bonetti, he cut so ridiculous
a figure that, Italian though he was, even he seemed
aware of it, and he shrank dejectedly out of sight.
Again had this supernaturally elusive heroine upset
the plans of one who had essayed to embalm her virtues
in a literary mould. I could not bring her into
contact with either of my heroes.
I threw my pen down in disgust, slammed
to the cover of my ink-well, and for two hours paced
madly through the maze-like walks of the Central Park,
angry and depressed; and from that moment until I
undertook the narration of this pathetic story I gave
Harley’s heroine up as unavailable material
for my purposes. She was worse, if anything,
in imaginative work than in realism, because she absolutely
defied the imagination, while the realist she would
be glad to help so long as his realism was kept in
strict accord with her ideas of what the real really
was.
It was some days before I saw Harley
again, and I thought he looked tired and anxious—so
anxious, indeed, that I was afraid he might possibly
be in financial straits, for I knew that for three
weeks he had not turned out any of his usual pot-boilers,
having been too busy trying to write the story for
Messrs. Herring, Beemer, & Chadwick. It happened,
oddly enough, that I had two or three uncashed checks
in my pocket; so, feeling like a millionaire, I broached
the subject to him.
“What’s the matter, old
fellow?” I said. “You seem in a blue
funk. Has the mint stopped? If it has,
command me. I’m overburdened with checks
this week.”
“Not at all; thanks just the
same,” he said, wearily. “My Tiffin
royalties came in Wednesday, and I’m all right
for a while, anyhow.”
“What’s up, then, Stuart?”
I asked. “You look worried. I’ve
just offered to share my prosperity with you, you
might share your grief with me. Lend me a peck
of trouble overnight, will you?”
“Oh, it’s nothing much,”
he said. “It’s that rebellious heroine
of mine. She’s weighing on my mind, that’s
all. She’s very real to me, that woman;
and, by Jove! I’ve been as jealous as a
lover for two days over a fancy that came into my
head. You’ll laugh when I tell you, but
I’ve been half afraid somebody else would take
her up and— well, treat her badly.
There is something that tells me that she has been
forced into some brutal situation by somebody, somewhere,
within the past two or three days. I believe
I’d want to kill a man who did that.”
I didn’t laugh at him.
I was the man who was in a fair way to get killed
for “doing that,” and I thought laughter
would be a little bit misplaced; but I am not a coward,
and I didn’t flinch. I confessed.
I tried to ease his mind by telling him what I had
attempted to do.
“It was a mistake,” he
said, shortly, when I had finished. “And
you must promise me one thing,” he added, very
seriously.
“I’ll promise anything,” I said,
meekly.
“Don’t ever try anything
of the sort again,” he went on, gravely.
“If you had succeeded in writing that story,
and subjected her to all that horror, I should never
have spoken to you again. As it is, I realize
that what you did was out of the kindness of your heart,
prompted by a desire to be of service to me, and I’m
just as much obliged as I can be, only I don’t
want any assistance.”
“Until you ask me to, Stuart,”
I replied, “I’ll never write another line
about her; but you’d better keep very mum about
her yourself, or get her copyrighted. The way
she upset that horse on Osborne, completely obliterating
him, and at the same time getting out of the way of
that little simian Count, in spite of all I could do
to place her under obligations to both of them, was
what the ancients would have called a caution.
She has made a slave of me forever, and I venture
to predict that if you don’t hurry up and get
her into a book, somebody else will; and whoever does
will make a name for himself alongside of which that
of Smith will sink into oblivion.”
“Count on me for that,”
said he. “‘Faint heart never won fair
lady,’ and I don’t intend to stop climbing
just because I fear a few more falls.”