A book entitled Forensic Eloquence,
by Mr. John Goss, appears to have for purpose to teach
the young idea how to spout, and that purpose, I dare
say, it will accomplish if something is not done to
prevent. I know nothing of the matter myself,
a strong distaste for forensic eloquence, or eloquence
of any kind implying a man mounted on his legs and
doing all the talking, having averted me from its
study. The training of the youth of this country
to utterance of themselves after that fashion I should
regard as a disaster of magnitude. So far as I
know it, forensic eloquence is the art of saying things
in such a way as to make them pass for more than they
are worth. Employed in matters of importance (and
for other employment it were hardly worth acquiring)
it is mischievous because dishonest and misleading.
In the public service Truth toils best when not clad
in cloth-of-gold and bedaubed with fine lace.
If eloquence does not beget action it is valueless;
but action which results from the passions, sentiments
and emotions is less likely to be wise than that which
comes of a persuaded judgment. For that reason
I cannot help thinking that the influence of Bismarck
in German politics was more wholesome than is that
of Mr. John Temple Graves.
For eloquence per se—considered
merely as an art of pleasing—I entertain
something of the respect evoked by success; for it
always pleases at least the speaker. It is to
speech what an ornate style is to writing—good
and pleasant enough in its time and place and, like
pie-crust and the evening girl, destitute of any basis
in common sense. Forensic eloquence, on the contrary,
has an all too sufficient foundation in reason and
the order of things: it promotes the ambition
of tricksters and advances the fortunes of rogues.
For I take it that the Ciceros, the Mirabeaus, the
Burkes, the O’Connells, the Patrick Henrys and
the rest of them—pets of the text-bookers
and scourges of youth—belong in either
the one category or the other, or in both. Anyhow
I find it impossible to think of them as highminded
men and right-forth statesmen—with their
actors’ tricks, their devices of the countenance,
inventions of gesture and other cunning expedients
having nothing to do with the matter in hand.
Extinction of the orator I hold to be the most beneficent
possibility of evolution. If Mr. Goss has done
anything to retard that blessed time when the Bourke
Cockrans shall cease from troubling and the weary
be at rest he is an enemy of his race.
“What!” exclaims the thoughtless
reader—I have but one—“are
not the great forensic speeches by the world’s
famous orators good reading? Considering them
merely as literature do you not derive a high and
refining pleasure from them?” I do not:
I find them turgid and tumid no end. They are
bad reading, though they may have been good hearing.
In order to enjoy them one must have in memory what,
indeed, one is seldom permitted to forget: that
they were addressed to the ear; and in imagination
one must hold some shadowy simulacrum of the orator
himself, uttering his work. These conditions
being fulfilled there remains for application to the
matter of the discourse too little attention to get
much good of it, and the total effect is confusion.
Literature by which the reader is compelled to bear
in mind the producer and the circumstances under which
it was produced can be spared.
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